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2026 stock Originally the debut release on Decca's Nova label, this blistering UK psych-blues powerhouse features singer Steve Bailey's raw, hoarse vocals, Ron Bending on bass, Terry Sims on drums, and guitarist Bob Weston (later of Fleetwood Mac) delivering frantic riffs and solos akin to early Spooky Tooth, Leafhound, or Free.
Tracks like the epic 12-minute "Darkness," driving "Going Home," and gritty "Take These Chains" capture turn-of-the-decade intensity with pounding drums and heavy guitar…
2026 stock Hailing from the raw energy of Italy's underground scene, Frend unleash Primati, a primal roar of distorted guitars, pounding rhythms, and lyrics that claw at the soul. This debut LP channels the ferocity of ancient apes with modern edge—think explosive riffs echoing evolutionary chaos, from the brooding opener "Scimmia Urbana" to the frenzied closer "Dominio Perduto." Blending post-punk grit with shoegaze haze and a dash of no-wave frenzy, Primati is a savage evolution: 10 tracks of …
On Utopic Sporadic Orchestra - Nancy 1975, Jannick Top finally steps to the front of a large ensemble, unleashing a monumental, eighteen‑piece orchestral incarnation of his Zeuhl opus De Futura - a once‑in‑a‑lifetime blast of mythic low‑end and collective propulsion.
Microphonies 21 by Marc Billon is a long-form electroacoustic exploration centered on the resonances of a tam-gong. Blurring the line between acoustic gesture and electronic transformation, the work unfolds as a slow, tactile meditation on vibration, decay, and the physical act of listening itself.
"Mutudi Ua Ufolo/Viuva Da Liberdade" is one of the most important records ever made in Angola. An hypnotic masterpiece that blends Central African rhythms and Semba with soulful guitar and percussion. Originally released on CDA with Conjunto Merengue, it captured Zé at his creative peak. Sung in Portuguese and local dialects, the songs balance rhythmic elegance with deep political weight, tracing ties to Afro-Brazilian and Latin American musical traditions.
After Zé’s assassination in 1977, the …
Emerging from the depths of a private mindscape, Crystal by Stan Hubbs delivers epically torched psychedelia that transports listeners to a vivid sonic dream. Recorded in isolation within a remote cabin nestled among the majestic California redwoods, this 1982 brain-frying masterpiece captures a unique blend of vintage psychedelia and innovative homegrown sounds.
Crystal stands as the missing link between the iconic In-A-Gadda-Da-Vida era and the surreal charm of harpsichord-driven hallucinogens…
In May, composer, musician, and producer Kara-Lis Coverdale released her first new album in eight years, From Where You Came. It was followed by her second album of 2025, A Series of Actions in a Sphere of Forever, in September. Today, Coverdale details her third full-length release of the year, Changes In Air, out 21 November via Smalltown Supersound, and unveils its lead single ‘Curve Traces of Held Space’. Changes In Air is a work for electric organ, modular synthesis, and piano in five secti…
Other Minds is pleased to inaugurate Other Minds Books with Peter Garland’s work of memoir and criticism, Ingram Marshall: A Personal and Musical Appreciation. The composer Peter Garland met the composer Ingram Marshall in 1970; both were students during the early, golden years of The California Institute of the Arts (CalArts) learning electronic music and composition from Morton Subotnick, James Tenney, and Harold Budd, as well as Javanese gamelan from Robert Brown. Out of this Marshall was abl…
During the work for Voice Crack duo Norbert Möslang was one of the pioneers in the field of sound installation techniques usage in live improvised music. His instruments are cracked everyday-electronics, but sounds themselves are delivered from the mechanical properties of these devices. This kind of approach seems to be similar to Peter Fischli and David Weiss practices in the visual arts’ fields. The comparison of the film documentaries - "The Way Things Go" (1987) about Fischli/Weiss activiti…
Terrie Hessels, electric guitar. Paal Nilssen-Love, drums & percussion. Limited to 300 copies only. Recorded live in concert on the 4th of April 2015 at Festival PiedNu, Le Havre, France. Recorded by Emmanuel Lalande. Mixed by Arnold de Boer. Mastered and cut to vinyl by Mike Grisner at D&M Berlin. Cover art and design by Marek Wajda.
