We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Originally released in 1975 as an LP on Iskra Records (ISKRA-001). 'First session 1: Gradually Projection'. 'First session 2: Gradually Projection'. 'Second session: Mass Projection'. New Direction Unit are Masayuki Takayanagi: electric guitar. Kenji…
George Antheil was not only always ahead of his time; he was also an alert contemporary and ready to take in all artistic trends of the first half of the 20th century. There was hardly a kind of music he wasn't aware of, hardly a madness he didn't ta…
Their first label release in many years & represents their most polished work to date. One of the most enigmatic, mysterious, & defiantly anti-commercial groups to emerge from the NYC loft scene during the '90s. Incorporating elements of folk, drone,…
This is the second full-length release by KTL, the formidable collaboration between Stephen O'Malley (SunnO))), Khanate, etc.) and Peter Rehberg (Pita, etc.). Devastatingly beautiful four-part follow up to the highly acclaimed debut CD, recorded in a…
1991 CD reissue of the 2nd TG album, originally issued in 1978; digitally remastered by Chris Carter. Adds 2 bonus tracks from the legendary Sordide Sentimental 7" ("We Hate You (Little Girls)" & "Five Knuckle Shuffle". Breaking from the live sound o…
Primordial sounds created by Maurizio Bianchi/M. B. using a rudimental five strings guitar, afterwards polarized effects added by Siegmar Fricke utilizing a shapeless analogtronic apparatus. CD-R in half handmade 3 panels digipack
This piece is sung by the Swiss “deep voice”, Marianne Schuppe in trio with herself, a feat made possible by playing back recordings of her own voice. This is not minimal music; melodic lines arise, sensual, beautiful, and undoctored, swaying like a …
The oboe more than suited Maderna's partiality for clear structures and sensual-concrete sounds. It was not without good reason that at a time when the supply of music dedicated to the oboe was anything but plenty, Maderna wrote, not one, not two, bu…
Smalltown Supersound's "Superjazz" offshoot delivers this much-discussed darkcore jazz fusion album led by sometime sonic youth collaborator Mats Gustafsson, here rummaging through improvs and cover versions like a garage band picking up trumpets, do…
As part of its Japan focus the 1999 Biennial Festival for New Music in Hannover also presented Toshio Hosokawa's exploration into the music of his "musical ancestors." This CD was recorded live during the performance and includes three works from the…
Giacinto Scelsi’s relationship with the piano is interesting and contradictory. For no other instrument has the Italian composer and poet composed so many pieces; to no other instrument does he seem so closely attached, both personally and biographic…
Originally released under the title "Bleistiftmusik" as a C30 cassette in a signed and numbered edition of 80 copies by Edition Hundertmark as 74. Karton. "I was surprised that it was possible to read the acoustic event from the object drawn, and so…
A piece of unrelenting intensity, Olson III may be one of the most powerful compositions from minimalist composer Terry Riley. Based on the same phasing principals of In C, Olson III is filled with short motives that each ensemble member must play an…
This CD collects the first Smegma long-player, Glamour Girl 1941, originally released on the LAFMS label in 1979, the Pigface Chant 7" released that same year and recorded five years earlier, and even adds in four bonus recordings from that same era.…
The Sinfonia n° 1 "Canarias" is dedicated to the composer's father, an old Canary Islander aged 94 at the time it was written. He was the reason why Cruz de Castro decided to focus the composition's middle movement wholly on the Canarian Folía. This …
Records 1981-1989 is a fascinating collection of Marclay's work during the 1980s, the results of hours of home recordings -- using up to eight turntables and various other instruments of his own making -- plus many live performances (one track com…
The fact that Maurizio Bianchi is back is something that is known. I think the new age muzak he created right after his return should be seen as a false start, as since quite some time now, he returned to the world of noise and that is a territory th…
“Michel Doneda soprano and soprano saxophones. Jonas Kocher accordion, objects. Recorded live on 27th november 2009 at Red House, Sofia, Bulgaria. Mastering by Christian Weber. Design: Fabienne Bartel. Limited edition of 160 numeroted copies. Screenp…
Airforms was first presented at the Scottsdale Museum of Contemporary Art [Scottsdale, Arizona] in April of 2004. The work was inspired by a group of experimental houses designed by Wallace Neff in the 1940s using a process he called airform construc…