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Having played together in Æthenor for the last couple of years, Steve Noble & Stephen O'Malley came together to play as a duo at Cafe Oto in 2011. These recordings are the results of these two hot and sticky nights in East London. Noble is a regular at Bo' Weavil Recordings, having appeared on over nine recordings for the label, and a linch pin in London's improvising community. Steve Noble studied with Nigeria master drummer Elkan Ogunde and in the early 1980s and over the last 20 years has pla…

'Bo Weavil presents a sublime duo recording from old sparring partners Oren Ambarchi and Robbie Aveniam recorded live in Tel Aviv in 2009. This is a single edit of the performance which perfectly captures the chemistry between Robbie's busy percussive maneuvers and Oren's textural overlay. A previous performance of the pair was documented on the 'Clockwork' CD (re-issued by room40) and prior to this the notorious 'The Alter Rebbe's Niggun' CD was released on Tzadik. Here, the two come together w…

"Pretty sure this amazing Chicago trio was first introduced to us when Jim McCardle insisted we buy one of their albums at a record fair in the Windy City. Not sure which one it was, but it blew us away. Surprisingly, over the damn-near-a-decade since they started recording, Mako Sica has managed to keep itself well out of the limelight. Even though their first LP, Mayday At Strobe (2009), was released by one of Chicago's pre-eminent vanguard labels -- Permanent -- it was not easy to locate peop…

Recently we touched base with the New Zealand ex-pat guitarist Dean Roberts. He's living in Berlin these days, teaching, playing and staying out late. When asked if there were any interesting, unheralded players we should know about he immediately mentioned Julia Reidy. Julia is also a guitarist currently based in Berlin, but the city from which she's apart is Sydney, NSW. While there she was embroiled in the Australian improv scene, and played with the likes of Jon Rose et al. She was focused e…

Ned Collette's last album, the 2LP set Old Chestnut (FTR 362-2LP), was hailed as a masterpiece by 'most everyone who heard it. Part of this was due to the darkly delicate lyrics and vocals of Ned himself (akin to the work of Graeme Jefferies, ca. This Kind of Punishment), but much was also due to the elegant lyricism of the music, which had a fantastic prog/folk heft as impossible to peg as it was to ignore. With this new LP, Collette (an Australian ex-pat, now based in Berlin) goes all-instrume…

Near the end of his days, John Fahey told me he was sick and tired of solo guitar records. This statement was partly designed to take me aback (as was often his tact), but it was also true. He seemed genuinely bored by most guitar players, especially those who were traveling in the shoes he'd first worn on his own early records. That said, I'm pretty sure he would have loved Eric Arn's Orphic Resonance. The first time I ever saw Eric play was as part of the classic second line-up of Crystalized …

2023 reprint. Together for the first time, ESP-Disk' is proud to present all three volumes of The Heliocentric Worlds of Sun Ra in a gorgeous fold out digipack. Originally released as two volumes in 1966, and with a third volume uncovered in 2005, the landmark sessions recorded by Richard Alderson on April 20th and November 16, 1965, have been hailed as a ?...masterpiece of free jazz.? To further delve into the Heliocentric Worlds of Sun Ra and his Orkestra, each enhanced disc in the set contain…

Strut proudly presents a new edition of one of Sun Ra's most celebrated albums, Sleeping Beauty, reissued in its original artwork for the first time. Originally released in 1979 on his independent Saturn label, Sleeping Beauty captures Sun Ra and his Arkestra at their most soulful and serene. A masterclass in cosmic jazz, the album blends lush grooves, celestial soul, and meditative funk with Ra’s singular spiritual vision — a sound both grounded and otherworldly. The album emerged during an ext…

** 2021 Stock ** Mysterious and minimal instrumental album by Richard Youngs, dreamt at home and recorded quickly in Glasgow's Green Door Studio. Centered on a single piano chord and bare snare strikes, Richard builds a haunting atmosphere in 4 episodes, featuring his guitar, organ, harmonica, and voice. Another essential work from the prolific and truly unique musician.

