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*2022 Stock.* The Stockhausen Edition no. 101 contains four new arrangements of the solo work In Freundschaft (In Friendship). In Freundschaft was written as a clarinet solo for (and dedicated to) woodwind player Suzanne Stephens for her birthday an…
Finnish artist Antti Tolvi operates at the nexus of performance and installation. His work, which is concerned with how sound operates in the spaces that contain it, is a meditation on how sound reveals itself, in time and in space to the listener. E…
Pierce Warnecke’s work springs forth from the nexus of sound and vision. With Deafened By The Noise Of Time, he undertakes a deep interrogation of sound, which mirrors many of his approaches to visual ma-terials. Seeking to test how elements of music…
Madeleine Cocolas’s Spectral is a reimagining of the familiar. It is an attentiveness to the inciden-tal, and a reaching out towards the unheard. Taking these acoustic microcosms as a source of focus, she unpacks these transient flickers and memories…
*2022 Stock.* Jubiläum and Tierkreis (Zodiac) for orchestra. This disc features primarily orchestral works, as well as recordings of the Tierkreis melodies while installed for the Cologne Town Hall carillon. - Stockhausenspace.blogspot.com
*2022 Stock.* Paradies (Paradies, 21st Hour from Klang, 2007) is for Flute and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 22-24. These lay…
*2022 Stock.* Urantia (19th Hour from Klang, 2007) is for Soprano and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 16-18. This CD features t…
*2022 Stock.* Jerusem (18th Hour from Klang, 2007) is for Tenor and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 13-15. This CD features the…
*2022 Stock.* Nebadon (17th Hour from Klang, 2007) is for Horn and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 10-12. These layers also inc…
*2022 Stock.* Uversa (16th Hour from Klang, 2007) is for Basset-horn and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 7-9. These layers als…
*2022 Stock.* Orvonton (15th Hour from Klang, 2007) is for Baritone and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 4-6. This CD features t…
*2022 Stock.* Havona (14th Hour from Klang, 2007) is for Bass and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 1-3. This CD features the bas…
*2022 Stock.* Treue (Fidelity, 11th Hour from Klang, for wind trio, 2007) and Erwachen (Awakening, 12th Hour from Klang, for trio, 2007) both adapt and re-sequence melodic and rhythmic material from Schönheit (The Stockhausen Edition no. 87) to creat…
*2022 Stock.* Hoffnung (Hope, 9th Hour from Klang, for string trio, 2007) and Glanz (Brilliance, 10th Hour from Klang, for septet, 2007) both adapt and re-sequence melodic and rhythmic material from Schönheit (on The Stockhausen Edition no. 87) to cr…
*2022 Stock.* Balance (7th Hour from Klang, 2007) and Glück (Bliss, Eighth Hour from Klang, 2007) are both wind trios which adapt and re-sequence melodic and rhythmic material from Schönheit (on The Stockhausen Edition no. 87) to create a similarly h…
*2022 Stock.* Harmonien (Harmonies, 5th Hour from Klang, 2006) consists of three adaptations (for bass clarinet, flute, trumpet) of a composition for a solo melody instrument, in which broad melodic fragments are answered by brisk cycles of related a…
*2022 Stock.* Himmels-Tür (Heaven’s Door, 4th Hour from Klang) for a "percussionist and a little girl" (2005) is essentially performed on a hand-made door, with panels constructed from different types of wood in order to obtain a broad range of timbr…
*2022 Stock.* Natürliche Dauern (Natural Durations, 3rd Hour from Klang) for piano (2005/06) is presented in a 2 CD set. Some of these short piano etudes (24 in all) are predicated on the decay times of sustained, pianistic attacks, while others are …
*2022 Stock.* Himmelfahrt (Ascension, 1st Hour from Klang, for synthesizer, soprano and tenor (and some percussion) (2004/05): This work primarily features the polyphonic/polytimbral synthesizer of Antonio Pérez Abellán, with added sung text by Huber…