Various
Niger
*few copies available* Private Charles Duvelle label, from the archive of Charles Duvelle includes recordings from disques Ocora 1960 to 1974 featuring complete and unedited recordings from master tapes.
Slowscan Vol. 5
Original copies, few in stock, long out of print. This anthology of Canadian and Swedish soundpoetry is a numbered editon of 300 copies. Packed in a paperboard case with attached 4-page booklet (side 4 is glued to the box). It features contribution by legendary artists such as Four Horsemen (sound poetry group of Canadian poets composed of bpNichol, Rafael Barreto-Rivera, Paul Dutton and Steve McCaffery) Susan Frykberg, Paul Dutton as well as Lars Gunnar Bodin, Arne Mellnäs and many more
Naši Hostia: Experimental Studio Bratislava Series, vol. 3
This Series of electro acoustic music and Musique Concrète has started in 2015 to celebrate the 50th anniversary of the Experimental Studio Bratislava, Exs. Series 1 introduced us to Ina Hudba/Other Music from the first generation of Slovak avant-garde composers recorded in the Exs, mostly with self-built electronic equipment behind the Iron Curtain. Series 2 provided a platform for Nova Generacia/New Generation of Slovak composers using Western equipment – now integrat…
The Photographs of Charles Duvelle: Disques Ocora
Disques Ocora, a French label dedicated to capturing and publishing the sounds of folkloric culture from around the world, is held in the highest possible regard in the realms of professional and amateur ethnomusicology. Instigated in 1958 by Pierre Schaeffer, the founder of musique concrète, Disques Ocora's sterling reputation is largely built on composer and musicologist Charles Duvelle's pioneering field recordings, as well as his now-iconic photographs and graphic design. Charles Duvelle's w…
Revolutions Per Minute (The art Record)
Restocked, reduced price. Bubbling below the surface of the sonic avant-garde - spanning art and music, lays the rarely observed context of the Artist Record - a field of recorded sounds stemming from, or attached to, the environments of fine art. Though expansive, elastic, and at times difficult to define, the largest body of its artifacts have been made by artists who are known for their work in other media - painters, sculptors, etc. These thrilling experimental gestures, draw on ideas which …
Señales De Síntesis - Música Electroacústica Peruana
In the bulletin 103 of the Casa de las Americas, published in the second semester of 1984, there is an article by Peruvian composer and musicologist Aurelio Tello, offering a full-scale view of what by then was the last generation of Peruvian composers: the generation of the 70s, nicknamed by Celso Garrido-Lecca as “The Superstars”. Making a recap of the musical production of those composers, Tello indicates: “Signs of the conditions under which we work can be seen at first sight: the red…
Visiones De La Catástrofe Documentos Del Noise Industrial En El
In the mid ’80s a hardcore punk movement burst in Lima under the Movida de Rock Subterráneo moniker, meaning Underground Rock Movement. By the end of said decade the movement had diversified its musical options toward post punk, fusion, techno and noise. The political and social ecosystem in which that movement had developed was determined by a deep economical crises and a violent environment which had sunk the country into an insecure and chaotic condition as terrorist groups and the mil…
Music from Saharan Cellphones Vol.2
2017 repress. "Contemporary pop music from the Sahara desert, where songs are stored on cellphones. Collected in Northern Mali in 2010 (since taken over by extremists who've banned music on cellphones) the second volume expands into new sonic territory - from dreamy Niger guitar ballads, Bamako club juke, and hi energy Moroccan child Raï - with a focus on the Autotuned DIY creations circulating the desert." Includes insert with liner notes.
Music from Saharan Cellphones
2017 repress, originally released in 2012. "A compilation of the most popular music circulating the Sahara desert on the unofficial network of cellphones -- where mp3s are stored, played, and traded in very literal peer to peer bluetooth transfers. The contemporary West African sound from the new school of DIY production with little or no commercial release outside of their locales, from spaced out Tuareg autotune, Ivorian club jams, Mauritanian synth, and Malian hip hop electro. Collected from …
Agrim Agadez: Musique Guitare de la Republique du Niger
Agrim Agadez is a compilation of contemporary field recordings of guitar music from the Sahelian empire of Niger. Focusing on guitar music throughout the country, from meditative starlight ballads, fuzzy Hendrix covers, rag tag wedding bands, to political minded folk guitarists. A beautiful encapsulation of the diversity of guitar as it exists today, recorded over years of travels. Like most of the Sahel, the guitar is found in every corner of Niger. Whether acoustic, electric, or built …
Jazz am Rhein 1967-1968
It was the summer of love in 1967, and more than 12 000 people found their way into the Rheinpark in Cologne – situated opposite the majestic cathedral and right at the bank of the Rhine river – for the first German open air jazz festival. Featured on those two sunny days in September were three big bands – including ace musicians like Jiggs Whigham, Dusko Gojkovic, Manfred Schoof and Volker Kriegel – and the Kenny Clarke - Francy Boland Sextet. When the festival was revived the following year, …
États-Unis bundle
Within an era dedicated reassessing neglected sonic histories, Superior Viaduct has emerged as a distinct and singular voice - dismissing the presumptions of taste and genre, offering fans an endless stream of adventurous sound. With a singe hit of five LPs - a gesture representing the debut of their new sub-label Etats Units, they’re upping the anti - plunging further afield and digging deep.
