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Things that Happen Again offers a panoramic entry point into the lucid, evolving world of Paul Newland. Recorded by Apartment House at Goldsmiths in 2023, the album presents compositions written across a fourteen-year span. The title alludes to Newland’s fascination with recurrence and reworking - tracks such as “Difference is Everywhere (altered again)” or “Things That Happen Again (again)” are not only marked by repetition but by acts of subtle reinvention, echoing Newland's habit of dismantli…
Hymnkus Thoreau Drawings Two features three rarely encountered works by John Cage, interpreted by Apartment House. The album brings together the sparse, spatial interplay of “Two”, the poised transformations of “Thoreau Drawings”, and the hypnotic, layered repetitions of “Hymnkus” in performances marked by clarity, restraint, and ensemble sensitivity.
Tehran Dust reveals Klaus Lang at his most understated and evocative, presenting a pair of pieces that meditate on the porous boundaries between sound, space, and memory. Eschewing overt drama or visual spectacle, the album envelops the listener in a slow-form exploration of timbre and atmosphere, shaped by microtonal harmony and subtle shifts in instrumental color. What emerges is not simply a display of compositional technique, but an invitation to enter a suspended sonic landscape where each …
Point/Wave represents a rare confluence of precision and open inquiry, as Catherine Lamb’s composition for Cristián Alvear translates the enigmatic condition of sound into tactile experience. Commissioned by Alvear and realized on Another Timbre, Lamb’s score meditates on her signature just intonation, deploying the Secondary Rainbow Synthesizer to generate four environmental chords that breathe around the guitar’s modally tuned strings. The electronics hum and fade - reflecting timbral shifts f…
This hour-long ensemble piece from 2024, recorded in Stockholm, marks the twelfth album by Swedish composer Magnus Granberg on Another Timbre. Granberg, born in Umeå in 1974, studied saxophone and improvisation at the University of Gothenburg and in New York, but is self-taught as a composer. He formed his ensemble Skogen in 2005 to integrate experiences, methods and materials from various traditions of improvised and composed musics into a new modus operandi. Apart from his ongoing work with Sk…
2018 release ** “Kiawaltz” is commissioned and compiled by Old Captain to commemorate the early musical rituals composed by Maurizio Pustianaz, a famous Italian experimental artist known since 1984, and his project Gerstein, whose first recordings featured on this compilation represent solo melancholic piano ballads, experimental harsh sounds, synth-guitar powerful extravaganza within post-industrial style. These rare materials were obtained from the original 1986/89 tape releases issued 30 year…
2010 release. "Monofonicorchestra is not a disc recorded in mono / is not ambient music / is not funky / is not experimental music / is not funny / Monofonicorchestra is not avant-garde / is not pop / is not op / is not Dada / Monofonicorchestra is not fashion / is not hard-core / is not horror / is not Frigidaire." --Maurizio Marsico, at 10h20 on Wednesday, December 23rd, 1981. A country: Italy. Several countries: Italies. Late '70ss, early '80s. The ether of punk is in everyone's nose and disc…
** Last copies available ** "Sounds of Silence" is an anthology of some of the most intriguing silent tracks in recording history and includes rare works, among others, by Andy Warhol, John Lennon, Maurice Lemaitre, Sly & the Family Stone, Robert Wyatt, John Denver, Whitehouse, Orbital, Crass, Ciccone Youth, Afrika Bambaataa and of course Yves Klein. In their own quiet way, these silences speak volumes: they are performative, political, critical, abstract, poetic, cynical, technical, absurd… The…
Sidestepping all normal expectations on this album, Ju Suk Reet Meate (founding member of Smegma) directly goes about casting musical spells, utilizing primitive "inner mind" techniques on hammered dulcimer, tape loops, thrift store records, a homemade synthesizer, electric guitar, saxophone, mouth sounds, and manipulated christian radio broadcasts. Recorded in Portland, Oregon, these previously unreleased recordings reflect a similar "inner-mind over limited technique matter" aesthetic as the a…
The “Concerto for the left hand in one movement”, for piano, is the last unpublished composition of Walter Marchetti to be performed in public before the death of the author on May 12, 2015. Composed in 1994, the “Concerto for the left hand” belongs to an ongoing series of works written between 1994 and 1997: “Con vista sui suoni”, “Eight or Nine Movements for String Quartet” and “La perdita del tempo” which develop from a preceding composition titled “Canonic Variations for Orchestra on Prolaps…
2005 release ** La mer, la bataille, la mort is Soft Black Star's latest album. Five songs united by a love of literature and cinema. Electroacoustic sounds and field recordings blend into cinematic homages (Aguirre). An early 20th-century vinyl record spins, crackling. Zeno Gabaglio dispenses love with his cello in Moishe & Buddy. Radio waves sinuously flirt with the Farfisa in my living room, with a half-full ashtray on top. The homage to Sokurov in Russian ark, with his inevitable improvisati…
2008 release ** Originally recorded in 2002 and performed once at l’Oeil de Poisson in Québec City the same year. Fan-CD (mini CD within a transparent full-sized CD), front jewel case is scratched by a microphone 100 times in a circle pattern. Everything revolves around these words: the circle, by the dog. I believe that this word, used by those for whom the earth revolves, is singular: a rigorously extended straight line, plural: an eternally centerless circle which, to advance, turns on itself…
2002 release ** Edition of 160 in a 6.75" round three panel cardboard cover. Recorded 1997-1998 in Cambridge, MA and Nijmegen, NL. All sounds taken from the spoken voice of KS, recorded in Gainesville, Florida, in different acoustic environments.
*350 copeis limited edition. Comes with 16-page booklet of program notes * In the 1960s, Robert Ashley pioneered the American avant garde with the ONCE Group and festivals, before irrefutably changing the face of American opera later in the 20th century. Buckner, in addition to running the fabulous 1750 Arch record label in the 1970s and 80s, is a noted baritone who has collaborated for decades with the likes of Roscoe Mitchell, Annea Lockwood, and the late Noah Creshevsky, amongst countless ot…
2005 release ** Cardboard sleeve. "This project is the product of over thirty years of musical collaboration and personal friendships. The three of us met in the San Francisco Bay Area in the early seventies and worked together in many contexts, exploring improvisation and new music. When I moved to New York in 1983, there was a brief hiatus, and then, on hearing a composition of Mel Graves played here, I asked him to write me a piece. This led to my premiering many works of his and making sever…
2006 release ** With Waste of Songs Joe Colley offers a series of events jumping between brutal noise, field recording, and (fake?) psychoacoustic tonal interactions. The result is a tightly edited collage journey through states of mental duress and negative reactions to an environment. There are sounds of broken or dying equipment, devices pushed to limits, attempts to coax out spontaneous reactions from feedback and linked cheap electronics. A strong statement, and an evolution showing the nex…
1999 release ** "Maurizio Pustianaz is the mentor of Gerstein a one-man sound project that from the mid-80s to the end of the 90s, was creating authentic underground electronic gems. Already in the new century, Pustianaz opted for the most bland and commercial electro, something that he has been doing until now, a real shame. This is his most experimental stage, where he took risks with dense atmospheres, dark electronic sounds, tape treatment, etc... Re-issue of his first cassette released by t…
Born at the end of 1984, Gerstein moved between filmic experimentalism and piano sonatas with background noise elements.In 1989, after the release of the cassette La Pomata Delle Femmine, the project seemed to have reached its end. However, Maurizio Pustianaz’s creation took a new direction, shifting toward a sound still open to experimentation but influenced by the more romantic atmospheres reminiscent of David Sylvian.
In 1991/92, the first embryonic versions of the tracks that would later ap…