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Loopworks
Originally released by Wounded Wolf Press as a limited cassette in 2016, Loopworks compiles Turkish visual and sound artist Koray Kantarcıoğlu's (b. Ankara 1982) loop-based work composed of samples taken from Turkish records released in '60s and '70s as source material. Loopworks impacts almost instantly mainly because it shows some familiarity with the recent work of Leyland Kirby as The Caretaker, particularly with the "haunted ballroom" effect. Koray explores the usage and the dynamic of thes…
Tropical Gothic
It's 2018 and it's time for some new discoveries into Mike Cooper's limitless exploration in his collection of guitars. The title itself, Tropical Gothic references Cooper's beloved areas of "the South" with a Gothic, dark, remote interplay... he explains: ''Tropical Gothic includes, but is by no means limited to, a reflection on a region where European colonial powers fought intensively against indigenous populations and against each other for control of land and resources.'' On each side, Mike…
Rebetika
Andy Moor (guitar) and Yannis Kyriakides (computer) lovingly deconstruct and reassemble their favorite Rebetika music in a set of nine pieces that encompass a wide scope of musical vision. This is an unusual and original take on the so-called "blues" music of the Greek diaspora of the early 20th century. This live set was recorded in 2006, first released as an exclusive download for the UK-based Seven Things download-only label, released on CD by Unsounds in 2010, and is now available on vinyl f…
Woodblock Prints
Awesome new LP, just arrived, Referencing the delicate artistic printing method, this nonet recording presented by Harris Eisenstadt on drums and compositions, Michael McGinnis on clarinet, Jason Mears on alto saxophone, Sara Schoenbeck on bassoon, Mark Taylor on french horn, Brian Drye on trombone, Jay Rozen on tuba, Jonathan Goldberger on electric guitar and Garth Stevenson on acoustic bass (with smaller groups frequently breaking out) is a model of artistic restraint. At times sounding like a…
Yamaon
Yamaon (1954-1958) for bass, alto saxophone, tenor saxophone, contra bassoon, percussion and doublebass is one of the wildest and most direct works of Scelsis. Just as the composition I presagi completed in the same year, the title warns of the destruction of a Mayan city. As Varèse in Ecuatorial and Nocturnal, Scelsi in Yamaon works with a differentiated repertoire of vowels, consonants, and syllables. These have no linguistic semantic meaning, but convey heterogeneous values of expression. “Wh…
Nasty & Sweet
Very limited 2 LP release of the trio of Thomas Borgmann (reeds), Wilber Morris (bass) and Reggie Nicholson (drums) performing live at the Tampere Jazz Festival in 1999, plus one track from St. Ingbert in 1998.
Improdimensions
**300 copies** "The second side of this beautiful duo album was recorded more or less half a year after The Swiftest Traveller in Vilnius, while the first one in December 2019. The recordings took place live during the concert series dedicated to improvised music, "Improdimensija", at MAMAstudio. The music is a little less exploratory than this recorded with Don Malfon or Torben Snekkestad. It sounds for me more like a 21st century response to the late music of Jimmy Giuffre music from the end o…
Stupid Is Stupid
**350 copies** Hospital Productions present a reissue of Incapacitants' Stupid Is Stupid, originally released in 1993. In 1993, founding fathers of Japan noise T. Mikawa and F. Kosokai revealed Stupid Is Stupid, one of the most classic titles to emerge from the criminally underrated and revered Incapacitants. A seminal document already over a decade into the duo's unrelenting path of pure chaos after their formation in 1981, Stupid Is Stupid was released as a double cassette on the equally influ…
Before the Silence
All music by Cirera, Fernandez, Faustino and FerrandiniRecorded at the Jazz Cava de Vic by Ralph Lopinski during the Voll Damm Festival Jazz Vic the 9th of May, 2015Mixed by Ferran Conangla in BarcelonaMastered by Arūnas Zujus at MAMAstudiosArt cover “Boc enfontsan-se a la sorra sota una rosella” by Antoni CarnéPhotos by Roberto DominguezDesign by Oskaras AnosovasProduced by Danas MikailionisCo-producer - Valerij Anosov
Klippe / One
homas Heberer is called “a European master” and “new trumpet genius”. The music in his new double LP brings a fresh approach to blending improvisation and composition, which allows for the highest amount of freedom on the musicians' side while incorporating significant structural tools on the composer's side as well. His solo recording applies a vast variety of conventional and extended techniques, among which the most distinctive component is the exclusive use of circular breathing.
Zenith
Zenith by the Sam Rivers Quartert was recorded 6th November, 1977 in Berlin, Germany, and re-mastered for this release by Arūnas Zujus at MAMAstudios. Personnel includes: Sam Rivers - tenor and soprano saxophones, flute, piano, Joe Daley - tuba, euphonium, Dave Holland - bass, cello, Barry Altschul - drums, Charlie Persip - drums.
