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Dark Days
Stirring with poetic force, Dark Days by Neil Charles sets the bass as both anchor and insurrection, channeling the spirit of James Baldwin into a contemporary jazz crucible. Here, searing improvisation and taut spoken word entwine, yielding an album that radiates both urgency and gravitas.
Pay Now, Live Later
Limited edition CD & download retrospective of the pianist Gordon Beck’s musical journey from the 1960s to 1985 from a trio and quintet of Beck, Dave Green and Spike Wells plus Ray Warleigh and Iain Ballamy. The single CD comes in a 6-panel digisleeve, with a 20 page booklet written by Simon Spillett, incorporating memories provided by Iain Ballamy, Dave Green, Liam Noble. The cover art for both sleeve and booklet are original drawings from the brilliant Alban Low.
What Say We Play Today?
Limited edition album by Tony Coe’s Axel featuring Tony, Gordon Beck, Phil Lee, Chris Laurence and Bryan Spring. Recorded during the Camden Jazz Festival at the Shaw Theatre in Euston, London in 1977. Featuring wonderful compositions from Tony, Phil Lee and Gordon Beck, who contributed the brilliant title track. The single CD comes in a 4-panel digisleeve, with a 20 page booklet containing notes from Dave Gelly, John Wickes, Chris Laurence and Chris Searle.
In 1975, Tony Coe formed a co-operativ…
Is Spring a Sculpture?
"Is Spring a Sculpture?" is a collaboration between David Toop and Rie Nakajima, released as a limited edition CD and book on Lawrence English’s Room40 label. The work consists of a series of sound pieces and text fragments exploring the poetics of objects, ephemeral phenomena, and the ambiguous boundaries between sound, environment, and tactile form. Together, Toop and Nakajima sculpt a listening experience that is elusive and sensorially charged, extending their mutual fascination with the int…
Connections (1970-1974)
Formed in Cambridge in 1969 by Tim Souster and Roger Smalley, Intermodulation started out as a 4 piece group with the addition of Robin Thompson and Andrew Powell (who soon moved on to other Cambridge projects, including a pre Chris Cutler Henry Cow). Powell was replaced by Peter Britton, and this incarnation of the group remained for the duration of their existence.
Having releasing a box set of works by Gentle Fire it felt necessary to do the same with Intermodulation and thus complete the ot…
Machine
Although Machine was completed in 1971 it was not released until 1973, shortly after the release of Journey Into Space. Machine is therefore the first major composition by Trevor Wishart. It was composed at York University and was originally issued on vinyl as 3 sides of a highly adventurous 3LP box set called Electronic Music From York, released by the University’s own record label. In common with Journey Into Space (also on Paradigm Discs), Machine makes use of a large number of volunteer cont…
Etats-Limites ou les cris de Petra
“Borderlines or Petra’s shouts. Songs for the other half of the sky N°VII” (2013) After some reissue or first edition of old composition, here’s a brand new composition from Jean-Claude Eloy. Made mostly with voice, bells and synthetic sounds this piece works like an electroacoustic lightning. “A kind of salutary madness”.
Galaxies full-electro
Galaxies' (Warsaw version), electro-acoustic alone. Fully electro-acoustic version of Anâhata / Galaxies realized on the composer's personal computer from the original electro-acoustic recordings of this work.Electronic music studios where the original Anâhata / Galaxies were produced (1984-86): Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, premixing) and all final mixing processes. Toky…
A l'approche du Feu Méditant
Of all the works by Jean-Claude Eloy, the 1983 "Approaching the Meditative Flame...", for 27 instrumentalists of the "Gagaku" orchestra from Japan, and two choruses of "Shômyô" Buddhist monks (a work known partially in the West by a double LP album "Harmonia Mundi") and more particularly, "Anâhata", for five traditional soloists from Japan (three instrumentalists and two monk singers), percussions, and a major electro-acoustic part (presented in different festivals in Europe) – are the two works…
Anahata (1984-86)
Subtitled: Primordial Vibration / Sound ceremonial with a contemplative character. Composed in 1983-1986. Sound ceremonial with a contemplative character for two voices of Japanese Buddhist monks (traditional Shômyô techniques - traditional temple chanting - in a larger, modern and creative form), three Japanese Gagaku instrumentalists (traditional court music in a modern and creative form), one percussionist (with a percussion instrument orchestra) and electro-acoustic (fixed interactive sounds…
Electro-Anahata
