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Schobberdebonk
Terrie Hessels, electric guitar. Paal Nilssen-Love, drums & percussion. Limited to 300 copies only. Recorded live in concert on the 4th of April 2015 at Festival PiedNu, Le Havre, France. Recorded by Emmanuel Lalande. Mixed by Arnold de Boer. Mastered and cut to vinyl by Mike Grisner at D&M Berlin. Cover art and design by Marek Wajda.
Rainbow Grotesque
Olivier Di Placido and SEC_ show a new face of improvised music. Instead of forced passages of conventional instruments, we get a soundtrack made with waste and garbage. SEC_ uses organic samples, tapes, and a Revox tape recorder, while Olivier Di Placido's guitar has object stuck between its strings. Both introverted and terrifying, the result of their collaboration is sounds from rags, pipe elbows, and bunches of wire. To an academic audience this will be experimental musique concrète, …
Remembering In The Cosmic Manifestation
The newest cosmic excursion Lp by Raymond Dijkstra, here playing Mellotron, Moog IIIp and Percussion. His mixture of electronics and Mellotron with assorted percussions conjures up visions of deep, mystical emotion: spacy, abrasive, frightening, and beautiful all at once. From the label press "The following Text is not about the Content of the LP. Nor is it an Effort trying to explain what this LP is about. The LP is not about Memories, nor about Remembering any of the Events described below, d…
Both Ends
The title 'Both Ends' seems innocent enough until you read the back sleeve of this record and discover the circumstances behind this recording. The experienced free jazz trio of percussionist Paal Nilssen-Love with sax pest Dave Rempis tooting the reeds and Fred Lonberg Holm handling cello and electronics played a gig in Warsaw immediately after accidentally poisoning themselves with bad chicken and then dousing their insides with vodka in the hope of sterilising away any bacteria. I'm pretty su…
Hai kein Wal
Meeting between visual artist Beni Bischof and electronic musician Norbert Möslang. Limited to 200 copies and hand signed by artists. With this somewhat confused, absurd or primitive Bishop chant, the result could be to remembered as a crashing jumbo jet
Anime Pezzentelle
Brand new David Maranha album, here with Gerard Lebik in a a sound performance held at Cave 211, Lisbon, January 2014 "An accumulation of resonances reinjected into an impressive granular continuum with a growing audio signal stretched to the limits of saturation. Music that leads to trance!
David Maranha His work encompasses sculpture, music and architecture. In 1986 he started to develop his work as a musician both as a solo artist and with several bands and has since released more than 30 a…
Everything was forever, until it was no more
The record is an attempt to document a sound installation by Konrad Smoleski presented in at the Polish Pavillion at the 55th Venice Biennale 2013. The sound sculpture is based primarily on the manipulation of the tolling of a bell. Through the process of transforming this familiar tone of traditional bells, Smole ski also changes its meaning: a sound that evokes a variety of associations is given an abstract frequency that seems devoid of connotations. Not only does the artist free the sound fr…
Advent
Recorded live by Michal Kupicz in Basilica of the Sacred Heart of Jesus in Warsaw on 13th December 2014 during the Playback Play #7: Adwent. Curated by Michał Libera and Michał Borkiewicz. Cover Design by Kama Sokolnicka. Mix by Gerard Lebik, David Maranha. Mastering by Joe Talia. Phil Minton - voiceDavid Maranha - organGerard Lebik - generators
Saturation
Poland’s Bocian reunite with zeitkratzer ensemble to present a difficult but hugely rewarding piece by influential Polish composer Zbigniew Karkowski, backed with Reinhold Friedl’s personal tribute to Ianis Xenakis. Both sides contain important, demanding, and foundational works in the zeitkratzer canon, which now stretches to 15 years of neo-classical interpretation and original composition with some of extreme and forward-thinking music’s greatest.Zbigniew Karkowski’s Monochromy - his first pi…
Conceptual nO!se
A great noise album made with analogue and digital sources "Proper brainfloss from indefatigable English noise demon Russell Haswell for the excellent Bocian Records. Following on from his cracking split with Pain Jerk and the outstanding '37 Minute Workout' for Diagonal, the five blizzards of 'Conceptual n0!se' also help to distinguish 2014 as a relatively prolific and vintage year for the venerable artist. It's full bore Haswell; an atonal, arrhythmic relish of blistering analogue and digital …
The Deluge
