Back in stock
Dust
Dust is an opera by Robert Ashley and Yukihiro Yoshihara (video direction) whose imaginary setting is a street corner anywhere in the world, where those who live on the fringes of society gather to talk, to each other and to themselves, about life-changing events, missed opportunities, memory, loss, and regret. Five "street people" recount the memories and experiences of one of their group, a man who has lost his legs in some unnamed war. As part of the experience of losing his legs, he began a …
Celestial Excursions
2005 release. Following the ground-breaking work, Dust (LCD 1006CD), godfather of experimental opera Robert Ashley returns with Celestial Excursions. Ashley's endeavor explores remarkably uncharted territory -- the kind of language that is common among "old" people who talk all the time or not at all, to anyone passing by or to themselves. The opera premiered at the Hebbel Theater in Berlin, before coming to The Kitchen for its U.S. premiere in April 2003. Celestial Excursions delves into the wi…
Now Eleanor's Idea
2007 release. Now Eleanor's Idea was made possible by grants from The Rockefeller Foundation (1984 and 1993), the National Endowment for the Arts' Opera Musical Theater Program (1985) and InterArts Program (1992). Robert Ashley's Now Eleanor's Idea is a quartet of short operas based on the notion of a sequence of events seen from four, different points of view. At the same time, each opera is an allegory, like Bunyan's Pilgrim's Progress (1678), for an individual's self-realization within the co…
Inner Journey
2025 stock 1998 release. Inner Journey contains works by William Duckworth, Thomas Buckner, Jacques Bekaert, David Wessel, and Somei Satoh - united by their themes of the quest for self-knowledge. Composed of fragments from the works of F. Scott Fitzgerald, Henry Miller, Gertrude Stein, and Thomas McGrath, William Duckworth's text reveals the multiple perspectives of an unknown couple whose post-modern love story emerges. Thomas Buckner's improvisation, "Inner Journey", is dedicated to the spiri…
Two Lines
1995 release. Two legendary composer/performers, David Rosenboom and Anthony Braxton, join forces on Two Lines to unite composition with improvisation, "new music" with "new jazz". Starting from David Rosenboom's notated score for Two Lines and his musical computer program, these musicians have achieved, to paraphrase Rosenboom, created a composition that is immediately heard. Duets with interactive HMSL software. Includes Rosenboom's Two Lines, plus compositions in collaboration with Braxton: L…
Four Compositions
*2022 stock* "Any resemblance between these pointillistic chamber compositions and Schoenberg is purely coincidental. Delicate as to texture, curiously dispassionate as to mood, these mostly notated woodwind, string, and piano chamber works are motivically atonal, but tend to collapse into tonal cadences just to show you they know where they are. Like Ornette Coleman, Mitchell's playing with the tension between center and periphery, but in a milder, more abstract idiom and from the other directi…
Pilgrimage
** 2021 Stock ** Legendary avant-garde jazz saxophonist Roscoe Mitchell is best known for his role as a founding member of the Art Ensemble of Chicago. This group is recognized for incorporating, and none-too-subtly ridiculing, the long-bearded tradition of Western art music. Mitchell, nonetheless, has something to say that is within the tradition himself, apart from, but related to his work in the field of jazz. Usually the sort of classical music piece produced by a "jazz cat" is formulated wi…
Take Your Time
2003 release. A CD of works for solo piano from "Blue" Gene Tyranny.
