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Geography is an ongoing force shaping our understandings of the environments around us and, in turn, experiences ongoing transformation and development. Considering not only the natural world, but also culture, economy and politics in diverse settings and across many scales, contemporary geography acts as a glue - integrating disparate research streams and continuing to provide insights into our relations with space and place. On Audible Geography, 11 sound artists were asked to consider the sco…
Questo volume offre per la prima volta al pubblico italiano la storia dell'incontro tra la filosofia di Deleuze e Guattari e la musica elettronica. Una storia che comincia, forse, quando Deleuze partecipa nel 1972 alla registrazione del disco Electronique Guerrilla del gruppo rock sperimentale Heldon, prestando la sua voce a un frammento di Umano, troppo umano di Nietzsche.Per ripercorrere questa storia, complessa e ricca, Emanuele Quinz esplora alcuni concetti-chiave a partire dai quali Deleuze…
A very nice compilation distributed worldwide by Wire and produced by Xing. Fragments of Phonorama were recorded live at Raum, Bologna, in 2006-07 from two collective performances conceived by Riccardo Benassi for Xing. The original recordings were re-shaped and re-composed in Berlin by Valerio Tricoli and Riccardo Benassi. Phonorama is a live electronics happening generated from improvisations by 20 musicians to create a collective soundtrack. One long environmental suite involving some of the …
Two classic Y records reissued on the Unheard Music Series; hardcore improvised music by Beresford (Slits, Premiere U.K. Jounalisto), Honsinger (cellist extraordinaire), Toop (experimental Genius/author) & Kondo (Japanese improv legend). Originally released in 1980/81, never reissued before. With bonus tracks, new liner notes by Beresford.
With Karl-Birger Blomdahl: Mimamusik (1959). Bengt Hambraeus: Doppelrohr 2 (1955). Rune Lindblad: Formation (1958-59), Optica 2 (1960). Arne Mellns: Nite Music (1964). Sten Hanson: Fruits de mer (1962). Åke Karlung: Antihappening (1962). Leo Nilsson: Skorpionen (1964). Ralph Lundsten: Atomskymning (1964). Bengt Emil Johnson: Enmans Gubbdrunkning (1964). Lars-Gunnar Bodin: Den heter ingenting, den heter nog 'Seans 2' (1965). The cd includes a 16 page booklet with texts by Sten Hanson.
In the mid-1920s, The Gramophone Company sent representatives into Iraq to investigate the indigenous music found in its record stores and performance halls. Their research laid the foundation for sessions that produced almost 1,000 recordings. The selections on this disc, restored from their original 78s, present a compelling multicultural portrait of Iraq that is all but forgotten today.Rural Arab folk singers, Kurdish violinists, professional Jewish musicians, and prostitutes share equal bill…
An essential double LP anthology of artists' aural work & music in fold-out cover with extensive liner-notes. You can have a look at UBU for an estensive review with audio excerpt. Very rare, still sealed copy
AtRare original copy: a the time of its release in early 1975, unpitched speech was not taken for granted as musical material by composers, nor was there a widespread movement of sound poetry in the U.S. This now-legendary anthology, therefore, was a novelty and for some an inspiring revelation. Long prized by collectors (it has been out-of-print since 1984), this album of sound art made of spoken words inspired a burst of related activity during the decade of its circulation. A younger generat…
Double CD Edition housed in Metal Case** This wonderful Lawrence English-curated compilation documents a number of works commissioned by the Queensland Music Festival in conjunction with Brisbane Airport, calling on the compositional talents of all the leading lights in contemporary electronic music, including Tim Hecker, Fennesz, Taylor Deupree, Richard Chartier, Francisco Lopez, Marc Behrens and Toshiya Tsunoda, to name but a few. The music here all comes from the starting point of field recor…
A compilation of the best moments of the Ring Ring 1997 festival which took place in Belgrad in May 1997. Included is a previously unreleased track by Justine.
International consortium of freaky vocal talent culled together here represent some of the finest exponents of extemporaneous jibber jabber extant. From the U.S., we have the zany N.Y. avant chanteuse Shelley Hirsch and her equally flipped out N.Y. compatriot in extended vocal technique David Moss as well as the L.A.-based Anna Homler, whose approach emerges from her personal zone of invented language generation as heard on her gorgeous Do Ya Sa Di Do CD, which I posted a while back. To that, ad…
Tetuzi Akiyama - acoustic and electric guitar. Martin Taxt - tuba. Eivind Lønning - trumpet. Espen Reinertsen - tenor saxophone and flute. On Varianter av døde trær the young Norwegian musicians Martin Taxt, Eivind Lønning and Espen Reinertsen meet the internationally acclaimed guitarist Tetuzi Akiyama from Tokyo. The three Norwegians are highly experienced young improvisers with background from groups like Trondheim Jazzorkester and Music for a Weill. Akiyama says he aims to create music with e…
Two tracks each by Francisco Lopez, Luis Mesa, Juan P. Monreal, Antonio Garcia, Miguel Ruiz, 1 track each by El Sueno de Hyparco, Markus Breuss, Orfeon Gagarin.
A beautifully packaged collection of specially recorded pieces (which could be most accurately described as "sound poems") from such left field luminaries as Nurse With Wound, Zoviet France and Graeme Revell (he of SPK and "Dead Calm" soundtrack fame).
This record is a diary of the first 2 editions of BääFest (2004 and 2005). The bands offered thier tracks for this CD: the songs are unreleased studio or live contributes (from BääFest or other locations). Thanks to all the artists for thier performances at the festival and for their tracks. Thanks also to ControProgetto for their kind help all over these years.
Rare noise / experimental compilation released in 1992 by Freedom In A Vacuum (a canadian experimental, industrial label run by Robert W. Olver operating in conjunction with his "Freedom In A Vacuum" events at the Music Gallery in Toronto). This is the tracklist:1 Dead Masochistic Gut Detuning2 Crawl/Child Unbecome / Unborn / Unformed3 Allegory Chapel Ltd. Brutality Of Love4 Plecid Sssexy5 Randy Greif Garden Of The Lights6 Pierre-André Arcand A…
Featuring many of the pioneers of Japanoise (Merzbow, Null, Violent Onsen Geisha, Solmania, and 19 other artists), demonstrates the flexibility of brute force as performed under the clever disguise of music. AA guaranteed kick in the head compliments of The Land of the Rising Sun. On the Furnace imprint. Very rare. Only one copy available.
Columbia-Princeton Electronic Music Center was an album of electronic music released in 1961. It was the recording of a concert performed at the McMillin Theatre (today called the Miller Theatre) at Columbia University on May 9 and 10, 1961. The Arel composition is completely electronic, with articulated signals over a continuous background texture. El-Dabh's composition, an "electronic drama," has a text drawn from the epic of Layla and Majnun, and consists primarily of tape manipulated instrum…
One of the most beautifully pressed vinyls of electronic music with 3 important works: Steve Reich "Come Out" (see Reich's Early Works), Richard Maxfield "Night Music," and Pauline Oliveros "I of IV." Maxfield's "Night Music" is an exquisite pre-synthesizer electronic music made -- like his pieces "Sine Music" (1959) and "Trinity Piece" (1960) -- with only the supersonic bias signal of a tape recorder and a supersonic sawtooth waveform from an oscilloscope producing audio range difference tone "…