We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*100 copies limited edition* “Holosphere” is a space within a space, an extra-reality. This condition exists beyond time. Its effect on the body and mind can trigger a shift in consciousness and alter the perception of reality. All tracks were previously released by Unexplained Sounds Group and Eighth Tower Records between 2023 and 2025, except for “Add Lakes,” which is previously unreleased.
**Limited Edition of 60 numbered copies ** Paul Chain’s 1994 experimental album. "There are sections of familiar guitarplay included as well as the standard hammond organ, but still all metal/rock fans should be warned that this is mostly an electronica/industrial release. The mood of the album varies between lamentation and insane anxiety. In particular, ‘Prescence Of The Soul’s Forest’ is utterly disturbed and the vocals of Sandra Silver is what makes the most impact. There are no lyrics at al…
2026 stock Westwood One In Concert, Broadcast July 18, 1994 captures a live radio broadcast performance by the British synthpop duo Erasure, featuring Andy Bell and Vince Clarke.
This recording stems from a Westwood One promotional series, airing on US radio stations in mid-1994 amid the promotion of their album I Say I Say I Say. It showcases the duo at the peak of their commercial success, with hits like "Always" dominating charts that year.
The setlist likely draws from their 1991–1994 repert…
The long-awaited debut album from bassist-composer Thomas Morgan is a lush, layered journey through ambient textures and open improvisation. Featuring an all-star cast—Bill Frisell, Craig Taborn, Ambrose Akinmusire, Immanuel Wilkins, Henry Threadgill, Dan Weiss, and Gerald Cleaver—the record is both spacious and intricate, with Morgan’s own virtual instrument woods shaping its organic feel. The inclusion of poet Gary Snyder’s voice adds another dimension to this environmental soundscape. Around …
*2025 stock* After 14 years of filming/recording some of today’s most influential musicians, the music from Andreas Koefoed’s and Jørgen Leth’s celebrated film “Music For Black Pigeons” is now available for the first time (vinyl only). The soundtrack is based on compositions by Jakob Bro, performed by Bill Frisell, Lee Konitz, Craig Taborn, Paul Motian, Andrew Cyrille, Arve Henriksen, Midori Takada and many others.
Venice Film Festival title “Music for Black Pigeons,” directed by Danish filmmake…
From 1960 to the present day, from Georges Arvanitas to Laetitia Shériff, or from Manu Dibango to "Mama" Béa Tékielski, everyone has wanted to include François Jeanneau in their team at some point. This, his first album under his own name, was recorded for Jef Gilson’s Palm label in 1975, a few months after ‘’Watch Devil Go’’ by Thollot, with more or less the same cast: Jeanneau on saxophone, Jenny-Clark on double bass and percussion, Lubat replaces Thollot on drums and Michel Grailler is added …
*300 copies limited edition* With Umwelt, room, An’archives releases the first vinyl LP by Japanese singer, songwriter and guitarist, Kotonashiso. An elegant collection of seven slow-moving, free-ranging song forms, Umwelt, room is reflective, pensive, and yet has a great, expansive sense of movement, each song’s parameters feelingalmost infinitely flexible. Born in Tokyo in 1984, Kotonashiso began playing music in 2000. After taking a long break from making music between the years 2005 to 2016,…
2026 stock Armageddon's self-titled album, originally released in 1975 by A&M Records, receives a premium reissue from Delic Records (catalogue DLC 147-25). This limited-edition LP revives the cult classic hard rock/prog masterpiece featuring ex-Yardbirds vocalist Keith Relf, guitarist Martin Pugh (from Steamhammer), bassist Louis Cennamo, and drummer Bobby Caldwell.
Formed in 1974 as a supergroup blending British blues rock, progressive elements, and early heavy metal, Armageddon delivered a ra…
A powerful intergenerational trio emerges on Murasaki, featuring Wadada Leo Smith on trumpet, Marcus Gilmore on drums, and Jakob Bro on guitar. Recorded at Power Station (formerly Avatar Studios) in New York, this exploratory session unfolded spontaneously—no retakes, no discussions, just a shared musical language rooted in intuition and trust. “It felt as though this music already existed before we started playing,” Bro reflects. Murasaki captures the creative summit of three visionary artists,…
2026 stock In A Different Climate is the second and final studio album by the American rock band Mallard, released in 1976 on Virgin Records.