Thirty-five of the 36 songs in this "audio storyboard" are individually
built around an atmospheric primary chord, counter-rhythms, and a body
of notes which creates a potential melody that unfolds bit by bit. The Driver's Son
is scored for a narrator, a chorus of five people creating fifteen
voices, an electronically modified orchestra of folk and concert
instruments and parts for a lighting designer and a live video ani…
Country Boy Country Dog
1994 release. A realization of "Blue" Gene Tyranny's How to Discover Music In the Sounds of Your Daily Life, a procedural score for recording and composing with environmental sounds. Eclectic, flowing music alternately gesturing toward impressionism and minimalism. Personnel: "Blue" Gene Tyranny - acoustic and electronic keyboards, field and studio recording, electronic transforms; Timothy Buckley - accordion in "The CBCD Intro"; the Arch Ensemble for Experimental Music, featuring Robert Hughes …
Crash
Crash was Robert Ashley's last opera. It premiered at the Whitney Biennial weeks after his death in 2014, and presented again in 2015 at Roulette, where this recording was made. Featuring the original cast: Gelsey Bell, Amirtha Kidambi, Brian McCorkle, Paul Pinto, Dave Ruder, and Aliza Simons. Music Director: Tom Hamilton. "What I have appreciated most about previous reconceptions of Ashley's operas was the extent to which newcomers found fresh possibilities. Already in Crash, broadened horizons…
Your Money My Life Goodbye
An opera commissioned by Bayerisher Rundfunk Munich's Hörspiel und Medienkunst department about an internationally renowned swindler, who almost took down the European and American banking system. Featuring the voices of Robert Ashley, Sam Ashley, Thomas Buckner, Jackie Humbert, and Joan La Barbara. Recorded and mixed by Tom Hamilton. Robert Ashley on the piece: "Your Money My Life Goodbye is one of forty-nine vocal-ensemble pieces of various lengths (from ten minutes to ninety minutes or more) …
Panorama
A gorgeous recording of works for trombone and piano, transformed by Lucier's electronics and oscillators. Wind Shadows (1994), Music for Piano with One or More Snare Drums (1990), and Panorama (1993)--were written for the Swiss musicians Roland Dahinden and Hildegard Kleeb, who play them on this CD. Also included: Music for Piano with Amplified Sonorous Vessels (1990), which was originally written for Margaret Leng Tan."Wind Shadows" (1994)Two pure wave oscillators are tuned a tenth of a cycle …
Atalanta (Acts of God)
Originally released on Lovely Music in 1985. Robert Ashley makes use of the story of Atalanta
- a royal princess, discarded by her family, who was raised by the
animals to become the fastest-running human, and who was later reclaimed
by her father to marry her off for dynastic purposes - to present the
character aspects of the "successful suitor". These three aspects of
character are presented in the opera as anecdotes about three
extraordinary men of our times: Max Ernst (surrealist paint…
Atalanta (Acts Of God) Volume II
2010 release. Three of the satellite songs from Robert Ashley's opera Atalanta (Acts of God) - each inspired or revolving around one of the main characters of the opera, Max, Willard and Bud. Atalanta (Acts of God) was written in the 1980s, begun while Ashley was still in production for the television opera, Perfect Lives.
The many hours of material were performed throughout the world in many
different configurations, but this is the first time these songs have
been available on CD. Personnel…
eL/Aficionado
Robert Ashley's eL/Aficionado is a group of scenes from the life of an "agent". The scenes are a kind of "debriefing" to a jury of Interrogators, in which the Interrogators (chorus) challenge the Agent (soloist) in various forms of musical dialogue. The mood of the opera owes much to our fascination with espionage and with the character of those people who lead double lives. The opera was performed many times between 1987 and 1993, and Lovely Music released a recording of the opera in 1994 (LCD …
Yellow Man With Heart With Wings
1990 CD issue of Robert Ashley's 1978 piece for voice and electronics. A two-part composition with narration (part one in Spanish and part two in heavily altered English) commissioned by public radio station KUNM in Albuquerque, this music has a plain, serene beauty. Part one is a narration by Guillermo Grenier in dreamy, flatly inflected Spanish, backed by a four-note synthesizer track, and punctuated by mysterious, heavily processed vocalizations. Ashley throws in extensive sound washes and ot…
50 Years
In 2012, the Wergo label celebrates its 50th anniversary. For half a century, Wergo has been synonymous with contemporary music. The label's catalog reads like a virtual who's-who of modern music, both in terms of composers and performers. From the beginning, the intent of founder Werner Goldschmidt (from whom the label derives its name) was to provide listeners with a snapshot of current musical activity and innovation. Goldschmidt's label and mission, now managed by the publisher Schott, is ma…
Sound Art at Het Apollohuis
*2022 stock* This amazing double CD Box presents excerpts from previously unpublished concert and performance recordings of important artists who appeared during the lifespan of Het Apollohuis - between 1980 and 1997, artists presented a panoply of exhibitions, installations, performances, and concerts, and engaged in lively debate on art theory, at Het Apollohuis in Eindhoven, the Netherlands. Under the direction of founders Paul and Hélène Panhuysen, the building became an important center for…
Delusion Of The Fury
“It was only with Partch that a music began to take shape that could do equal justice to the physical desire for rhythmic pulse and a curiosity for new, unheard sounds; a music that enthralls us despite, or rather, precisely because of its unfamiliarity. A music for which we have no category, and which has no location, and yet in a strange way is grounded.” – Heiner Goebbels
The American composer Harry Partch (1901-1974) is considered a pioneer of the Just Intonation movement and was far ahead o…
Vipérine
*300 copies limited edition* "Turner Williams Jr.'s music unfolds like a crossroads, where ancient and modern traditions intersect and attract each other. We hear American Primitive Guitar (Robbie Basho, John Fahey, Sandy Bull), the trance of Indian ragas, melancholy of Celtic ballads, the most experimental side of French folk revival (René Zosso, Rémy Couvez, Pierre-Jean Croset, Valentin Clastrier), while allowing the memory of even more ancient music to filter through (Marin Marais, François C…