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Vouchsafe Me More Soundpicture
Of all the recent influx of stock we've received from NY's Olde English Spelling Bee records, this compellingly innovative set from Bruce McClure must surely be one of the most challenging - and in turn - rewarding. 'Vouchsafe Me More Soundpicture' contains four excerpts of mind-bendingly dense and skewed improvisations from the renowned film maker, using an array of guitar pedals and the optical sound signals from multiple film projectors to create dizzying sonic patterns which hark back to the…
Idylls
Since Lieven Martens Moana's (Dolphins Into The Future) last lp, the massively overlooked "Music from the Guardhouse", our composer has moved from the islands of Okinawa to the Swampland of Mexico City to the Portuguese countryside, running his Private Press, and composing music for ensemble and commercials. This very pluralistic life-style and commitment has led us to his first full length record in three years: "Idylls". Presented as a 12 page book with an LP disc, the listener first hears con…
Rocks can fall at any time
Philip Corner is one of the greatest American avant garde composers, an American outsider, a unique philosopher redefining what we call music and art, bringing together different cultures in a new kind of harmony, inviting all of us to experience music as a whole and be a crucial part of it. MoreMars Team can proudly announce the release of this amazing LP with 4 unpublished works spanning 30 years of pure creation. The beauty of these recordings lies on their lo-fi, hissy, raw quality.''Gong (c…
Substunce Sans Scrupule
"Substunce Sans Scrupule" is a dream. A hazy dream born in the emptiness between the words of "Igitur ou La folie d'Elbehnon" by Stéphane Mallarmé. A dream that sought Marcel Proust's lost time and constituted the light and the black void between the single frame of Gregory Markopoulos. It is the birth and the destruction of the work of art, primitivism and science."Substunce Sans Scrupule" is as much Georgios Karamanolaki's automatic writing on the work of Jean-Marc Foussat as Jean-Marc Foussat…
H1KhH2WM (Du Seuil), a Five-letter Sufi Word
The third chapter in the Sufi Word's series. Jean-Luc Fafchamps
on the release: "The Sufi Letters is a vast project of 28 compositions
(for the 28 letters of the Arabic alphabet) undertaken in 2000 and still
ongoing. I am drawing inspiration from the symbolic charts found in
Sufi mysticism. Each Letter is a sonic meditation on the frontiers of
conscience and the paradoxes of time. Today's word, 'Du seuil' ('From
the threshold'), is the third word to be released by Sub Rosa. It is a
journe…
North of North
Instruments which sound like instruments!!! Unbelievable real-time compositions for the unlikely instrumentation of piano, trumpet and violin courtesy of North Of North: Anthony Pateras, Scott Tinkler and Erkki Veltheim.Drawing from improvisation, Carnatic music, 20th and 21st century compositional strategies, mathematical theories and open forms of jazz, their music is fused together by virtuosic instrumentalism, critical listening and a shared philosophy of musical and physical discipline. The…
Electronissimo Avantgardissimo
**sold out at source, last copies** Edition of 250 copies. Recorded during a long weekend session at the laboratory of the Department of Electronics of Tampere University of Technology (TTKK) in August 1973. The whole work was done by using tape recorders, three signal generators, one digital noise generator, two microphones and a number of self made (analog) electronic circuits and different combinations of all these elements. All the ideas in these recordings, the producing, recording and mixi…
60' Cassette
Crude electro-acoustic strategies are at work in the tape-on-tape monolith that is Richard Garet's 60' Cassette, with the Uruguayan born resident of New York declaring his intentions as such: "100% treated audio cassette material. some blank. some erased. some demagnetized. etc." The conceptualization of this work as a reframing of one particular medium through its applied / accelerated disintegration is only the album's beginning. There is an implied history in this form destruction, as Garet p…
Long String Installations
**Special edition of 50 in a tote bag including the 3 LPs, the book "Long Strings 1982–2011" (originally published by Het Apollohuis), and 6 postcards. Few copies available** After two LPs in 2014 and 2017, Edition Telemark now turns to the group of works that is probably the most well-known within the vast oeuvre of Dutch sound and visual artist Paul Panhuysen (1934-2015), his long string installations. Using this term, he referred to all of his works involving strings and sounds. They were rea…
Discussions
Referred to an as 'American Iconoclast' by the New York Times, Roscoe Mitchell is an internationally recognized saxophonist, composer, and founder of the Art Ensemble of Chicago. Discussions Orchestra is derived from several musical improvisations found on Roscoe Mitchell's Conversations with Kikanju Baku and Craig Taborn. The songs have been transcribed and performed by a twenty piece orchestra.
