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London Pirate Radio Adverts 1984-1993, Vol. 1
Death Is Not The End presents London Pirate Radio Adverts 1984-1993, Vol. 1. The first volume in a two-part collection of pirate radio adverts & idents, taken from recordings of London stations between 1984 & 1993. Many thanks to Wayne Anthony, Simon Reynolds, Stephen Hebditch & The Pirate Radio Archive.
Wetterminiaturen
Ruedi Häusermann’s compositions melodies surface to be swallowed again, a breeze rises and gets lost in sounds, impulses, thunderstorms; melodies are created, are allowed to happen, and you find yourself listening raptly to their dis- integration. For building his worlds of sound the Swiss composer and theater maker has collaborated with the piano. He decided that this polyphonic instrument with its usually clearly defined tone and set ways of being played should be put on wheels so as to be mov…
Kirkfield Non (Tape)
Duelling blues, simultaneously piquant and distorted, from one of Death Is Not The End’s few extant acts, following the label string of compilation pearls Back for third servings after an eponymous debut and ‘Fayet’ in 2017, Torontonian siblings Kevin and Patrick Cahill pick out bittersweet, wayward blues on these 2020 recordings made in their home city and out by the lakes in Kirkfield. We’re not sure if they’re twins, but the Cahills appear to work at near subconscious, telepathic levels of fa…
From Afar It Looks Like An Oriflamme (Tape)
Italian sound artist Ezio Piermattei is an active musician since 2010, releasing works under different aliases like Autopugno, Hum Of Gnats, Poisucevamachenille. In 2014 he started releasing music under his real name, through labels like Chocolate Monk, My Dance The Skull, Steep Gloss and through his own Tutore Burlato label.
His “From Afar It Looks Like An Oriflamme” captures some of the most delicate compositions by him. Detailed narratives are mixed with a big variety of field recordings,…
For Kounellis
The music on this recording was initiated when Grazia and Gianni Bolongaro, owners of La Marrana di Montemarcello asked me to record the sounds of Jannis Kounellis’ installation and make a piece in response. Kounellis’ untitled installation comprises 23 large church bells that appear to spiral out from a cylindrical chamber rooted in the Earth’s core. I was struck by the intensity of this chorus of silent tongues, facing the sky and projecting a colossal resonance that is felt but is not heard. …
Affinity
*2021 stock. 180 Gram Gatefold sleeve with custom replica retro finish. Half speed mastering at Abbey Road Studios.* Affinity was one of the most brilliant British jazz-rock groups to emerge in the early 1970s and was formed by former students from Sussex University. They recruited singer Linda Hoyle and were managed by the famous jazz club proprietor Ronnie Scott, who was impressed by their refreshing approach. A later member of the band was renowned bassist Mo Foster. ‘Affinity’ was their onl…
Tennessee & Other Stories... (LP)
three lobed recordings is extremely excited to be involved with divide by zero records in the release of tennessee & other stories…, Hans Chew’s debut solo album. while chew is best known as the honky-tonk pianist and auxiliary vocalist behind brooklyn’s psychedelic americana outfit d. charles speer & the helix (including his lead vocal turns on both “life insurance” off distillation, and “bar-abbas blues” off the “in madagascar” 7”), his skill as a piano player has also previously been on promi…
For Bunita Marcus
"For Bunita Marcus opens with a clear call to our attention. With these first six notes, we step over the threshold and into the journey of the piece. We know that we are in this for the long haul: Morton Feldman’s late works are notorious for being marathons. He composed For Bunita Marcus in 1985, immediately after his four-hour For Philip Guston, and two years after his six-hour String Quartet (II) These earlier works make an hour-long solo piano piece seem short. Still, it is a long time to …
Space Guitars
**2020 stock** I was born in Detroit (1931), studied chemistry and music at Princeton (1949–53), and after the army, pro-baseball, and working as a chemist at Cape Canaveral, I went to “Koln State” (Music School) in Germany on the GI Bill, (1959-63) and spent a lot of time watching Karlheinz Stockhausen work. I then “visited” Rome (1964–87) where Frederic Rzewski, Alvin Curran, Jon Phetteplace and I put together a group, “Musica Elettronica Viva” (MEV), to create electronic- sounding music in co…
Ipsa Dixit
Kate Soper's (b. 1981) Ipsa Dixit (2010 - 16) is an
evening-length work of chamber music theatre for voice, flute, violin,
and percussion that explores music, language, and meaning through
blistering ensemble virtuosity and extended vocal technique. "'Ipsa dixit' is the feminized form of ipse dixit (literally
"he, himself, said it"), a fallacy in which an assertion is made based
not on proof, but on the supposed authority of the speaker alone. The
title seemed apt for a work that explores …
