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358 Oblique
Baltimore’s PJ Dorsey has traversed a lifelong journey delving into psychoactive music which can alter one’s cognitive and conscious state. He harnesses his experiences to create music as Tarotplane. Using guitar, effects and processing he produces time suspending soundscapes - immersive music for merging the mind and body. 358 Oblique is the follow up to First which was released on Aguirre Records in 2015. Find yourself adrift in the lapping waters of a slow unraveling sea of sound, a sp…
ERR REC Library Vol.1 Espaces Urbains
For this "Library Vol. 1 / Espaces Urbains", we have gathered around this theme Parisian and French composers, subtractive jansenists obsessed by a certain idea of electronic and electroacoustic music, film music and illustration... the one that is made by turning potentiometers, manipulating waveforms, inventing oneself as a multi-instrumentalist and often as a home-studio wizard.A passionate, referenced and inspired machine song that often involves the computer only at the end of the chain, al…
KO/USK
84 page Hardcover book with embossed cloth cover & spine, also includes 12 page cd-booklet. Recorded & mixed between 1988 and 1995. Sound sources are stones collected all over the world. Beautiful artist book by Giancarlo Toniutti in collaboration with Siegmar Fricke, that comes with a nice CD (with an extra booklet) "speaking of "KO/USK," there has been a double trajectory in composing/recording it. On one side, following a decision implying the use of such sound sources (stones), a decision li…
Roananax 1999 / Obliq 2014
Roananax 1999 (Axel Dörner, Robin Hayward, Annette Krebs, Andrea Neumann) and Obliq 2014 (Hannes Lingens, Pierre Borel, Derek Shirley). Powerful archive recordings from the legendary group Roananax at the very start of 'Berlin reductionism'. Combined on a split disc with a beautiful example of reductionism 15 years on played by Obliq, a group of younger Berlin-based musicians.
Sometimes we all disappear
A restrained electronic improvisation from the duo of Jamie Drouin on suitcase modular & portable radio, and Lance Austin Olsen on amplified objects and audio cassettes, utlitizing space, isolated and connected events, and the listener's own environment.
The Harmonics of Real Strings
Four realisations of John Lely's simple but brilliant composition 'The Harmonics of Real Strings', which is basically a very slow glissando along the full length of one bowed string. Anton Lukoszevieze plays one realisation on each string of the cello, following the harmonic transformations as they occur and producing an extraordinary example of 'the virtuosity of restraint'. John Lely originally composed the piece in 2006, and it was recorded in April 2014. "When I'm composing I'm learning, ask…
For Clarinet (And Piano)
Three beautiful works for Jurg Frey's clarinet by the Amsterdam-based Wandelweiser composer Dante Boon, with the composer accompanying Jurg on piano on two of the pieces. Amsterdam-based composer and pianist Dante Boon (1973) has been composing since he was 11 years old, playing new music since he was thirteen. He joined a well-known Dutch rock band when he was 24. After its break-up, he worked extensively over the years with composers such as Tom Johnson, Jürg Frey, Antoine Beuger and Sam…
Appalachian Anatolia (14th Century)
A 40-minute solo piece for ‘modified guitar’ written by the Swiss composer d’incise for the Chilean guitarist Cristián Alvear.Perhaps more than a strict composition this piece is a conjunction of a technical frame and a conceptual input, and the own vision of the player. It works on tuning and de-tuning, a different set-up of the strings, on harmonics and pitch frictions and on the influences of music from very various origins and the transposition of gestures inside a reduced field of possibili…
During a Lifetime
The fourth disc in the Canadian Composers Series features the music of Chiyoko Szlavnics. The CD contains three works, two of which use sinewaves in conjuncton with acoustic instruments. The title track ‘During a Lifetime’ is written for sinewaves and saxophone quartet, an instrument on which Szlavnics herself used to perform. The final piece, ‘Reservoir’, is composed for sinewaves and an unusual instrumental octet, including two accordions, two flutes and two percussionists. The middle piece ‘F…
Harmony
The fifth CD in the Canadian Composers Series is also the debut appearance on Another Timbre by the Jack Quartet. It features chamber music for strings by the Berlin-based composer Marc Sabat, whose compositions explore the world of Just Intonation. But, as Nick Storring argues in the booklet accompanying the Canadian Composers Series of CDs, “to fixate upon this aspect of his music conceals at least half of what makes it so beguiling and beautiful. From an aural perspective, what is most salien…
Spinet and Violin
Recorded At Christoph Schiller's Atelier, Basel. Painting by Andrew Lutz. Recorded By – Christoph Schiller, Morgan Evans-WeilerSpinet – Christoph Schiller, Violin – Morgan Evans-Weiler
13 & 27
’13 & 27’ Two subtle works for the unique Swiss-based collective of 30/40 experimental musicians, co-ordinated and composed by d’incise and Cyril Bondi. “We started with the desire to invite as many musicians as possible to experiment with pieces and a very different approach that comes with a large ensemble….And from this moment onwards we had to deal with its potential and its limits.”
