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Withdrawal (1966/67)
Featuring the earliest published recordings of Barry Guy & Evan Parker, percussionist John Steven's presents transitional sextet and septet performances of his groundbreaking free improv group from 1966 & '67 with Trevor Watts, Paul Rutherford, Kenny Wheeler, and Derek Bailey.
"Here is a missing link between the first two Spontaneous Music Ensemble (SME) recordings to be published. The music on CHALLENGE (recorded 1966 March and issued on a long vanished Eyemark LP) is mainly free jazz, w…
69/70
Following on from their only prior published recording ('1968' reissued on Emanem 4102), here are over two hours of previously unissued recordings from 1969 and 1970, featuring: Mel Davis, Terry Day, Lynn Dobson, Eddie Edem, Tony Edwards, Mike Figgis, Russell Hardy, Adam Hart, Charlie Hart, Terry Holman, Iain Jacobs, Paul Jolly, George Khan, Albert Kovitz, Michael O'Dwyer (Spoon), Davey Payne, Butch Potter, Geoffrey Prowse & Rose Widdison. Very different musics recorded in four very different lo…
South on the Northern
Two concerts from an eight-year gap in the published recordings of the Iskra 1903 trio of Paul Rutherford (trombone), Philipp Wachsmann (violin & electronics) and Barry Guy (bass & electronics), masterful improvisation blending acoustics and electronics.
Oliv & Familie
The 1969 Oliv session was the third Spontaneous Music Ensemble LP to be issued, following on from Challenge (1966) and Karyobin (1968), currently awaiting reissue. Familie appears to be the earliest recorded example of a large Sme group. This music is very influenced by slow-moving Gagaku (Japanese court music), especially the semi-composed first half. The second half is largely a free improvisation with a brief return to the written material at the end. An alternative take was recorded, presuma…
First Duo Concert (London 1974)
Their earliest meeting on record - the complete London (Wigmore Hall) concert (organised by Emanem), featuring them both at the top of their form. Highly acclaimed by both enthusiasts and critics. Reissue of 4006 which contained the concert section of Emanem 601. "These twelve duets between African-American avant-gardist Anthony Braxton and Brit Derek Bailey are remarkable for several reasons, not the least of which is that this is the first recording of these two seminal figures performing in t…
New surfacing
"Two recordings from the beginning and the end of the longest-lived version of the SME - the trio of John Stevens (percussion, cornet or mini-trumpet, voice), Nigel Coombes (violin) & Roger Smith (guitar). The 1978 Newcastle concert was considered by the musicians and others to be the best performance by the trio, while the 1992 studio is also very fine."-EmanemExcerpts from sleeve notes written by Martin Davidson: "This release containing recordings from 1978 and 1992 could be subtitled t…
Challenge
Available again SME reveals their free jazz roots with only hints of what was to come. "Pure pleasure is the way one might react to this glorious recording, which lays the foundation for Spontaneous Music Ensemble's more radical works to come. In part a product of its time, these tracks are much more in the vein of free jazz than the abstract free improvisational style that came to characterize the group. On Challenge, the lineage can easily be traced directly to the innovations of George R…
Avignon and after - Volume 1
The 1972 Avignon concerts were Steve Lacy’s very first solo concerts, although he did make an excellent overdubbed solo record for Saravah the year before. (For ‘solo’ read ‘alone’ or ‘unaccompanied’ rather than the usual music business meaning of ‘very accompanied’.) Thanks to an introduction by John Stevens, I first met Lacy when he visited London in 1973. He brought with him some of the Avignon tapes in order to try and interest a record producer to issue this music. However, record producers…
The Sun
It is a disturbing fact that most of the major disputes throughout history have been settled by physical fighting involving killing. Have we really risen much above the rest of the animal world? On the contrary, many animals do not kill members of their own species even though they may fight. It used to be that battles were fought in a remote location between two armies that comprised a small percentage of the population. But let us not forget that military fighters, whether voluntary, conscript…
School days
“In 1962 I went to New York for the first time. My father had worked for Boac for so long that the flights were free - I had only to pay 7/6 (=37½p) airport tax. I stayed in NY for two weeks, only leaving Manhattan to take the standard tourist boat trip around the island. A lady on the plane had taken an interest in my plans, and when I told her that I didn't think there would be time to experience more than what Manhattan had to offer, she implored me, 'Please don't judge America by what you se…