Formed by ex-Captain Beefheart Magic Band members Bill Harkleroad (guitar), Mark Boston (bass), along with vocalist Sam Galpin, keyboardist John Thomas, and drummer George Dragotta, the band leaned into a progressive country-rock sound with swampy blues elements.
Recorded in Wales and produced by Robert John "Mutt" Lange, it features Harkleroad's signature…
Reality Is Not a Theory by Mark Fell and Pat Thomas is a vivid collaboration exploring the friction between theorized structure and lived musical experience. By fusing Fell’s technologically limited triggers for creativity with Thomas’s exploratory improvisation, the album reimagines not only electronic and jazz vocabularies but also notions of time and agency, rendering a shifting landscape where each moment is both calculated and unexpected.
2026 stock The year after "de lusioni," the evolution continued with Arpia’s second demo "Resurrezione e Metamorfosi", a suite of more than 40 minutes, in which the lyrical element is stronger and the musical research more articulated. The hermetic and dreamlike text develops a continuous becoming, strengthened by the close relationship with the musical structures. “Resurrezione e Metamorfosi” represents, in the development and evolution of Arpia's musical path, a real distinction in the process…
2026 stock One of the most astonishing British private pressing rarities. The music runs the gamut from heavy space-rock jamming (including a snatch of ‘Interstellar Overdrive’) to folk/rock (an acoustic cover of ‘Light My Fire’ and a stunning version of ‘Watch The Stars’), avant-garde choirs krautrock-styled interludes and even trad jazz. The result is among the trippiest albums I have ever heard. Comparable only to Jumble Lane in terms of eccentricity
On this album Lucie Vítková and Merche Blasco explore cyborgness through their relationships with their instruments. Lucie perceives the accordion as an extension of their body - sound, matter, and movement locked in a self-generating cybernetic loop. Merche built Anette, a 3D printer, as her interlocutor and companion in the performance space; in return, Anette printed thimble-microphones Merche wears on her fingers, which render the machine's unique electromagnetic voice audible to human ears.…
2026 stock Originally the debut release on Decca's Nova label, this blistering UK psych-blues powerhouse features singer Steve Bailey's raw, hoarse vocals, Ron Bending on bass, Terry Sims on drums, and guitarist Bob Weston (later of Fleetwood Mac) delivering frantic riffs and solos akin to early Spooky Tooth, Leafhound, or Free.
Tracks like the epic 12-minute "Darkness," driving "Going Home," and gritty "Take These Chains" capture turn-of-the-decade intensity with pounding drums and heavy guitar…
2026 stock Hailing from the raw energy of Italy's underground scene, Frend unleash Primati, a primal roar of distorted guitars, pounding rhythms, and lyrics that claw at the soul. This debut LP channels the ferocity of ancient apes with modern edge—think explosive riffs echoing evolutionary chaos, from the brooding opener "Scimmia Urbana" to the frenzied closer "Dominio Perduto." Blending post-punk grit with shoegaze haze and a dash of no-wave frenzy, Primati is a savage evolution: 10 tracks of …
On Utopic Sporadic Orchestra - Nancy 1975, Jannick Top finally steps to the front of a large ensemble, unleashing a monumental, eighteen‑piece orchestral incarnation of his Zeuhl opus De Futura - a once‑in‑a‑lifetime blast of mythic low‑end and collective propulsion.
Microphonies 21 by Marc Billon is a long-form electroacoustic exploration centered on the resonances of a tam-gong. Blurring the line between acoustic gesture and electronic transformation, the work unfolds as a slow, tactile meditation on vibration, decay, and the physical act of listening itself.
"Mutudi Ua Ufolo/Viuva Da Liberdade" is one of the most important records ever made in Angola. An hypnotic masterpiece that blends Central African rhythms and Semba with soulful guitar and percussion. Originally released on CDA with Conjunto Merengue, it captured Zé at his creative peak. Sung in Portuguese and local dialects, the songs balance rhythmic elegance with deep political weight, tracing ties to Afro-Brazilian and Latin American musical traditions.
After Zé’s assassination in 1977, the …
Super Tip! Kali Malone and Drew McDowall have orbited each other's work for over a decade, their individual explorations of sustained tones and harmonic space suggesting an inevitable collaboration. When they finally entered McDowall's Brooklyn studio together, what emerged on Magnetism transcends mere musical compatibility. Malone has spent recent years extending the legacy of Éliane Radigue, redefining what electronic minimalism can accomplish through pipe organ and synthesizer. Her compositio…