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*300 copies limited edition* With Umwelt, room, An’archives releases the first vinyl LP by Japanese singer, songwriter and guitarist, Kotonashiso. An elegant collection of seven slow-moving, free-ranging song forms, Umwelt, room is reflective, pensive, and yet has a great, expansive sense of movement, each song’s parameters feelingalmost infinitely flexible. Born in Tokyo in 1984, Kotonashiso began playing music in 2000. After taking a long break from making music between the years 2005 to 2016,…
2026 stock Armageddon's self-titled album, originally released in 1975 by A&M Records, receives a premium reissue from Delic Records (catalogue DLC 147-25). This limited-edition LP revives the cult classic hard rock/prog masterpiece featuring ex-Yardbirds vocalist Keith Relf, guitarist Martin Pugh (from Steamhammer), bassist Louis Cennamo, and drummer Bobby Caldwell.
Formed in 1974 as a supergroup blending British blues rock, progressive elements, and early heavy metal, Armageddon delivered a ra…
A powerful intergenerational trio emerges on Murasaki, featuring Wadada Leo Smith on trumpet, Marcus Gilmore on drums, and Jakob Bro on guitar. Recorded at Power Station (formerly Avatar Studios) in New York, this exploratory session unfolded spontaneously—no retakes, no discussions, just a shared musical language rooted in intuition and trust. “It felt as though this music already existed before we started playing,” Bro reflects. Murasaki captures the creative summit of three visionary artists,…
2026 stock In A Different Climate is the second and final studio album by the American rock band Mallard, released in 1976 on Virgin Records.
Formed by ex-Captain Beefheart Magic Band members Bill Harkleroad (guitar), Mark Boston (bass), along with vocalist Sam Galpin, keyboardist John Thomas, and drummer George Dragotta, the band leaned into a progressive country-rock sound with swampy blues elements.
Recorded in Wales and produced by Robert John "Mutt" Lange, it features Harkleroad's signature…
Reality Is Not a Theory by Mark Fell and Pat Thomas is a vivid collaboration exploring the friction between theorized structure and lived musical experience. By fusing Fell’s technologically limited triggers for creativity with Thomas’s exploratory improvisation, the album reimagines not only electronic and jazz vocabularies but also notions of time and agency, rendering a shifting landscape where each moment is both calculated and unexpected.
2026 stock The year after "de lusioni," the evolution continued with Arpia’s second demo "Resurrezione e Metamorfosi", a suite of more than 40 minutes, in which the lyrical element is stronger and the musical research more articulated. The hermetic and dreamlike text develops a continuous becoming, strengthened by the close relationship with the musical structures. “Resurrezione e Metamorfosi” represents, in the development and evolution of Arpia's musical path, a real distinction in the process…
2026 stock One of the most astonishing British private pressing rarities. The music runs the gamut from heavy space-rock jamming (including a snatch of ‘Interstellar Overdrive’) to folk/rock (an acoustic cover of ‘Light My Fire’ and a stunning version of ‘Watch The Stars’), avant-garde choirs krautrock-styled interludes and even trad jazz. The result is among the trippiest albums I have ever heard. Comparable only to Jumble Lane in terms of eccentricity
On this album Lucie Vítková and Merche Blasco explore cyborgness through their relationships with their instruments. Lucie perceives the accordion as an extension of their body - sound, matter, and movement locked in a self-generating cybernetic loop. Merche built Anette, a 3D printer, as her interlocutor and companion in the performance space; in return, Anette printed thimble-microphones Merche wears on her fingers, which render the machine's unique electromagnetic voice audible to human ears.…
2026 stock Originally the debut release on Decca's Nova label, this blistering UK psych-blues powerhouse features singer Steve Bailey's raw, hoarse vocals, Ron Bending on bass, Terry Sims on drums, and guitarist Bob Weston (later of Fleetwood Mac) delivering frantic riffs and solos akin to early Spooky Tooth, Leafhound, or Free.