2105 release. Cascade and The Deluge are variations on the latest tape-loop and delay composition from the inimitable William Basinski. Cascade is the CD/Digital variant, and The Deluge is the vinyl LP companion. In Cascade, a single ancient lilting piano tape loop repeats endlessly carrying one along in its tessellating current. In The Deluge, the same loop is processed through a series of feedback loops of different lengths, creating a spiraling crescendo of overtones that eventually fades awa…
Object of Thought
Object of Thought" is a stunning MUST HAVE release by one of the most deep thinking artist in the field of noise and improvised music; Mattin's voice is crushed and modulated by feedbacks and distortions and reassembled into a stream of multilayered thoughts and abrasive/ harsh sounds. This is the Mattin's new work since "Noise & Capitalism", the critically acclaimed book that explores the relationship of experimental music with the economic system that we are living in."... Is it possible to ta…
Lapidary
2010 Release. Alt.vinyl is pleased to be releasing this collaboration of two of the US’ free folk/ experimental luminaries Marcia Bassett from zaimph and double leopards on guitar and electronics...and Helena Espvall of espers on cello and electronics. A killer cut first recorded in Philly in late 2008 and now mixed specially for vinyl by patrick klem (the man behind many a 3 lobed release) and sounding like a knife wrapped in silk. Coruscating drifting harmonies that will appeal to the im…
Clifford Darling, Please Don't Live In The Past
Severed Heads are one of the longest surviving bands to emerge from the Australian post-punk independent music scene. They began in Sydney in 1979, incorporating elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Garry Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads was…
Zombie
A very unusual album by John Wiese, almost the furthest perimeter of what we’ve come to expect. For years Wiese has developed a highly personal approach to sound, steering clear of nearly every convention of musical language — repetition, melody, instrumentation, in exchange for a totally amorphous yet hyper tight compositional style. For this album, what started as a personal experiment out of love for the band Drunks With Guns, Wiese works against his own grain with three new LP-specific compo…
Misfits, Loony Tunes and Squalid Criminals
**300 copies** This 1986 album was the beginning of Zoviet France’s Charm, Ceremony, Chance, Prophecy tetralogy and continued the collective's shift away from harsher textures and lo-fi production towards a cleaner and more restrained aesthetic. Misfits occupies something of a lull in the Zoviet France discography, as it is not nearly as strong as earlier releases like Eostre, Gris, or Norsch nor does it give much hint of how much potential such a change in direction actually held. Despite tha…
$oviet France / Norsch
**300 copies** The second in the Zoviet France reissue series compiles a pair of their early 12”s. Less murky and more stripped-down, rhythm driven than their debut, Garista (1982), the tracks on both $oviet France (1982) and Norsch (1983) are more easily identifiable as products of the post-punk / post-industrial era, yet they still sound as though from a parallel musical universe or overlapping timeline. We’d attribute this perceived difference to the rest of UK tape culture and post-industria…
Tinkle Twang ‘n Tootle
Pierre Bastien orchestrates his meccano marionettes on Tinkle Twang 'n Tootle to form the charming imaginative ensemble that he’s been known for since the late '80s. Equal parts composer, inventor, mechanic, and performer, Bastien translates his imagination into instruments and compositions that defy any musical categories. Whether it’s preparing instruments like playing a trumpet underwater or through a kazoo, using belt-driven motors and mechanical components to perform cumbersome yet surprisi…
Loh Land
**300 copies** Originally released as a cassette back in 1987 as a tape on Staalplaat, Loh Land is one of the few albums from Zoviet France’s early days that encapsulates many of their ideas for a fictional music rich with amorphously spiritual connotations. The aforementioned drones, dubs, and drums alongside distanced vocal chants with have been thoroughly abstracted through a series of delay effects boxes, tape loop machines, and multi-track studio tricks, to create the album’s murky atmosphe…
Gesture Signal Threat
**300 copies** Morphed, twanging strings of unknown origin strum as subdued fake ethnic chants open 'Gesture, Signal Threat'. Odd little whistling instruments are layered throughout 'Gllisten'. It's a repetitive swirling track that makes you feel you're listening to music whilst in a coma. Literally every sound is played in reverse in 'Host' - which is pretty much par for the course as far as Zoviet France go. In many ways, listening to their albums is similar to lying in a hospital bed where th…