We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Back in stock

Myuthafoo
LP version. Red vinyl. Italian composer Caterina Barbieri has spent the best part of a decade breaking apart the rigid structures of electronic music, using advanced, idiosyncratic techniques to build bridges between academic experimental, dance and pop landscapes. Her breakthrough moment came in 2017 with the Important Records-released "Patterns of Consciousness", a confident fusion of analogue synthesis and algorithmic compositional methodology that defined her unique voice. And when she follo…
Ecstatic Computation
Black Vinyl edition. Three years after the original release date of Caterina Barbieri’s career defining album Ecstatic Computation, the Italian artist reissues the record on her newly found own label light-years. The re-issue features previously unreleased music (on CD only), as well as a beautifully reworked version of the original cover art. Caterina Barbieri is an Italian composer who explores themes related to machine intelligence and object oriented perception in sound through a focus on mi…
Spirit Exit
* Limited edition Silver Vinyl * The musical vortexes of Caterina Barbieri rewire time and space. Listening to the Italian composer and modular synth virtuoso has felt like traveling at light-speed and slow-motion all at once since 2017’s breakthrough double-album »Patterns Of Consciousness«. 2019’s acclaimed »Ecstatic Computation« pushed even further with the lead single »Fantas«, where a haunting melody hurtling towards its supernova climax felt like witnessing the life and death of a burning …
Jazz Al Folkstudio
Huge Tip! **300 copies, comes with a printed insert** Back in 2021, we bore witness to the reissue, by Dialogo, of the Rome based ensemble Spirale’s lone 1974 self-titled LP, a towering obscurity of 1970s Italian jazz. Made of up Gaetano Delfini (wind instruments, vocals, percussion), Giancarlo Maurino (saxophone, flute, percussion), Corrado Nofri (piano, marimba, mbira, siren, Jew’s harp), Giuseppe Caporello (contrabass, guitar, percussion) and Giampaolo Ascolese (drums), the band ranks among t…
I Tarantolati
Huge Tip! **300 copies, comes with a printed insert** The second LP in Black Sweat’s latest batch, ‘I Tarantolati’ the first outing of Antonio Infantino with his band, Il Gruppo Di Tricarico, while very different in its musical approach, belongs to the same wild ferment around Folk Studio in Rome, and was issued by the Folkstudio label the year prior in 1975. Antonio Infantino was poet and singer, who operated in circles connected to Beat literature and Italian performance and gestural music cir…
Yeahno Yowouw Land
Sing a song fighter is proud to release this amazing debut album hand in hand with our Italian label friends Black Sweat Records: Spiritual Jazz paths always open up unexplored dimensions, this is the clear impression revealed by this superb and ambitious first double album by Lina Langendorf and her new band. The Swedish saxophonist (OK Star Orchestra, James Yorkston, Nina Persson & The Second Hand Orchestra) seems to be blowing in the lesson of the great sacred monsters of the instrument such …
Loneliness, Desire and Revenge
This 8 track acoustic guitar album is a big change for the experimental musician Maurizio Abate. After many years of psychedelic albums in which improvisation was combined with a creative recording process, he composed an entire album based on a more traditional method: acoustic guitar solo.During winter 2014 he organized a series of italian screenings preview of the documentary “ In Search of Blind Joe Death: The Saga of John Fahey” and that occasion encouraged Maurizio to experience the guitar…
XKatedral Anthology Series II (An Anthology Of Slowly Evolving Timbral Music)
Tip Tip Tip! XKatedral Anthology II is the second instalment in a series of archival releases dedicated to presenting music by composers affiliated with XKatedral working within the realm of slowly evolving harmonic and timbral music. This double-vinyl set contains an array of pieces dating from 2018 to 2020. This collection of pieces focuses on the use of synthetic sound and algorithmic composition languages as tools for precise work within the realm of spectral exploration. In addition to this…
Stardust
During the late 1950s, the iconic tenor saxophonist John Coltrane was exploring different milieus with various associates, most notably reconnecting with Miles Davis during a time when the latter was working with pianist Red Garland, bassist Paul Chambers, and drummers Jimmy Cobb and Art Taylor. These players are featured on the 1958 session that would yield Stardust, released by Prestige four years later, and although comprised of four standard cover tunes, Trane’s playing is so supremely emoti…
Could Change
"Alvin Lucier’s I Am Sitting In A Room was written over 50 years ago, and it’s about time somebody figured out what to do with it. Sure, you could upload and re-upload the same video until it washes out into a gurgle, and people have. But the result is always just less video and not more of something else. There’s no space, no Room, inside a digital stream to come forth. Here’s why: Lucier’s piece famously provides more thrills and chills the more patience you bring to it. And it works that way …
Plasmatic Music, Vol. 1
The three works on this disc explore different aspects of Radulescu’s theory of Sound Plasma as it evolved over the course of the 1970s, from Radulescu’s early to middle periods.
