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The soundtrack to Hito Steyerl’s new film installation Power Plants features a new collaboration between UK star Kojey Radical and one of the world’s most influential and important visual artists and thinkers, and a beatific ambient classic by late Japanese producer Susumu Yokota.Exhibited at The Serpentine from April to May 2019, Power Plants features a new film work in an immersive installation that expands throughout the building, it revolves around anticipating the future in unpredictable wa…
Graze the Bell is a collection of soul-stirring, mesmerizing solo piano pieces, and the most distilled offering of David Moore’s artistry to date. Known for his atmospheric compositions with Bing & Ruth, as well as his collaborations with guitarist Steve Gunn and Cowboy Sadness, this marks Moore’s first widely shared solo piano album. Using the piano to meditatively inquire into the human condition, Graze the Bell is a sanctuary of sound, and an invitation for listeners to meet him in the presen…
Tip! *100 copies limited release* "Soplo" is the debut solo album from Berlin-based Mexican multimedia artist, sound designer, and DJ, Daniela Huerta -- and a true thing of beauty it is. A hallucinatory array of vaporous atmospheres, illusory rhythms, vanishing voices, and evocative environmental recordings, "Soplo" (Spanish for 'breath') ruminates on the enduring resonance of storytelling. Huerta places an interest in mythology at the center of her practice, using it as a springboard to explore…
Tip! Lucrecia Dalt channels innate sensory echoes of growing up in Colombia on her new album ¡Ay!, where traditional instrumentation encounters adventurous impulse and sci-fi meditations on atemporality in an exclamation of liminal delight. Dalt’s introspective approach to composition, last surfaced on her entrancing 2020 album No era sólida, refracts across ¡Ay! in a subconscious spectrum of the music genres she absorbed as a child. Treasured sounds and syncopations of bolero, mambo, salsa, and…
Five years on from “Nue”, his collaboration with his father, Yoshi Wada, and friends, Tashi Wada returns to RVNG with “What Is Not Strange?”, a startling new adventure in sound. Riding a razor's edge between experimental music and left-field song-craft, the album's eleven compositions enlist an all-star cast of collaborators - Julia Holter, Corey Fogel, Ezra Buchla, and Devin Hoff - to forge new water and create one of the most startling and mysterious records of the year.
2022 Repress expected to ship early November - Ernest Hood’s Neighborhoods was released some two decades after the Portland, Oregon born and raised musician’s first forays into field recordings. These very recordings, and those captured over intervening years, define the universal sound and aural images of childhood, a theme memorialized by Hood’s privately-pressed opus of 1975.Sprawling through a haze of zither, synthesizer melodies, and foraged pedestrian sound, Neighborhoods is both a score …
Black Vinyl. On I Shall Die Here, The Body sonically serrates the remains of metal's already unidentifiable corpse and splays it amid tormented voices in shadow. Sharing their heathen vision with The Haxan Cloak, The Body's tried, true, and absorbingly tragic sound is mutilated by process and re-animated in a spectral state. This double LP set is expanded with the previously unreleased Earth Triumphant, a full-length companion album that would become I Shall Die Here, showcasing The Body’s bruta…
Parapsychology introduced the notion of the decline effect as a statistical phenomenon of diminishing results whilst investigating extra-sensory perception and psychokinesis. Where initial findings might substantiate proof of such abilities, further studies would almost always demonstrate the contrary. As such, this ontological disappearing act stands in allegorical parallel to the entropic art of Jim Haynes and frames his 2011 opus of the corroded drone and a compacted disintegration of …
Here be the final drone / hypnogogic statement from Taiga Remains. The man behind Taiga Remains has now shelved this moniker; but he's far from hanging up his hat, as he now works under his given name Alex Cobb -- also known as the philosopher king who benevolently reigns over his Students Of Decay. There are those at the Agency who can claim to speak with the poetics of corrosion, and we have long admired the sympathetic aesthetic in Cobb's gorgeously elegant compositions for guitar, bells, tap…