Precipice is Byron Westbrook's first long-playing record under his given name. Operating under the handle Corridors for many years, Westbrook has established a reputation for creating immersive, multi-channel, site-specific live experiences using sound, image, and light. Precipice expands upon these ideas as a collection of approaches to texture, landscape, perception of time, and the potential for sound to generate visual space. Like climbing a column that inexplicably leads to a plateau o…

Timeless Pulse Trio is Pauline Oliveros, accordion, with percussionists George Marsh and Jennifer Wilsey. Released in honor of the 20th annual Deep Listening Retreats held this year in Camallera, Spain and Petaluma, California, this is the third Timeless Pulse album. Formed in 1991 during a residency at the Deep Listening Institute, the full ensemble, including Thomas Buckner and David Wessel, has released two live recordings on CD: Live at CNMAT and Quintet. This is the first time this entity h…

Temporary super offer!  Masayuki 'Jojo' Takayanagi (1932 - 1991) was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. He was one of the earliest noise guitar improvisers, and the first (with Keith Rowe) to use the table-top guitar.

For the very first time on double vinyl, one of the most amazing musical adventures of influential singer & songwriter Julie Tippetts. Originally released on cd in 1999, Shadow Puppeteer is the result of a long running career, a devotional solo album fulfilling her royal artistic vision. Surely one of the foremost European vocalists in the field of contemporary jazz and improvised music, she started out with The Brian Auger band in the 60’s fusing soul  jazz and r&b with amazing results.  Moving…

** 250 copies ** "A lot of people flipped out over how amazing Mako Sica's last album, "Ronda" (FTR 409LP, 2018), was. "Ronda" was a 2LP set whereupon the Chicago trio collaborated with legendary local percussionist Hamid Drake. This pairing seemed like a natural to us, but for some reason people have been woefully unaware of Mako Sica despite the fact they've been releasing killer records for a decade, and playing live shows that submerge your brain in a sonic soup that recalls the Sun City Gir…

"Fantastic studio recording, caught by Taylor Hales at Chicago's legendary Electrical Audio, documenting the first full meeting of all the players on this album. Mako Sica, at this point in time revolve around the core duo of Przemyslaw Krys Drazek (electric trumpet, mandolin, electric guitar) and Brent Fuscaldo (vocals, electric bass, harmonica, thumb piano, gong, percussion). For this session, these two are joined once again by Chicago's always-revelatory percussionist, Hamid Drake, with whom …

Tom James Scott's two previous CD releases for Bo'Weavil Recordings both featured acoustic guitar as primary voice. His first LP -- while maintaining similar melodic sensibilities and a feeling of hushed expanse -- sees piano become the main focus, with the title "Drape" (defined in literature documenting past and present dialect native to what is now Cumbria, as, "to speak slowly") determining pace and durations across the four pieces presented. Strings of single notes become humming, shadowy r…

"On a good day it is strenuous to stay current with pianist Matthew Shipp's imposing and voluminous output. On an even better day it is a fool's hardy errand to say the least. Now with the planned re-issuing of some of his great early deconstructions of musical thought and theory, starting here with 1990's daringly incongruous yet hypnotically accessible, Circular Temple, keeping up just got a whole lot harder. With William Parker on bass and Whit Dickey on drums, this four-movement suite for pi…

Heavy Tip-On jacket with large tri-panel insert, gloss film laminate and uncoated paper finishes. Over the past decade Sult has created a thrillingly dynamic and visceral sound world, forging a musical unity while also asserting the radically unique languages of its three core members, Guro Skumsnes Moe (contrabass) and Håvard Skaset (acoustic guitar) from Norway along with Jacob Felix Heule (percussion) based in California. Their raw acoustic improvisations crackle with an energy that makes ind…

Restocked!! Formed in 1967 as a psychedelic electronic duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators (and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk), Silver Apples quickly gained a reputation as New York's leading underground musical expression. Their pulsating rhythmic beats with the use of electronics laid the groundwork for what would become 'Krautrock' Silver Apples …

While their name may conjure images of avian origami, rolled cannabis, or cut-up 10th letters, Paper Jays are an instrumental music body from Rhode Island that became fully formed during the session for their forthcoming eponymous release on ESP-disk. Prior, Jesse Cohen and Justin Hubbard’s guitar duo (a trio, only if counting the unmanned feedback drone of a hollow-bodied Gibson) had been contentedly performing and apartment taping for a solid five years. But after witnessing drummer and percus…

