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Percussion Ensemble
Jarrod Fowler is a percussionist from Massachusetts, USA. ‘Percussion Ensemble’ is a non-musical rhythmsystemic aggregate ready-made from percussive dialectical composites of “experimental percussion music”. Jarrod Fowler's projects are systemic investigations of musical thought and practice. These experiments question instabilities shared by both music and non-music. Letterpressed sleeve printed by Ben Owen / Middle Press. Numbered edition of 180 copies.
Repercussions
This is Robert Hampson’s 2nd solo album under his own name. Released as a special Stereo CD and 5.1 Surround DVD. Répercussions : An Acousmatic multi channel piece commissioned by the Groupe de Recherches Musicales (GRM) in Paris for a performance the Akousma festival, diffused on the Acousmonium speaker system in 2011. Recordings of percussive intruments of all kinds - Piano, Drum skins, Gamelan, Metal grates etc are treated and manipulated to form a dense nonlinear or non rhythmical narr…
OVERHEARD AND RENDERED
Field recordings... With Maggi Payne, Pali Meursault, Christophe Havard, Perri Lynch, Emmanuel Mieville.
Blue eyes of the march
New gatefold handmade cover. 500 copies. "There's an amazing attention to aesthetics that Andrew Chalk undeniably pays for each release with his name on it. It starts with the music and continues through the cover artwork, packaging, and presentation. The first part of Blue Eyes of the March is a 20 minute long piece which sounds like it was created by a prepared guitar, tuned only to play a limited number of pre-determined notes as they're quietly plucked and resonate for long stretches. The to…
Dadaphon
(2003) 10 inch vinyl record. Blank recordsleeves with add on cellotaped collage. Some have stamp by Le Souffleur or are signed by the author. The LP is numbered 01 to 400; or is dated in which case they have original (one off) artwork. The photocopied collages consist of cut-up photo's collaged together with cellotape; after which they have been photocopied again, cut-up with a knife and repaired with cellotape. The collages with handwritten texts and printed texts are assembled from books and m…
Energy Field
Armed with four 8011 DPA hydrophones, DPA 4060 omni mics, a Telinga parabolic reflector mic and and a Sound Devices 744T digital hard disk recorder, Jana Winderen studies and records wild places which have a particular importance in our understanding of the complexity and fragility of marine ecosystems. The recordings were made on field trips to the Barents Sea (north of Norway and Russia), Greenland and Norway, deep in crevasses of glaciers, in fjords and in the open ocean. These elements are t…
CULTURES ÉLECTRONIQUES 18
Bourges 2005 , Concours international de Musiques et d'Art sonore Electroacoustique
Four lost tracks
Monoton was founded in 1979 by hypermedia wizard konrad becker as an art project that underwent various transformations and collaborations in its exploration of psycho-active sound. these eps contain distinguished electronic soundscapes related to mathematics and psycho-acoustics research made from 1981 to 1983 with analog synthesizers and micro-computers, including a commodore 64. with many materials never released or rarely available, six of these eight lost tracks see the light of day for the…
Variations For Piano & Tape
Comprised of one 44 minute track, Variation #9 'Pantelleria,' this archival release is one of my all-time favorites of the piano and tape variations from the early eighties. Using a lilting piano melody on a small loop, the requisite magic happened in the recording process when this particular loop would randomly slip along the play head revealing an extraordinary counterpoint (in reverse) on the other side of the tape. To me, this piece evokes a lazy Arcandian summer idyll, and will alwa…
Where Were You On Christmas?
A brand new Christmas single from long-running Los Angeles avant-garde pioneer TOM RECCHION. Includes the Yuletide faves "Where Were You On Christmas?" and "A Christmas Filled With Tears." Limited edition pressing, imported from The Netherlands.
