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Skullmarks
The group Common Objects was formed in 2005 by the British harpist/composer Rhodri Davies. The group has had a fluid membership, but in recent years its core members have been the six musicians performing on this album: John Butcher, Angharad Davies, Lina Lapelyte, Lee Patterson, Pat Thomas, and Rhodri Davies. Common Objects performs a wide range of music, from composed works to improvisation. Skullmarks documents the group’s first project in which objects are used as scores.In 2016 Common Objec…
Idiophonic
Seijiro Murayama (percussion, voice) lived in France for many years and is currently based in Paris. Alto sax player Jean Luc Guionnet, who lives in Paris, is also known as a pipe organist. The two musicians have released three CDs to date: Le Bruit du Toit (Xing-Wu Records, 2007), Window Dressing (Potlatch, 2011), and Mishima, Day & Night (Ftarri, 2015). Guionnet played the sax on each of these albums. Their fourth release, Idiophonic, is the first on which Murayama performs with Guionnet the o…
6 Chords
Guitarist Cristián Alvear was born in 1979 and lives in Santiago, Chile. Active on the international contemporary/experimental music scene, he has since 2010 released numerous recordings on labels in various countries. Musician and programmer Klaus Filip was born in 1963 and resides in Vienna, Austria. ppooll, the software he developed, is used regularly by many improvisers, including Filip himself.
This album is comprised of a single track of 40 min., 58 sec., divided into six parts. Klaus Fili…
The Sojourner
Japanese label P-Vine sure know how to pick out the essential spiritual jazz reissues. This is another gold standard that came originally on Strata East in 1974. Vocals feature throughout and often soar to the highest of heights and make it a charismatic album. Sample hounds and hip hop lovers might well recognise the track 'Optimystical' which has been pillaged by Detroit great Andres before now. Elsewhere there is real freeform magic on 'Music Is Nothing But A Prayer', cosmic exploration on 'T…
Soul Impressions
*2022 stock* Recorded in 1975 and released on the legendary library music label Montparnasse 2000, Soul Impressions condenses the entire mastery and inspiration of the brilliant Franco-Yugoslav composer Janko Nilovic into 12 generous tracks. A total adept when it comes to bubbling studio sessions and gleaming arrangements, our man incessantly works furiously and devotedly on his music, throwing himself body and soul into the creation of one of the 70s most individual and coherent musical works. …
Becs
*2022 stock* CD edition: the last time Fennesz released an album on Austrian label Mego it was 2001 and the name of that release was 'Endless summer'. Now, in 2014 P-Vine Records is extremely proud to release the conceptual follow up that landmark of abstract pop. Becs (pronounced 'baeetch') is Hungarian for Vienna and is the first full length Fennesz solo release since 2008's 'Black Sea'. Eschewing the more drone orientated works of 'Black Sea', 'Becs' returns to the more florid pop mechanisms …
Bar
Sachiko M with two sinewaves on one empty sampler. Sachiko M is a musician who uses the sampler as an instrument. Rather than apply the device's original function of sampling recorded material, she makes music using nothing but its internal test tone sine waves. Her approach to this radically minimalistic sound and meticulously thorough music has created a sensation worldwide. Currently one of the most sought-after improvisers on the scene, Sachiko M collaborates with influential artists both in…
Futatsu
Vienna resident Radu Malfatti, who turns 60 in December, is a trombonist and composer with a long and impressive career. In the nineties he established the unique compositional/improvisational style, using very few sounds, that he continues to develop. Thirty-something guitarist Taku Sugimoto has since the late nineties followed a similar path, pursuing a playing style marked by extreme sonic spareness. His work has received critical acclaim in Japan and abroad and has greatly influenced many yo…
Time service
Over the past few years, alto sax player Masahiko Okura has led an astonishingly full and varied musical life. Active as a soloist, as leader of the jazz-rock band Gnu, and as a member of the improvisational trio Bject (with Tetuzi Akiyama and Utah Kawasaki), he also collaborates with many other improvisers, including Otomo Yoshihide, Taku Sugimoto, Ami Yoshida, Axel Dörner, Alessandro Bosetti, Werner Dafeldecker, and Günter Müller. With the recent addition to his repertoire of two more instrume…
Funny rat
Free jazz drummer Shoji Hano and German saxophone giant-leading European free improviser Peter Brotzmann first met in Japan in the early eighties. In 1990 Hano went to Europe for the first time and played with Brötzmann; then he invited Brotzmann to Japan for a duo tour in fall '91. This album is the complete recording of a concert they gave during that tour, at Aku Aku in Tsukuba. In '92 Hano released (on his label EGG) a cassette tape of that performance, with the same title, omitting one of t…
In case of fire take the stairs
Kaffe Matthews (laptop), Andrea Neumann (inside piano), Sachiko M (sinewaves, contact microphones). Recorded live in Tokyo, 3/17/02. Although I and II include two and three tracks, respectively, each is a single work. They are divided into multiple tracks for listeners' convenience. Kaffe Matthews created her sound by live-sampling and processing her own and the other musicians' sounds as they played.
