We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Back in stock

BBC Paris Theatre in London March 23, 1972
A singer-songwriter who wrote for the Turtles, Judee Sill -- in her early 1970s heyday -- was compared to Asylum label contemporaries like Joni Mitchell, though her music had stronger spiritual overtones. This nearly forgotten performance reveals a true talent that deserved so much more during her short lifetime. Judee Sill grew up in a very troubled home and came through it with some truly great music to tell so many stories that many of the more sentient listeners will appreciate.
Handmande Paper Pipe
Handmade Paper Pipe is the collaborative project of Danish improviser Claus Haxholm and eclectic Italian sound-maker Renato Grieco. These two set pieces are the result of mutual manipulation of each other's voices and archival materials. Not many words were spoken during the process and the result covers a many topoi of modern experimental palette and noteworthy is the presence of low frequencies that sometimes even touch the territories of a hypothetical abstract vocal dub.
Piano, Violin, Viola, Cello
Tip! "Feldman's last composition, Piano, Violin, Viola, Cello, was completed in 1987; although its instrumentation largely corresponds to that of Piano and String Quartet, with one instead of two violins, it differs in almost every other respect from the composition written only two years earlier, for here, in contrast to Piano and String Quartet, Feldman makes every effort to integrate the piano into the string section, and the basic formal components of the composition are no longer staves, as…
Libres (Festival de Massy 26 Octobre 1975)
"Armonicord. In 1977 an album was released under the name of Armonicord, of which I have just found a copy through a mutual friend: Esprits de Sel. Having heard of the album's release at that time, the memory of the presence of harpsichordist Odile Bailleux and drummer Christian Lete undoubtedly made me imagine a possible sort of chamber music. In the cover, we can admire the graphic scores of baritone saxophonist Jouk Minor, all in curves and ellipses with instrument and timing indications. A m…
La pelle del fantasma
*150 copies limited edition* L'Arbre du Ténéré, known in English as the Tree of Ténéré, was a solitary acacia that was once considered the most isolated tree on Earth, standing alone for over 400 kilometers. It was a landmark on caravan routes through the Ténéré region of the Sahara in Northeast Niger, until it was knocked down by a drunk truck driver in 1973. La pelle del fantasma is the debut full length ot the duo composed by Maurizio Abate and Giovanni Donadini (Ottaven, Fantamatres) buildin…
Praxis
*200 copies limited release* One of our recent favourites that hasn't travelled far enough. A brooding beast of a record beautifully packaged in silk screened cover & sleeve. Mit insert. Emergence and retreat.
Rhythm Voice
The Swedish dancer, choreographer, and performer, Greta Lindholm, has remained, since her emergence during the late 1960s, a singular and unique force on the global contemporary dance scene. Having developed a synthetic and experimental approach to movement and generative sound, her boundary pushing body of work can be understood as a celebration of the body and its languages, and their intimate relationship with the voice; using primarily foot drumming and vocal rhythms, her body is transformed…
Aluk
Vienna artist Klaus Filip plays music using nothing but sine waves produced with 'lloopp,' an improvisation software program he invented and continues to refine. Toshimaru Nakamura makes music simply by controlling a mixing board's internal feedback, inputting no external sounds. Two artists with highly individual playing methods, they came together to create this album of improvisational works. Two of the three tracks were recorded in a Tokyo studio in May of 2005, when Filip came to Japan alon…
Amid Zero Echo
*2024 stock . 300 copies limited edition* Thomas Dimuzio's Amid Zero Echo marks the release from this US underground legend from San Francisco. Four transcendental drone masterworks abstracted from electric guitar bristle with life through the dense, rich and detailed sonic expanse of Dimuzio's glorious sound world. Vibrating wires of the electric guitar inform a digital musique concrete modus operandi replete with unheard studio techniques which form a music with a strong organic core. These fo…
Espoo
*2024 stock* Vladislav Delay‘s EP »Espoo« features two new conceptual, rhythm-intense tracks. Whereas the groove of the opener »Olari« derives from a sound loop which is manipulated by filters and echoes and finally brings forth the intensifying beat, the reverse is done with »Kolari« on the b-side. Starting from an impulsive, staccato beat, a sound carpet is woven by means of modifiers which gradually shape a permanent vacation-like melody, close to Terry Riley‘s minimalistic concepts. Both tra…
An Introduction to Methods from Cognition No.III 1973