Tracks like the epic 12-minute "Darkness," driving "Going Home," and gritty "Take These Chains" capture turn-of-the-decade intensity with pounding drums and heavy guitar…
2026 stock Hailing from the raw energy of Italy's underground scene, Frend unleash Primati, a primal roar of distorted guitars, pounding rhythms, and lyrics that claw at the soul. This debut LP channels the ferocity of ancient apes with modern edge—think explosive riffs echoing evolutionary chaos, from the brooding opener "Scimmia Urbana" to the frenzied closer "Dominio Perduto." Blending post-punk grit with shoegaze haze and a dash of no-wave frenzy, Primati is a savage evolution: 10 tracks of …
On Utopic Sporadic Orchestra - Nancy 1975, Jannick Top finally steps to the front of a large ensemble, unleashing a monumental, eighteen‑piece orchestral incarnation of his Zeuhl opus De Futura - a once‑in‑a‑lifetime blast of mythic low‑end and collective propulsion.
Microphonies 21 by Marc Billon is a long-form electroacoustic exploration centered on the resonances of a tam-gong. Blurring the line between acoustic gesture and electronic transformation, the work unfolds as a slow, tactile meditation on vibration, decay, and the physical act of listening itself.
"Mutudi Ua Ufolo/Viuva Da Liberdade" is one of the most important records ever made in Angola. An hypnotic masterpiece that blends Central African rhythms and Semba with soulful guitar and percussion. Originally released on CDA with Conjunto Merengue, it captured Zé at his creative peak. Sung in Portuguese and local dialects, the songs balance rhythmic elegance with deep political weight, tracing ties to Afro-Brazilian and Latin American musical traditions.
After Zé’s assassination in 1977, the …
Super Tip! Kali Malone and Drew McDowall have orbited each other's work for over a decade, their individual explorations of sustained tones and harmonic space suggesting an inevitable collaboration. When they finally entered McDowall's Brooklyn studio together, what emerged on Magnetism transcends mere musical compatibility. Malone has spent recent years extending the legacy of Éliane Radigue, redefining what electronic minimalism can accomplish through pipe organ and synthesizer. Her compositio…
Emerging from the depths of a private mindscape, Crystal by Stan Hubbs delivers epically torched psychedelia that transports listeners to a vivid sonic dream. Recorded in isolation within a remote cabin nestled among the majestic California redwoods, this 1982 brain-frying masterpiece captures a unique blend of vintage psychedelia and innovative homegrown sounds.
Crystal stands as the missing link between the iconic In-A-Gadda-Da-Vida era and the surreal charm of harpsichord-driven hallucinogens…
In May, composer, musician, and producer Kara-Lis Coverdale released her first new album in eight years, From Where You Came. It was followed by her second album of 2025, A Series of Actions in a Sphere of Forever, in September. Today, Coverdale details her third full-length release of the year, Changes In Air, out 21 November via Smalltown Supersound, and unveils its lead single ‘Curve Traces of Held Space’. Changes In Air is a work for electric organ, modular synthesis, and piano in five secti…
Other Minds is pleased to inaugurate Other Minds Books with Peter Garland’s work of memoir and criticism, Ingram Marshall: A Personal and Musical Appreciation. The composer Peter Garland met the composer Ingram Marshall in 1970; both were students during the early, golden years of The California Institute of the Arts (CalArts) learning electronic music and composition from Morton Subotnick, James Tenney, and Harold Budd, as well as Javanese gamelan from Robert Brown. Out of this Marshall was abl…
During the work for Voice Crack duo Norbert Möslang was one of the pioneers in the field of sound installation techniques usage in live improvised music. His instruments are cracked everyday-electronics, but sounds themselves are delivered from the mechanical properties of these devices. This kind of approach seems to be similar to Peter Fischli and David Weiss practices in the visual arts’ fields. The comparison of the film documentaries - "The Way Things Go" (1987) about Fischli/Weiss activiti…
Terrie Hessels, electric guitar. Paal Nilssen-Love, drums & percussion. Limited to 300 copies only. Recorded live in concert on the 4th of April 2015 at Festival PiedNu, Le Havre, France. Recorded by Emmanuel Lalande. Mixed by Arnold de Boer. Mastered and cut to vinyl by Mike Grisner at D&M Berlin. Cover art and design by Marek Wajda.
*Joachim Nordwall and Henrik Rylander return with this incredibly heavy drone-noise session under the 'Saturn and the Sun’ moniker* Crushing, celestial sized drone objects from Nordwall and Rylander here, sheathed in absorbing artwork by Martin Jacobsen. 'Journey to the Center of Your Mind' projects three concentrated, irradiating beams of Scandinavian drone noise intensity recorded at Studio Dental, Gothenburg. As with the artwork, the music could just as easily be said to desc…