Konzerte 1972/1977
LP version with CD. The two authorized recordings presented on Konzerte 1972/1977 vividly conjure up the atmosphere, perhaps even the magic, of a Cluster performance back in the day. One took place in 1977 during a science fiction festival in Metz (France). The other dates back to an earlier show in Hamburg's Fabrik venue. Cluster played three gigs in the city in 1971/1972, including the one partially included on 1972's Cluster II (LR 335LP). Cluster shows routinely lasted six hours or more, …
For The Sake Of The Song & Our Mother The Mountain
**2021 stock** Reissue of Van Zandt's first two albums in a 5" hardbook bound double disc set. "Townes Van Zandt was a one-of-a-kind artist who blazed a new trail for singer/songwriters, conjuring a sound that combined elements of country and folk with his own artful melodic sensibility, matched with lyrics that were personal, poetic, and impressionistic while remaining firmly down to earth. A new breed of Texas singer/songwriters followed Van Zandt's example, and it's all but impossible to imag…
Turned Moment, Weighting
'Stephen CORNFORD is better known for his work in sound sculptures and installations than as an improvising musician. But on ÔTurned Moment, weighting' (at-b07) he uses the piano as a source for feedback patterns, which he blends with the gentle Feldmanesque playing of pianist Samuel RODGERS to produce three extended improvisations of astonishingly delicacy. Samuel RODGERS has said that 'though being aware of and struggling with the tradition and limitations of the instrument, I have found the…
Deining
Mini album, CD, self released by Machinefabriek, November 20, 2015. 200 copies. The Dutch word 'deining' (pronounced 'dining') translates to 'heave' and also 'commotion'. For 'Deining', I asked violinist Anne Bakker to bow each string of her instrument while sliding slowly from the lowest note to the highest, for exactly five minutes, as fluently as possible. Obviously, it turned out nearly impossible to do this really smoothly, but the unavoidable irregularities are a welcomed bonus. Anne also…
One Man Nation & Machinefabriek
Prolific collaborator Rutger Zuydervelt (Machinefabriek) marks another notch on his laptop in this improvised live recording with One Man Nation aka Marc Chia. Their fifteen minute performance was captured at the Bimhuis, Amsterdam, December 8, 2011, for ethnomusically-minded gathering, The Future Sounds of Folk, and manifests a minimal sound sculpture of clicks and pops ballasted by quaking bass and free-roaming electro-acoustic diffusions. Machinefabriek's own remix, done after the moment, red…
Koch / Kocher / Badrutt
This release documents a concert recorded on May 2nd 2014, at the record shop Blutopia in Rome, and was part of a short italian tour. All three musicians have been collaborating for many years in different formations (duo Badrutt-Kocher, duo Koch-Badrutt, …), but they teamed up for the first time as a trio for this occasion. Recorded by Carlo Cimmino and mastered by Giuseppe Ielasi.
Received in Studio Dental, Gothenburg
For the recording, Henrik Rylander and Joachim Nordwall of drone operators The Skull Defekts got together with the performance and noise duo The Sons Of God - consisting of conceptual artist and self-proclaimed king of the Kingdoms of Elgaland-Vargaland Leif Elggren and electro-acoustic sound artist Kent Tankred. The place for the meeting was Rylander's Studio Dental and the album was received in one night. the process developed immediately and there was no struggle to find a common idea of soun…
Waterways : four saliva studies
Soundtrack to Vito Acconci’s 1971 video “Waterways: Four Saliva Studies” as well as a remix by undo (Christof Migone and Alexandre St-Onge) entitled “Vito Acconci’s undoing.” cd in custom cardboard box with video stills of each Acconci study covered by hand in silver paint. "New York artist Vito Acconci belongs to that generation of conceptual players, including Chris Burden and Denis Oppenheim, who were more interested in what th…
Jardin Des Bruits
Burkhard Stangl and dieb13 live and work in Vienna, both being long time protagonists of the local scene as well as travelling and collaborating with musicians from all over the planet. Many of those collaborations and connections have been documented on the double-CD compilation klingt.org: 10 Jahre Bessere Farben [mikroton cd 5 | 6] commemorating the first ten years of existence of named online platform, which was founded and is since being run by dieb13.Burkhard Stangl needs no further introd…
99 fingers: recordings 1997-2007
Being the fruit of the gesticulation of the ninety-nine fingers of the unspeakable guiding hand which in the end does not appear to guide and of which we can perhaps speak.Simon Brown lived on a dairy farm until age of five (Sucker of Coc). A sibylline apostate put blood in the choclate milk. Taintid; Simon was God punishd bye-bye. He accept this, form of full-body massage, manifestations of mental illness and pornography. Dylan Crichton is afraid of touching things. His life skills were honed i…