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Here at last is a deserved and “rightful” CD re-release of this fantastic collaboration created in 2007 by Maurizio Bianchi and Craig Hilton. Until now this recording was only made available in a very limited CD-R edition. Extremely dark atmospheres, restless and dramatic… Sharp masses of metallic noises cleave pulsating substrates of low frequencies, mixed with magmatic agglomerates of more processed sounds of an unrecognizable nature… Moments of stasis and apparent quietness… Handfuls of…
Crashing, cascading sounds, like thunderous storms. A perfect example of industrial droning ambient. Releasing collaborations since 2006 this is the 5th work they've done together. An amazing album consisting of two long tracks dealing with Drone and Dark Ambient/ Noise.
After the disintegrative period of my production (from “Symphony for a Genocide” to “Das Testament”), the purchase of a misanthropic echo-machine and the consequent decay of the electric-analogue machinery, my efforts was redirected to a pre-recording sound sublimation, so I started to re-compose the electronic metastasis of early times, filtering through dehumanizing effects of the echo-machine, keeping attention particularly to the explanatory process of my ancestral subjectivism.
- facts:the …
A true experimental music classic by Maurizio Bianchi, originally released as private cassette in early 80's and then later bootleged on tape. This is the very first official re-release on CD of this incredible sound-material!!! This is the most intense M.B.: raw and experimental! Released on 1:1 high quality new generation CDr -> same quality and 99% same 'look' of a glass mastered CD. Digislim package.
On a mission to bring again the best works of the Italian Industrial acts of the 80s and 90s to the light, Officina Fonografica Italiana offers its first release in the form of a CD reissue of the historic "Armaghedon" by Maurizio Bianchi. Originally released on vinyl in 1984 by the author, this album has longly been his last work before his return to music in the late 90s. Conceived as a soundtrack for a movie by Bianchi himself - unfortunately never finished and now lost - "Armaghedon" is a co…
The legendary M.B. / Maurizio Bianchi and the vulcanic Andrea Ics Ferraris team up for a special collaboration titled Vir-Uz. Their symbiosis has generated deep and intimate tracks around the biblical figure of Job, as you can read inside CD’s notes: “A salutary protagonist existed in proved real life with his disorientating trials at the lewd hands of Satan, his captious discussion with false friends on the origin and nature of his terrifying accidents, and finally a wise response from the p…
Lost and found all of a sudden, this album is the exploration made with the chanting voices of unknown nature. Choral fragments were decomposed and restructured, arranged with the effects and atmospheric shifts, creating the mysterious soundtrack to the otherworldly ceremony. These echoing voices are going directly from the lost memory or the daydreams, nobody can tell you where they are from, where they are calling you. Here are some words of the author, giving you just the hint but not t…
Lovely early MB archival material recorded and issued as private editions between May and August 1980. Limited numbered edition of 211 copies in professional box, with a 12 pages booklet with reproductions of original tapes covers, a note and new collages by M.B. Destroyed time capsules. Ancient loops of faded music become an hypnotic wall of infectious sounds. If you are willling enough you could get lost in this world made of cold and dreamy distant memories.
A colossal and epic post-ambient symphony in three movements, where echoes of string instruments, deep drones of indecipherable origin, layered synthetic waves, slowed-down and distorted dark sonic masses challenge time with a para-immobility in constant turmoil, in an unpredictable, progressive and sometimes cyclic combination of statuesque sonic forms whose physiognomy is often known and familiar, while at the same time elusive, disturbing, arcane and mysterious... Another highest and …
Originally issued as a private LP in an edition of 400 copies in 1983. De-composition for bionic organisms and concrete sounds. A sound that refuses both the cold logic of the fetish electronic computer-man-of-the-year and the sterile exasperation of the negative. A sound that dilutes and coagulates, eluding the listeners with minimal variations that make the cyclic style of Phillip Glass resemble a carousel of colors. This CD also features two untitled tracks first issued on compilation …
Another classic album reissued by Phage Tapes and R.O.N.F. Records. An early work of Maurizio Bianchi recorded at Mectpyo Studio in 1981 and originally released by Banned Productions (US) back in 1992 as a vinyl LP. CD packaged in beautiful 5 colour screen printed arigato packs. 2 tracks totalling. 50 minutes in length. Limited edition of 300 copies. As with any early 80’s Bianchi this comes highly recommended.
Maurizio Bianchi hardly needs an introduction I should think. The old master of industrial music is back after a hiatus - although recently I heard rumors of him going back in hibernation - but 'Apokalypsis XXIII' seems to be a new work. Four quotes from the book of Apocalypse is all the cover reveals for this. Bianchi is apparently still a devoted man, but this time the apocalypse doesn't get a loud soundtrack, like it would have sounded thirty years ago, but a rather gentle work. Four long par…
Working with the same source material, sound artists Maurizio Bianchi & Francisco Lopez create individual works produced from the impartial de-oxidation of sonorous carbon-containing modular compounds. "'KRMN-FL' and 'KRMN-MB' were both created with the same original source materials, jointly created by Maurizio Bianchi and Francisco Lopez.""Produced from the partial oxidation of carbon-containing compounds, carbon monoxide is a highly toxic gas and has no odor or color. It is the most common ty…
Mirror Tapes present a stunning issue of unreleased, archival work from notorious electronic noise pioneer, Maurizio Bianchi. 'Technology-X' was salvaged from tapes dating to 1981 and carefully restored and remastered for cassette by Edward Sol of Quasi Pop records, faithfully representing MB's crushing dynamics and incredibly visceral textures.
Previously unreleased private cassette from February 1981 containing sound sketches to shape the future 'Endometrio'. While the 'EMO-DNE' track bears some basic resemblances with Endometrio's 'Primo Ciclo', the 'OIRT' track sounds significantly different in the labyrinth of MB's creative processes. The flaws and distresses of the original tape give intriguing textures and details to the recordings which stand well on their own beyond being 'Endometrio' in embryonic form, and towards much …
Near-exact reproduction of the original Sterile Records release, including hand-stamped labels and inserts just like the 1981 issue. M.B., aka Maurizio Bianchi, has enjoyed a deserved renaissance in recent times as a new generation discovers his charred brand of industrial noise, particularly the artist's formative early 80's period before he disappeared in pursuit of religion. In the ensuing years, many of these early records became prized collector objects, garnering hundreds of dollars…
Reissue of a February 1980 decomposition (M.B. skippin' up the film's original soundtrack) from the Italian industrial forereunner. Halting tape cut-ups of the classical score from Kubirick's film. One of the strangest M.B. recordings!
a lovely project by Silentes records, a series of 26 cassette tapes centered around the interpretation on silent sound....Each tape is associated with a letter of the alphabet. Each letter is associated with an artist Each letter gives birth to an unwanted word The music is the artist's personal vision of silence 26 tapes by 26 italian acts. Each tape is hand numbered and limited to 100 copies. And the "M" letter is dedicated to Maurizio Bianchi aka MB, italian pioneer of noise music, orig…
'Gene P' was released as a cassette in 1980, and among the true Bianchi devotees old = best.On the first track (both tracks are untitled) Bianchi uses tape-loops of what could vaguely sound like gamelan music, or wind chimes. Its music with not many changes, music that is not loud and actually quite pleasing.The other side is more experimental. It uses vinyl, scratchy vinyl that is, with the needle jumping all over the place. Its a bit much experiment for the sake of experiment for me here. A mo…