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I stayed in Iwate, where I was born, for a few days and created some sound materials using limited materials and old media. Over ten years ago, Iwate was devastated by the Great East Japan earthquake. Many old things that remained in my memory became rubble, dismantled, and new scenery was there. I bounced every song from “1982” straight onto an old tape recorder.
This album that comes out of my interest in sonic "degradation and rebuilding". I treated the guitar and synthesiser in a lot of new …
Yui Onodera and Takashi Kokubo are two visionary artists hailing from Japan, known for theirexceptional ability to create captivating and immersive sonic experiences. The compositionsseamlessly blend Yui Onodera's minimalist sensibilities with Takashi Kokubo's mastery oftraditional Japanese instrumentation, creating a sonic tapestry that transports listeners to arealm of serenity and introspection.
Grammy-nominated Takashi Kokubo is a veteran musician, composer, and sound designerwho has played …
Yui Onodera’s work is patient. He invites a sense of dwelling with his pieces, an encouragement to pause and to allow sound to swell up around you. On Too Ne, he charts out a very specific sonic exploration. Across these five works he creates a lilting passage of sound, a liouidous flow that confirms the adage of Ambient music existing as constant, but never solid. Too Ne also invites a sensing of the self, in that the works ask us to examine our own memories as a way to unlocking a deeper reson…
“Quiver” continues our subseries of cerebral abstract electronic minimalism after Triac’s “In A Room” and Hanno Leichtmann’s “Minimal Studies”.Yui Onodera is a musician and composer based in Tokyo, Japan. After studying music and architecture, he founded the Critical Path. In terms of environmental functions and spacial relationships of sound, he employs materials from various sources ranging from field recordings, electronics, and voices, to various musical instruments, for process-based, restr…