We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Back in stock

Night After Night
**Limited edition translucent red vinyl** New York no-wavers Ike Yard are perhaps best known for being the first American band signed to Factory Records, and it isn't difficult to hear why: the group's music has much in common with the existential frigidness of Joy Division and early New Order as well as the mutant noise-funk of Section 25 and A Certain Ratio. That said, the sound of Night After Night, the band's debut EP, is one that could only have emerged from the lawless dystopia of '70s New…
Disturbing Domestic Peace
Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex -- a name chosen for the ease and speed with which it could be spray-painted onto a wall -- have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration. Disturbing Domestic Peace, The Ex's debut album, appeared mere months after their first single, 1980's 'All Corpses Smell The Same'. Originally released on the band's own Ver…
In the Court of the Crimson King
50th anniversary edition. 200 gram super-heavyweight vinyl reissue, newly cut at Loud Mastering from tapes approved by Robert Fripp. The group's definitive album, and one of the most daring debut albums ever recorded by anybody. At the time, it blew all of the progressive/psychedelic competition (the Moody Blues, the Nice, etc.) out of the running, although it was almost too good for the band's own good -- it took King Crimson nearly four years to come up with a record as strong or concise. Ian …
Dream Letter: Live In London 1968
Recorded in London's Queen Elizabeth Hall on July 10, 1968 this impressive 2-hour live concert presents the Washingtonian prodigy folk singer at his best. Tim Buckley was only 21 years old when he had this incredible chance to show the world his talent which would carry him through a short but prolific career -- 9 albums released between 1966 and his death in 1975. Accompanied by Lee Underwood, David Friedman and Pentangle's bass player Danny Thompson, Buckley caressed his 12 string acoustic gui…
An Anthology of Greek Experimental Electronic Music
An Anthology of Greek Experimental Electronic Music 1966-2016 aspires to map the heterogenous landscape of Greek experimental electronic music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception: it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both "Greeks" and "experimentalists". Experimental electronic music is generally expected to be highly v…
Voice of the Eagle: the Enigma of Robbie Basho
Voice of the Eagle: The Enigma of Robbie Basho is a feature-length documentary on the extraordinary life and visionary music of the American guitarist, singer and mystic Robbie Basho. Before his bizarre death at the hands of a chiropractor, Robbie Basho was sure that his compositions would not outlast him. Orphaned during infancy, diagnosed with synaesthesia (a union of the senses that caused him to interpret sound as color) and claiming to be the reincarnation of a 17th century poet -- the Balt…
Fred Van Hove At 80
Stunning! **300 copies** Pianist and composer Fred Van Hove (°1937) was involved in the Big Bang of European free improvisation (Machine Gun by the Peter Brötzmann Octet), but also became one of Europe’s finest and most underestimated improvisers. Mostly known for his 70’s trio with Brötzmann and Han Bennink, Van Hove’s trajectory over the past four decades has been one of the brilliant, but unsung stories of the music.The new Dropa Disc release Fred Van Hove At 80 is an effort to rectify this i…
The Quintessence
The "Nightingale of the Andes", the voice of birds and earthquakes, the Peruvian soprano Yma Sumac was the most singular and vivacious of recording artists. Her other-worldly vocal gymnastics, a freakish four octave range delivered with sensitivity and power, were without peer in her day and still sound like nothing on Earth. Her natural versatility was such that the Spanish composer Manuel de Falla advised her to sing spontaneously and to avoid formal music teaching at all costs.The Quintessenc…
African High Life
Pioneering percussionist Solomon Ilori was one of the first Nigerian artists to record with American jazz musicians, travelling to New York in 1958 to introduce African music to American audiences. After appearing on Art Blakey’s 1962 LP The African Beat for Blue Note; he recorded African High Life with members of Blakey’s ensemble, including guitarist Jay Berliner, bassist Ahmed Abdul Malik, Hosea Taylor on alto sax and flute, and percussionists Montego Joe, Robert Crowder and Garvin Masseaux. …
Live at Freedom 1971
Jinya Disc presents Live at freedom by New Directions, recorded live on 25 April 1981 at Takasaki. The album includes 4 tracks performed by Masayuki Takayanagi - Guitar, and Hiroshi Yamazaki on drums. Masayuki 'Jojo' Takayanagi was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. Was one of the earliest noise guitar improvisers, and the first (with Keith Rowe) to use the table-top guitar. Was a leading member of every avant-garde move…
Gestrüpp
On this seven track album we hear MinaeMinae (alias Bastian Epple) playfully scurry through his dense soundscapes on a tightrope. The sounds lying somewhere on the crossroads of psychedelic trance, exotica, ambient and melodic dance music – veering further off orbit with nontypical rhythms and dystopian percussive patterns. MinaeMinae understands musical material similar to documentary footage which he would cut up, repitch, and rearrange freely. Most of his tracks are a mix of analog, synthetic…
In Italy - Volume One
Soul Note Vinyl present a reissue of Bill Dixon's In Italy - Volume One, originally released in 1980. Bill Dixon one of the great visionary composers and improvisers in modern creative jazz, In Italy - Volume One was recorded in Milan in 1980 and released on Soul Note. A wide-open tapestry and a rare example of open interaction between pulse, melody, and pure sound as result of the work of a maverick quintet featuring Dixon, Arthur Brooks (trumpet), Stephen Haynes (trumpet), Stephen Horenstein (…
Exmagma
*sold out at source* Exmagma's eponymous first album, recorded in 1972 and released in 1973, reminds a lot of late '60s Soft Machine. Others compare the album to Wolfgang Dauner's output or tracks by Et Cetera. Exmagma's music goes beyond jazz and rock, using a wealth of effects and electronic gadgets. This reissue comes with a replica of the original 8-page insert and sticker.
