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Carried by a blast of pure joy comes Black Sweat’s latest LP, the self-titled debut by the mysterious Milan based ensemble Fusione. Channeling free and spiritual jazz, funk, and a globally minded ear, all carried by heavy dose of druggy psychedelic experimentalism, it’s one of the most exciting sonic journeys that we’ve taken all year.
Originally released on tape by SicSic in 2014, Aprilnacht commemorates a decade of music from Brannten Schnüre and marked the spring in a tetralogy of albums about the four seasons when it came out. Back then the Würzburg-based project consisted solely of Christian Schoppik, who later welcomed Katie Rich to take over the vocals. He used to perform as Agnes Beil, but dropped the name when, while making this album realized his music was becoming "much gentler and more fragile". Aprilnacht already …
It's been a true pleasure but also a rather chaotic experience to follow the progress of Blod from a close distance since the beginning. I have fond memories of receiving the odd cassettes from the early days, like the severely fucked up Unga Röster (later issued as an LP on Förlag För Fri Musik) and the awfully mesmerising Prat Om Depression recording. Returning to Leendet Från Helvetet for the first time for long a while, it's quite evident that the album marked a new phase in the troubled Blo…
In the late 70’s the Italian music scene recorded a renewed interest in a sound research involved to a stimulating fusion of popular elements, jazz improvisation and suggestions of the middle-oriental classical heritage. Starting from the experience of Aktuala the idea of a common "Mediterranean air", that could compare and harmonize rhythms and timbres of various regions, enlivened a large number of musicians.
In this context, it also placed the short history of Zeit and of his main mem…
With their second album of 1981, the ensemble Zeit re-propose their own vision of a new cultural multi-geographical mosaic without boundaries. The sound confirms the inspired and eclectic vein of previous work suggesting even a greater conviction and maturity of intent. The arrangements tend to dilate in more alchemical and hypnotic sequences, while the range of inspirations (Balkan music, Greek, Turkish, Persian, African etc.) and the poly-instrumentalism are even more precious and varied. Dec…
The LP release presents the reissue of a little-known, but extremely beauty, Post-Minimalism album composed by Wayne Siegel when he was mid-twenties. Moved from US to Denmark, between 1979 and 1980, he began to investigate possibilities of a very personal language, contributing to mould the heterogeneous kaleidoscope of Post-Minimalism results. These works are constructed around a relentless musical process that consists of delaying and repeating every element in a certain measure, without inten…
Lucrecia Dalt’s Anticlines is a volume of bodily and geological substrates within poetic theory and sound. It is a place where skins and minerals dissolve and commingle, where gaseous subterranean leaks inflate lungs, where brain cavities echo interplanetary waves bent from passing through atmospheres. A former geotechnical engineer from Colombia currently residing in Berlin, Dalt’s concern with boundaries and edges shape the lyrics and music of Anticlines, her sixth album. Paying careful attent…
**7-Color heavy "tip-on" jacket w/ textured paper and fold-out poster insert. ** 75 Dollar Bill, a project by Che Chen and Rick Brown present Wood/Metal/Plastic/Pattern/Rhythm/Rock. "Che's interest in the Arabic modes of Mauritanian music has marked our sound quite a bit but I have brought some things, too. The plywood crate I play is a big factor, defining, by its positive qualities (a nice warm 'boom' sound) as well as by its simplicity, what we're likely to do in the percussion realm. Wood/Me…
Just Restocked - Drag City presents the first official reissue of Dorothy Carter’s 1976 debut album, her folk-music exegesis: Troubadour. It’s been 20 years since Dorothy’s passing — but thanks to last year’s reissue of her second album, Waillee Waillee (1978), and this edition of Troubadour, her music is surging forward ever more powerfully. Today’s announcement comes with a visualizer for the first single, “The King of Glory”, a hypnotic hymn hammered by Dorothy evoking western medieval music.…
*300 copies limited edition* Clothilde’s new album sounds like a constant departure from almost everything. Up until now, her music pieces seemed uncontrolled, a total commitment to the machines. She was, somehow, in between us - listener, audience - and the idea of a machine producing sounds she doesn’t seem to control. Of course, none of this was entirely true, she was mostly in control, but the fantasy, the orchestration of it was beautiful. It was sci-fi-ish, Metropolis-magnificent. In “Cros…
”David Blue was the peer of any singer in this country, and he knew it, and he coveted their audiences and their power, he claimed them as his rightful due. And when he could not have them, his disappointment became so dazzling, his greed assumed such purity, his appetite such honesty, and he stretched his arms so wide, that we were all able to recognize ourselves, and we fell in love with him.” - Leonard Cohen
David Blue is the ‘blue’ in Bob Dylan’s “Baby Blue”, the voluble chain-smoking pinbal…
When Oscar Peterson moved from Montreal to New York in 1949, the 17-year-old Paul Bley took over his residency at the Alberta Lounge on Oscar's recommendation; in his twenties, he played withCharlie Parker. Bley started incorporating maverick pianist Lennie Tristano's approach to improvisation and collaborating with Charles Mingus, and in 1958 in Los Angeles Bley famously put together a band with Ornette Coleman, Don Cherry, Charlie Haden, and Billy Higgins. His move into free improvisation in t…
Respires, the second solo album by Ka Baird, blurs the line between word and action, definition and possibility. Spirited yet restrained, bearing its wildly thrummed heart strings and inner calm alike, Respires ventures toward the unknown, charting the shifting ground of experimental music and the rewards born of risk.