Edition of 250. You know that old phrase, 'Teach a penguin to cuss, and you'll never have to buy another comedy record' I'm sure you do. But what about its codicil? 'Teach a guitarist to play synth, and you'll never have to buy a new age record?' If you know that one, you might well be put off by the fact this album features one of New Zealand's most wickedly post-tongue guitar players fiddling about with oscillators and analog synths (in concert with a guy who does this stuff all the time). But…

Debut LP by the New Zealand duo of Bruce Russell (Dead C, Handful of Dust, etc) and Luke Wood. Visceral Realists is a high-concept commentary on the state of vinyl, analogue recording, music culture, art, etc. A 45-rpm bullet of short bursts of free electric sound, the music here is tactile and rough but not “noise music.” Russell and Wood play over loops of scratchy records, with their guitars and electronics surging to get over the wall. Russell’s guitar sound from his vintage transistor amp a…

A generous and off-the-track psych-rock experiment, Space Hymns originally saw the light in 1971 on influential UK company Vertigo, home of the most forward-thinking prog bands of the time. Enlisting the pure genius of the future 10 CC Kevin Godley (drums, flute) and Lol Creme (lead guitar, synth), the band was led by esoteric frontman Ramases (aka Kimberly Barrington Frost). The vocalist had a vision in the mind to late sixties where the Egyptian Pharaoh informed him he was his new incarnation.…

The first album in a trilogy of new material, Sanctus represents the new architecture of the Organum sound. Recorded utilizing an implicit graphic score, the album is comprised of four discrete parts, each a variant of the others. These are not parts as in a movement or continuation of the composition, but rather four distinct audio canvases that represent a continuum of the elements at large. Composed in the spirit of the early Organum material, David Jackman has resurrected the droned-based, p…

2012 repress. "The first full length release by the UK based Aeolian String Ensemble. Although originally set to be issued on the legendary United Dairies label, this material has now been remastered, includes a new piece, and is instead available in the US. The work was produced by David Kenny, a long time collaborator and engineer on many Nurse With Wound and Current 93 projects. Consisting of two evolving compositions, Lassithi (1992) and Elysium (a specially commissioned new work), this CD o…

2010 expanded reissue of the 1999 compilation Lebenserinnerungen Eines Lepidopterologen ("Memoirs of a Lepidopterist"), collecting the collaborative and early solo works of Andreas Martin and Christoph Heemann as an extensive two-CD retrospective. Moving between minimalist guitar compositions, tape-music narratives, and an array of cascading electronics, each of Martin and Heemann's solo recordings blends seamlessly within the milieu of their collaborative work. While one can hear how this forge…

2025 stock Marvin Nunez, aka “Uncle Marvin,” was one of the few tenor saxophone players who explored the world of sub-tone music. A world of whispers heralded by vibrations so low and subtle they could not be heard by the naked ear. We don’t hear the bass, we feel it through the soul of the ear. Through our feet, fingers and the intuitive now. Marvin Nunez wore a black raincoat with a fur lining all year round. He seemed to appear and disappear at will, coming out of the shadows and returning th…

2025 stock John Blum (piano), Denis Charles (drums), Antonio Grippi (alto sax, alto clarinet), William Parker (bass). Studio recordings from 1998. There are few sessions to rival this one for sheer urgency and gusto. It's as if something pent-up in these four musicians waited for this combination of players to unleash it... the music explodes into action. Pianist John Blum is a secret hero of New York's free jazz community, known as a proficient and forceful improviser in the tradition of his me…

2025 stock We Don't is a previously unreleased 1981 session pairing Jemeel Moondoc with Denis "jazz" Charles (1933-1998). in the 1970s, Moondoc was a member of ensemble muntu with William Parker. Moondoc's quirky & vivid alto style suggests the influence of Ornette Coleman, but the comparison "does not do justice to Moondoc's originality" (the penguin guide to jazz). Moondoc's grandfather, the original 'moondoctor' & the family namesake, sang & danced in medicine shows at the turn of the century…

2025 stock Sunny Murray's talent is bigger than any category you could use to describe it. he's one of the most original musical minds of the past 50 years, a genuine innovator, the liberator of the drum kit, and an artist of uncompromising honesty. murray's playing in the 1960s with albert ayler, cecil taylor, archie shepp, & others opened up entirely new expressive realms for the drums in jazz. murray's act of liberation --to free drummers from their strict time keeping role-- still outrages m…

