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Debut standalone VHF LP by the Elkhorn duo of Drew Gardner and Jesse Sheppard, a tight set of six studio recordings in a variety of moods and featuring a lot of new sound textures. Elkhorn’s prolific stream of releases since 2016 has highlighted their mastery of sprawling long-form, acoustic-driven hypno-jams, with an emphasis on live performance (including on their collaboration with Pelt’s Mike Gangloff on the Shackamaxon Concert LP). The Red Valley is a more layered and composed-sounding set,…

Decimus 8 is a dark, ritualistic journey crafted by Decimus (Pat Murano, No-Neck Blues Band, Malkuth, K-Salvatore, Key of Shame), blending psychedelic electronics and esoteric symbolism in a limited edition LP dedicated to the zodiac of Decimus Magnus Ausonius.

Formed in 1966, The Electric Prunes had a novel approach to being a band: deciding to be a recording unit rather than a live performance band. They discovered their signature sound -- reverb-drenched, beautifully chaotic garage pop -- and released one of the most fantastic, fuzzed-out singles of all time, 'I Had Too Much To Dream Last Night.' Guitar effects drip and splatter throughout (the band had landed an endorsement deal with Vox, who were the leaders in wild effects pedals at that time), a…

In 1968, The Electric Prunes collaborated with classically-trained musician David Axelrod to create Mass in F Minor, a religious-based rock opera. Even though the album is a head-scratcher side by side with their previous records, this has become one of the era's most bizarre and hypnotic releases. Sung in Latin with the band hanging onto Axelrod's ambitious arrangements; you've never heard anything like it. It created enough of a cultural mark that the lead track 'Kyrie Eleison' was even used i…

Now joining the Jackpot Record’s ever-expanding collection of Martin Denny re-issues is the hypnotic “visual sound” of Exotic Percussion, which has not been on vinyl since its original release in 1961. His production on Exotic Percussion is ambitious, adventurous, and fascinatingly futuristic, especially when a tumbler with ice was still the preferred way to let loose. Xylophones and chimes swim from ear to ear; traditional jazz instrumentation collides with such musical oddities as boo bas, sha…

There’s a reason why Martin Denny remains a cultural touchstone—his records are as earthly as they are from outer space. Forbidden Island was Denny’s third record, recorded after a nine-month residency in Hawaii. This era finds Denny just on the cusp of being a household name, a period where his records would shortly become certified Gold. Forbidden Island is a solidification of Denny being the King of the Exotica sound, where his recordings could illuminate just enough darkness across the Tiki …

Due to their successful debut, the band's producer was in demand, leaving little time to devote to the Prunes. The band took full advantage of the adults not being in the room and created an incredible follow-up of original material on 1968's Underground. Here is where the band really leaned heavily into their knack for challenging pop. This album came to define what later gravediggers of the garage genre came to devour: Iggy Pop, The Ramones, and Patti Smith all took a riff here; an attitude th…

Long before Martin Denny started heading into outer space with his Moog work, he was keeping us just floating slightly above the ground with the sounds of the earth—and The Enchanted Sea is one of his most grounded and beautiful works. Unlike many of his other exotica records (which are filled with the sounds of the jungle, its wildlife, and the smell of tiki bar smoke) this one has the feeling of a tumbler full of ice, walking barefoot on a sandy beach in the twilight, while breathing in the sa…

2025 stock This album at hand by prolific legend Martin Denny is the one which gave a name to an entire genre. Released for the first time in 1956, “Exotica” does have more than just a historical importance. The songs are all outstanding. Based on jazz and folk this is an early example of mind altering music , because the album sets you in a dreamy state with all its haunting melodies and the sound effects that remind of wild animals in the jungle trees. The rhythmical base is rooted in Latin mu…

At last, the trade edition of Schiamachy has appeared, following the test-press/tour version by more than a couple of months. The album's title is a term used to describe mock battles between warriors. It's a fair description of the music on this record, although it's safe to say the battle was a friendly one. Michael Zerang is a very well-known percussionist, composer and improviser from Chicago, with an amazing jazz-based discography. He previously appeared on the Illinois Glossalia LP (FTR 28…

