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Pequod are an acoustic quartet (Antonio Bertoni – double bass, Federico Robol – bass flute and soprano sax, Luca Santini – cornet, Massimo Valentinotti – prepared guitar) formed in 2010, conceiving their music on a continuous tension between writing and improvisation and focusing their research on the sonic interaction between objects and spaces. After five years spent performing and collaborating with some of the major figures of acoustic improvisation like Seijiro Murayama, Enrico Malatesta, B…
Tpeso
** edition of 200 ** Sebastiano Carghini is a musician whose research is mainly focused on the use of modular synth and the recording of physical objects. After his recent releases for Second Sleep, New York Haunted and Hideous Replica, he’s now for the first time on wax with this miscellaneous composition out of several recordings dating from 2014 through 2015. The result is a powerful and complex, unconventional collage, just as if a bunch of tracks were squeezed on it. Found objects, DC…
Mema Verma
[mema verma] is the final step of a study about an indian shruti box G (low) tuned, mostly used without emitting any note (as in the first two tracks, sampling and processing the breaths, whistles and noise produced by the reeds. The third track, is the only one in which the shruti is played in a more standard way, as well as its sound was recorded through a set of very old mid-range speakers, later sampled and processed. A split into three tracks but the whole project is sort of a metam…
Live In London In The Early Sixties
The early mythical Soft Machine featuring the trio line up of Kevin Ayers, Mike Ratledge and Robert Wyatt, captured live in the full swinging London atmosphere. These were the band's psychedelic days, when their original magic potion was composed of unconventional songs and freaky organ, bass and drums improvisations. The group was literally exploding throughout the London club scene. One of the most innovative and influential sounds of that musically and culturally fertile era
Goldberg Variations
To the so-called experimental music audience, Claudio Rocchetti is widely known as an incessantly active avant musician (apart from his main solo project he is also part of 3/4HadBeenEliminated, Olyvetty, power quartet In Zaire, and brand new duo Geodetic along with Jukka Reverberi — just to name few of his side projects and collaborations), though he’s ever increasingly expanding his investigation into the fields of writing (Il cuore delle formiche) and installation (The Promised Garden).…
BM-01
LP version, featuring an exclusive vinyl-only track. Full-color printed innersleeve; limited to 500 copies. The BioMechanica project marks the first collaboration between Francisco López and Arturo Lanz (founder and member of the current Esplendor Geométrico tandem) after thirty years of an ongoing relationship. Their debut album, BM-01, is the outcome of years of intense work in multiple cities across the world, from Beijing to Reykjavik all the way to Johannesburg. Raw power and original rh…
Resistance
Resistance recorded live in 2013 is an expected performance of unforeseen music. That said, it boosts Vandermark's stock (not that he needs it) as a soloist. He has, of late, stepped out of his role as composer, arranger, and organizer of ensembles to perform solo and in improvising duos with Nate Wooley, Agustí Fernandez, Mats Gustafsson, and Tim Daisy. Freed from all the duties associated with large ensembles, he can focus on improvising. Here his saxophone and various clarinets weave, bounce,…
Distinctly_dive
Time-served, Zurich-based improvisors, Norbert Möslang (Voice Crack) and Jason Kahn reprise their duo with 'Distinctly_Dive', recorded March 1st, 2013 in St. Gallen by Jason Kahn for Poland's Bocian. Skittish percussion, stray shortwave radio and amorphous spectral electronics collide, overlap and react against each other in an almost jazz-wise display of rhythmic fluidity and tonal chaos perfectly suspended and given room in the mix by Möslang.
On the A-side they never quite tear-out but …
Blast Of Silence
Brand new David Maranha album, here with Gerard Lebik in a a sound performance held at Cave 211, Lisbon, January 2014 "An accumulation of resonances reinjected into an impressive granular continuum with a growing audio signal stretched to the limits of saturation. Music that leads to trance!
David Maranha His work encompasses sculpture, music and architecture. In 1986 he started to develop his work as a musician both as a solo artist and with several bands and has since released more than 30 a…
Bota Fogo
‘Bota Fogo’ was recorded live in concert at Audio Rebel’s Quintavant in Rio de Janeiro, Brazil, and is the new LP from Paal Nilssen-Love and co via Bocian Records, a label that claims to be for extreme fans of electronic and improvised music. Accompanying Nilssen here are his band Felipe Zenicola, Eduardo Manso, Arthur Lacerda and members of noise rock band Chinese Cookie Poets. The result is bass-heavy music with sporadic outbursts of raw trance and guitar feedback.