Electro-Anâhata (1986-1994). Fully electro-acoustic version of Anâhata realized on the composer's personal computer from the original electro-acoustic recordings of this work. Electronic music studios where the original Anâhata was produced (1984-86) : Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, premixing) and all final mixing processes. Tokyo-Gakuso studio, Tokyo (1983): for the Shô a…
Etude IV / D'une Etoile Oubliee / La Grande Vague
Etude IV: points-lines-landscapes' (1979). This work is designed as an all-electronic piece without considering any configuration with soloist parts for later use (unlike the two following pieces featured on this CD). It was realized by Jean-Claude Eloy in 1979 on the CEMAMu's UPIC upon Iannis Xenakis's invitation to whom this work is dedicated as a friend. The UPIC (Unité Polyagogique Informatique du CEMAMu) is an electronic tool invented by Iannis Xenakis in the 1970s. It is a graphic interfac…
Butsumyoe / Sappho Hiketis
J.C. Eloy book (English text) around the cycle 'Songs for the other half of the sky' with the following pieces 'Butsumyoê', 'Sappho hikètis', 'Erkos', 'Galaxies', 'Gaia-songs'. Interview, documents, technicazl specification, photos. A CD with 'Butsumyoê' and 'Sappho hikètis'.'Butsumyôe' (1989). For voices, percussions and electroacoustic. With Yumi Nara and Fatima Miranda, voice and percussions. In 'Butsumyôe' ('The ceremony of Repentance') the singer Yumi Nara (soprano) occupies the function of…
Erkos / Galaxies (Chants Pour L'Autre Moitie Du Ciel Part I
Songs for the other half of the sky. With 'Erkos' (1990-91) and 'Galaxies' (1986-1996). Performed by Junko Ueda (satsuma biwa and voice) and Jean-Claude Eloy (sound projection). Erkos is a word from the Indo-European language and means song, praise. It is close to the Sanskrit word Arkas (hymn, chant, radiance) and to the Tokharien term Yarke (reverence, homage). The texts consist of extracts from the Devî-Upanishad and Devî-Mâhâtmya writings, in Sanskrit. In those texts, an homage is paid to t…
Kamakala / Etude III / Fluctuante Immuable
One of the Jean Claude Eloy' most essential release 'Kâmakalâ. The Energy Triangle' (1971) for three orchestra ensembles, five chorus ensembles, with three conductors. Orchestra and chorus of the WDR, Schola Cantorum, Stuttgart. Conductors : Michel Tabachnik, Bernhard Kontarsky, Jacques Mercier. Kâmakalâ - a Sankrit term meaning energy triangle - refers to India's philosophy (Tantric Shivaïsm) and is expresses here as the appearance of energy, which is the erotic and cosmic energy (Kama), that w…
Shanti (1972-73)
Packaged in a 6 panel digipak. Includes a 16 page booklet in French & English. A massive, four side-long drone-epic masterpiece “Shânti” (1972-73) for electronic and concrete sounds, in a spectacular double CD digipack issue. A hundred-and-thirty-five minute piece of "meditation music" for a four-track magnetic tape by Jean-Claude Eloy, produced in the Electronic Studio of the Radio of Cologne “The term “meditation music” triggered many conflicting comments including positive ones (“... let us s…
Yo-In (1980)
First world publication for the seminal Yo-In (1980) an electro-acoustic work produced in Japan and revisited by the Museum of Modern Art of the City of Paris in 1981. “Sound Theater for an imaginary rite”. Yo-Inleads to a sort of “celebration-ritualization of the day of man on Earth”.Jean-Claude Eloy discovered the meaning of Yo-In by going deeper into the culture of Japan where he had been invited by Toru Takemitsu in 1970: “Yo-In, echo, rhyme, resonance, psychic reverberation”. Karheinz Stock…
Le Minuit de la Foi
'Le Minuit de la Foi' ('The midnight of the faith') (2014) for electronic and concrete sounds, around selected sentences by Edith Stein recorded by German actress Gisela Claudius. New work from Jean-Claude Eloy, a long piece under the power of expanded sounds and sacred words.'Le minuit de la foi' is a double album, each CD of which forms a stand-alone entity. Each CD can therefore be listened to separetly. However, you do need to liSten to the full album for it to become meaningful through its …
∞
This new limited edition box set has been created in celebration of Carsten Nicolai’s much-loved interactive installation bausatz-noto, now showing at The Vinyl Factory: Reverb exhibition at 180 Studios. Four Technics SL-1210 turntables are integrated into a table. On each of these turntables lies a specially produced vinyl record with endless grooves, each of which provides the visitor with the opportunity to play several sound loops endlessly. The table functions as an instrument, allowing the…
Live at White Cube
In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cube. Each performance over the course of the exhibition will be recorded, pressed and screen-printed live inside the gallery. The fifth performance is by Mark Sanders.
Mark Sanders has played with many renowned musicians including Derek Bailey, He…