Across the desert
European free jazz/free improvisation pioneer Han Bennink (drums) made this studio recording with Kazuo Imai (guitar) in Tokyo in May of 2002. Imai, who in the '70s studied with Masayuki Takayanagi and Takehisa Kosugi, currently performs both on his own and with the annual five-member collective improvisation project Marginal Consort. Across the Desert contains nine duo pieces. Imai plays both acoustic and electric guitar while Bennink delivers strong, constantly changing rhythms. Here are two m…
Live in Australia
Taku Sugimoto is an extremely restrained guitarist who produces very few sounds in performance, allowing silence to be the controlling force. As an improviser and composer, he's garnered international acclaim, and also provoked strong reactions, both positive and negative. This two-CD set documents Sugimoto's live performances, in Australia in September 2003, of two of his own compositions (one per CD): 'Dot (73)' and 'Music for Amplified Guitar.' Environmental sounds -- listeners' coughs, foots…
Oimacta
Tetuzi Akiyama has in recent years attracted tremendous interest on the Japanese and international improvised music scenes. In addition to performing many times in Europe, America, Australia, and New Zealand, he's been releasing a steady stream of solo and group recordings on these countries' labels. Oimacta, a duo album he recorded in a Sydney studio with Martin Ng (turntable feedback), promises to become one of his most widely recognized works. Akiyama's instrument here is the acoustic guitar.…
Side guitar
Toshimaru Nakamura's main instrument of late has been what he calls the 'no-input mixing board.' Rather than input external sound sources into the mixer, he treats it as a self-contained instrument by controlling its internal feedback -- the result being a truly original performance style. Over the past four years, Nakamura has released the solo NIMB CDs No-Input Mixing Board (on the Zero Gravity label), No-Input Mixing Board 2 (a bruit secret), Vehicle (cubic music), and No-Input Mixing Board […
Loose Community
Otomo Yoshide (turntables, guitar) is active on a worldwide scale in such fields as free improvisation, composition, and film music. On a trip to Seoul in May of 2002, Otomo made a studio recording with Seoul musicians Park Je Chun (percussion) and Mi Yeon (piano). Known as a brilliant student of Kang Tae Hwan, the pioneer of the Korean improvised music scene, Park was formerly a member of Kang's band. Mi Yeon, an artist firmly grounded in contemporary classical music, has collaborated with Park…
Ensemble Cathode
Taku Sugimoto: electric guitar, Tetuzi Akiyama: turntable without records, contact microphones, Yasuhiro Yoshigaki: waterphone, Kumiko Takara: snare drum, Masahiro Uemura: bells, Ami Yoshida: voice, Itoken: crotales, Mari Furuta: snare drum, Yoshimitsu Ichiraku: cymbal with bow, Sachiko M: sine waves, contact microphone, Yoko Nishi: prepared 17-string koto, Andrea Neumann: inside piano, Yoshihide Otomo: turntable. This album was recorded intermittently between May 2001 and March 2002. Most of th…
Molecules
Limited edition of 400. This masterful performance was born of the meeting of two master improvisers, Kazuo Imai from Japan and Roger Turner from the UK. Imai, who studied with Masayuki Takayanagi and Takehisa Kosugi, is one of Japan's leading improvisers and guitarists. Turner is a drummer and percussionist who has been actively performing throughout the world since the beginning of the 1970s. His Japan tour in October 2017 included concerts with Japanese musicians in various locations, includi…
Early Sound Installations
* Special Edition is added a CDr consists of two tracks, sound installations at Striped House Museum and his important work in late years Background Music. Special brown box, limited to 60 copies * In the early 1980s, several artists such as Satoshi Ashikawa and Hiroshi Yoshimura, who were pioneers during the early days of Japanese sound art, began to display their works at exhibitions. Ashikawa, who passed away at the young at the age of 30, worked at Art Vivant, a store affiliated with the Sei…
A Group for Experimental Music
In the mid 1960’s, there was a collective of contemporary musicians in Osaka, called Art Zyklus. Because Hajime Yamashita, one of the core members, had sold a part of his privately stored sound source over the Internet, the whole picture of amazing and completely unknown activities was revealed. The release compiled works created by Art Zyklus as well as Yamashita. Worth mentioning is that ‘Music for Electric Metronomes’ by Toshi Ichiyanagi was premiered in Japan. Apart from that, the fact that …