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AURORA / THRENOS IV / PIRKEI TEHILLIM / MEMORARE
Titles often occur to Reinhard David Flender only after he has completed a composition. When listening to Aurora, for example, "a visual association is evoked. The piece starts with a long double bass tone. Then a high pitched tone played by oboe and harp comes in, briefly at first, repeated at intervals; as the piece proceeds it is joined by other tones, until a short melody emerges. Thus the title Aurora, the first rays of sun at the crack of dawn, which then give way to a shape: the dome of t…
Urueña
'Sillón is proud to present what has to be Italy's best kept secret on the improvised music scene. Based in Madrid, Spain, Alessandra Rombolá works in the field of contemporary music and improvisation. Her stunning debut-cd, Urueña, shows her great musicality and sense of form. Her sound is so rich that it fills the whole space of the beautiful Church in the tiny village in central Spain, Urueña. The music is captured in detail by sound-wizard, Pierre-Olivier Boulant. A must for all fans of crea…
Pollen
Recorded on 20/21 December 2006 and 2 January 2007 at Studio Z, Berlin
DW 17: Doubles / Schatten II
The unfolding of the differences is succeeded by ever new ramifications, versions, series. DW 17 Doubles/Schatten II as a new phase in the DW-Kosmos.
Violin and Orchestra / Coptic Light
Morton Feldman dedicated a whole series of compositions to the relationship between solo instruments and the orchestra: after Cello and Orchestra (1972), Piano and Orchestra (1975), Oboe and Orchestra (1976) and Flute and Orchestra (1977/78) his Violin and Orchestra (1979) marks the conclusion of these "relationship works." The variety of sound accumulated around the violin, or through the violin, in less than an hour's time ranges from delicate whispers to cantilenas in rich tones and sharp rep…
Happy days
Back in stock. Released: 1997.Jim O'Rourke is a rarity: a genuine bridge between the avant-garde and the underground. From his production work (Smog, Wilco, Faust) to his own freewheeling excursions as a solo performer and member of outfits like Gastr del Sol and Sonic Youth, his work continues to bring the out there in here. Happy Days pits a lone guitar against a phalanx of hurdy-gurdies, a decided shift away from the composer's electronic-based work. A roiling hornet's next of activity that F…
Oboe Concertos
The oboe more than suited Maderna's partiality for clear structures and sensual-concrete sounds. It was not without good reason that at a time when the supply of music dedicated to the oboe was anything but plenty, Maderna wrote, not one, not two, but three concertos (besides several other works for oboe) for this "nasal" sounding member of the woodwind family. The first oboe concerto (1963) seems almost classical in its character, in the interplay of oboe and orchestra, or involving other instr…
Maros at Ems (1970-1979)
Analog and computer-generated electroacoustic music and mixed pieces for voice, instruments and live-electronics, realized at EMS - the Stockholm Electronic Music Studio. (now the Stockholm Institute of Electroacoustic Music) 1970-1979. Miklós Maros was a composition teacher at the Stockholm secondary school of music in Stockholm, (1971-1973), teacher at the Electronic Music Studio in Stockholm (EMS) (1971-1978), and lecturer in electronic music at the College of Music in Stockholm (1976-1980…
Whitehouse
This project involves the unique German avant-garde orchestra performing a selection of tracks from the Whitehouse catalogue. The rehearsals and mixing were done in collaboration with William Bennett but he doesn't actually perform on the recordings. Anyone familiar with Zeitkreitzer's Rendition of Lou Reed classic Metal Machine Music will be fully aware that these guys can magnificently translate noise music and in this case electronic music through acoustic interments. Bennet's compositions h…
Works (1968 - 2005)
This is an epic 'best of' from the great Hans Joachim Roedelius one of the pioneers of Krautrock and early electronica. What's more, he's 74 years old and still producing music, now how's that for commitment to the scene? Working with Kluster, Human Being, forming Cluster with Dieter Mobius and working with Mobius and Michael Rother as Harmonia - the man has covered a lot of ground in his time, and that's never been as evident as on these two discs. We've got squelchy synthesized Krautroc…
Spiegel
As fascinating as ever: Cerha's monumental opus Spiegel, in which he investigates fundamental phenomena of musical creation.
