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I:Cube has made a new album. It is a very “hands on” album, as the eight tracks on show were created almost entirely by improvising with electronic hardware – synthesizers, sequencers, drum machines and effects units – and recorded in real time, with very little after-editing. It is also his first album in a decade, should you be keeping track. During the time he spent recording it, which was in part inspired by the processes behind his ‘Cubo Live Sessions’ series, I:Cube had fun, experimented, …
*200 copies limited edition* Die Sonne Satans (also known as Die Sonne Satan) is the musical creation of Paolo Beltrame. The name Die Sonne Satans is borrowed from the title of Georges Bernanos' novel "Sous le soleil de Satan", which Maurice Pialat adapted into the eponymous film in 1987. Die Sonne Satans is driven by the desire for self-determination in opposition to dogmas or conventions supported only by tradition, authority, or revelation. It remains one of the most creative and simultaneous…
*200 copies limited edition* Few films in the history of cinema have achieved the haunting, meditative power of Andrei Tarkovsky’s Solaris (1972). This masterpiece of science fiction transcends the genre’s typical preoccupation with technology and speculative futures, reaching instead into the depths of human consciousness, memory, and the aching poetry of the unknown. Adapted from Stanisław Lem’s novel of the same name (in turn, one of the greatest masterpieces of speculative science fiction na…
A document of a performance last autumn at Parisian Improv spot Instants Chavires, in which Günter Müller is flanked by two very different but distinctive users of the electric guitar. On one side of the stage is Keith Rowe, who's worked for half a lifetime to unsettle the boundaries between music and noise. On the other is the restrained presence of Taku Sugimoto, whose crabbed phrases waft above the shifting timbral networks laid down by the other two. The trio's music is dominated by rasps an…
"The first word that came to mind on playing Extracts was understatement, with an almost oriental minimalism and profundity on display. At times I was forced to check whether sounds were coming from the speakers or from outside. However, this is a far cry from the Radu Malfatti school of implied music since it is very much about close group interplay. Simon H. Fell's sonorous bass is of particular note, underpinning, colouring and giving the proceedings a kind of still, stately authority. Likewi…
Christian Wolff, prepared piano, whistles, stones. Michael Pisaro, electric guitar, harmonica, stones. Recorded in 2014. Chistian Wolff (1934), American composer of avant-garde music. Michael Pisaro (1961), guitarist andcomposer, member of Wandelweiser. The album was mastered by Joe Panzner and designed by Yuko Zama
An extended work from Antoine Beuger and Michael Pisaro, defined by six stanzas written by Beuger, Anna Swir, Mei-Mei Berssenbrugger and Edmond Jabes, a subtle cycle on love and permanency realized in tone and voice."
"The work begins in very un-Wandelweiser fashion, with a strong note played on, I think, a harpsichord (prepared spinet?), quite forthrightly. After several identical notes, a recording of an interior space enters and a surprising sequence of chords occurs, four of them, very…
Unusual sound work from the Japanese duo of Takahiro Kawaguchi and Utah Kawasaki (Astro Twin), using self-made instruments and electronics to create unexpected sonic emissions that follow curious paths that are separated by periods of quiet or textural sound.