*Joachim Nordwall and Henrik Rylander return with this incredibly heavy drone-noise session under the 'Saturn and the Sun’ moniker* Crushing, celestial sized drone objects from Nordwall and Rylander here, sheathed in absorbing artwork by Martin Jacobsen. 'Journey to the Center of Your Mind' projects three concentrated, irradiating beams of Scandinavian drone noise intensity recorded at Studio Dental, Gothenburg. As with the artwork, the music could just as easily be said to desc…
Brand new David Maranha album, here with Gerard Lebik in a a sound performance held at Cave 211, Lisbon, January 2014 "An accumulation of resonances reinjected into an impressive granular continuum with a growing audio signal stretched to the limits of saturation. Music that leads to trance!
David Maranha His work encompasses sculpture, music and architecture. In 1986 he started to develop his work as a musician both as a solo artist and with several bands and has since released more than 30 a…
Tip! *200 copies limited edition*Erwan Keravec - bagpipes,Mats Gustafsson - piano mate and slide saxophoneRecorded September 13 and 14, 2017 by Martin Siewert, ViennaMastered by Martin Siewert, ViennaCover design/illustration: Lasse MarhaugPhotos by Mike KeysendalThanks to: "Stark Reality"Hans Falb and HeidiTitles inspired from Ted Huges "Crow" (Faber & Faber 1970)
Tip! Bocian Records presents Moon by saxophonist/clarinetist Frank Gratkowski and pianist Reinhold Friedl. Recorded and mixed by Nik Hummer. Mastered by Rashad Becker.
Eternity’s Pillars b/w Raise the Chalice & Reverential consists of three brand new tracks created and performed by the iconic duo of Stephen O’Malley and Greg Anderson and co-produced by sunn O))) and Brad Wood. Brad Wood recorded the material at Bear Creek Studios in Woodinville and Sea Grass in Los Angeles in 2025. The tracks on this maxi 12” are the first official sunn O))) studio recordings to feature only the original core duo on heavily saturated electric guitars and synthesis. sunn O))) g…
**2018 repress. Reissue on heavyweight vinyl in textured sleeve** With even more of the Fairport Convention crew helping him out -- including bassist Dave Pegg and drummer Dave Mattacks along with, again, a bit of help from Richard Thompson -- as well as John Cale and a variety of others, Drake tackled another excellent selection of songs on his second album. Demonstrating the abilities shown on Five Leaves Left didn't consist of a fluke, Bryter Layter featured another set of exquisitely arrange…
** Edition of 150 copies** With hard-to-define instruments, Varkenshond creates ritual and tribal madness in the vein of early Silvester Afang and Zero Kama. Varkenshond was founded in 2006 in Antwerp, Belgium while the to-be members were studying Maggergergorian spiritual philosophy with Wim Vanaeghe, Thomas "Gergeti" Kreuzfeld, and Koera Mönggüm Sorgan. They released a CD in 2007, the result of a series of therapeutic music sessions led by G. Karkaronga, and a cassette in 2013, a selection…
RAW/ReSpace is the first-ever experimental noise-metal saxophone solo album, changing and re-defining how the saxophone can sound and what saxophone playing means. No saxophone player ever dared to explore these uncharted outer realms of woodwind expression. RAW brings together noisescapes and electronica with death and doom metal approaches and contemporary instrumental composition techniques. While ReSpace combines dark ambient, controlled-feedback soundscapes with a reductionist approach to c…
Tip! New collaborative work by two veterans of the European experimental scene, Dirk Serries + Asmus Tietchens. Dirk Serries and I have long been colleagues and friends. Since the 1990ies we have exchanged sound materials to be reworked and published on an on and off basis. "Die Höfner Akten" are something new and special to in so far as the source material with its basic structure has been improvised exclusively on an acoustic guitar (of the 'Höfner' brand). Dirk and I had agreed upon the follo…
This release continues lines of work that seem to inevitably revolve around explorations and honourings of place, people, and memory. Two pieces stem from other lines of research which have been ongoing for some years. All the works combine elements of acoustic and electronic sound, where the electronic sound is often derived from underlying acoustic sources which usually remain unheard. The 'letter pieces' all function as hommage compositions, in an alphabetical series of 26, where each letter …