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Happiness Proof
Haco and many guests (including Otomo Yoshihide, Peter Hollinger, Uchihashi Kasuhisa, Pierre Bastien and Ichiraku Yoshimitsu with a new collection of songs, in inimitable Haco style. Nothing to explain.
Swing
Matchless Recordings presents a live concert by Bark! recorded at LMC Sound, London, England on 10th April and 18th of September 1999.
The album includes nine tracks performed by Rex Casswell - electric guitar, Phillip Marks - percussion, Paul Obermayer - electronics.
"A wonderful album of crunch ‘n’ roll, as Manchester drumming -legend Phillip Marks leads Rex Casswell (electric guitar), best known for his tenure in Stock,Hausen & Walkman, and Paul Obermayer (sampler) through some entertaining a…
Seventh May 2001 - Freedom of the City
Matchless Recordings presents a double selection CD of recordings from "Freedom of the City - festival of radical improvised musics", London, England on 7th May 2001.
CD 1 features:
Bark! with Rex Caswell - electric guitar, Phillip Marks - drums and Paul Obermayer -electronics.
Eddie Prévost - perussion solo.
Seymour Wright - alto saxophone, Yann Charaoui - snare drum, vocals, John Lely - piano, electronics.
CD 2 features:
Eddie Prévost Trio with Tom Chant - soprano saxophone and John Edwards -…
Hoib
Matchless Recordings presents a live concert by Hubbub recorded on September 2002 at Le Grand Mix by Jean-Pierre Bouquet. The album includes two tracks performed by Jean-Luc Guionnet - alto & soprano saxophones, Edward Perraud - drums, percussion, Jean-Sébastien Mariage - guitar, Frédéric Blondy - piano, Bertrand Denzler - tenor saxophone.
Hubbub works on the sound matter and creates an expanded space inhabited by stripes, interlaced designs, resonances, tanglings, points and strokes, at the bor…
Defekt
Matchless Recordings presents a live performance by Furt. The album includes four tracks performed by Richard Barrett and Paul Obermayer - electronics.Track 1 - recorded in Berlin, December 2001Track 2 - produced in Watford, October 1997Track 3 - produced in AmsterdamTrack 4 - recorded in Amsterdam, 29 February 2000
No Strings Attached
Matchless Recordings presents the first solo recordings from Lou Gare, founding member of AMM, recorded at Firefly Studios, Thowleigh, Devon, England on 13th and 20th April 2005.
The album includes four tracks performed by Lou Gare - tenor saxophone.
"Toward the end of his fine short essay for Laminal, AMM's 30th Anniversary set, Jim O'Rourke asks in relation to the experience of simultaneously hearing the record and viewing the accompanying photograph of AMM's The Crypt, "where was the saxophon…
396
Matchless Recordings presents a live concert by Yann Charaoui, John Lely and Seymour Wright recorded at Gateway Studios, Kingston-upon-Thames on 2nd August 2000. The album includes four tracks performed by Yann Charaoui - cymbals and table top samplers, John Lely - piano and prepared bal-bal tarang, Seymour Wright - alto saxophone.
"The new austerity on the first CD from the young exponents of the growing art of improvisation...in the year 2000, this approach in which traditional musical instrum…
A Bright Nowhere
Matchless Recordings presents a live concert by Conditions recorded at Gateway Studios Kingston-upon-Thames Surrey England 16th November 2002 and 2nd March 2003.
The album includes six tracks performed by John Edwards - Double Bass, Eddie Prévost - Drums, Alex James - Piano, Nathaniel Catchpole - Tenor Saxophone, Jamie Coleman - Trumpet.
Penumbrae
Matchless Recordings presents a live concert by Eddie Prévost - bowed percussion and Jennifer Allum - violin.
This album is composed of two parts: Investigative Study recorded at The Welsh Chapel, Southwark Bridge, Road, London on 13th July 2010, and Dolwilym Penumbra, recorded at the Mwnci Studios on the Dolwilym Estate, west Wales on 12th October 2010.
