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The "devil's organist" in action: if you really want to know what the "Queen of Instruments" is all about, make sure to experience Wolfang Mitterer play it live.Mitterer's organ event at Darmstadt in 2004 included not only works for organ solo but al…
It was recorded at the legendary Total Music Meeting of Free Music Production in November 2000. Dawn is a composition played off the cuff of nearly 42 minutes. All the highs and lows of a longer composition are on this recording: searching and findin…
Last winter, when BLOODYMINDED was preparing to go on tour in the U.K., I was put in contact with Lee Stokoe, who was touring at the same time as us, under the name Inseminoid, with George Proctor of Mutant Ape. Not only was Lee beyond accommodating …
For each of his compositions for prepared piano Cage created a specific piano preparation chart, setting out in meticulous detail the strings to be prepared, and the materials and manipulations to be used for preparing them. For the Concerto for Prep…
Like most of his previous work, O True Believers may be born of a finite moment of hope in a sea of infinite sadness, a fleeting moment of fragile beauty that extends beyond it's physicality. Unlike past albums, the listener's feeling upon conclusion…
Today, the piano concertos by Béla Bartók are regarded as works of classic modernism and are considered suitable even for conservative audiences. Musica Viva, the concert series for contemporary music in Munich, included the piano concertos in their …
It has been Chicago, not New York, that has been the confluence of music of Europe, jazz of the Americas, and improvised music. Whereas NYC claims all things to be "New York" (sort of like Al Gore inventing the internet), music makers in Chicago iden…
Hardly any other composer has ever been as far removed from conservatism as Helmut Lachenmann. In all his oeuvre his listeners are never permitted to lean back comfortably even for a moment in expectation of the well-known and familiar. Again and aga…
Summons of Shining Ruins is a project of Shinobu Nemoto, who works with electric guitar, tape delay, old rhythm machines, stompboxes and 4-track-recorders. No computer or software is used to record this work. And you can hear that in every tone.
Main is back in grand form... After finalising his Firmanent CD's it's been a bit quiet around Robert Hampson. Although very busy with other projects as Comae (with Janek Schaefer), Chasm (Fatcat), his main output has been a bit low. Tau shows the fi…
Featured works: "Pléiades" and Psappha." Performed by Kroumata Percussion Ensemble; Gert Mortensen, percussion. "Xenakis has been very interested in percussion music -- ever since his orchestral piece 'Terretektorh (1966) in which the instrumental…
a representative and intense snapshot of the Milanese sinthy wave scene of the early eighties, 20 tracks that recount the salient steps of the brief but intense career of four Milanese bands — from th…
Concert music for solo harp: The harp, whose ancestor belongs to the most ancient musical instruments, is usually associated with impressionistic sound. But Roman Haubenstock-Ramati - the most visionary inventor of sounds among contemporary composers…
It is with great shrewdness that Uroš Rojko has almost maxed out the unusual juxtapositions of an accordion with a viola and a piano, respectively. His fondness for the accordion may have its roots in his folk music past. On the present recording, ho…
Collected here are three radioplays from three Fluxus affiliates, Philip Corner, Alison Knowles, and George Brecht. Each piece is built from a simple element and features a text recited by the author and sometimes others. Corner's piece is an homage …
'Written and recorded by Gordon Sharp at Belmont Shore (ca), mid-levels (hk) & kobe (japan) 2001-2009. Mastered at Piethopraxis, july 2009. Dedicated to Matt Kinnison (1965-2008). Cindytalk have been active since 1982, which we won't go into here (a …
"I originated in 1954 a music constructed from the principle of indeterminism; two years later I named it "stochastic music." The laws of the calculus of probabilities entered composition through musical necessity… But other paths also let to the sam…