Riverloam Trio
"Mikolaj Trzaska (pronounced "Miko-why Chass-kuh") is not a name which drops off even the most assiduous jazz fan's lips. But on the evidence of this recording, it will become increasingly familiar outside his native Poland. Already the reedman has featured alongside American multi-instrumentalist Joe McPheeon the excellent Magic , with reedman Ken Vandermark's Resonance Ensemble, and in a spinoff from that aggregation with trombonist Steve Swell under the moniker Inner Ear. Riverloam Trio unite…
Forgiveness Suite
Composed by Arthur Williams. Recorded on December 19, 1978 at WKCR, New York. Forgiveness Suite is another worthy rediscovery by NoBusiness Records, focusing this time on trumpeter Arthur Williams, an almost forgotten figure of the free jazz scene of the late Seventies. Williams participated in some interesting recording sessions of the period, like First Feeding by Jemeel Moondoc’s Muntu Ensemble, Lowe And Behold by the Frank Lowe Orchestra and most significantly Peter Kuhn’s Livin' Right, tha…
A Stranger I May Be: Savoy Gospel 1954-1966
The first of three volumes surveying surely the mightiest Gospel label of them all. Stomping, rollicking gospel music, intermingling with raw soul, searing blues, hard-rocking doo-wop and jazz, and storming R&B. Infused and incandescent with the hurting, surging indignation of the Civil Rights movement, here are twenty-four precious scorchers by giants like the Staple Singers and Jimmy Scott, alongside devastating sides by less celebrated names like the Harmonizing Five of Burlington, North Caro…
Turn It Loose, Ain't No Good: Savoy Gospel 1970-1979
The second of three volumes surveying surely the mightiest Gospel label of them all. Sublime crossings of gospel with the soul, funk and jazz of the Black Power era. Twenty rapturous cuts dot dazzlingly between Muscle Shoals soul, screwed breakbeat, Mizells-style fusion, disco and proto-house. Triumphant re-workings of Sly Stone, Donny Hathaway, and Herbie Hancock's "Head Hunters" will have listeners throwing their pew cushions into the air. Drawn from hard-to-find 45s and LPs, hardly any of the…
Bellyachers, Listen: Songs From East Africa, 1938-46
This is part 1 of a 2LP set of vinyl versions of Honest Jon's Something Is Wrong: Vintage Recordings From East Africa CD compilation -- selections from an HMV run of more than 400 78s -- recordings made in Uganda and Kenya from the mid‐1930s to the mid‐1950s. Part 1 encompasses this material circa 1938-1946, entitled Bellyachers, Listen: Songs From East Africa, 1938-46. Three main types of performance are featured (not forgetting a lovely early Kenyan big‐band calypso, as if straight from the pe…
The Viking Of Sixth Avenue
2021 restock, originally released in 2005. Tremendous gatefold presentation and one of HJR's most impressive documents to date. Poet, composer, street musician and cosmologist Moondog (Louis Thomas Hardin, 1916-1999) learned rhythm from American Indians and counterpoint from J.S. Bach. Many of his recordings feature instruments he built himself: trimba, yukh, tuji, oo. Sometimes you can hear in the background the streets of New York, where Moondog often slept. In addition, he was blind, due to …
The Music Improvisation Company / Company bundle
Since 2017, Honest Jon’s, the London based record shop and imprint renowned for its forward thinking, democratic approach to music, has embarked on one of its most remarkable and ambitious projects to date - a close collaboration with Derek Bailey’s seminal record label, Incus, returning some of the most remarkable efforts in free improvisation and avant-gardism to the world. So far we’ve seen a stunning series of Bailey’s many solo and collaborative efforts reemerge, bringing his towering histo…
Fote
Following the short-lived Truth Club with Trefor Goronwy (who later went on to work with This Heat and The Camberwell Now), Fote was formed in 1981 with the trio of Robert Haigh, Deborah Harding, and Trevor Reidy. Releasing two 12" EP's along with one track featured on a split 7" with Truth Club, Fote's entire studio recordings consisted of just 8 tracks. With angular constructs of post-punk, free-form improvisations, and wicked time signatures, these tracks shredded boundaries one can still hea…
Perception & Association
Consisting of two side-long pieces, Perception & Association was composed over a period from 2012-2018. Opening side A is Time and Again, a startling work for tape and electronics which pulses over waves of interlocking spatial relationships. These elements are at once distant, even static, yet Christoph Heemann gradually propels the listener along chapters of an unexpected and further revealing sonic narrative. While the deliberate frames and events offer a specific path, even the most active l…