Takahiro Kawaguchi was born in Osaka, Japan, in 1980. He works in Osaka and Tokyo in various electroacoustic genres, using field recordings or creating sound installations, or presenting sound live. The common concept of all his works is: "…
*2022 stock* Futura Marge presents Warrior. Recorded october 13th, 2013 at John Kilgore Sound and Recording, New York. All music by Richard Bonnet Richard Bonnet / guitar Tony Malaby / saxophones Antonin Rayon / Hammond organ Tom Rainey / drums
*2022 stock* Futura Marge presents Alice's Evidence by Sophia Domancich Quintet . Recorded live on 24 and 25 May 2016 at La Dynamo in Pantin (France).Ray Anderson (trombone), Géraldine Laurent (alto saxophone), Sophia Domancich (piano), Hélène Labarrière (double bass), Nasheet Waits (drums)
Honour’s debut album is a ligament stretching from Lagos to London and to New York, curling across the diaspora and brushing the darker hues of blues, hip-hop, free jazz, ambient, gospel with Christian mythology and Yoruba folklore. As cinematic as it is painterly, Àlàáfíà is a meditation on themes of life, death and love that pulls inspiration from the poetic profundity of God, remembered dreams, unexpected casual conversations, field recordings, literature, ephemera, and personal archives. The…
4 Cuts Placed In "A First Quarter", the companion piece to Solos, is the sonic result of a collaboration with artist Lawrence Weiner. As Landry remembers, “I was working for Keith Sonnier at Castelli Gallery and met Lawrence. He asked ‘can you make a video for me?’ So we did "To and Fro..." At some point he was working on "A First Quarter" (1973) and wanted me to do the music. I said ‘I already have the music.’ He said ‘what do you mean?’ I had recorded several pieces with Kurt Munkcasi and walk…
Tip! In a generation of musicians that came of age in postwar Japan, Kazuki Tomokawa stands as a pioneer of radical individualism, with a sound marked by shocking intimacy and blistering honesty. In his third album, A String of Paper Cranes Clenched between My Teeth, released by Harvest Records in 1977, Tomokawa creeps “ever more inward,” as Kiichi Takahara writes in the record’s original introductory text—embracing an attitude pervasive amongst musicians of the time who interrogated the prosaic…
** Edition limited to 350 copies including a large booklet with sinister photos, surreal drawings and lyrics in German and English. ** Right on time for its 30th anniversary, “Herzschlag Erde”, cassette debut album of Die Welttraumforscher, is being re-released in a collaborative effort between the labels Planam and A Tree In A Field. The new, limited vinyl edition includes a large-format, 20-page booklet as well as the previously unreleased follow-up album, “Verdunkelt die Sinne”. Die Welttraum…
*2025 stock* Planet Ilunga continues its mission to uncover and highlight the overlooked yet epic achievements in the world of Congolese rumba. This time to tell the most spectacular story of all. This is the story of the creation of Surboum African Jazz, the first Congolese music label founded by a Congolese. Surboum African Jazz was owned and managed by the best singer of all time, Joseph Kabasele, alias Grand Kallé. The label's catalog during the period 1960–63 is largely dominated by Grand K…
**Edition of 300** Ethnoelectronics, issued on cassette by Sound Reporters in 1986, exists beyond the realm of easy definition. Very little information about the album exists, other than the fact that it involved the contributions of a remarkable group of sonic explorers - Walter Maioli, Nirodh Fortini, Fred Gales, Raffaele Serra, John Zandijk and the sculptor Edward Luyken, and was conceptualised as the soundtrack for an obscure science-fiction saga. Or was it?The title makes clear allusion to …
Huge Tip! Since the 1970s Mario De Leo works as a musician and visual artist. His mechanical paintings are hybrid works that reveal the cosmic spiritualism hidden in the meanders of electronics. With Riccardo Sinigaglia (Futuro Antico, Correnti Magnetiche, Doubling Riders) De Leo consolidates an artistic and human partnership with Lettera Cosmica, a work unpublished to date, produced and recorded in 1981. In a wacky electronic vision of the succession of time, the tracks trace the four seasons i…
Unreleased recordings of future members of Aktuala and I.P. Son Group! The history takes us back in the alternative Milan of the early 70’s, to the flavour of the first jam-blues of that era when musicians from different parts of the world (India, Africa or South-America), of disparate background and culture were used to gather to experiment just with an authentic sense of stay together. Here, the devotion to the blues roots remains strong but leaks in the compositions an aerial and wandering c…
*2025 stock* "Barry Guy and I first met and played together in a version of the Spontaneous Music Ensemble in the days of the legendary Little Theatre Club. The late John Stevens, visionary prophet of the coming music was the key figure at the centre of things who brought us together. “So it goes“ – John often used this figure of speech.
I was reminded of this when I was looking through Samuel Beckett’s Collected Letters, hoping to glean some titles, knowing that Barry would be happy with a Beck…