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Split E.P.
Delicious collaboration between Stefania Pedretti (?Alos, Allun, OvO) and Xabier Iriondo (Afterhours, NoGuru, Uncode Duello). Inspired and magic combination of two spirits from a different world.
Machanical Restraint
All pieces recorded live at the Plastikville Studio. Sound sources through the use of pure analogue devices and various kinds of metal apparata connected through electronics, unaffected in any way in the hope of rendering a kind of sonic inscription of the machines.
split 7"
Wheezing skyward born machine groans and gasped tremolo root to a kinetic pulse, while distant melody zones ascend to circulate around the bass flex on this face chewer by Neil Campbell. On the flip is the first vinyl cut by Glockenspiel, flocculent tones weave with tom rub and bowed metal harmonics, drifting on the back of a drum dub to the heart of a snow-blind haze of feedback, amplified string scrape and analogue electronics. Spin at 45. Art by Noah Campbell.
Black Mill Tapes Volumes 5 (LP)
In the beginning, there was just a box of tapes and “Fate’s Gentle Hand.” It was the autumn of 2010, and an anonymous figure known only as the Head Technician, an employee of Pye Corner Audio Transcription Services (“Magnetically aligning ferrous particles since 1970”), found himself at an auction in the village of Coldred, pop. 110. He was on the hunt for tobacco pipes when he chanced across a trio of boxes listed in the auction catalog, which described their contents only as “archived magnetic…
Electric-Sound-Select Göteborg
Tip! ** Edition of 200** A collective six-track vinyl LP is delivered from the elektronik city of Goteborg, Sweden. Loaded with passionate, atmospheric and meditative waves, featuring Nachdenken, JPS, Peter Davidson, Robert Leiner, Weltwagen and Eels for Pleasure
Dance Remotion
Belgian new wave & DIY minimal synth duo that started out experimenting with a rhythm box and post-punk guitars in the vein of early Cabaret Voltaire. Rudolf Hecke explains the origin of the band: “By the end of the seventies we were both living in small towns near Leuven. I had been playing in bands since 1973 and was still living with my parents in Veltem-Beisem where the garage was my rehearsal-room. One day he showed up, he was looking for a songwriter, he’d be the singer. He rode a bike.”Th…
TV Scape
Kuruki was a Belgian minimal synth-pop band project spearheaded by Ghent-based musician Gerry D’Haeyer and Alain Bureau. The band was founded early 1980’s and shortly after it’s conception a first release was recorded. The single “Crocodile tears” immediately hit the charts and became a hit.
Afterwards the band released 12 inches including maxi single “Such a liar”. After intensive touring a new single “Just a cat” was spawned in 1983. As a live band at that time Alan Gevaert, from dEUS, and Chr…
Minus Modum
"Once again Gerard uses his guitar, low-key electronics, his own voice, and inanimate objects in the creation of a five-part work, this time using Greek letters to identify the separate parts of the structure. He also uses a lot of silence, as usual, and one has to strain quite hard to make out any perceptible markings on this blank stretch of time. Actually what may appear to be pure silence actually contains a very subtle and washed-out drone of some sort, produced by means we know not – it’s …
Inward Eye
The edition is limited to 287 and vinyl comes in three different colors: marble orange, marble white, and black. The record is housed in a 12" cloth bag, with front, back and inner fully screen-printed with artwork reproducing a painting by Roberto Opalio. Secret messages are written between the grooves and both sides' center labels, that feature mysterious, full-color portraits of Ramona and Roberto respectively on each side. Each copy hand-…
3 Angels / 3 Hjørner
*Transparent purple vinyl. Limited edition of 100 copies.* Installation soundtrack from Martin Erik Andersen's installation 'ALLE LIGE VEJE LEDER HJEM / EVERY STRAIGHT ROAD LEADS HOME' 2006Originally created as an installation for a private home. Modified version exhibited at Galleri Møller Witt 2006.
