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Who Am I? • No More
"The title Composer in Dialogue stands for a biennial cooperation between the ICI Ensemble and a contemporary figure, the aim of which is to create a kind of 'work in progress' through composition itself but also by involving improvisational forms. Performances of pieces thus created remain the intention. The present recording documents an ICI concert with the composer Olga Neuwirth. Olga Neuwirth began her musical career on the trumpet, before she embraced composition as her favoured means of e…
Bioelectrical Music
We have not had a physical release by composer and ecologist Michael Prime since the release of Borneo in 2007. This new 3CD set brings us up to date with a series of recordings from across the years. It also sees a new refinement in his working practice as well as a new extension to his original name. Bioelectrical Music by Michael Allen Z Prime consists of recordings that fall into 3 defined categories - Bioelectrical Compositions, Bioelectrical Field Recordings and Bioelectrical Installations…
Jack of Diamonds/Faro Goddamn
if Alan Licht ever continues with his revered Minimal Top Ten lists then Sam Esh would surely be added to the pile. Penultimate Press is proud to release one of the most audacious and unrelenting entries in the entire minimal cannon. A collection of recordings from a true American eccentric maverick pioneer, Sam Esh. Originally available as 2 x cassettes in tiny editions on Mike Rep Hummel’s Old Age / No Age label these are now bound together on a 2CD set which does not interrupt the unrelentin…
Experimental I / Mechanical I
When Harry Bertoia's Sonambient label was resurrected, Important Records' intention was to tell the story of Bertoia's groundbreaking Sonambient work as revealed through his extensive collection of notes and recordings. When the first new LP was released in 2016, Important were only in possession of 1/20th of the archive. Now, in 2019, the label is excited to release the first LP of new material from the full archive and they present it to increase understanding of what Bertoia was doing in his …
Soft Focus: Volumes One
Pastoral moods, pastel modes, daydream verve, colors in complement, slightly dissonant, outdoor airs, shadow underleaf, gravity's touch, falling rain, solemn distances, memento mori, the wandering mind...Soft Focus is two volumes of a musical experiment that intended to go one way and went another. A project that sought song form became a process that discovered tonal movements through unexpected environments and atmospheres. I hope you enjoy! -Wednesday
Pharoah Box Edition
Deluxe 2CD boxset with 70-page booklet. Alongside a remastered version of Pharoah, his seminal record from 1977, are two previously unreleased live performances of his masterpiece, “Harvest Time.” Includes a 24-page booklet with rarely seen photographs and ephemera, as well as interviews with many of the participants and a conversation with Pharoah himself. With Pharoah Sanders’ blessing, we present the definitive, remastered version of Pharoah, his seminal record from 1977, in an embossed 2 L…
Léandre - Minton
Joëlle Léandre : doublebass, voice. Phil Minton : voice. Recorded by Jean-Marc Foussat in Paris on October 2016. Incredible concert of these two great improvisers!
Crusts
"Piano and reeds duet. More precisely, Didier Fréboeuf, the pianist, is also credited for clavietta and objects and the prompter Jean-Luc Petit, tenor and sopranino sax as well as contrabass clarinet. Three Crusts. Not badly chosen title compared to the improvised music that they play towards each other: these two do not stay on the surface of things. They work in depth on their exchanges by developing a nice variety of playing modes both on the keyboard and in the strings and on the reeds.
I ap…
jouent pour Stephane Guillaumon qui danse sans faire de bruit
Duo live electronic improvisation by Jean-Marc Foussat and Leo Remke-Rochard. Recorded at the Dojo in Villeurbanne, France, on January 7th, 2023.
Rustiques
A study of contrasts as French improvising synth player Jean-Marc Foussat joins with legendary saxophonist & bass clarinetist Sylvain Guerineau, whose work in both jazz tradition and free playing finds him a lyrical and expressive player, bringing flexibility in combination with a seemingly disparate foil in Foussat, heard in six succint dialogs of unconventional compatibility.