2025 stock Sunny Murray is widely credited with being the first drummer to fully liberate the kit, developing a form of omni-directional accompaniment that dissolved the distinction between supporting and leading and helped spark the free jazz revolution that took place in the early 60s. Indeed, Murray spent time with most of the new music's major theorists, including both Cecil Taylor and Albert Ayler. But in recent years he hasn't seemed like quite the drummer he was, lacking the focus and (pe…

Gorgeous double CD issue of two crucial albums by "the greatest living flutist of South India", T.R. Malingham or Mali to millions of South Indians, presented in respectfully opulent stye by Japan's EM reissue imprint. This is meditative, spiritual, and exotic music of the highest order, combining his two most revered recordings from 1969 and 1970 over two very special discs. Mali is said to be able to commune with birds via his playing and that's quite understabable. His virtuoso use of …

"Don Cherry, more than any other artist in the jazz of his era, pioneered the music's internationalist nature that has now come to be commonly accepted as an integral part of its character. The individuality of Cherry's contribution to the history of jazz has often been unfairly obscured by his admittedly important association with the music ofOrnette Coleman. While the (pocket) trumpeter's position as Coleman's front line partner in the altoist's first revolutionary quartet was indeed a major o…

A legendary recording by tenor saxophonist Albert Ayler with his amazing working band, recorded in Holland for radio play, here digitally remastered with new artwork. Personnel Albert Ayler: tenor saxophoneDon Cherry: cornetGary Peacock: bassSunny Murray: drums

Joe Morris's recording career began in 1983 and has made him one of the most revered avant-garde jazz guitarists. Down Beat magazine dubbed him "the preeminent free music guitarist of his generation," while The Wire magazine called him "one of the most profound improvisers at work in the U.S." His revelatory 2012 book Perpetual Frontier/The Properties of Free Music (Riti Publishing) is a detailed and rewarding accounting of his approach to improvisation. He has been on the faculty in the Jazz an…

Subtitled: Belaluan, Pangkung, Busungbiu. World Arbiter presents historic gamelan recordings made in 1928 as part of a collection of the first and only commercially-released recordings of music made in Bali prior to World War II, the first ever to document pre-War genres. The compositions heard on volume 1 are untraditional, avant-garde experiments that later evolved into familiar forms, new music captured close to the time of its inception. After five years of research and field work, Ed…

** 2025 stock. ** Ancient Court Raga Traditions: The Pathak Gharana unveils the legacy of Ashok Pathak, torchbearer of a centuries-old musical lineage rooted in expressive sitar and surbahar artistry. The album channels the introspective eloquence and technical invention unique to Pathak Gharana, honoring classical forms while revealing a spirit of fresh musical interpretation through deep alap, intricate meend, and rare court compositions.

Vol. II in a five-disc series of 1928 Balinese recordings features Balinese vocal music, the first release of these recordings since they were first pressed to 78 rpm discs in 1929, the only commercially released recordings of music made in Bali before World War II. Originally recorded by a team from the German labels Odeon and Beka on a 1928-29 expedition to Bali and intended for a Balinese public that lacked any discs of its own music, many of these records have been reduced to single r…

Vol. III of the complete 1928 Balinese recordings, the first republication since 1928 of lost shellac recordings, opens with the only known recordings of a lost gamelan. Heard in three tracks, Gamelan Semar Pagulingan, an ensemble known as "Gamelan of Love in the Bedchamber," played instruments that no longer exist, originally performed just outside the private residence of a raja during meals, times of leisure, and when the raja was otherwise engaged in pleasure with one of his wives. The…

Vol. IV of the Bali 1928 recordings includes kebyar with sung poetry, gambuh dance-drama, ancient ritual angklung, and solo flute. All lyrics receive English translations in the liner notes, with an extensive text by Edward Herbst included as a PDF (accessed by computer) and hosted online by World Arbiter. Performances by Gamelan Gong Kebyar Belaluan, Denpasar; Gambuh of Sésétan, Denpasar; Gamelan Angklung Kléntangan of Sidan, Gianyar; Gamelan Angklung of Pemogan, Denpasar; Gamelan Angklung o…