Kollektiv
Here are one of the true hidden gems to come out of the 70's German underground scene. Kollektiv produced an incomparable, unmistakeable sound with echoes of Organisation, Neu and early Kraftwerk: spacey but melodic, elevated yet rocking, innovative: progressive in the best sense, consequent in the realisation of intent, forging new musical territory without denying its roots. Electronically alienated by echo, ring modulators, octavoice, vibrators and sound filters, their music truly sounds like…
Fur Ein 3/4 Stundchen
Long Hair proudly presents one of the most sought after German albums of the early seventies, now for the first time officially re-released on LP: Tortilla Flat's 'Für Ein 3/4 Stündchen', originally recorded in winter 1974 and released in early 1975 as a private pressing. The instrumental album is very flute and electric piano driven, with very exciting guitar playing accompanied by rocking drumming with slightly jazzy influences and nimble bass lines, very tight! Music is very unique, not typic…
The Ultimate Collection
**CD collection in gatefold sleeve LP-cover size** "This set contains all previously released Improved Sound Limited 5 CDs (eponymous double album, Catch a Singing Bird On the Road, Rathbone Hotel, Road Trax, The Final Foreword) and one bonus CD entitled Bell Cantos, Ezra Pound Revisited with music the band recorded in 1969 for Bavarian Radio with heavy fuzz guitar, moog synthesizer, music of that time, a little bit experimental but constantly melodic (no white noise). This is the ultimate colle…
Blake's New Jerusalem
* New remastered 180 gram vinyl LP edition of the classic 1978 album by Tim Blake. Mastered & cut at Abbey Road Studios. Fully restored artwork and liner notes with exclusive interview. * Esoteric Recordings are pleased to announce the release of a newly re-mastered LP edition of the classic 1978 ambient masterpiece Blake’s New Jerusalem by Tim Blake. Tim first came to prominence as a member of Gong, where his synthesiser experimentation and mastery was demonstrated on albums such as Flying Teap…
Due Matte
**Limited edition of 50 cassette tapes with extractable paper crochet holy image on white matte rough paper. Includes digital download**Two of the most important artists of UK underground music: Valentina Magaletti (Tomaga, Vanishing Twins, etc) and Marlene Ribeiro (Gnod, Negrabranca) were invited to contribute to Hysteria, an artistic residency in Porto 2019. "Due Matte" is the fruit of it: an interaction game between styles and sounds, mesmeric in its echoes of distant landscapes and envelopin…
The 3 Generations Trio
The 3 Generations Trio' features the high priest of minimalism himself, Terry Riley, on synthesizer, piano, vocals and harmonizer, Gyan Riley on electric and acoustic guitars and Tracy Silverman on acoustic and electric violins. This work is a fascinating sonic trip (often driven by Riley's unique vocal ragas) through Asian and African traditions as well as western classical and jazz, reworked through modern aesthetics.
Angelica Music
The music of Christian Wolff has long occupied the fertile borderland between composition and improvisation, as both are usually understood. More a set of suggestions than a writ of prescriptions, his scores can take the form of graphic symbols floating freely against a white background—as in 1968’s Edges—or of pitches notated and other parameters left unspecified, as in the Exercises. He is on record as having said that a score is only a means to an end, the latter consisting of the performance…