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Maros at Ems (1970-1979)
Analog and computer-generated electroacoustic music and mixed pieces for voice, instruments and live-electronics, realized at EMS - the Stockholm Electronic Music Studio. (now the Stockholm Institute of Electroacoustic Music) 1970-1979. Miklós Maros was a composition teacher at the Stockholm secondary school of music in Stockholm, (1971-1973), teacher at the Electronic Music Studio in Stockholm (EMS) (1971-1978), and lecturer in electronic music at the College of Music in Stockholm (1976-1980…
Red Rainbows
Last copies, nice price....Debut CD from Brooklyn musician and film maker Sarah Lipstate. Red Rainbows is full of growing tonal drones that evoke visions of menacing multicoloRed skies alongside tracks full of beautiful minimalistic structures that shoot straight for the heart. Sarah uses double-neck guitar and various electronics to create breathtaking atmospheres with an intensity that works on both a cognitive and emotional level. These tracks are either really beautiful or really dirty when …
Metamorphose
“Once you focus your will and mind on a particular thought or sentiment, and screen out the external world, you’re being transported into a state of contemplation, which fully takes effect in solitude: relaxation in a unity of subjective and objective experience which has come to rest.” (Robert M. Helmschrott) In the best case scenario, this basic, contemplative frame of mind helps sharpen consciousness, which, in turn, further deepens the understanding of music,” “reaching deep into the all-enc…
Nachtgesänge / Konzert für Violoncello und Orchester / Intrada /
Young Müller (b. 1964, Switzerland) writes in a consistently romantic style — unexpected col legno fare! Perhaps Sterling should have released this. The warm Hesse settings, Nachtgesänge, could be mistaken for Szymanowski or Zemlinsky; indeed, Ernman sounds as though she’d be ideal in a Strauss opera. Darkly emotional, the single-movement cello concerto taps Shostakovich and Lutoslawski’s pathos; the idée fixe’s colorful unfolding reminds the listener of Dutilleux. Müller maintains his anachroni…
Musica electroacustica 1988-2000
Composer from Argentina. “Orillas” (1988), “El pájaro” (1995), “Vientos” (1996), “Al sur” (1997), “El regreso” (2000), “El vuelo” (2000).
Bryant park Moratorium Rally
An October afternoon in 1969. Midtown Manhattan. A rally in Bryant Park against the Vietnam War. Down 42nd Street towards Times Square, Tony Conrad is adjusting microphones in his 5th floor loft, one directed at the TV set -- where it will pick up live local news coverage -- the other pointing out the window, where the echo of speeches and crowd noise mingles with the oceanic rush of crosstown traffic. As the event is about to begin, he rolls tape. Thirty-four years later, we hear what he heard.…
Glamour Girl 1941 + Pigface Chant
This CD collects the first Smegma long-player, Glamour Girl 1941, originally released on the LAFMS label in 1979, the Pigface Chant 7" released that same year and recorded five years earlier, and even adds in four bonus recordings from that same era. These early recordings of this long-running group of noise anarchists show an extremely primitive but non-conformist take on the musical world, even more so than, say, the Krautrock band Faust, as Smegma adds a messier element of chaos to its sound.…
Ins Offene... / sphere
Enclosing the listener in sonic space: This is what Beat Furrer carried to extremes in his FAMA (col legno 20612), about 15 years after Rihm, by actually placing his audience in a “building of sound”. For Wolfgang Rihm, a sonic space was something less concrete and more indirect: “Organically sprawling strings of sound should be woven around the listener, circling her from different directions. In this way, the listener is not left to her own devices while opening up to it; the piece itself come…
Piano Pictures
Now, which are the points of contact between these two composing gentlemen? "In both composers, a childlike quality shows in their indifference (or impartiality) towards the utilizable musical material: 'sophisticated' and 'lesser' styles, ragtime and music hall, neo-gothic and bitonality, typing machine and doorbell, jocular or praising quotes – everything is linked with everything, without any previous weighing and selection, without preconditions, following a kind of anarchic play instinct. […
Piano Music
Music as a message without words from far away – from our inner selves. Piano music as metaphor for the thrilling adventures of human existence.