Point of Convergence
Trapped on an ocean of disparate languages, sound gravitates towards meaning, escaping the obsolescence of mother tongues by denying the slow decay of time. In the biblical tale of the Tower of Babel, God punishes the tower builders by scattering them across the earth, unintelligible to each other. As they departed their blissful prison of same-think, they became drunk with new songs, washing down their newfound 'auditory cheesecake' with sectarian babble. In as much as their speech had be…
13 Japanese Birds In A Bag
Shortly after ordering this 14 CD set; I read a newspaper article about the plight of the Eurasian cuckoo whose habitat is being gradually destroyed both in Britain and abroad. It is this type of threat to birdlife that inspired Japanese ‘noise music’ meister and long-time animal activist Masami Akita’s (aka Merzbow) 2009 album series, “13 Japanese Birds”. Now the entire set, plus a new CDR and piece of screen print art-work have been reissued as “13 Birds In A Bag”, with a navy blue eco-f…
Perpetuum Mobile
estocked, reduced price: Perpetuum Mobile is the result of a uniquely schizophrenic 'open source' compositional process: the UK's finest collage composers (collage-posers?) Ergo Phizmiz and People Like Us (aka Vicki Bennett) uploaded files to a shared server, downloaded and processed each other's work, and flung the resulting fragments back at each other. The result is an interpenetrating audio-collage so intricate that neither party can recall who did what to whom. So far, so avant-garde; but w…
ELECTRO-ACOUSTIC MUSIC FROM SWEDEN
Electroacoustic musics from Sweden. Bengt Hambraeus, Jan W. Morthenson, Sten Hanson, Ake Hodell, Sven-Erik Bck, Lars-Gunnar Bodin, Rune Lindblad, Tamás Ungvary, Bengt Emil Johnson, Akos Rózmann, Pr Lindgren, Rolf Enström, Ake Parmerud, Anders Blomqvist, Tommy Zwedberg.
1-4+5
DOME : B.C. Gilbert & G. Lewis. Floating-point re-master by Russell Haswell, August 2011. Cut at Dubplates & Mastering by Rashad Becker, August 2011. New artwork and layout: Dave Coppenhall. Editions Mego are proud to release the complete recorded works of DOME in a deluxe vinyl box set that that also includes newly designed artwork by David Coppenhall, reproductions of the original Atelier Koninck posters that accompanied Dome 1 and Dome 2, insert with sleeve notes by Howard Jacques and …
Sonic Messenger
Limited ed. of 400 copies with a bonus album of music packaged in a custom designed full color gatefold case with a mounted 12 page booklet of bonus artwork. What if the Voyager space craft became sentient? Would it destroy humanity? Who is to say it wouldn’t become the most far-out musician of the galaxy? Expo ‘70’s sonic reach seems to extend past even the concept of space/time itself. One Eno Eon past normal, the patter of Expo ‘70’s dark matter squeaks and moans in wave forms, like the Dopp…
Stage
Stage is Steinbrüchel’s second full-length solo release on LINE. The album contains 10 scenes that move between warm organic and melodic digitalised sounds and cold crystalline-like sparks. The sounds and compositions are even more detailed and have a more melodic approach then previous recordings by Steinbrüchel. Single isolated and stretched tones are structured together with smaller loops and particles of clicks and noises into dense atmospheres. Parts of the sounds used in several scenes are…
CULTURES ÉLECTRONIQUES 17
30e Concours International de musique et d'Art Sonore Electroacoustiques, Bourges 2003. With Maurio Mary 'Signes émergents', Laurent Soulié 'Ecorde de lune' for tape and instruments (TM+), Ambrose Field 'One hell of a place to lose a cow', Gerald Eckert 'Offen - fin des terres' for tape and instruments (Aventure). Free with this audio CD, a CDrom around the festival Synthèse 2003.
El Camino Real
Hypnotic new electronic ambient recording using another recently discovered loop from the archive. Premiered at Bleeding Edge Festival, Montalvo Arts Center, August 2006.
Scalpel
Aidan Baker has tried his hand in many different areas of music and it’s always amazing to here the outcome, as more often than not the results are excellent. There have been records that dabble more in psych, kraut, ambient, drone, and so on. However here on Scalpel, Baker has combined a familiar ambiance within his body of work with folk music for something that is loosely being dubbed as his “folk/drone” album. I really didn’t know what to make of that at first. I suppose a descri…