The third production from the Stelzer/Murray project hits a sweet spot of slippery, industrial occultation that harkensback to an almost forgotten period of music from the late ‘80s and early ‘90s. Think Cranioclast, Arcane Device, Phauss, Small Cruel Party, Organum, and pretty much everything from the Quiet Artworks label. Exquisitely composed and overtly nocturnal without ever falling into the tropes of dark ambient and with plenty of gestures, signals, and threats that allude to any number of…
Ass-flatteningly great duo cosmo drone visions from Barbara Kinzle and Birch Cooper of Portland, Oregon that takes dream-pop and devotional choral ascensions to the very edge of euphoric body/gnosis: originally issued as a CD-R in 2010 this beautifully presented vinyl set upgrades the album with two LPs mastered at 45rpm for maximal immersion. Ocean On Ocean feels like the logic of Blinda-era My Bloody Valentine pushed to true post-rock limits, with song-forms exploded in favour of a profound, c…
In scandinavia, it's not uncommon to hear of someone's mother, grandfather, uncle, or plumber who drank him-or-herself to death at an early age; and the swedish drone artist bj nilsen has felt the alcoholic pangs which may foreshadow his own demise. in recent years, nilsen has turned to his icelandic neighbors Sigtryggur Berg sigmarsson and Helgi Thorsson (collectively known as stilluppsteypa) in existential sympathy over the problems of their collective lust for alcohol. drykkjuvisur ohljodanna…
Head to the western neighborhoods of San Francisco, and the city becomes a very quiet place after midnight. By 3am,one can almost hear the fog spilling past the sodium lights that illuminate a lonesome street corner at Judah and15th. Whatever soundtracks that emerge from that time and that place inevitably embody that nocturnal atmosphere, anarcoleptic weariness, a waking dream of the insomniac. Such is the psychogeographical realm as channeled throughsound for Hauras, the obliquely musical conc…
Jo Montgomerie doesn't want to pull back the veil too much on her source materials, but she's becoming more declarative and emphatic in how she works with her crucible of tempered noise. The opening clatter to Ephemeral Rituals sounds to these ears like the repetitive strike of a typewriter; though she asserts, without showing her hand, that is not the case. Out of this, a hallowed, radiant black glow emerges, nearly engulfing the acoustic clack with a sublime grandeur. Based in Manchester, Mont…
150 hand numbered copies. Kick-ass free music recorded in the glorious year of 1966 in Copenhagen. From Finn Von Eyben a leading exponent of the fertile Danish free jazz movement of the 1960s, comes these never-before-released live and studio recordings, offering an interesting addition to our understanding of a time in Danish music history where past, present, and future clashed to create a whole new sound. This is as essential as it gets. Piano, double-bass & drums in total interaction.
150 h…
* Black vinyl edition. Gatefold cover * Dario Argento’s opera prima ‘L’uccello dalle piume di cristallo’ was premiered in 1970 and marked an historical and revolutionary debut, being a truly original and innovative thriller. The stylistic choices of Argento mark a clear step forward from the thrillers of that era and even the soundtrack was something utterly special.Argento assigned the score to Ennio Morricone, composer of the soundtracks for ‘Comandamenti per un gangster’, ‘C’era una volta il …
Brussels captures Lard Free in raw, exploratory mode: a live document where jazz‑rock, minimalism and proto‑industrial textures blur into long, evolving jams that feel like they’re testing the limits of what a band can do with repetition and noise.
On Racines Synthétiques, Joël Fajerman and Jan Yrssen plant electronic seeds in pastoral soil: vintage synths, sequencers and string machines tracing lyrical miniatures that imagine nature re‑composed through early‑digital circuitry.
368 pages, simply titled Morricone, a sprawling — and rather massive looking — catalogue raisonné centered on the Ennio Morricone extensive discography, this is actually the first comprehensive publication dedicated to his film music, which was able to take shape thanks to the boundless archive of the great cinema expert Maurizio Baroni. A volume that collects many things together: the path of his exceptional career as a film composer through texts and images of which many unpublished, the testi…
Discotchari is delighted to release a first-of-its-kind various artists compilation: Tehrangeles Vice (Iranian Diaspora Pop 1983–1993), fully licensed from Taraneh Enterprises. The album is a groundbreaking exposé of the vibrant subcultural hub of Tehrangeles (portmanteau of Tehran + Los Angeles), and the action packed, true story of the Iranian diaspora music industry. Featuring 12 tracks remastered by award winning Osiris Studio, lyrics and translations to all featured songs, original cassette…