Free for a Minute (1966-72) 2CD
An incredible package – one that brings together two very important albums from reedman Steve Lacy – plus unreleased material from the same time too! First up is the record Disposability – presented here with the first-ever correction to the cymbal sound – a key session in the development of Steve Lacy – and a great one too! The album was one of Lacy's first European recordings – caught in the studio in Rome in 1965, with a very free-styled trio that includes Alberto Romano on drums and Kent Car…
Chapter one: 1970 -72
Much needed reissue of Emanem 4301, a classic concert and studio performances from '70-'72 by the innovative trio of Paul Rutherford (trombone, piano) Derek Bailey (guitar) and Barry Guy (double bass), which was a much expanded reissue of the early and legendary Incus LP of the same name. "What a feast! A three-CD set (totaling more than 190 minutes) compiled from six concerts featuring three of the leading British free-jazz improvisers of the 20th century: trombonist Paul Rutherford, guitarist …
Search & Reflect (1973-81)
Contemporaneous examples of some of the pieces described in the classic manual, Search & Reflect by John Stevens. Outrageous sounds produced by a workshop orchestra directed by him in 1973 - an SME-type improvisation; instrumental & vocal drones; a mechanically rhythmic yet unpredictable piece; and an all-out improvisation featuring non-vocal mouth sounds, vocal sounds & instruments. This is followed by what is perhaps the pinnacle of Stevens' attempts to make music with a large (21 strong)…
Cycles (1976-80)
Solo saxophone performances of three of Lacy's rarest cycles. The eight-part SHOTS (Moms / Pops / The Kiss / Tots / The Ladder / Fruits / Coots / The Wire) comes mostly from a 1977 Roman concert, with a couple of missing pieces taken from other contemporaneous performances. The only other complete (duo) release of this material was on a long deleted (Musica) LP. The rest of this 2-CD set comes from a 1980 solo recording session and concert in the lively acoustics of an old church in Porrentruy i…
Bremen & Stuttgart
The Jimmy Giuffre 3 with Paul Bley and Steve Swallow only lasted about a year, but their work, which ranged from blues to tempo-less group improvisation, became a major influence on a wide variety of subsequent music from 'soft jazz' to 'hard-core' free improvisation. This double CD reissues their only known well-recorded concerts, originally released in 1992/3 on hat ART 6071/2. In addition, there are six previously unissued performances from the Bremen concert, three trios and three piano…
14 Love Poems
A monument of post-free solo reeds playing and a stunning album in Peter Brötzmann's discography
Peter Kowald Quintet
A legendary moment in European free jazz, but which stand as some of the most powerful music of the time! Cien Fuegos present a reissue of Peter Kowald Quintet's self-titled album, originally released by FMP in 1972. Personnel: Günter Christmann - trombone; Peter Kowald - tuba, bass, alphorn; Peter van der Locht - alto saxophone; Paul Lovens - drums; Paul Rutherford - trombone. Composed and produced by Peter Kowald. Recorded by Eberhard Sengpiel at Akademie der Künste, Berlin, on January 19th, 1…
Machine Gun - Alternate Takes
Alternate versions, never before released on vinyl from Peter Brötzmann Octet's Machine Gun (1968). As Brötzmann has said: 'It was the feeling, the very naive feeling that we could take a little part in changing the world.' Adopting its title from Don Cherry's nickname for Brötzmann, 'Machine Gun' drew on the huge horn section of Lionel Hampton's 'Flying Home' for inspiration, translating the hilarious saxophonic power of the jump blues and Illinois Jacquet's booting and hollering into an abstra…
Voices of Mississippi
This watershed release represents the life's work of William Ferris, an audio recordist, filmmaker, folklorist, and teacher with an unwavering commitment to establish and to expand the study of the American South. William Ferris was born in Vicksburg, Mississippi in 1942. Growing up on a working farm, Ferris began at a young age documenting the artwork, music, and lives of the people on the farm and in his local community. The archive of recordings that he created and the documentary films that …
The Middle of Life (Die ganze Zeit)
Pisaro's fascinating composition created with guitar, bass, percussion, radio, electronics, and field recordings, using long gaps of silence resolved through a dynamic set of rich audio sections."The most convincing way to avoid reality is to lose yourself in the prickle of the field recording, as if it were bubble wrap. Here, technology chafes against a world of waves, pulses, and impacts, leaving to the ear and the imagination the task of estimating reality from scratch (at 12:35, a storm defi…