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Music For Tombak & Synth
Cinna Peyghamy unveils new album fusing Persian tombak and modular synthesis. Five years in the making, "Music For Tombak & Synth" bridges heritage, technology, and personal identity. The project, initiated in 2019 during Peyghamy's master's thesis research on contact microphones, was conceived as a means to reconnect with his Persian roots while exploringexperimental sound design. In the album, Peyghamy seamlessly blends the traditional Persian tombak with modular synthesis and digital sign…
Third Ear Band
For many bands, having all their gear stolen would be catastrophic. For Third Ear Band, this unfortunate 1968 incident opened a portal to beneficial change that would ultimately define one of British experimental music's most singular statements. Now, Antarctica Starts Here presents the first-time vinyl reissue of the group's self-titled 1970 sophomore album - often called Elements due to its elemental track titles - complete with new liner notes by Dave Segal that illuminate this remarkable cha…
Clouddead
cLOUDDEAD's debut album, compiling six 10" EPs that appeared between 2000-2001, is aurally dense and obscured. A sprawling mass of miniature beat-suites and Dadaist lyrics, this strange and beautiful 3xLP would influence a myriad of sub-genres (cloud rap, hauntology, lo-fi hip-hop, etc.) in the two decades since its initial release. Only the three members of cLOUDDEAD – Why?, Doseone and Odd Nosdam – can speak to the group's origins, but in the context of underground hip-hop towards the end of t…
Drawings, Collages, Paintings (Book)
Drawings, Collages, Paintings reveals Adam Bohman as a visual artist every bit as singular as his music, collecting five decades of creatures, cowboys, food‑packet detritus and biro‑scrawled ephemera into a thick, disarming portrait of an English visionary working at the kitchen‑table edge of art history.
Featuring Pharaoh Sanders and Black Harold
"To understand the significance of the word 'featuring' on Featuring Pharoah Sanders And Black Harold, consider how infrequently Sun Ra used it and the exact way it had been used."The October Revolution in Jazz, organized by Bill Dixon in the West Village in 1964, presented a vivid cross section of approaches to the new music, including a sextet led by Ra. For the October Revolution's continuation, titled Four Days in December, held at nearby Judson Hall on the last days of 1964, the Arkestra pe…
Aika ja tila
Kuusijärvi/Rönkkö launches the concept of accordion jazz into orbit with their album Aika ja tila (Time and Space). Built entirely on improvisation, this six-track collection stretches both musical genre boundaries and the very fabric of spacetime. Harri Kuusijärvi’s electronic accordion sounds at times like the chirping of a cyborg bird flock, and at others like Brian Eno’s electric toothbrush just as the batteries are dying. The other half of the duo, Tatu Rönkkö, weaves through his drum kit, …
Rampton
Very special legacy 180g limited vinyl of Rampton album by Come proudly reissued by Susan Lawly. The year 1980 saw release of this iconoclastic debut LP, first album on the highly collectible Come Organisation label, and first chapter in the long musical career of a then teenage William Bennett after leaving Essential Logic, which subsequently led to the pure electronic Whitehouse and present-day Cut Hands projects. Also notably featuring synthesiser bass performed by The Normal's Daniel Miller.
Egon Bondy's Happy Hearts Club Banned
** Special edition of 300 copies on Transparent/black marbled vinyl housed in reverseboard printed sleave with printed inner sleave. Comes with lyric booklet, poster and postcard inserts ** Formed in 1968, The Plastic People Of The Universe – named after a Mothers of Invention song and heavily influenced by Frank Zappa and The Velvet Underground – were iconic figureheads of the Prague Underground, a loose collective of Czech poets, philosophers and artists considered a threat by the Communist g…
Time & Condition
* Limited edition housed in a die cut craft sleeve, flooded pocket, in printed inner sleeve, with insert * Malik King was an important part of the St Louis jazz scene of the 70's & 80's. He studied under Albert Ayler in NY in the early 70s before returning to the Midwest. He was a member of the Shirley Le Flore's ensemble "Free N' Concert". He also served as musical director of The Creative Arts & Expression Lab, The African Peoples Continuum, & The Black Arts Alliance, The worrier poets, The Hu…
Fellini Satyricon
Nino Rota's most radical work finally gets deluxe treatment. His groundbreaking Fellini Satyricon score abandons melody for archaic soundscapes - tribal percussion, atonal instruments, dissonant choirs creating an alien musical language. This avant-garde masterpiece evokes ancient worlds through pure sonic imagination. Limited transparent red vinyl edition of 500.