s/t
More lost Scandinavian sounds from Silence, this one being a folksier variant on the Träd Gräs tribal hoe-down formula. Lots of hand drums and long hair. Hippie as hell, but decidedly non-stinky. Fantastic! Handgjort (trans. "Handmade") recorded a legendary album in 1970 released by Silence Records. All covers were hand-painted by the band members. The music is moody underground folk with Eastern influences. The album sold very poorly and is a serious collector's item today. The original b…
Periodikmindtrouble
Periodikmindtrouble is Ilitch's (a.k.a Thierry Muller) first album, released on Oxygène Rec. in 1978. This reissue present for the first time the complete works of Periodkmindtrouble such as it had been conceived and should be released at that time: as a double LP. So, here it is as a double CD (including a 12 pages color booklet) with the following musical works : the album Periodikmindtrouble in its entirety, plus the complete recordings of Innerfilmsequence, plus the unreleased track …
Buenos aires tapes
Günter Müller (ipod, electronics) with Disc 1: Alan Courtis (unstringed guitar & tapes), Pablo Reche (sampler, md's, electronics). Disc 2: Sergio Merce (4-track portastudio without tape, WX7), Gabriel Paiuk (piano, tapes). Disc 1 was recorded live February 9th and disc 2 February 10th, 2006 at Fundación Cultural Surdespierto, Buenos Aires by Gabriel Paiuk. Mixed and mastered by Günter Müller at Remisch Lupsingen. Cover art by Günter Müller.
Down Another Road/Songs For My Father/Mosaics
The late 1960s and early 1970s were years when European jazz in general, and British jazz in particular, came into their own in terms of the music making a fundamental break with established, exclusively American precedents. This two-disc reissue of three Graham Collier albums made by the bassist/bandleader during the period underscores this contention. This is an exemplary reissue in terms of plotting the course of a music coming into its own. Equally importantly, both of these discs pass the r…
Der Engel der Geschichte
Vinko Globokar advises listeners to "make up their own movies to the music." The Slovenian-French European does not believe in explaining music. And the deeply moving expressiveness of his orchestral trilogy Der Engel der Geschichte, "The angel of history," inspired by Paul Klee's painting "Angelus Novus" and now documented by this recording of the exemplary SWR production, certainly speaks for itself. The listener encounters three disturbing sound images: the first, "Zerfall," refers to the dis…
Dialogo della musica antiqua et della moderna - Musica Viva 04
Pierre Boulez as conductor – in a musical discourse among antiquity, middle ages and classical modernism.
Portraitkonzert Salzburg 10.8.93
Recorded in Salzburg on August 10, 1993, this recording documents a portrait concert devoted to the music of György Kurtág that spans most of his career, from his Op. 1, first string quartet, written when he was in his forties, to works of recent years. The performers are a star-studded gallery of mostly-Hungarian musicians, many closely associated with Kurtág's music, including the pianist Zoltan Kocsis, the soprano Adrienne Csengery, the Keller Quartet, the cellist Miklos Perenyi and the compo…
Imperial Distortion
BACK IN STOCK. Very occasionally a record comes along that we just don't want to review, a record so wondrous that words just seem to fall short. Since we have an urge to persuade anyone who crosses our path to hear 'Imperial Distortion', though, perhaps it's worth a shot nonetheless. Dominick Fernow's Hospital imprint has long impressed us with its output, but never before have we heard anything quite like 'Imperial Distortion' slip out of its ornate iron gates. Those of you in the know will al…
Lost / Found
This double CD with 44 (!) tracks is a welcome re-release of this essential compilation which was initially released on Tarantulla Productions. A must-have for wave / minimal / electro fans! New artwork.