Restocked, reduced price Limited 80 copies, numbered. Legendary 1973 recordings by the sound artist Morihiro Wada (1947-2007). When a transition from one articulated time and space to another begins, language is generated as a factor for the first time. When language needs a certain meaning, it means that a beautiful misunderstanding of communication has already begun.I can’t do anything but see a discrepancy between what is actually expressed and me. The greater the discrepancy is…, there is… …
Number of Sheep Who Jumped over the Fence
Restocked, reduced price Signed and numbered box, limited to 80 copies. Comes with inserts and and a photo of exhibition in 1974. “Number of Sheep Who Jumped over the Fence” by Fumio Takamizawa was originally presented in 1974. Throughout the history of Japanese art, there has been artists that filled museums, galleries, studios and other public spaces with all sorts of sounds. In most cases, however, once the sound faded, it couldn't be heard again. Within Japanese art history, which has been …
Look'n for Ya (1973-75)
In 1973, when Smegma (the band) was born they had only one rule: No Musicians! That way they could re-invent the musical wheel with a new primitive, suburban, anti-hippie approach. 44 years later perhaps the world is ready for the first full LP of this original, uncompromising sound. At the time, it seemed they thought they were on a solitary journey, but shortly after these recordings, it was discovered that there was another local group, The Los Angeles Free Music Society, that they shortly be…
More Intra Musique
When glancing over the history of indigenous French free improvised music, there tends to be two observable categories of musicians - those who worked and collaborated with their counterparts from abroad, and those who worked independently. The former is generally more celebrated, and among those the drummer Jacques Thollot, who worked with Don Cherry, Steve Lacy, Sonny Sharrock, Sam Rivers, Joachim Kühn, and numerous others, as well as with French pioneers like Barney Wilen and Jef Gilson, rank…
El Artilugio
Building upon a standing commitment to the work of artists who worked in international obscurity under the shadow of 1960s and '70s fascist Spain, Alga Marghen returns with "El Artilugio”, a never before issued body of work by Manuel Calvo. Bridging the contexts of installation, sound art, sound poetry, and experimental music / noise, its stunning two sides - issued in a limited edition of 200 copies on vinyl, housed in a gatefold sleeve with an accompanying large format 8-page booklet with in-d…
Stay On It
In 1973, avant-garde ensemble Creative Associates goes on a tour of Europe with Eastman’s brand new piece in their repertoire, and in short: “Stay on It” turns the coordinates of avant-garde music on its head. It is minimal, but unashamedly groovy; it is open to improvisation, grants performers all the freedom they could need, but it isn’t jazz and never slips into the non-committal. It is open to theatrical and performative elements, but also to the poetic and lyrical. It is strict and demands …
An Anxious Host
*300 copies limited edition* Since the early 2010s, Josh Mason has slowly amassed an enchanting discography, publishing recordings on labels such as Florabelle, Dauw, Longform Editions, and his retired Sunshine Ltd. imprint. Whether focusing on electric guitar or modular synthesizer, Mason approaches his music with intentionality, tenderness, and a keen ear for detail, resulting in an exceptional and enduring oeuvre. His workmanlike approach to craft and monomaniacal interest in circuit design …
Manuale di cultura industriale (Book)
*2023 stock. Italian language edition* This edition of "Manuale di CUlturea Industriale" entirely revised, updated, and increased by more than fifty percent from the previous edition edited by Paolo Bandera, remains the reference text of an uncompromising counterculture that has been able to resist the blandishments of the market for twenty years. Music, performance, radical philosophies noisily sing the end of the industrial age. From here all "hard" musical forms have taken inspiration, from p…
Un anno, a partire da lunedì. Dopo Silenzio (Book)
*Italian language edition* "I guess as contemporary music continues to change in the way I am changing it, what is to be done is to completely liberate sounds more and more from abstract ideas about them and let them with increasing exactitude be themselves physically, and that's it." - John Cage Considered the creator of experimentalism in the 1950s, John Cage was a major inspiration to conceptual artists in the 1960s, and his music was instrumental in the emergence of minimalism in the 1970s a…
I feel everything you say, I feel everything you hear (Book)
*Hardcover with Embossing. English* Week-End Fest looks back in 2022 on 10 years and encounters with over 100 international artists. Since the beginning in 2011 own fanhood has been a central element of the festival’s curators - this is how the idea came about to inform the artists about the musicians, places or encounters that have shaped them. In „I feel everything you say. I feel everything you hear“. (the title is borrowed from the song „I‘m so Green“ by Can), they tell of decisive moments a…