Catherine Spaak
Catherine Spaak's self-titled 1963 debut album encapsulates the elegant melodic pop style of early 1960s Italy, extending Spaak’s cinematic charisma into the recording studio. Produced with the collaboration of top talents and distributed internationally, the album showcases her gentle vocal approach over finely arranged tracks, balancing French chanson influences with distinctly Italian songwriting. This release reflects Spaak’s position as a cross-cultural muse and a vital pop presence in the …
Faust'o
‘Faust'o’ is the eponymous artist's fifth album, produced and arranged with Alberto Radius. Reissued for the first time since 1983, the year the original album was released, it is now available in a black vinyl / 180 gram version, with a limited and numbered edition of 300 copies.
Il Dio Sotto La Pelle
Piero Piccioni's hidden masterpiece finally emerges. His 1974 Il Dio Sotto la Pelle soundtrack fuses jazz, psychedelic orchestration, and world music into transcendent spiritual journey. Ethereal strings, exotic instruments, and contemplative atmospheres mirror the film's exploration of identity and the sacred. Double transparent orange vinyl edition of 500.
Cadaveri Eccellenti (Colonna Sonora Originale)
The soundtrack for "Cadaveri eccellenti", composed by Piero Piccioni in 1976 for Francesco Rosi's film, is one of the most fascinating and unsettling works in Italian film music. Like the film itself, the music evokes a constant sense of tension, a dark atmosphere, and a profound unease that perfectly matches the narrative of this political thriller. “Cadaveri Eccellenti”, based on Leonardo Sciascia's novel “Il contesto”, is a masterpiece of Italian cinema that delves into themes of corruption, …
Iapetus
Wewantsounds continues its reissue program of Bob Shad's cult jazz label, Mainstream Records, with Hadley Caliman's superb 1972 album, Iapetus. Recorded in LA and featuring a heavyweight lineup of West Coast players including Todd Cochran, Woody “Sonship” Theus, Luis Gasca, and Victor Pantoja, the majority of the album was composed by Todd Cochran (aka Bayeté) soon after he had composed Bobby Hutcherson's Blue Note classic, Head On. A true hidden treasure, it is reissued here on vinyl for the fi…
Il Canto dell'Arpa e del Flauto
** 300 copies, red vinyl, 180g ** Nearly five decades after its original release, Pepe Maina’s enchanting debut album, Il Canto dell’Arpa e del Flauto, emerges from the archives as a limited-edition transparent red vinyl (180g), strictly limited to 300 hand-numbered copies, each signed by the artist himself. Originally released in 1977 on the Ascolto label—the only non-self-produced work in Maina’s discography—this album remains a singular blend of ambient, world music, folk, and psychedelia, we…
I Don't Know
After more or less 20 albums on guitar released since 2005 on LPs, cassettes and CDs, the first real album on piano by Belgian singer-songwriter Bram Devens aka. Ignatz. In 1910, the illustrator George Herriman created the Krazy Kat comic strip. Ignatz, a vicious mouse, was Krazy Kat’s arch enemy, and his favourite pastime was to throw bricks at Krazy Kat’s head (who misinterpreted the mouse’s actions as declarations of love). Ignatz is the alter-ego of Belgian musician Bram Devens. Since 2005, …
Béke
**3rd pressing with letterpressed insert** “Peace is not the word to play” rapped Large Professor on Main Source’s 1991 debut album. His plea to stop abusing the word “peace” simply for rhetoric flair sounds just as valid in today’s genocidal world as it did in the streets of New York over 30 years ago. For Oiro Pena to name this album Béke, meaning peace in Hungarian – or white people in French Caribbean creole – it seems like they finally have something to say. With this group/concept/project …
Repetitive Music vol. 1
On Repetitive Music vol. 1, Misha Panfilov strips things back to synth and piano, threading slow‑turning patterns and hushed harmonies through Tallinn and its outskirts like illuminated loops traced in winter air.
I.D. Art #2
When the Los Angeles Free Music Society 10 CD set came out I eagerly flipped through the contents to see what treasures had finally been made available again. Much to my surprise the early compilation I.D. Art #2 was not included in this otherwise major overview of the LAFMS. I.D. Art #2 was the second LP release on their label, coming after Le Forte Four’s ‘Bikini tennis shoes’ LP, and before the 2LP ‘Live at the Brand’, a split album between Le 44 and The Doo-Dooettes. It dates from 1976. It i…