Swing Bridge; Sizzles
This release brings together two works by Alvin Lucier centered on the pipe organ, a perfect instrument for Lucier’s compositional practice. Both are first recordings.“Swing Bridge” was commissioned by this record’s ensemble, the Australian Art Orchestra, for the Melbourne Town Hall Grand Organ. The score requires that specific pipes be removed from the organ and run into three specially constructed offset chests, each accommodating two pipes (six pitches total). These pipes are manipulated by t…
Wie Das Wispern Des Windes...Like The Whispering Of The Wind
180 gram LP version. Bureau B reissues the eleventh solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1986 on the small Norwegian label Cicada. If we can agree on 1969 as the year of Cluster's inception, then Roedelius needed a good 17 years to discover the aural qualities and musical beauty of the grand piano for his own compositions. More precisely, he must have become aware of the grand piano during the recording sessions for Jardin Au Fou (1979) andLustwandel (1…
The Works for Percussion 3
John Cage’s vision of the future of music was first shaped by an intense creative period from 1935-1942, when he wrote many of the seminal works of percussion chamber music featured here. When he composed these works, the young Cage was basically the same age as the members of Third Coast Percussion. This release includes all three of the groundbreaking Constructions. First Construction (in Metal) utilizes dozens of metal instruments which are beaten, scraped and shaken, creating an other w…
Celestial Excursions
2005 release. Following the ground-breaking work, Dust (LCD 1006CD), godfather of experimental opera Robert Ashley returns with Celestial Excursions. Ashley's endeavor explores remarkably uncharted territory -- the kind of language that is common among "old" people who talk all the time or not at all, to anyone passing by or to themselves. The opera premiered at the Hebbel Theater in Berlin, before coming to The Kitchen for its U.S. premiere in April 2003. Celestial Excursions delves into the wi…
Three Works For Live Electronics
Originally released on Lovely Music as Pulsers / Untitled in 1984. This re-release includes an additional piece from David Tudor, Phonemes. Pulsers explores the world of rhythms created electronically by analog, rather than digital, circuitry. With analog circuitry, the time-base common to the rhythms can be varied in many different ways by a performer, and can eventually become unstable. Untitled is a part of a series of works composed in the 1970s that were developed through experiments in gen…
Neural synthesis n. 6-9
1995 release. Neural Synthesis Nos. 6-9 combines the art of music, the engineering of electronics, and the inspiration of biology. In it, David Tudor orchestrates electronic sound in ways analogous to our biological bodies' orchestration of consciousness. The performance originates from a neural-network synthesizer conceived and built especially for Tudor. He surrounds this synthesizer with his own unique collection of electronic devices, and in the recording on this CD made for headphone playba…
Key
1995 release. Originally released in 1971. Key contains Meredith Monk's earliest compositions for voice. The songs that make up Key were composed and performed in a three year period between 1967 and 1970, when Monk collected them into this 45-minute "invisible theater" experience. Meredith Monk on the release: "In Key I wanted to create a constantly shifting ambience. Each song dealt with a different vocal character, landscape, technical concern or emotional quality. I was trying for a vi…
Voice is the original instrument
Collection of Joan La Barbara early works and her first vocal compositions, originally released on LPs in the 1970s and early 1980s on her own Wizard Records. "One of my earliest pieces, "Hear What I Feel", was a self-exploratory, sensory-deprivation experimental work, designed to help me discover new sounds, delve into psychological aspects, as well as communicate with the audience on a pre-verbal level of awareness. After spending an hour in isolation with my eyes taped shut and not touching a…
Sound Paintings
Joan La Barbara begins Sound Paintings with a scream that pushes you into an unusual world of vocal sound. Her virtuoso singing style, developed over a 20-year period, can be heard on this disc, which combines some of her earlier works with more recent compositions. She takes her extended techniques, which include multiphonics, overtone singing, and glottal clicks, and orchestrates them in layered soundscape compositions using from 8 to 16 tracks of material.