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Blue Notes for Johnny
Otoroku is proud to present the first vinyl reissue of "Blue Notes for Johnny" - a defining statement by one of the greatest ensembles in the history of jazz. Recorded in mid-1987 by Blue Notes - then reduced to the trio of Dudu Pukwana on alto sax, Louis Moholo-Moholo on drums and Chris McGregor on piano - it encounters the band 25 years after their founding embarking on an inward meditation through collective music making dedicated to Johnny Dyani, their former bandmate and friend.
Blue Notes…
Blue Notes for Mongezi
Otoroku is proud to present the first vinyl reissue of "Blue Notes for Mongezi", one of the most passionate celebrations of a life in music ever laid to tape. Recorded in late 1975 by Blue Notes, then reduced to a quartet - Dudu Pukwana on alto sax, whistle, percussion, and vocals; Johnny Dyani on bass, bells, and vocals; Louis Moholo-Moholo on drums, percussion, and vocals; and Chris McGregor on piano, and percussion - and issued the following year by Ogun, the album is a kairos; the first com…
To Call Out Into The Night
Full recording of one of the most engaging and beguiling Late Junction live sessions we’ve ever heard - the one off first meeting between Korean multi-instrumentalist Park Jiha and writer and performer Roy Claire Potter. Park Jiha plays the saenghwang, a Korean mouth organ which she blows in long multiphonics to set pace for Potter’s words. Together they unfurl a scene slowly in front of you, rich and focused, shifting your field of vision and drawing you in, elsewhere. It’s impossible not to f…
Gjerhan
III (pronounced /el/) is Daichi Yoshikawa, Paul Abbott and Seymour Wright. This recording includes two bare 20-minute excerpts from separate performances at Café OTO. Daichi Yoshikawa (feedback); Paul Abbott (drums); Seymour Wright (alto saxophone). gjerhan began from subterranea, sweat, haze and dedication emerging out of intimate and intense weekly meetings begun in 2009 -- their first, 2012 public performance, squeezed into a London basement was a sheer, vexed and exhilarating smack of organi…
Collective calls (urban) (two microphones)
Tip! LP reissue of Collective Calls, the first duo LP from Evan Parker and percussionist Paul Lytton. Mythically alluded to as ‘An Improvised Urban Psychodrama In Eight Parts”, Collective Calls utilises electronics, pre-records and homemade instruments to wryly in/act self investigation. Having just recorded the cliff jumping Music Improvisation Company with Derek Bailey, Christine Jeffrey, Hugh Davies and Jamie Muir, Parker was at the point where [he] was thinking, ‘what’s the next thing?’ On C…
Takanehishigu
Born in 1964, Yukihiro Isso is a Japanese Noh flutist (hayashikata fuekata) from a family that has been playing this instrument since the 16th century. He received his initial instruction in flute playing from his father, Yukimasa Isso, and performed on the Noh stage for the first time at the age of nine. Beginning in his middle school years, he began listening to a variety of different kinds of music and studying new instruments including the recorder and piano. An acclaimed performer of classi…
The Solar Model of Ibn Al-Shatir
Pat Thomas returns to Otoroku for his fourth collection of solo piano improvisations, this time recorded in a studio setting at London’s Fish Factory.
Slip
Slip is Paul Abbott’s response to his 3 day residency at OTO in 2023. It’s a continued exploration of the acoustic-digital hybrid drum setup Abbott has been developing for some time, which involves drum kit and synthetic sounds combined closely—through an entanglement of limbs and cables—in an intimate but strange relationship with each other. Paul Abbott hasn’t had any formal musical training, but has a long history of making music, having collaborated for years with Seymour Wright, Pat Thomas,…
The Blue Hour
Totally beautiful and rare piano performance from Loren Connors, joined on guitar by long time collaborator Alan Licht.
