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'In April 2011 David Vélez invited Simon Whetham to Bogota to run a field recording workshop at the Nacional University as part of the Masters in Fine Arts that Vélez was taking. They also planned to work together outside the workshop, a major part of this exchange being to visit the Colombian Amazonas to record, explore and collaborate - capturing sounds and sharing experiences.
During the trip, they were removed from their comfort zone and endured the rigors of the jungle in different situatio…
1. breakdawn (birds in the swamp, screeching parrots passing by from time to time and singing tree in the wind on abandoned red beach). 2. Coralreef (snubfin dolphins [orcaella heinsohni] echolocation, crackly decapods and mysterious fishsongs: wood-like-knocking and those difficult to describe and radioactive crackle of uranium). 3. Nocturnabyss (ultrasonic insects sliding across the time-grid meets hypnotic nocturnal chorus sprinkled by sonar of bats and barking geckos). Sheltering from the he…
Sounding like an archaic echo, If, Bwana could be the title of a Bob Hope-Bing Crosby vehicle that never got made. A little investigation reveals it as the oddly worded cover for Al Margolis, who is perhaps better known as a tireless activist in the 1980s American cassette underground and, later, as the co-founder of experimental music label Pogus Productions. Derived from an acronym for It's Funny, But We Are Not Amused, the name sticks out like a cartoon-swollen sore thumb alongside such artis…
Black Earth has eleven traditional Macedonian songs infused with African aesthetics, including Gnawa undertones, Congo rumba, and African field recordings. The core of the traditional Macedonian harmonies and rhythms was developed over the centuries from the Ancient Greek and Roman Empire’s lyricism, Byzantium’s chants, and the Ottoman Empire’s classical music progressions, by way of multiple migrations, storytelling, wars, myths, tribalism, reconciliations, etc.) In a nutshell, Black Earth is a…
*2023 stock. 300 copies limited edition* "Buyer beware: I am not sure I have fully recovered from listening to Reznick’s latest offering. Felt like some malignant entity was chaperoning me through a madness-inducing mindscape... immersive, confident and consistently surprising.” - Larry Fessenden
Ennio Morricone is known throughout the world for the Italian Western genre, but most of all for his famous soundtracks for Sergio Leone’s masterpieces which have entered into popular culture on an international level, and here represented by iconic themes such as A Fistful Of Dollars (1964), For A Few Dollars More (1965), Once Upon A Time In The West (1968), A Fistful Of Dynamite (1971) with extraordinary soloists such as the Coro Dei Cantori Moderni Di Alessandroni, the whistle of Alessandro A…
*2024 stock* Elliott Schwartz plays four of his compositions for solo piano and pre-recorded tape, a project that remains "a continuing attempt to enhance, expand, obscure, develop or otherwise modify the piano sonority and the act of piano performance, through electronics." In his improvisatory piece "Grand Concerto" he uses fragments from the Grieg, Tchaikovsky No. 1 and Liszt No. 1 piano concertos; it is as epic in scope as the classical favorites.
*2024 stock* What did the future sound like in 1980? Futurible is brought to you by Italian composer Gianni Safred and will take you both back in time and into the future. Safred uses Moog and Arp synthesizers that have now become commonplace in popular music. These sounds are "suitable for space travels, space explorers, experiments, fantastic adventures, future enterprises, interplanetary stories, important achievements, industrial accomplishments of broad implication… modern scientific discov…
**2020 stock** Israeli Electroacoustic Music collects the works of six musicians from varied backgrounds, all recognized for their musical activity in electronic music and in Israel at the time of the album’s recording in 1981. These composers exemplify atonal 20th century music and musique concrete in a mixture of acoustic and electronic instrumentation, ranging from album producer Robin Julian Heifetz’s dark and frantic A Clear and Present Danger (which “attempts to symbolize the fear of a mot…
Restocked, reduced price. Bubbling below the surface of the sonic avant-garde - spanning art and music, lays the rarely observed context of the Artist Record - a field of recorded sounds stemming from, or attached to, the environments of fine art. Though expansive, elastic, and at times difficult to define, the largest body of its artifacts have been made by artists who are known for their work in other media - painters, sculptors, etc. These thrilling experimental gestures, draw on ideas which …
Synthònia is an electronic ambient album record only with analog synths -- Roland System 100, Roland TB 303, Roland JX 3P, Korg Polysix, Korg MS-10, Korg MS-20, Yamaha CS 15, Kawai 100F, Teisco 100F -- which refers to Tangerine Dream, Jean Michel Jarre, Klaus Shulze, The Berlin School, and John Carpenter. Dyno, from Pesaro, Italy, discovered the passion for electronic music and analog synthesizers at the early age of 15. His first single was released in 1995. For over two decades Dyno has …
This 1975 album is a studio session organized by Maestro Giacomo Dell'Orso (the husband of Edda) here released under his given name and not the Oscar Lindok pseudonym under which he made a number of recordings including The Fine Machine. This album had the simple purpose of a fun and playful session without preconceived models.
