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“Eighty minutes of trumpet/electronics and alto sax. Here, the length works in its favor. An advantage, oddly, to listening at home (and reading the back of the sleeve): You know it's 80 minutes long so you "read" it as such, as it's happening, sitting back a bit, seeking a wider focus. Wright gets nicely strident here and there, Coleman generally staying with breath tones early on, getting more vociferous later, Kasyansky hither and yon, doing a fine job integrating and coloring. There's a brea…
2008 release ** Limited edition of 250 hand-numbered copies. Comes in a folded A2-poster sleeve. "HBK is an ephemeric project held among musicians behind Genetic Transmission. Moan and Nojsens. Three minds. three individualities. tree artists sharing one inspired vision. These are people we know for years so it became somehow natural to invite their bastard child to our NN therapy group finally. starting the "Harsh Kontakt" series of relases from now on. The sound sculpture presented hereby has …
Bas van Huizen is a Dutch artist based in Xi'an, China. He mainly uses guitar, voice, found objects and computer to record work that ranges from beat based electronic music under the moniker Basi Goreng to more abstract works under his own name. In 2013 he added another pseudonym to his discography with an experimental noise album by Shoganai. In addition to music and sound art Bas van Huizen is also active as a video artist creating animation, music videos, live visuals, and video installations…
2008 release ** Comes in a folded A5 cardboard sleeve. "Accompanying Iron Molar’s second step into noise hell is, like a diabolical Virgil, Peacemaker, a “noisy” project by the drummer of the already noisy Brutal Truth and Total Fucking Destruction. One piece for the Italians, three for the American. It’s a shame that the space reserved for our compatriots is so limited, because Là Dove Vita C’Era I Volti Sembran Teschi In Cera is an excellent piece, marked by a solemn martial beat, which deve…
2007 release ** Oversized cardboard sleeve. "With his fourth solo-release, Reto Mäder aka RM74 takes us on a fevery missionary journey which is driven by an unholy quest for saturation and leads us into the dark places where tortured souls dwell. Unpredictably muckraking in the shoals of timeless abysses, RM74 seeks to kindle the supressed fires of passion. Nothing less! To do justice to this mission, Mäder interweaves acoustic instruments such as an organ, a piano, a bassguitar or a harp with a…
Makaya McCraven’s International Anthem debut 'In The Moment' is the album that properly introduced the then-burgeoning drummer/producer to the world. In many ways, it also laid the groundwork for a working method that both McCraven and the label have returned to again and again over the years: nearly 48 hours of live improvised performance recorded by IARC house engineer Dave Vettraino at 1 venue over 12 months and 28 shows - culled, cut, rendered, and remixed into 19 potent pieces of organic be…
Anchored in the idea that, despite all obstacles, the human experience casts a net of possibilities, Defiant Life – Vijay Iyer and Wadada Leo Smith second duo recording for ECM – proves a profound meditation on the human condition and both the suffering and resilience it entails. An ethereal iridescence glistens between Leo Smith’s unmistakable trumpet wail and Vijay’s textural key strokes on piano and Fender Rhodes, conjuring multi-dimensional spaces of thoughtful musical conversation. “We work…
*2024 stock* One of the pleasures of Mathias Eick’s Midwest album was hearing his vaulting trumpet supported by violin, an instrumental combination further developed on Ravensburg. The new violinist in Eick’s ensemble is Håkon Aase, one of the up-and-coming players of the Norwegian scene, whom attentive ECM listeners will already know from his work with Thomas Strønen’s group. The core Eick road band is further shored up by the addition of Helge Andreas Norbakken, who interacts excitingly with f…
Norwegian bassist Arild Andersen, an ECM musician for more than fifty years, is a masterful player who has always welcomed a challenge. His first recording with his new quartet – including rising stars Marius Neset and Helge Lien (both bandleaders in their own right)– is almost entirely improvised. The players make the leap of faith together and find and develop forms at the moment, an object lesson in spontaneous group creativity. Affirmation was recorded in November 2021 at Oslo’s Rainbow Stud…
Future Shuttle is a Greenpoint, NYC-based duo (sometimes trio) comprised of Jessa Farkas and Camilla Padgitt-Coles. Prior to the group’s early 2009 conception, the pair studied electronic music at Oberlin College alongside their friends in Blondes and Teengirl Fantasy. Blondes member Sam Haar also produced the Water’s Edge EP, the group’s first officially released recording. In Future Shuttle’s beautifully dense brew of psychedelic reprogramming, Tangerine Dream meets the KLF at the UFO Club, an…