Etats Units is an intervention - an open challenge to how connections are formed - to presump…
Eteenpäin! Vorwärts!Forward!Antauen! 1966-70
A 6xLP box comprising the entire discography of Eteenpäin! Records, the first Finnish record label and also the first to release music from outside the mainstream, including experimental and totally weird styles. Includes tracks by legendary artistst such as Sperm, M.A. Numminen, J.O. Mallander, Rauli Somerjoki, Markus Allan, Pepe Willberg, Tommi Parko, Baby Grandmothers, Nalle Puh Big Band and many others.
The classic Eteenpäin! Period consists of only 14 seven inch records (one of them in…
An Introduction to Ored Recordings, Pt. 1: Song
The tireless Death Is Not The End returns with the first of two primers of Caucasus folk in conjunction with the Ored Recordings label. Established in 2014, Ored Recordings is a free ethnographic net-label that has drawn together a truly enlightening collection of field recordings based on documenting the folk and experimental musicians living in villages and towns throughout the North Caucasus region. Working together, the two labels draw together a 13-track collection that offers an illuminati…
An Introduction to Ored Recordings, Pt. 2: Dance
The tireless Death Is Not The End returns with the second of two primers of Caucasus folk in conjunction with the Ored Recordings label. We’ve been blown away by this joint endeavour from Death Is Not The End and Ored Recordings, a Nalchik, Russia-based net-label that is a treasure trove of ethnographic folk and experimental music spanning the North Caucasus region. This second volume profiles an intrinsic social function of the Circassian people; the urge to dance. Some ten tracks deep, it real…
New Zealand Electronic Music
Well I’ll be - I went to Auckland in May of this year with the sole intent of finding a copy of the “New Zealand Electronic Music” set - well; and to play a killer show w/ Pumice and Dean Roberts / Guy Treadgold - which naturally was nowhere to be found in any of the George St. shops - although I did find both of the From Scratch LPs and a few copies of the solo Douglas Lilburn LP - and here, not three months later, like a bolt of Viking Thunder from down up over under; the Creel Pone re-product…
Works of Electronic Music
Something of a “companion” volume to the “Greek Electronic Music -1” compilation (one of the most popular & enduring entries in the early Creel Pone replography) issued a decade later, comprised of late-70s & mid-80s works by a successive generation of “capsule-intakers” as they transition from the “analogue world” into thedigital era, Four pieces from four different composers :: Thanos Mikroutsikos (whose “La Frere” is the token ensemble-sound work amidst the otherwise purely electronic offeri…
Musiques de l'O.N.F., Music of the N.F.B.
reproduction of a lovely 1977 double-lp set collecting only the earliest electronic music made in canada; with a majority of pieces remarkably made without the aid of magnetic tape (!?) but directly on optical film... music of the n.f.b. (volume 1)audio without visualthis album offers an unusual opportunity to discover the "sound dimensions" of the national film board of canada. this is not, however, a matter of "film music" or "theme songs". the sound tracks to be found here, detached from thei…
The Inside of the Outside, or The Outside of the Inside
"Who Are They? Where Do They Come From? Why are They Here?" After a short beauty res(e)t, Creel Pone returns borne anew with this pristine nugget, a reproduction of this 1965 Serenus-label lp by one George Engler - with one piece credited to “Heinz Karl Gruber” attributed to “The Inside of the Outside /or The Outside of the Inside." One can glean all sorts of hypochondroid vibes from the title & liners alone, even before the music itself hits your ears - a fine mist of space-age paranoic Lo-Fi …
Iowa Ear Music
This one’s certainly a mold-breaker; closer in spirit to Cage / Tudor’s “Indeterminacy” than the sort of bedroom solo composer / producer / performer LPs that have been the Creel Pone archetype thus far. Improvisors were set up in 4 different isolation booths in the studio in Iowa State University’s recording studio during the ‘67 - ’75 seasons; these simultaneously-ocurring sound-events captured in real time, then collaged via tape & electronic processing by the studio-head Michael Lytle after…