The result is a carefree album, from the friendly cover (Orso means Bear) to the music that is interwoven with bossa nova, samba, jazz and funk in a style that rec…
For 46 minutes Alex Zhang Hungtai punctures our perception of linearity, working like a conductor, encouraging percussive flurries to trip and fall over each other, sometimes tempered by contact mic feedback to help skewer the chronology. He’s assisted by three additional percussionists - Wet Hair’s Ryan Garbes and Shawn Reed, and Leonard King - while Signal Decay’s Nick Yeck-Stauffer plays trumpet, with each extra voice blurred into the middle distance, curling like pipe smoke into convulsive w…
LP version. 180g, black vinyl. Carefully transferred and remastered from the original analogue master tapes. The compilations Planeten Sit-In and Sci Fi Party, both originally released in 1974, are a contemporary document of the legendary jam sessions of the Cosmic Jokers. Under a conceptual mantle, the recordings were brought to a young audience. Among the musicians the elite of the krautrockers of that time, like Manuel Göttsching, Klaus Schulze, Jürgen Dollase, and Harald Grosskopf. Plus, Die…
*2023 stock* The Orange Blue Green band improvises freely in the true sense of the word. An improvisation initiating from the very first sound produced without any prior coordination regarding the style, structure or anything relating to the overall musical form. An acoustic, almost classical trio that has embraced the fundamental features of the sound of chamber music, along with the various musical idioms and experiences of the members’ multi-dimensional course. Their music features a primal e…
Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album. Inland Delta contains nine new musical pieces recorded from 2022 to 2023, featuring mainly im…
*2022 stock.* Exemplum Rhythmicus is Bi Nostalgia’s minimal wonder from 1990 (originally released under the artist’s name Luca Rigato on the Veronese cassette label Diagrapho). Long coveted and hunted by collectors, it falls among the strange and definition resistant artefacts of Italy’s remarkable avant-garde music scene of the 1980s. An emblem of sonic diversity rendered through electronic sound, distilling a daunting number of traditions and ideas, while sculpting its own world of creative si…
ESP-Disk present a reissue of Albert Ayler's Prophecy, originally released in 1975. Recorded in concert at the Cellar Cafe, NYC, June 14, 1964. Three weeks before this trio recorded ESP-Disk's first jazz album, the epochal Spiritual Unity (ESPDISK 1002CD/LP), it was captured "live" by Canadian poet Paul Haines, who also recorded the New York Eye and Ear Control soundtrack (ESPDISK 1016CD/LP). This is one of the most influential groups in jazz history, a coming together of like-minded innovators …
*In process of stocking.* “In the face of whatever it is that is breaking our names apart” – Sean Bonney Score for as many players as you like – the recording is for nine. Play any frequency between 264.94 Hz and 277.18 Hz, held, bent or gliding, between B3 and C#4 – hold this note for as long as your breath and/or heart permits. If you feel you are in the same heart or breath rhythm of another player, cluster with them, or squirm out from under or over them. Imagine a pink nerve inside your gut…