West Coast synth guru Jonas Reinhardt (aka Jesse Reiner) makes his 100% Silk debut with 'Foam Fangs', which sees the usually downtempo producer pushing things up a couple of notches. The cosmic Jarre-esque synthesizer washes are still present, but are bolstered with chest-punching 4/4 rhythms and rubbery looping sequences straight out of the 1987 house rulebook. Somehow this gives the EP the glow of Detroit-era pioneer Juan Atkins and muddles it with the Italo-laced fuzz of Johnny Jewel. …
Chris Rose's Robust Worlds has impressed us since first glimpse. He was actually barefoot, if you can believe that, and his set had the feel of a way more lysergic Kevin Ayers. It was freezing fucking cold and I'm pretty sure he wore a Hawaiian shirt. His debut LP is called Emotional Planet, and it's deceptively simple. Voice, guitar, some noisy shit, whatever. His playing is sick: fluid, unforced, warm, soothed and soothing. It's a bath you don't want to exit. Seriously, if yr going to play gui…
Last year, Bill Orcutt of 90s gnarly Miami noise group Harry Pussy blasted the bejesus out of blues with a beat-up guitar and blew us all away with How The Thing Sings to get a spot on our favorites of 2011. Now, Orcutt’s buddy Mark Feehan, who frequently played spastic guitar for Harry Pussy, is releasing his first solo record, MF, with old Harry Pussy promoters Siltbreeze Records. Feehan’s independent work is somewhat similar to Orcutt’s acoustic binges of raw Americana, but it echoes louder h…
Valedictorian/Exoskeleton, Dan Friel’s first release for Thrill Jockey, contains two brand new songs, as well as the first ever remixes of his music. “Valedictorian” opens the EP with a burst of adreneline, pure pop filtered through a layer of noise. “Exoskeleton” is more mysterious, with bursts of Friel’s overdriven synths coming in and out of focus over a steady pulse. The first remix is a dancefloor ready take on “Exoskeleton” courtesy of Moss of Aura, the solo project of Gerrit Welmers, one …
After a twenty-three-year hiatus, The Dance of Reality marks the triumphant return of Alejandro Jodorowsky, the visionary Chilean filmmaker behind cult classics El Topo and The Holy Mountain. In the radiantly visceral autobiographical film, a young Jodorowsky is confronted by a collection of compelling characters that contributed to his burgeoning surreal consciousness. The legendary filmmaker was born in 1929 in Tocopilla, a coastal town on the edge of the Chilean desert, where the film was sho…
Lincoln Sea is Robert Piotrowicz's second release in 2013 after the acclaimed When Snakeboy Is Dying. 'Snakeboy' opened windows with it's sophisticated weaving of guitar, piano and vibraphone, along with Piotrowicz's more recognisable modular synth work. Praised from the likes of Brian Olenwick (Just Outside), Massimo Ricci (Touching Extremes) 'Snakeboy' saw Piotrowicz take a confident leap into new realms of sound. With Lincoln Sea, the potential of Piotrowicz' vision is greatly expanded whilst…
Sasu Ripatti links with the legendary Max Loderbauer (NSI., Sun Electric, MvO Trio) as Heisenberg for two knotty, complex riddim trips on his \"studio diary\" imprint. Adopting the mantle of the eponymous fictional meth chef*, the duo conduct fevered but controlled experiments in frayed, often frantic grooves eaten up with dissonant, freeform electronics. A-side is a 125bpm techno tunnel groove with offset bass hits embedded in a swarm of combustible modular chain reactions that dissolve to a gu…
The prickly, Autechrian productions of Chris Douglas aka Dalglish find a sympathetic home on PAN with 'Niaiw Ot Vile'. Under myriad guises - Scald Rougish, Seaes, Rook Vallade, among others - Chris has forged a twenty year career as a self-imposed arch-outsider on the fringes of electronic music, finding recognition and respect from intrepid explorers for his persistence and uncompromising approach, all the while remaining an elusive presence. Most notably he's worked with Mad Mike and Drexciya …
The project was created over two years in Seyðisfjörður, Iceland and in Berlin, Germany, and is an evolving conversation between Döring’s improvisation on acoustic instruments such as clarinet and saxophones, and Korabiewski’s electronic live treatment and composition with Döring’s sounds. A third compositional element is contributed by the particular ambiences of the spaces in which the recordings took place, as Korabiewski and Döring came together to record at sites with personal and acoustic …
Originally issued as a private LP edition of 400 copies in 1983. De-composition for synthetic sounds and electronically generated noises. Here M.B. distanced himself from the movement of the industrial Bruitists, introducing his "bionic music." Notwithstanding the difficulty of listening, especially upon initial impact, you are facing treated and filtered synthetic sounds that become new organisms -- sound cells analyzed under the microscope. This CD also includes excerpts from private tape edit…