Four tracks of instrumental acoustic guitar from the master songwriter. Starting out in London as a devotee of various blues and old time country musicians (Skip James, Dock Boggs, Robert Wilkins, etc) Dan Melchior soon found that slavish impersonation wasn’t the right route for him. After a period of mainly re interpreting traditional material, Melchior found a way to express his own concerns and ideas lyrically, and set about melding them to a backdrop of over driven, buzzsaw rock, with variou…

* In process of stocking * Absolute collage hell from the bowels of several known earths. We have worked with the horrible Orchid Spangiafora (aka Rod Carew) before. Back in 2013 we were tricked into doing an expanded 2LP reissue of Rod's 1979 Twin/Tone album, Flee Past's Ape Elf. A mistake we swore we'd never make again. Glands are a different story, being a two-headed beast comprised of Allie Caulfied (of Just Bananas magazine) and Bobbi Manring (former leader of both Poop World and The Giant …

End of the Night was conceived based around a simple, yet extremely emotionally resonant concept. Late one evening the musician and myself were listening to records at home. After many hours it got to the point where everything became completely still, the silence permeating the walls, reverberating. We agreed to listen to one more record, but what would it be? What music could answer that existential quandary of the perfect last record of the night at home? I instantly asked him to make me the …

2022 restock, last copies. Recorded on April 18, 2010 at Clemente Velez Center, New York City. German free jazz saxophonist and clarinetist Peter Brötzmann: alto and tenor sax, B-flat clarinet, tarogato. American jazz drummer/percussionist, Hamid Drake: drums and percussion. Multi-reedist Peter Brotzmann and drummer/percussionist Hamid Drake met in the studio in New York City, April 2010, to record this double album of fiercely intense and beautiful improvised music. Consisting of 6 improvisati…

** Edition of 200 ** Marcia Bassett and Thomas Dimuzio create a mind-bending synthesis of sound and place on their debut LP Losing Circles. Get ready for a head trip, the album is a sublime manifestation of sound interference, texture, and ultra, low-end synth waves that literally penetrate the listener's body. The pair bonded over their Buchla systems, first meeting at Thomas's radio show, Frequency Modulation Radio at KFPA, Berkeley, California where they had their initial improv jam. Their se…

Clear vinyl; Edition of 500. Although Sir Richard Bishop (SRB) and W. David Oliphant (WDO) worked together periodically in the '80s through Sun City Girls and Maybe Mental, they never set out to simply work together as a duo. Fast forward to 2011, SRB, feeling the need to temporarily step out of his solo guitar zone, approached WDO with the idea of this joint collaboration... Beyond All Defects was composed and recorded live in the studio in Phoenix, Arizona in December of 2011 (remastered …

Deben Bhattacharya (1921-2001) was a field recordist, poet, filmmaker, musicologist, and amateur ethnomusicologist, based in Calcutta and Paris. Highly influential, it would not be too bold a stretch to say that his work shaped how we listen to the world: he produced a vast number of LPs, CDs, videos, and radio shows of traditional music from India, Asia, Africa, the Middle East, and Europe from 1953 until his death in 2001. Never before published, Paris to Calcutta: Men and Music on the Desert …

The second LP by Mark Cunningham's current Spanish outfit, Blood Quartet, marks a directional shift from their 2016 debut LP, Deep Red (FTR 283LP). On Until My Darkness Goes the quartet abandons pure instrumentalism, including a few vocal takes by drummer Cândid Coll strewn amidst the album's various tangles. There is also a much more aggressively rockist focus shown at times. Rumor has always been that this is a firm part of the band's live trip, but recorded evidence of it has thus far been sc…

"Debut LP, following a cassette, by Mark Cunningham's latest unit, Blood Quartet. Based in Barcelona, the mostly-instrumental band plays insanely great avant garde rock music, with Mark's electro-Miles trumpet spread across the top like brass icing. Cunningham has been based in Spain for many years now, and his groups there (Raeo, Bestia Ferida, etc.) have been excellent, but Blood Quartet seems like the apex of a musical quest he started with Don King, following the dissolution of his legendary…