Jennifer Allum alternates two bows, a 17th century German one and a 'conveyor-belt' bow. Eddie Prévost picks a mass-produced model and two more…
Dial: log-rhythm
Two concerts of experimental improvisation from Eddie Prevost and Christian Wolff, two giants of conceptual improvisation and composition, recorded at Ikletick in London in 2015 and at Dartmouth College, in Hanover, New Hampshire in 2016; with superb pacing and brilliant execution, these dialogs between keyboard and percussive instruments explore unique sound worlds with depth, inquisitiveness, and a sense of wonder.
"The set documents two concerts - 1, recorded at Iklectik in London in Septembe…
Micro-lieux
Nikos Stavropoulos (Athens, Greece, 1975) is a composer of predominantly acousmatic and mixed music. He read music at the University of Wales (Bangor, Wales, UK), where he studied composition with Andrew Lewis and completed a doctorate at the University of Sheffield (England, UK) under the supervision of Adrian Moore. His music is performed and broadcast regularly around the world and has been awarded internationally on several occasions. His practice is concerned with notions of tangibility and…
The Blackbird’s Whistle
Matchless Recordings presents a live concert by Eddie Prévost trio recorded at Gateway Studios, Kingston-upon-Thames, London on October 17th 2003. The album includes five tracks performed by Tom Chant - tenor saxophone, bass clarinet, John Edwards - double bass, and Eddie Prévost - drums.
Continuum +
Matchless Recordings presents a live concert by Eddie Prévost quartet. This album is composed of two parts. Part 1 was recorded at the Bracknell Jazz Festival on the 3rd of July, 1983. Part 2 was recorded at Porcupine Studios London. The album includes five tracks performed by Larry Stabbins - Tenor and Soprano Saxophones, Veryan Weston - Piano, Marcio Mattos - Double Bass, and Eddie Prévost - Drums.
"The music you hear on this DL has a distinct urgency and excitement. It moves forward in a comp…
Guitars From Agadez Vol. 3 (Music Of Niger)
CD reissue of the instantly sold-out Volume 3 of the now-legendary Guitars From Agadez series. Group Inerane's sophomore LP is the latest missive from the now-sound of Niger's Tuareg guitar scene. Led by guitar hero Bibi Ahmed, this new incarnation introduces another legend on second guitar, one Koudede Maman. Koudede is considered to be a cornerstone of the second wave of the Tuareg guitar lineage, while Tinariwen and Abdulla Oumbadougo are the godfathers of the scene and Group Inerane and Bo…
Bell Tower Recordings
Jennifer Allum, violin. Ute Kanngiesser, cello. Two musicians coming from the impro workshop run by Eddie Prévost in London. Recorded at St Augustine's Bell Tower on May the 29th 2012.
This Heat
A landmark recording by one of most important British bands, full stop. This, their first release, tore up the book and laid new rules for band composition and performance. First, the music: without precedent, then, the musicians: all extraordinary, all uncompromisingly radical, then the way it was all put together: endlessly surprising, hammeringly intense, and the sound: hard, radical, crafted, rich, with complete control of the frequency range. Beautifully recorded, radically mixed, th…
Tago Mago
Finally, a brilliant exploration of the German rock band Can's 1971 album Tago Mago. This hugely unique and influential album deserves close analysis from a fan, rather than a musicologist. Novelist Alan Warner details the concrete music we hear on the album, how it was composed, executed and recorded - including the history of the album in terms of its release, promotion and art work. This tale of Tago Mago is also the tale of a young man obsessed with record collecting in the dark and mysterio…
Listening to the Wind: Encounters with 21st Century Independent Record Labels
If there’s a cultural artefact capable of withstanding the vagaries and fickleness of the digital age as well as the printed book, it’s the vinyl record... In Listening to the Wind, Ian Preece sets out on an international road trip to capture the essence of life for independent record labels operating in the twenty-first century. Despite it all – from algorithms and streaming to the death of the high street and the gutting of the music press – releasing a record to serve its ‘own beautiful purpo…
Throw Tomatoes
**300 copies, 2019 stock** Contrary to the fabled image, they didn’t really throw rotten tomatoes during Shakespeare’s time at The Globe Theatre. Vegetables, yes, but there are no tomatoes on record in Britain for another seven-score years after Shakespeare. No matter. The title of this album by the Rempis / Piet / Daisy trio is my own flippant gesture to the listener: "Say what you will about this music; this is what we three offer you, unapologetically. If you are revolted by the madness of ou…