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*In process of stocking* We're delighted to have Blancmange main man Neil Arthur on the cover of the latest issue of Electronic Sound – and a special dot-to-dot image of him, no less. We have a limited edition pink vinyl seven-inch to accompany the m…
It's 50 years since the launch of the Minimoog and the latest Electronic Sound has a very special gold foil cover to celebrate. Our lead feature tells the inside story of this superb machine and we also have an exclusive seven-inch reissue of 'The So…
**180g audiophile black vinyls in heavy covers, housed in a beautiful box with magnetic lock, containing all inserts of the original LPs.** In early december 2019 Everland Music released a mindblowing boxset with Osamu Kitajima’s first 5 highly accla…
** Astonishing selection of tracks taken from privately released albums and obscure tapes by this obscure Texas-based loner musician under the influence of Cluster, Moondog, The Residents and Brian Eno** Second release on Passat Continu comes from th…
For a good number of Spanish musicians, attracting attention from somewhere outside of Madrid was a mission impossible for several decades. While the Movida Madrileña, commonly referred to as the “Madrid scene” in English, stirred things up and made …
*In process of stocking.* These recordings, made in 2001 in the weeks before September 11, constitute a unique historical document. They are spoken-word adaptations of scenes taken from Destroy All Monsters, the first book by acclaimed writer and ‘po…
Edition of 50 copies. Collection of improvised and compositional pieces by Fukushima based guitar player. Saito Koji uses guitars, keyboards, effects and field recordings to create minimal sound collages and improvisations.
The debut LP by Chicago-based artist Guido Gamboa, Saturday’s Notes is a multi-faceted collection of sonic studies born from a day of studious and diaristic note-taking. The music flows in idiosyncratic segments taking on a form akin to an artist’…
Ung Dansk Kunst’s Tapeserie [Young Danish Art’s Tape Series] from 1969 is a series of 10 tape works, created by a central group of visual artists of the 1960es' experimental Danish art scene. The tape series is one of the earliest Danish examples of …
It has been seven years since Audika last issued an album of Arthur Russell material. The wait ends this summer with Corn, nine tracks Russell recorded in 1982 and 1983. In collaboration with Russell’s partner Tom Lee, Audika’s Steve Knutson compiled…
Minami Deutsch 3rd full studio album Fortune Goodies. "Everyone has their own imagination about outer space, and each one us gets to daydream about what exactly floats or exists there. ‘Fortune Goodies’ is Minami Deutsch’s long-awaited 3rd studio alb…
**2020 small repress** Outstanding! Long understood as the realm of advanced composition, plumbed only by a small handful of adventurous listeners, the spirit which began the history of tape music and musique concrète, is too often overshadowed and l…
Marco Farina's debut is a masterwork of subtraction. It burns quietly through different ideas, drawing across the electronic scene its intimate trajectory - bright and sharp as a shooting star. Eight pieces of research-based wishful thinking, shaping…
Deep Listening Publications, 1990. Second edition. Stapled wrps., 42pp. Illustrated. Fifteen pieces some including audience participation (1971-1990). Through her Deep Listening Pieces and earlier Sonic Meditations (1971), Pauline Oliveros helped int…
Desert sounds, assembled from concrete recordings in the Mojave. Draws you in - a kind of ultra-radical wallpaper music; sometimes extreme and always somehow on the point, never redundant. Like much of this music, a dark room opens a new ear. Also in…
This piece develops a preoccupation already begun in “Naissance du verbe” (Birth of the Word), the result of research on language and phonemes undertaken by Bernard Ucla. The idea behind this research is that the sign in language is not arbitrary, bu…
Granulations-Sillages develops an idea glimpsed at in Franges du Signe: the existence of extreme times, at the edge of our faculties of perception, which only the electroacoustic music tools allow us to realise. Two natures of phenomena, opposed in a…
Franco-Argentinian composer Daniel Teruggi follows in the footsteps of the Paris-based GRM (Groupe de Recherche Musicale) and their illustrious founders Pierre Schaeffer, Pierre Henry and Francois Bayle, representing the next generation of eletroacou…
In Daniel Teruggi's own words: Between 1984 and 1989, my acousmatic work was focused on processing and merging the four fundamental substances. Each « element » gradually became articulated with the others, thus crystallizing my subjective perception…
Daniel Teruggi (1952-) studied Physics, composition and piano in Argentina. In 1977 he moved to France where he studied at the Paris National Conservatory. In 1981, he starts working at INA (National Audiovisual Institute), at the Groupe de Recherche…