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colossal 6-disc set of obscure early concrète music: a lovely anthology celebrating the 30 years anniversary of Institut international de musique électroacoustique de Bourges (IMEB), formerly Groupe de musique électroacoustique de Bourges (GMEB). Realized between 1970-83 and 1984-1999
When the Los Angeles Free Music Society 10 CD set came out I eagerly flipped through the contents to see what treasures had finally been made available again. Much to my surprise the early compilation I.D. Art #2 was not included in this otherwise major overview of the LAFMS. I.D. Art #2 was the second LP release on their label, coming after Le Forte Four’s ‘Bikini tennis shoes’ LP, and before the 2LP ‘Live at the Brand’, a split album between Le 44 and The Doo-Dooettes. It dates from 1976. It i…
Archive aural document collection edited by James Nice and originally released via Sub Rosa in 1989. This unique CD compiles over an hour of original sound recordings made between 1912 and 1959 by luminaries from both 20th Century art movements, including: Marinetti, Antonio Russolo, Jean Cocteau, Marcel Duchamp, Wyndham Lewis, Guillaume Apollinaire, Kurt Schwitters, Tristan Tzara, Marcel Janco and Richard Huelsenbeck. Includes musical and interview material, tone poems, and sleevenotes. Artwork…
From A to Z offers ten enticing selections of compelling, engaging electroacoustic music. It's a specially priced compilation that's an excellent introduction to the Starkland label. The diverse music ranges from Tod Dockstader's powerful musique concrète to the digitally sampled bovine vocalizing in Phillip Bimstein's udderly charming portrait of a Utah farmer. The CD opens with three excerpts from Starkland's two Dockstader "organized sound" CDs, widely praised in over 25 highly positive revie…
Since we started the label Nonvisualobjects two years ago, many collaborations with artists worldwide have arisen, a large, growing network has evolved and an extensive body of work has been formed that we would like to explore and try to sum up. The book developed from the idea of presenting an extract of artists involved in the current experimental electro-acoustic music scene, often following a rather reduced approach in their work. We would like to present artists that work in different area…
Sound poetry and poetry of sound. Edited and assembled by Joachim Montessuis. Joël Hubaut, Erik Samakh, Atau Tanaka, AGF, José Iges, Lee Ranaldo, R.H.Y. Yau, Rainier Lericolais, Francisco López, Gary Hill, Charles Pennequin, Ira Cohen, Phill Niblock, Joachim Montessuis, Le Dépeupleur, Julien Ottavi, Robin Minard, Guillermo Goméz Peña, Guillermo Galindo, Brandon LaBelle, Pierre André Arcand, Christina Kubisch, Fréderic Dumond, Christophe Charles, Henning Christiansen, EHB, laboiteblanche, Tommi G…
This lengthy compilation offers up a mixed bag of the fascinating and the wearisome. Peak bits of said fascination here would have to be Gregory Whitehead, Gilles Richard and the duo of Patrick Muller and Jean-Francois Bory, who all offer up wonderfully sick vocal based surrealist audio malformations. Elsewhere, Zbigniew Kakowski dishes up nerve janging sinewaves and distorted field recordings while Dinsinformation and Charlemagne Palestine both maddeningly revel in stasis, with unwavering low-e…
"The pieces on this CD are all based on the ideas in Larry Polansky's four voice canons, a series of pieces he began in 1975. These canons are usually "mensuration canons," which means that the tempi of successive voices is proportional to their start times, so that the voices end together. They also use simple ideas of moving through a list of permutations, and applying the elements of those permutations to various musical parameters. A set of Polansky's canons was produced on Cold Blue Records…
30e Concours International de musique et d'Art Sonore Electroacoustiques, Bourges 2003. With Maurio Mary 'Signes émergents', Laurent Soulié 'Ecorde de lune' for tape and instruments (TM+), Ambrose Field 'One hell of a place to lose a cow', Gerald Eckert 'Offen - fin des terres' for tape and instruments (Aventure). Free with this audio CD, a CDrom around the festival Synthèse 2003.
Sixth volume in the Acousmatrix series. "Incredible sampling of lesser-known, but more than equally-important recordings of Herbert Eimert, Robert Beyer, Karel Goeyvaerts, Paul Gredinger, Gottfried Michael Koenig, Henri Pousseur, Bengt Hambraeus, Franco Evangelisti, Gyorgy Ligeti, Gieselher Klebe, Herbert Brun." All recordings from 1952-58
The first audiobook CD to explore the highly influential Bauhaus school of art and architecture, which operated in Germany between 1919 and 1933.The spoken word element centres on a revealing talk by Walter Gropius, the architect and theoretician who founded the Bauhaus in 1919. The CD also includes contributions from the school's third and final director, architect Ludwig Mies van der Rohe, and teacher Josef Albers. All interviews are in the English language. The music content of the CD feature…
Three-way split release featuring an extended piece each by Tony Conrad, Ralf Wehowsky, and Jim O’Rourke. Tony’s piece works a lone processed violin to glorious effect; the solo variant of his “four violins.” Ralf’s is a musique concrète piece built out of assorted instrumentation and children’s vocals (coming across like a lost international harvester/älgarnas trädgard out-take in spots...) jim’s is an awesome side-length-plus rumination of drone-sound (harkening back to his “disengage” era) in…
With M.A. Numminen, Tommi Parko, Pekka Kujanpää, Sähkökvartetti, Erkki Salmenhaara, Blues Section, Erkki Kurenniemi, Jukka Ruohomäki, Jouni Kesti & Seppo I. Laine, The Sperm, J.O.Mallander, Pekka Airaksinen, S.Albert Kivinen.
For the 30th birthday of INA, the GRM has decided to present in this CD box some of his archives. INA - GRM (Institut National de l'Audiovisuel - Groupe de Recherches Musicales) in Paris, France, is the pioneering organisation of electroacoustics, acousmatics and musique concrète, with a history going back many decades, as active today as ever, recording and releasing a long string of historically important, but also new and innovative, electracoustic works, while also engaging in research into …