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1994 release ** 3" CD in slipcase housed in A5 package. ""Harakiri For Seven Strings" is a real thunder, because it uses only terrific guitar noise as the base of heavily distorted collages of collapsing brainwaves."
This is a four-handed musique concrète composition by electroacoustic Italian composers Fabio Selvafiorita and Valerio Tricoli. This single-track piece was conceived and realized between Milan and the Giudecca Island, in Venice, which is the location of the field recordings and reel-to-reel tape treatments. The work stresses and questions the dramatic and alchemical potential of a musical landscape marked by water: visceral and metaphysical at the same time, full of narrative suggestions. …
2026 stock One of the most adventurous composers and performers of the Italian avant garde scene, member of the Gruppo di Improvvisazione Nuova Consonanza, the CD presents the complete selection of his compositions for aeolian objects, from 1973 to more recent days.
Disquiet. Loss. Choice. The courage to venture onto a road. Choosing another one. And disquiet again, having ascertained that neither leads to new lands: the images which make up 'An Imitation of Life' convey all this to the observer, that is, the very act of seeing. The gaze of a 9 year old, roughly eight hours of footage, the grain of a VHS-C: archeological finding of the first childhood brainwaves, the 78 video stills contained in these pages and organized according to a random logic by the v…
*2025 repress* The second and last chapter of Dr Miller's journey between cultures and its uses, which began with "The Far East", dissected and looked into the root of the sound of distant Asia, continues with this new chapter dedicated instead to the countries bathed by the Mediterranean and contiguous to Central European history. From Spain to Arabic sounds, a new compendium that takes us back to other places and times, Dr Miller is once again able to dissect andencapsulate sounds and spices f…
*2025 repress* Made with the intention of exploring and experiencing the various musical and cultural perspectives of a territory as vast as that of Persia, "Near And Far East" is a significant historical document that transcends the restrictive concept of territory but rather inhabits a space of absolute time. The album's content is not just window into faraway places, but a leap into the times and cultures that have now been swallowed up by the incessant movement of globalization and capitalis…
2CD set & a 32-page illustrated booklet with texts by Jean Dubuffet and Ilhan Mimaroglu in English & French. Noisy, pure, crazy, exuberant, yet also focused and inventive. Dubuffet creates an impression of Nrenetically playful improvisation, yet each piece has a strong concept, and even a form."The Musical Experiments of Jean Dubuffet, recorded in 1961, form a set of 20 pieces. They were released the same year as a box containing six 10” Vinyl-Records in an edition of 60 copies. In 1991 nine of …
"The three musicians seem to exchange and overlap tones, creating the feeling of a single and continuous arc extending, curving in space, a kind of bridge or thoroughfare outward." – Stuart Broomer (liner notes) Magda Mayas piano John Butcher tenor and soprano saxophones Tony Buck drums
One and Many Flutes by Hannah Todt transforms steel tubes into a playful and subtly radical modular installation, offering airy, slow-motion explorations of sound through individually voiced mouth holes. The album foregrounds tactile resonance and fragmentation, inviting listeners into a sonic space akin to slow Japanese flute traditions, balancing minimalist freedom with community-driven performance practice.
*110 copies limited edition. Includes repulsive cover photo and hand-stamped labels* ‘Nothing compares to you’ was about Peter Fengler and Sinéad was right! There’s no losers here, just the bare and brutal leftovers of a very long night or a really early morning. Is the sound your uncle Peter makes sexy or sexist? Is knocking on wood kinky or slapping the salami sufficient? Is it a Karlheinz with a Karlsquell or a Cage with a Cara? Or just tins for fears? Complex comparisons more zonked than the…
Pogus is very honored to be able to reissue this recording of works by the late Jerry Hunt (1943-1993), originally released on What Next? Having long been fascinated by Hunt's work, it is great to be able to have these last works of his available on CD once again. To quote Blue Gene Tyranny: In the 1970s electronic music practitioners constituted a rare and marginal population on the frontiers of interactive media and performance. Audio, with its modest bandwidth requirements, led video by at l…
Well talk about your long gestations for a project. Secluded in Jersey City, by Secluded Bronte was recorded live on WFMU in November of 2002. And we spoke about releasing this on Pogus pretty quickly after that. So to take twelve years to release a CD is a pretty long time. But it was most certainly worth the wait. This trio features Jonathan and Adam Bohman with the added experimental irreverence of Richard Thomas. The Bohman Brothers are known for their unique live performances mixing theatre…
Silentium is an electroacoustic piece based on sounds of bells and church organs that where recorded during a residency at gallery Školská 28 in Prague, in December 2015. The title was inspired by the “Silentium” signs that were regularly displayed in the churches where these recordings were made. Entering the temple requires the visitor to be quiet, to keep the noise down. This thoughtful silence is an intense and active condition essential for profound listening. It creates a liminal state bet…
** 2021 Stock ** XI Records presents Involution by Cecilia Lopez. Red is more than a musical composition. It roots lie in its physicality. Nestled on a large cargo-like cable web are an array of small speakers and contact microphones. As this web sways the speakers and microphones come in and out of proximity and form an evolving feedback network, which slowly reveal themselves as a myriad of permutations accompanied by sympathetic synthesizer tones. Zero-input mixing works seem to be very popul…
In Kientzy Loops, the accompanying loop is a mix of six alto saxophones played in continuous blowing, while the principal lines are played on alto saxophone, except for the third section, played on baritone. The piece, premiered at the auditorium of the ADAC in Paris, was awarded a French national prize in the Victoires de la musique as the best piece of contemporary music for the year 2000. We are indebted to our friend Marc Chemillier for La Tortue de mer. As a mathematician Chemillier became …
Restocked. "Two aspects were of central interest to him: different tunings and density of sound. He made an installation in the large space of Het Apollohuis, stretching four strings lengthwise and attaching them to the wooden wall on the far end, which served as a resonator. He did not use automatons or electric amplification. He played the strings by brushing them, walking back and forth at an even pace. His aim was to make his playing as continuous and even as possible. For each partita he re…
"YPGPN (Young Person's Guide to Phill Niblock) is the long-awaited re-release of a 2 CD-set that was a joint production by the UK based Blast First label and The Wire magazine in 1995. It includes the following works: Held Tones (1982-94) Barbara Held, flute; Didjeridoos and Don'ts (1992) Ulrich Krieger, didjeridu; Ten Auras (1994) Ulrich Krieger, tenor saxophone; Ten Auras Live (1994) Ulrich Krieger, tenor saxophone; A Trombone Piece (1978-94) James Fulkerson, trombone; A Third Trombone (1979-9…
XI Records is very pleased to announce the release of a 2 CD set of Michael Winter’s music organized by guitarist Elliot Simpson. Each CD features a single composition, demonstrating different sides of Winter’s work. The first, Counterfeiting in Colonial Connecticut, is a socially-engaged piece written for Simpson and in honor of George Floyd. The second, a lot of tiles (trivial scan), derives music from a set of mathematical tilings (often referred to as tessellations). The album art features r…
1998 release ** The Seasons: Vermont is a soundscape of Vermont as charted through the changes of its yearly soundings. It is a composition in four parts (Summer, Autumn, Winter, Spring) for magnetic tape collage with an unspecified live instrumental/vocal ensemble. Though the actual composing of the music was completed between 1980 and 1982, it is the realization of a ten-year composition project. Goldstein listened closely and became attuned to what was the particular sound quality of each sea…