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*Limited edition of 200* Cheval Rodéo by Trombe, Thomas Beaudelin (sax) and Erwan Cornic (drums), a really jazz-like energy album, with low dynamic sensibility and great interaction between the two musicians.
Cover boy Harry Smith shines thanks to a cheeky, never-before published photo by Allen Ginsberg. We celebrate the life and work of the self-described 'ethnopharmacologist' just in time for the release of John Szwed's illuminating biography and Smith's first one-person art exhibition, at the Whitney, with three killer, well-illustrated features (on his Anthology of American Folk Music, an interview by Marc Masters with Szwed, and a terrific dive into Smith's relationship with fellow visual artist…
A great Japanese jazz soundtrack from the late 60s by Toshiro Mayuzumi and Masao Yagi– as full of feeling
and creative inspiration as some of the best French jazz scores of the
New Wave! The tunes here mostly stand out as strong jazz numbers on
their own – although there are a few shorter, more introspective or
scene-setting passages – and although the players and notes are all in
Japanese, we can tell you that the music's mostly in a small combo mode,
with strong solos on tenor, trumpet,…
This 7 inch contains extracts of the radio play territerrortorium commissioned by the austrian and german broadcasting stations orf and deutschlandradio berlin. On side a two famous battles are re-animated: in 1410 the order of teutonic knights suffered defeat at grunwald, outfoxed by an united army of polish and lithuanians. 500 years later, the german army conquered the highly superior russian army at a nearby location called tannenberg. this political cocktail comes with a decent flavour of i…
Two live tracks that document Lucas bleeding and screaming in South Korea. Raw, slabbed noise at his best. 45 RPM Vynil, cover designed by a girl who was at the show and silkscreened with paint and blood by ilcanedicoda. And justice for all! 222 copies.
Michael Horwoods audio work during his academic period at the University of Buffalo comes from one of the most optimistic periods in American 20th century avant-garde music. The mere spill over of interest in composition from the New York City schools brought state of the art facilities and faculty to UB in 1968 Incidentally new professors Lejarin Hiller, Lukas Foss and poet Robert Creeley were key in developing students keenness into radical new music. In early 1968, Michael obtained permission…
"Timo Van Luijk and Bart De Paepe in troubled water" says the label press: Ilta Hämärä, the duo of Bart De Paepe (Sylvester Anfang II, Bokrijk, Charles Vögele) and Timo van Luijk (Af Ursin, Elodie, La Poupee Vivante). An imaginary source that combines Bart’s hazy psychedelic antics and Timo’s subtle and abstract sound manipulations in otherworldly spheres of cosmic dimensions
Spiracle" has flown to the stratosphere in "Ananta" and has swallowed the milky way in "Lumen". Now it opens the gate to the parallel worlds through the astral body.Side A: Evestrum is formed by membranous layers of drones, which slowly shift by the interference between glass harps and moderate electronic sounds.It is a sonographical report of the process: a subtle spiritual existence merges into a physical body and becomes tangible through the senses.Side B: Exusiai is formed by the resonance o…
Seeking refuge in songcraft, D. Charles Speer and the Helix spin tales of mental instability and institutional exploitation into a thick, heady, groove laden brew. The professorial attack of the ivories, the sear of the strings, the pounding of drum skins amass into a righteous storm bound to overwhelm those uncoverted. This is an unholy mix of heart ripped vocal, Longhair piano, and guitar work drawing from both Mike Bloomfield and Norman Westberg. Featuring silk screened covers and hand stampe…
Shetahr is a three headed trash pop band from Brussels. They are primitive, demented and existential. Driven by animalistic drums, edgy guitare and a howling voice they'll bite your face off. Expect a stripped down set-up and a raw performance. Released on Kraak records. Recorded and mixed at THE YELLOW TAPE by Peter Van de Veire. Mastered by Frédéric Alstadt.
Shetahr is a three headed trash pop band from Brussels. They are primitive, demented and existential. Driven by animalistic drums, edgy guitare and a howling voice they'll bite your face off. Expect a stripped down set-up and a raw performance. Their First Date is an aggressive take on Beat Happening's legacy, a retarded take on Sabbath's legacy. Factual, geographical, existential lyrics. But no one cares, I don't care, neither do you, you better bang your head. e.g.
*Limited to 200 copies* "Quarry is the latest chapter in the ongoing collaboration between the London-based composer-performer of musique concrète Adam Asnan and the Italian sound artist and mastering engineer Giuseppe Ielasi. As the title may suggests, this encounter produced a dusty sculpture whose shape was only drafted immediately after the stone has been excavated from the ground, and where it is hard to distinguish the acousmatic touch of Asnan from the rhythmic textures of Ielasi. "It ven…
** Edition of 200 copies ** Lettera 22 is the duo of Matteo Castro and Riccardo Mazza, two main characters in the Italian noise and experimental scene, building incredible collages of field recordings and abused dynamics. The lucky few who attended their live set at the Dome in London for the Broken Flag 30th Anniversary - where they caused a speaker stack to fall over, almost setting fire to it - saw their potential unleashed and knows what we mean by saying that they have an incredible control…
Aviram Cohen is a jerk. Who cares if he was in SIlk Flowers, Soiled Mattress and The Springs, or that he has a new project called Volunteers Park ? You can tell that his parents are immigrants. He’s a suburbanite from New Jersey, and now, another New Yorker with an attitude, who learned how to use a sequencer to program synths and drum machines, so that he can sing about how boring life can be. It’s like he’s creating all this atmosphere because it’s lacking in his life. It sounds like someone i…
I don't know when this music was recorded, why it was composed, what for, when... I know it is me playing and I know it is only my bass, I know there is no other sounds (as I never use pre-recorded sounds). I found this recording on a blank CDr, at home. nothing written on - what is this? Yes, it is me, for sure and it was obviously a composed piece - the structure is quite unusual. I did not touch, edited or mixed it in any way. And not being able to remember what it was, I called it "mystery b…
Swiss percussionist Christian Wolfarth has a long resumé in jazz and improvised music, but I daresay this is probably the first bright red single he has been on. The first of four planned volumes, it pairs a lovely drone (presumably bowed cymbal/rubbed skin) with a very oddly lopsided full kit attack. That piece combines a constantly shifting base pattern with cymbal glare in a wunderfully upsetting manner.’ - Byron Coley, The Wire 309, November 2009’That "volume 1" leads us to suppose that volu…
Talvihorros is the work of Scotland based composer and producer Ben Chatwin, working in the field of ambient electronics. Through his distinctive approach to analogue electronics, he crafts dense collages of sound that hint at the conflicting beauty and chaos of the cosmos. ‘Discordia’ and ‘Mechanica’ are the first new recordings to be released by Talvihorros since 2014’s ‘Eaten Alive’ an album that explored the darker recesses of life. Continuing along in that vein these two visceral pieces are…
The ubiquity of Coxhill’s sax lines are here answered, cherished, enhanced by the excellent guitar touch of Enzo Rocco. It’s a sort of subtle anarchic dance, intriguing and true.
Wet Hair heads Shawn Reed and Ryan Garbes have been jamming sideways strains of long-lensed electricity music for years now, but their trajectories as visual artists arc back even farther. So after a small infinity of J-cards and zines and LP sleeves designs, it’s a real pleasure to finally be able to present a preferential suite of some of their finest (and, till now, unseen) compositions in a glossy, full-color, pro-printed 22-panel art volume, bookended by a brand new black vinyl 33 RPM singl…