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Interview with Cyril Bondi
Tell us about th…
Early To Late
Performed by Ensemble Grizzana, Jürg Frey (clarinet), Magnus Granberg (celesta, harmonica & stones), Angharad Davies & Mira Benjamin (violins), Anton Lukoszevieze (cello), Dominic Lash (double bass), John Lely (electronics, harmonica & stones), Richard Craig (flute & electronics), Philip Thomas (piano), Simon Allen (dulcimer & glass harp), Dimitra Lazaridou-Chatzigoga (zither & electronics).
Tse
Beautiful and thoughtful music by the trio comprised of Cyril Bondi (indian harmonium, pitch pipes), Pierre-Yves Martel (viola da gamba, pitch pipes), Christoph Schiller (spinet). Improvised, but on the basis of a pre-agreed sequence of pitches, allowing the musicians to explore melody in a way that is rare within improvisation. "Five pieces by a new trio, who improvise but on a pre-agreed sequence of pitches, allowing a much greater use and exploration of pitch and melody than is usual in impro…
Es Schwindelt Mir, Es Brennt Mein Eingeweide
Hot on the heels of his wonderful piece on the Early to Late CD released earlier this year, a new hour-long work for an ensemble of six musicians by Swedish composer Magnus Granberg. The piece borrows material from a song by Schubert, but transforms it into Granberg's typically taut and focused soundworld: "The expressiveness of the song has been subdued or silenced, and has become something which takes place somewhere beneath the surface of the music.
O Zomer!
Finally the second batch of CDs in the highly-acclaimed Canadian Composers Series is here.O Zomer! (2007) by Apartment House, Philip the Wanderer (2012) by Philip Thomas (piano) & Clemens Merkel (whistling). For Mira (2012) by Mira Benjamin (violin). Duet for Cello and Orchestra (2015) by Charles Curtis (cello), BBC Scottish Symphony Orchestra, conducor Ilan Volkov.Two ensemble works and two solo pieces by Christian Wolff’s favourite contemporary composer, who is blazing a very personal trail th…
Momentary Encounters
Finally the second batch of CDs in the highly-acclaimed Canadian Composers Series is here.Momentary encounters(5) (2015) by Heather Roche (clarinet). Any three players (2016) by John Lely (melodica), Simon Limbrick (vibraphone), Anton Lukoszevieze (cello). A grey, bent interior horizon (2016) by Cristian Alvear (guitar), Distributed tourism (2014/17) by Mira Benjamin (violin), Simon Limbrick (vibraphone), Heather Roche (clarinet), Nancy Ruffer (flute), Anton Lukoszevieze (cello).Four fine, delic…
Extinguishment
In some experimental music circles melody is virtually verboten, but you have often embraced it in your work. Do you feel that you are to some extent going against the grain in this?AG: First off, I think melody can be defined separately from harmony. I think of melody as a single voice or layer, and with multiple layers, I like them to overlap in non-structured ways. I am interested in homophony more than polyphony or harmony, where if you take a cross-section through these independent lines y…
Aftermaths
Works for solo piano by Mark R Taylor, beautifully played by Teodora Stepancic, the first CD release by a remarkable but neglected English composer whose piano works present a metrically rhythmicized exploration of a generative spectrum, here featuring works dating between 1979 and 2018 and performed by Serbian pianist Teodora Stepancic.
Lines and Tracings
Two compositions, one by composer Michael Pisaro and performed by the electroacoustic ensemble "Ordinary Affects" including violinist Morgan Evans-Weiler, then an acoustic composition from Evans-Weiler himself performed with violin, clarinet, cello, harpsichord and piano; both exquisite works that draw out tone and time in patiently unfolding fluidity.