The Gospel of Truth / Auf Der Exernsteine
**2019 stock** Martin Erik Andersen was born in 1964 and lives and works in Copenhagen, Denmark. He studied at Al-Fonun Al-Gamila (The Fine Arts Academy) in Cairo (1989-90) and graduated from The Royal Danish Academy of Fine Arts (1992). Major solo exhibitions include Horsens Kunstmusem, Horsens (2009) and Holstebro Kunstmuseum, Holstebro (2008). Since 2009 Martin Erik Andersen has been Professor at the Danish Academy of Fine Arts in Copenhagen, Denmark. The self-released The Gospel of Truth / A…
Granular Modality
In many respects Earl Howard’s (b. 1951) music is an anomaly that resists categorization and the seductiveness of genre. He is an important force in improvised music and yet his work employs complex structures and rigorous transitions of sound and texture. His electro-acoustic music is realized with a K-2600 Kurzweil that for Howard is not merely a keyboard synthesizer but an open system, a computer with a most effective interface with modules and a key map that enable more freedom in the compos…
Beside Herself
Michele Mercure often dreams of music, and in her waking life, reclaims
fragments of these fleeting, floating melodies in her compositions and
sound art. Beside Herself, an anthology of Mercure’s self-produced and
distributed cassettes released between 1983 and 1990, collects these
dreamlike passages and lo-fi nocturnes, preserving the qualities of
discovery and intimacy surrounding their genesis. Mercure’s sound is a porous electronic art that overlaps ambient,
abstract, and industrial se…
Burn the Night / Bruciare la Notte: Original Recordings, 1983-1989
Burn the Night / Bruciare la Notte: Original Recordings, 1983–1989 is the first archival collection of music by the Italian minimalist composer Tiziano Popoli. In his music, Popoli framed the Italian avant-garde and New Wave of the 1980s through an architectural aesthetic distinctly detailed by a Yamaha DX7 synthesizer, Roland TR-909 drum machine, and early sampling technology.
For Moussavi Atrium
For Moussavi Atrium is a brand new 38 minute piece from Eleh written for performance at the Cleveland Museum Of Contemporary Art (Cleveland MOCA) on September 28, 2013. " walks into a bar and asks for a pint of beer, the barman scowls at him and refuses. When pressed as to why, he says "I don't like your tone." Meanwhile a drunk in the corner tries to start a chant of "Eleh, give us a wave"...probably a sine it's time to leave.Yup, here's another tonal meditation from extreme minimal chappie…
Home Age 2
One-time edition of 480. Eleh's Home Age series was composed and recorded over a period of five years and it reflects a search for color, form, connection, and growth. The handmade artwork contained in each package was created during the same period of time the music was composed and is an integral part of the meaning of Home Age. For this release, Eleh plays modular and analog synthesizers, piano, organ, bass, and symphonic chimes. Although Home Age is a two-part set, Eleh's upcoming Living Spa…
Spectral Malsconcities
The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD features the virtually unprecedented combination of string quartet and percussion. It contains three works by prominent American experimentalist composers from several generations exploring the ensemble’s unique sonic resources in diverse stylistic setting…
Pioneers of Electronic Music
In 1950, the Columbia University Music Department requisitioned a tape recorder to use in teaching and for recording concerts. In 1951, the first tape recorder arrived, an Ampex 400, and Vladimir Ussachevsky, then a junior faculty member, was assigned a job that no one else wanted: the care of the tape recorder. This job was to have important consequences for Ussachevsky and the medium he developed. Electronic music was born. Over the next ten years, Ussachevsky and his collaborators established…
Columbia- Princeton Electronic Music Center 1961- 1973
Works by Bülent Arel, Charles Dodge, Ingram Marshall, Ilhan Mimaroglu, Daria Semegen, Alice Shields. The Columbia-Princeton Electronic Music Center was the first electronic music center to be established in the United States. From 1959 to the late 1970s, it was one of the premiere sound facilities in the world. The vast majority of pieces composed at the Center - approximately three hundred - were composed during this period. Some have become classics of music history. This selection, draw…
Schlingerland / Dynamische Schwingungen
Cien Fuegos present a reissue of Sven-Åke Johansson's Schlingerland / Dynamische Schwingungen, originally released in 1972. Sven-Åke Johansson (Mariestad, Sweden, 1943) works as a composer, drummer, accordionist, poet, and visual artist. Longtime collaborator of the free improv scene in the German '60s with Kowald, Brötzmann, Schlippenbach. He contributed to numerous exhibitions, publications, and recordings. Sven-Åke Johansson - drums. Recorded 1972 in Stockholm, Schweden. Engineered by Göran F…