Cybersonic Arts Adventures in American New Music (Book)
Composer, performer, instrument builder, teacher, and writer Gordon Mumma has left an indelible mark on the American contemporary music scene. A prolific composer and innovative French horn player, Mumma is recognized for integrating advanced electronic processes into musical structures, an approach he has termed "Cybersonics." Musicologist Michelle Fillion curates a collection of Mumma's writings, presenting revised versions of his classic pieces as well as many unpublished works from every st…
Holocaust
Re-issue of industrial music's 'holy grail', released back in 1984 on Eskimo Records. Not much is known about this obscure Japanese band, White Hospital are a duo, Jun Konagaya of Grim and Tomo Kuwahara of Vasilisk. In the early 80s Jun formed White Hospital together with Tomasada Kuwahara. They released one album called “Holocaust” in 1984 and a 7″ “We Wish You Are Merry X’mas”. Kuwuhara moved on to Vasilisk, while Jun released a number of solo records as Grim and one track as Howling Of Himala…
Circadian Rhythm, Sleep Disorder
LOGOS “The idea of dedicating a record to sleeping disorders hit my mind as an illumination when two tracks were already done and I was trying to find out their obscure sense. The more I searched for it the more I couldn”t sleep at night. Composing during nightime, through headphones, is a kind of sleep treatment for me. In a big city like Rome silence is a nearly nonexistent condition; only at night I seem to have the silence I need to concentrate, but some lonely car running down the road alwa…
Insnitt
Ideal Recordings presents Insnitt By Carl Michael Von Hausswolff. Recorded at the opening of CM von Hausswolff’s solo exhibition ”Insnitt” at 3:e Våningen, Gothenburg on September 14th 2018. With: John Duncan, Leif Elggren, Jean-Louis Huhta, Joachim Nordwall, Henrik Rylander. Cover photo by CM von Hausswolff. Design by Joe Gilmore at Qubik. Produced by Joachim Nordwall.
Tobel II
Reinhold Friedl, inside piano. Franck Vigroux, electronics. 'An encounter between two worlds. Reinhold Friedl and Franck Vigroux are two musicians, both addicted to a real contemporary approach, getting to the core of sound but by very different means. Reinhold Friedl with his purely acoustic instrument and his highly developed and refined inside-piano techniques meets Franck Vigroux with his electronics including all kind of devices from tape recorders to analog synthesizers. Their sole purpos…
Window In
**CD version** "Window In is Michael Vallera’s third full length offering on Denovali, following All Perfect Days (2018) and Vivid Flu (2017). The four tracks that compose Window In are an exercise in density, movement, and space. Raw studio recordings of electric guitar were taken as the foundation, then heavily altered and manipulated through sampling, erasing the trace back to origin of the sound. The result is a series of vignettes that are unattached to a particular source but instead exist…
Spiritual Sounds For Artsakh
20 musicians from around the world created a neofolk / neoclassical charity compilation for the Armenians of Artsakh who were prosecuted and forced to move from their land last Winter...
Imbaru, Walden, Regard Extrême, Uwe Nolte (Orplid) and many others. Mastering has been done by Paul Lavigne (InfoKontrast Mastering, London, UK).
Compilation and idea by Thalie Némésis
Ossido Di Cromo (Anamnesi Mediatica Ricostruttiva)
You can’t speak of industrial music without mentioning the cassette tape. The tape was an essential format in the formative years of the experimental, industrial underground, and has remained a significant factor within the post-industrial scenes ever since. Where right now the cassette tape is going through some kind of fetishized hipster-revival in other scenes, in industrial, experimental and noise music it never died. The tape was a revolutionary format for Paolo Bandera as well, who capture…
Eco Solemnis
More than 30 years since their first release, French Regard Extrême are back with a new album, their third on Steinklang. Stylistically, Eco Solemnis builds upon the foundation established on previous albums: medieval music and orchestral neoclassical with elements of martial industrial. In comparison to the previous album of new music, 2021's Ars Veterum, Eco Solemnis incorporates more prominently the neoclassical elements of earlier Regard Extrême, but without abandoning the medieval, even mon…
Säkeitä Esoteerisesta Euroopasta
On their third album, Finnish Dieux Des Cimetières continue to explore the territory of the martial post-industrial underground. Achingly melancholic melodies, sweeping strings, atmospheric orchestrations, martial percussion and pulsating synths combine to create an intricate album of esoteric neoclassical and martial industrial. Influenced by authors such as Giuliano Kremmerz, Oswald Spengler, H.P. Blavatsky and Mircea Eliade, Säkeitä esoteerisesta Euroopasta (Verses on Esoteric Europa) looks a…
We Don't Drink Alone
Division S are here again - and this time they don't drink alone. As always, the Italians have an unhealthy obsession with alcohol, as is testified not only in the name of the album and many of the tracks, but also the music. There is a psychedelic, outlandish weirdness to be found in the weird atmosphere and feel of this music. What to call it? Tags one often finds attached to Division S ring hollow and untrue on a deep level, despite being superficially suitable. Yes, there are elements of neo…