"Recorded at home in November 2022 in the Loiret, this curious little regional river which gives its name to the depart…
Les Beaux Jours
"Intense and stormy "vintage" electronic music - ethereal loops or organ or keyboard effects - synalgias of the unresolved - (AKS by Jean-Marc Foussat) goaded and torn by the extreme bites of the soprano saxophonist (Guy Frank Pellerin). The feeling of duration of their improvisations (22, 19 and 25 minutes) diminishes as the spells fall in this weather of the emerging moment. A nice variety of games in the game phases means that we no longer follow the order of the music, nor its logic. We find…
Madly You
"Most Americans discover European improvised music using a map dominated by Amsterdam, Berlin, and London, which dwarfs and shoves the rest of the continent to the margins. At some point, however, even they realize the land lies differently. Yet, extensive exploration is required to correct the proportions, label the tributaries, and overlay the trade routes. In this endeavor, recordings become the coordinates that begin to flesh out the map's heretofore blank spaces.
Madly You is valuable in th…
Concert à Luz 2009
From Jean-Marc Foussat own Fou Records, comes one of the most striking archival releases of the year, “Concert 2009”, capturing a meeting between the French electroacoustic free improv trio, Marteau Rouge, and Japanese noise giant Keiji Haino. Pushing far beyond expectations of free improvisation, the group weaves blistering passages that incorporate touchstones from prog, punk, metal, noise, and drone, into more intricate movements of dystopian avant-gardism, culminating as a strikingly forward…
Ecstatic Jazz (Crypte Des Franciscains Béziers 12 Février 1982)
"A newly discovered, enthusiastically received 1982 concert from three avatars of French Free Jazz captures the triumphs and the trajectories of improvised music at the time. Veterans, even at that time, saxophonist Daunik Lazro, now 78, and known for this work with Michel Doneda and many others; bassist Jean-Jacques Avenel (1948-2014), a Steve Lacy associate for years; and pianist Siegfried Kessler (1935-2007) who had a similar relationship with Archie Shepp; are as usual expressive and explora…
Periferia
"Periferia is an ancient greek word which dérives from the verb perifero,i.e, to bear, bring about; Periferoalso means to let someone know or makesomething known to people, therefore to spread and communicate.
Periferia as a specific area is the perimeter of any closed system. But the1ine of letter Фcuts like a sword the circumference of the solid circle. Periferia symbolizes the fact that you are always far from the center, thatyou follow paths which will never bring you towards the center — yo…
Haut-Coeur
"Always at the helm, the sound magician Jean-Marc Foussat offers us four new releases from his catalogue. In April 2022 in Le Mans, this champion of combinations between electronics and acoustics brought together Emmanuelle Parrenin on the hurdy-gurdy, a very old instrument that is sometimes considered the ancestor of the synthesizer (!) and Quentin Rollet on the saxophones, an "impossible" trio if ever there was one. Yet these instruments are in perfect harmony, blending and harmonising in the …
Off Course !
"There is a landscape of sonic ideas, of banging, of entity, of new forms of stimulating the body and of prehension moved by our human, urban, maybe even cubist surroundings, or by the big wild country where, we say, music does what it wants. Unless, we misread and “music knows what it wants.” Both! With one stroke, knowing and doing unanimously converge into one. A point of intersection - there are so many - between the desiredl iberties and sublime agitation provoked by the embrasure of paths …
The Wanderer
*2022 repress* The Wanderer is based on a single modal scale (B C# D D# E F# G#) and rhythmic modes based on a meter consisting of 3/4 and 3/8. Part I, "Song," is intended to explore the unique resonant qualities of accordion reeds through long sounds. Subtle variations come about from differences in tuning and air pressure. Part II, "Dance," demonstrates the sharp accenting power of the accordion bellows in a mixture of cross rhythms characteristic of jigs, reels, batucadas, Bulgars, Klezmer fo…
In My Arms, Many Flowers
*New CD edition of sold out LP/CD* Recital is proud to publish the first album of American Gamelan composer Daniel Schmidt (b. 1942). Schmidt, who emerged in the Bay Area music scene in the 1970s, wove the threads of traditional Eastern Gamelan music together with American Minimalism (repetitive music). Schmidt was (and is still) a prime figure in the development of American Gamelan music – studying and collaborating with Lou Harrison, Jody Diamond, and Paul Dresher. He currently is a teacher a…
Chanter
To celebrate composer Charlie Morrow’s 80th birthday, Recital presents 80 minutes of voice-based recordings in his new album, Chanter. While Morrow’s previous two albums on Recital Toot! Too (2017) and America Lament (2020) focused on chamber and electronic compositions, Chanter covers over 60 years of vocal explorations. Spanning from Charlie’s first ever tape recording Ella (1960) to two intimate chanting improvisations made in 2021 for this CD.
Curated by Sean McCann, the dozen tracks which c…