Volume 3. On September 13th, 2023 a musical collision occurred between The Band Whose Name Is A Symbol and Dead Sea Apes. With a room booked and a full moon glowing, the doors were locked and for the next 120 minutes, the nine members created nirvana/chaos where, with no direction, all possibilities were endlessly explored. Like hearing the lost Amon Düül recording you've waited 50 years for, Glenn Branca's wall of guitars, the shamanic cacophony of The Boredoms, psych melters Comets on Fire, an…

Volume 2. On September 13th, 2023 a musical collision occurred between The Band Whose Name Is A Symbol and Dead Sea Apes. With a room booked and a full moon glowing, the doors were locked and for the next 120 minutes, the nine members created nirvana/chaos where, with no direction, all possibilities were endlessly explored. Like hearing the lost Amon Düül recording you've waited 50 years for, Glenn Branca's wall of guitars, the shamanic cacophony of The Boredoms, psych melters Comets on Fire, an…

Volume 3. On September 13th, 2023 a musical collision occurred between The Band Whose Name Is A Symbol and Dead Sea Apes. With a room booked and a full moon glowing, the doors were locked and for the next 120 minutes, the nine members created nirvana/chaos where, with no direction, all possibilities were endlessly explored. Like hearing the lost Amon Düül recording you've waited 50 years for, Glenn Branca's wall of guitars, the shamanic cacophony of The Boredoms, psych melters Comets on Fire, an…

New reduced price! **500 copies, pink vinyl** Dagored present the first ever reissue of Alessandro Alessandroni's Barocco & Romantico, originally released in 1980 by the legendary Flower label. Barocco & Romantico is another wonderful and almost unknown gem from maestro Alessandro Alessandroni. Great cinematic atmospheres in a selection of fantastic mellow tunes inspired by ancient melodies.

*250 copies limited edition* "I’ll definitely listen to Eric Arn & Margeret Unknown’s frantic, two-guitar improvisation LP Paranza Corta again for sure. When these two really get going with their unusually-tuned, well mic’d acoustic interplay, it sounds like the perfect soundtrack to an ant colony documentary, sped up 100x. It’s pretty berserk." - Jay Hinman, Dynamite Hemorrhage

Repressed, in process of stocking. "The Chicago-based string genius Joshua Abrams first talked to us about the idea of this album a while back. It took a couple of years to get together, but in a way, it's cool that it's being released in 2018 -- the 50th anniversary of the recording of the first free bass solo LP, Barre Phillips' Journal Violone. Issued by Opus One in the U.S., Music Man in the UK (as Unaccompanied Barre), and Futura in France (as Basse Barre), Phillips' groundbreaking album wa…

**Double-LP version presented in a heavy tip-on gatefold jacket with textured clothe wrap and matte foil stamping** 75 Dollar Bill is one of the essential groups at the heart of NYC's underground. Driven by the telepathic union of Che Chen's microtonal electric guitar and Rick Brown's odd metered percussion their long-form sound is unmistakable and compelling. On their third album, I Was Real, the group expands in bold new directions, embracing brilliant fuller orchestrations, joyous rockers and…

Drawing from Tasmania’s rugged landscapes and the spectral absence of its lost fauna, Clinton Green composes a series of site-specific sound works that fuse kinetic turntable setups with ambient field recordings. The album is an evocative journey through environmental improvisation, blending mechanical invention, wildlife acoustics, and subtle instrumental textures into a narrative of listening and ecological reverence.​

Movement, unpredictability and found sound take center stage as Clinton Green and Ernie Althoff bring together turntable constructions and hand-built kinetic instruments. Their joint work finds a magnetic middle ground between gentle percussive chaos and immersive, floating textures—highlighting the overlapping of machine logic and human touch.​

2025 stock The story of Australian experimental music continues with Artefacts volume II documenting the explosion of Australian experimental music practice from the mid 1970s; from the use of synthesisers and computers, through to the radical fringes of post-punk, and to the beginnings of industrial and dark wave. The double CD set complete with 16 page booklet features one of Warren Burt’s first compositions completed in Australia, the Loop Orchestra’s first performance, South Australian indus…

In December 2015, these three Melbourne musicians camped at Murray Sunset National Park in northern Victoria, Australia, sounding various sites and performing ritualistic actions. This album documents our interactions with rusted salt harvesting machinery discovered at the outdoor 'salt museum' on the shore of the Lake Crosbie saltpan.