Tapping the ecstatic energy and cathartic experience of Baird’s live sets, pushing the extremes of psychological and physical release, Respires represents an unquestionable leap f…
LP reissue in triple gatefold sleeve as the original album, with sound taken the master tapes. Nothing much to say about this one, "Alphataurus", by sure one of the ten best Italian prog records of all times. "Alpahataurus" is a masterpiece, so well crafted and played that it seems impossible that it has been made by a group of unknowns. The singer Bavaro has a very original voice, keyboard player Pietro Pellegrini plays with competence and no self-indulgence, the guitar-playing of Guido Wasserm…
2024 restock. 12th volume in the BYG Actuel series; 180 gram vinyl. "Super-session recorded in Paris on August 17, 1969. Alan Silva collected here many of the top free jazz players of the time, an incredible 11-piece ensemble featuring, among others, Grachan Moncur III, Archie Shepp, Anthony Braxton, Dave Burrell, Leroy Jenkins, and Malachi Favors. As a result, this is a very free record and a historical document of Pan-African high art music. Two tracks."
In the early 1960's Tod Dockstader was a young maverick composer of electronic 'organised sound', and James Reichert a film composer and music supervisor. They met in New York in 1963, and launched one of the most extraordinary collaborations in modern music, a unique attempt to integrate electronic sounds and the classical orchestra. Unlike Varese's Deserts, and Stockhausen's Kontakte, it does not merely have the orchestra play along with a tape, or even process orchestral sounds live. What mak…
2023 Repress. Robert Wyatt: gifted songwriter; political activist; drummer in the Canterbury jazz/prog pioneers Soft Machine and contemporaries of the original lineup of Pink Floyd; collaborator with the likes of Brian Eno, David Gilmour, Phil Manzanera, Fred Frith, Paul Weller, Scritti Politti, Elvis Costello and his beloved wife Alfreda Benge, to name but a few.
Perhaps his greatest gift though is his voice, a reedy instrument of great warmth and emotion; one need only hear his interpretation …
Archie Shepp's world has always been filled with fire music, and eventually Fire Music. Before that landmark LP, Shepp made Four for Trane -- his August 1964 beachhead with Impulse. And even before that, as it turns out, came this one blip -- the earliest Shepp leader project yet on record. Under supervision of the artist, this previously unissued demo recording is now available from Triple Point Records. As the cover of Derailleur suggests, Shepp tries out some surprising combinations for the s…
Dischi Fantom’s Sussurra Luce series, blurring the boundaries between text, music and voice, returns with their third instalment, Hanne Lippard’s “Talk Shop”. Sculpting a fascinating bridge between radically experimental sound practice, conceptual art, and sound poetry, across its two sides the Berlin based multidisciplinary artist taps an almost dada sensibility, delivering a suite of poems and texts where singular words and sentences are looped and repeated creating a sensory experience of the…
** Second edition, 200 copies on black vinyl ** Konstrukt is the free jazz revelation of the last ten years.This incredible quartet of saxophonist Korhan Futaci, guitarist Umut Caglar, drummer Korhan Arguden and percussionist Ozun Usta is blowing a real stream of fresh air, like the Art Ensemble of Chicago did in the 70s. This live multi-channel recording by Giulio Moratti captures their whole performance at Tarcento Jazz Festival (July 18th 2014) giving a perfect taste of their Cosmic–Turkish f…