Kafka-Fragments
A wonderful CD, recorded under Kurtag's supervision: the hour-long Kafka Fragments, completed in 1986, is his biggest work to date: it's a characteristic cycle of 40 tiny movements, scored for soprano voice and violin, that adds up to something far greater than the sum of its parts.The text is a mosaic of quotations from Kafka's writings, diaries and letters. The cycle is divided into four parts, articulated by the two longest movements; they draw a huge range of expression from soprano Juliane …
Glaciers in Extinction
One can hardly imagine a more striking description of the anticipated disappearance of these ice giants: Glaciers in Extinction is a warning by sounds. Fabbriciani’s deep, grieving sounds tell not only of the catastrophe to come but of the unfathomable origin of existence itself. The sound of nature revealed, and not for glaciologists only: This concerns all of us. The famous Italian flautist and, with his hyperbass flute, much sought-after interpreter of New Music has himself composed powerful …
(Old school) Karlheinz Stockhausen
This is the fourth release in the series [old school]. The first three CDs, dedicated to the music of John Cage [zkr0009], James Tenney [zkr0010] and Alvin Lucier [zkr0011] have been highly acclaimed. London's Wire Magazine wrote: 'The rigour and discipline they collectively bring to this compositions make both discs utterly enthralling, from start to finish.' The new release is dedicated to the music of Karlheinz Stockhausen.' 'I do not want a spiritualistic session. I want music.' Karlheinz St…
Hommage à Paul Klee
With his Pedagogical Sketchbook often regarded as a virtual manual in composition, Paul Klee has exerted a far-reaching influence on modern music. Few composers were so profoundly affected as Sándor Veress, whose encounter with Klee's work after fleeing Hungary in 1949 gave rise to seven fantasies that range from the Bachian gravity of 'Old Sound' and the intensely elegiac 'Green in Green' to the rhythmic playfulness of 'Stone Collection'. Grau and Schumacher give a committed performance, differ…
Summons Of Shining Ruins
Summons of Shining Ruins is a project of Shinobu Nemoto, who works with electric guitar, tape delay, old rhythm machines, stompboxes and 4-track-recorders. No computer or software is used to record this work. And you can hear that in every tone.
An Experimental Recital
Some 150 years apart, both composers developed minute nuclei into an ever expanding cosmos of sound, each against the background of his own era. Prick up your ears – Schubert's Fantasy in F minor and Sonata in B flat major D 617 crossed with Ligeti's Three pieces for two pianos: rich in contrasts, upsetting, and in a simply stunning interpretation by Andreas Grau & Götz Schumacher. In the beginning there was simply the idea of playing Schubert and Ligeti together in one program: "During the perf…
Calling Out Of Context
Now I know what it's like to assume you know what Arthur Russell sounds like. Back in the day, those comfortable with his modern classical accomplishments were baffled by his acetates of loopy leftfield disco. Likewise, lovers of these dance tracks were confounded by their beatless, beatific recasting on World of Echo. And then there were listeners astounded by the intimacy of his voice and cello work, stymied by both the pop songs and the classical works, all spinnin…
Soundtracks To A Color: Gold & Black
Soundtracks To A Color: Gold & Black was an installation at LA Municipal Art Gallery as part of the COLA (City of Los Angeles) Fellowship exhibition from 2004. The installation consisted of 2000 posters: 1000 Gold and 1000 Black. Two separate rooms were covered with these posters that were covered solid in their color with the name of the color printed rather large in dead center. At the bottom of each poster was listed the instrumentation for each particular soundtrack to the color. The GO…
There are no crows flying around the hancock building
In August 2003, Lampo invited Swedish artist CM von Hausswolff to do a project specific to Chicago. Intrepid traveler that he is, Hausswolff ascended to the top of the 100-story John Hancock Building and collected sounds from the open-air observation deck. While taking in the sights, he recorded building vibrations, passing breezes and overheard speech from tourists. Later, in his Stockholm studio, he added a series of feedback rotations to suggest crows (guardians or enemies?) encircling the co…