BiS Kaidan 2
Biskaidan is a cross-generational coup de pop, uniting two acts from opposing ends of Japan's musical spectrum. BiS (short for Brand-New Idol Society) are representatives of Japan's 'idol' scene, a culture of singerdancer-celebs who define the country's pop mainstream. Hijokaidan led by guitarist Jojo Hiroshige and screaming witch Junko) is an infamous art-noise improv troupe dating back to the late '70s, famous for stage antics both familiar (squalls of feedback, guitar throwing) and less famil…
Schobberdebonk
Terrie Hessels, electric guitar. Paal Nilssen-Love, drums & percussion. Limited to 300 copies only. Recorded live in concert on the 4th of April 2015 at Festival PiedNu, Le Havre, France. Recorded by Emmanuel Lalande. Mixed by Arnold de Boer. Mastered and cut to vinyl by Mike Grisner at D&M Berlin. Cover art and design by Marek Wajda.
Rainbow Grotesque
Olivier Di Placido and SEC_ show a new face of improvised music. Instead of forced passages of conventional instruments, we get a soundtrack made with waste and garbage. SEC_ uses organic samples, tapes, and a Revox tape recorder, while Olivier Di Placido's guitar has object stuck between its strings. Both introverted and terrifying, the result of their collaboration is sounds from rags, pipe elbows, and bunches of wire. To an academic audience this will be experimental musique concrète, …
Remembering In The Cosmic Manifestation
The newest cosmic excursion Lp by Raymond Dijkstra, here playing Mellotron, Moog IIIp and Percussion. His mixture of electronics and Mellotron with assorted percussions conjures up visions of deep, mystical emotion: spacy, abrasive, frightening, and beautiful all at once. From the label press "The following Text is not about the Content of the LP. Nor is it an Effort trying to explain what this LP is about. The LP is not about Memories, nor about Remembering any of the Events described below, d…
Both Ends
The title 'Both Ends' seems innocent enough until you read the back sleeve of this record and discover the circumstances behind this recording. The experienced free jazz trio of percussionist Paal Nilssen-Love with sax pest Dave Rempis tooting the reeds and Fred Lonberg Holm handling cello and electronics played a gig in Warsaw immediately after accidentally poisoning themselves with bad chicken and then dousing their insides with vodka in the hope of sterilising away any bacteria. I'm pretty su…
Hai kein Wal
Meeting between visual artist Beni Bischof and electronic musician Norbert Möslang. Limited to 200 copies and hand signed by artists. With this somewhat confused, absurd or primitive Bishop chant, the result could be to remembered as a crashing jumbo jet
Anime Pezzentelle
Brand new David Maranha album, here with Gerard Lebik in a a sound performance held at Cave 211, Lisbon, January 2014 "An accumulation of resonances reinjected into an impressive granular continuum with a growing audio signal stretched to the limits of saturation. Music that leads to trance!
David Maranha His work encompasses sculpture, music and architecture. In 1986 he started to develop his work as a musician both as a solo artist and with several bands and has since released more than 30 a…
Everything was forever, until it was no more
The record is an attempt to document a sound installation by Konrad Smoleski presented in at the Polish Pavillion at the 55th Venice Biennale 2013. The sound sculpture is based primarily on the manipulation of the tolling of a bell. Through the process of transforming this familiar tone of traditional bells, Smole ski also changes its meaning: a sound that evokes a variety of associations is given an abstract frequency that seems devoid of connotations. Not only does the artist free the sound fr…
Advent
Recorded live by Michal Kupicz in Basilica of the Sacred Heart of Jesus in Warsaw on 13th December 2014 during the Playback Play #7: Adwent. Curated by Michał Libera and Michał Borkiewicz. Cover Design by Kama Sokolnicka. Mix by Gerard Lebik, David Maranha. Mastering by Joe Talia. Phil Minton - voiceDavid Maranha - organGerard Lebik - generators
Saturation
Poland’s Bocian reunite with zeitkratzer ensemble to present a difficult but hugely rewarding piece by influential Polish composer Zbigniew Karkowski, backed with Reinhold Friedl’s personal tribute to Ianis Xenakis. Both sides contain important, demanding, and foundational works in the zeitkratzer canon, which now stretches to 15 years of neo-classical interpretation and original composition with some of extreme and forward-thinking music’s greatest.Zbigniew Karkowski’s Monochromy - his first pi…