*100 copies limited edition. In process of stocking* "This album was created unintentionally during the past two years. I was mostly at home by myself. At times, energy needed to let out and flow. Making sounds channeled my anxiety, boredom, happiness, and nameless feelings. A lot had happened, yet nothing really happened. A lot of the sounds were created either on my double bed, in the wardrobe, or in my living room, a small part of it was possibly recorded in the bathroom. The album was record…

2025 stock Suddenly, there was a stick to dig a hole. Now countless years into the future, we await, anticipating more than competition and violence. I am drawn in, and ultimately mesmerised. Later that night, I began to clearly see the de-centralised nature of an awakened awareness, baked to a crisp by a relentless sun on the inside AND the outside. Unobserved, the need for acknowledgement will run away with the spoon leaving nothing to chance. It must be said that no two instances are ever the…

*150 copies limited edition* Blue Plum Bloom is the debut album from the improvising trio of David Brown (prepared guitar, electronics), Tony Buck (drums, percussion) and Magda Mayas (piano, objects). The trio is an expansion of Buck (The Necks) and Mayas' long-time Berlin-based duo, Spill, but with the expansive addition of Melbourne-based Brown (Pateras/Baxter/Brown, Western Grey, Stone Echidna, Dumb & the Ugly, and countless other sonic explorations) making the ensemble behind this album a un…

Astasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performin…

Tip! *100 copies limited edition* This album is the third in a series of experiments exploring the magnification of the insignificant sounds. The chaotic but inherently repetitive patterns created by the interaction between the objects has been realised through a minimum of gestural action by way of a number of distancing strategies, such as the use of hand drills, film winders and motorised drills/screwdrivers. Astasie-abasie is a project of Ian Andrews which evolved out of a long running perfo…

Music from Ladakh recorded during the making of the film The Song Collector (2014) by director Erik Koto, with additional material recorded by Bill Kite in 1992. "Situated high in the Western Himalaya, Ladakh is one of the great cultural crossroads of Asia. For centuries, it sat at the hub of ancient trade routes that connected the Silk Road to India, Tibet, and Kashmir. Each year, once the winter snows had melted from the high passes surrounding Ladakh, its markets would buzz with merchants fro…

Tip! Mystic choral beauty drifting far into the outer cosmos, this other worldly ensemble creates a contemporary avant-garde vocal fusion combined with strange instrumental accompaniment. The Hani are linguistically derived from the Yi branch of the Tibeto-Burmese and number a million and a half in the southern part of Yunnan province in China above Laos (Phongsaly) and Vietnam (Dien Bien) where smaller Hani communities also live. As with many other ethnic groups of the area, an original traditi…

This is Sublime Frequencies' second volume of transcendent musical field recordings from central and southern Madagascar, produced by Charles Brooks. Like the grand beauty and wonder of its flora and fauna, Madagascar's music is completely unique. Whether the tempos are fast with polyrhythmic precision or slow in the form of a Kabosy ballad, once one gets familiar with its sound, it can never be mistaken again. Charles Brooks has been traveling to Madagascar and living with these spectacular art…

The first and only recorded meeting between two absolute giants of the soprano saxophone - Steve Lacy and Joe McPhee - finally sees the light of day after 36 years! On June 9, 1977, Lacy and McPhee shared a double bill in Basel, Switzerland. Lacy invited McPhee to join him for a duet to close his set, and McPhee brought out his own soprano saxophone for what would become a historic encounter. The main part of Lacy's performance was issued on the classic Clinkers LP back in the day, but this fina…

One of the most essential Italian library music releases finally gets the reissue treatment it desperately deserves! Daniela Casa was a true pioneer - a female electronic composer and experimental musician who created some of the most unique and forward-thinking library productions of the 1970s. Born in Rome in 1944, Casa developed a completely individual voice that bridged psychedelic pop, abstract electronics, Giallo jazz, and experimental minimalism. Tragically, she passed away at just 42 yea…