Maroon
**Edition of 500 numbered copies. Housed in hand-printed, laser-cut and sewed 1mm thick cardboard covers. All produced and assembled by hand in a pure DIY spirit.Shipping this week** Separated from both its reputation and its sleeve art, the music of Muslimgauze explores the relationship of visual sensations -- space, color, depth, illusion -- to the listening experience. The music on Maroon is dub-like inspired techno music, laidback with voices appearing randomly in the mix. The thick drums an…
Bindu
Drummer Hamid Drake has been a major voice in the generation of Chicagoans following the explosion of Mitchell and the Association for the Advancement of Creative Musicians. He’s most known for a long association with saxophonist Fred Anderson and here makes his recording debut as a bandleader. He called together for the session a quartet of New York and Chicago saxophonists (Daniel Carter, Ernest Dawkins, Sabir Mateen and Greg Ward) and added the great young flutist Nicole Mitchell. The track…
Bishopsgate Concert
Recorded at Bishopsgate Institute, London 14/11/2012 "John Tilbury solo using two pianos-one prepared,the other not, the former being the famous old piano which once belonged to to Myra Hess. Ishmael Wadada Leo Smith solo accompanied by the spectral sound of sympathetic strings from John Tilbury's prepared piano,followed by a long and utterly absorbing duo from these two masterful musicians.
The Founder Effect I
You cannot judge a book by its cover. Maybe, but music fans somehow know that expression doesn't lend itself to album covers (in this case, CD covers). Look at the Blue Note Records covers from the 1960 sixties, Miles Davis' On The Corner (Columbia, 1972), or The Clash's London Calling (Columbia, 1979), and tell me you don't have a very good idea what you'll hear on those records. Covers matter, and more importantly they reveal essential information about the music found inside. Since 2004, the …
Sunshine Man
Harold Alexander was a competent saxophonist and dynamic flutist whose early and mid-’70s albums for Flying Dutchman and Atlantic blended originals, soul/jazz and R&B effectively. Alexander recorded three albums (including a live ‘Montreux Jazz Festival’ record in 1972) and contributed to various other recordings during his career.After a very brief period of recording music, from about 1967 to 1974, Alexander disappeared from the music scene. He is alleged to have commented on the music industr…
Flauto Dolphy
"The very first idea that came to my mind was, obviously, to record an album with my own music only. Soon enough I abandoned this idea having realized that a wider context, some clash, would work better. Even more importantly, it should be emphasized that the place of this instrument is here, amongst others. Alone, but simultaneously surrounded by a full orchestra of references and contexts.Therefore, it was my intention to turn to an artist who combines the two fascinations - different varietie…
CSW 14_03_2015
Established in 2013 and currently having over 50 floating members, the Warsaw Improvisers Orchestra acts as a resource for musicians to meet and work in a large improvising ensemble, or in smaller units within a larger context. Spontaneous music making is our remit, but on occasion, scores both regular and graphic may be used as well as visual cues presented by visual artists. The orchestra is a chance for people to develop a deeper understanding of the relationship of sound and how it functions…
Without Borders
Note from Barry Guy: Zlatko Kaučič invited Maya Homburger and myself to perform a concert in Ljubljana. This meeting (2016) proved to be convivial and communicative on many levels. Other than making music we discussed our individual situations and general views including the many pressing events that continue to accumulate in the world. Zlatko himself lives close to one of the “corridors” where displaced refugees make their agonisingly slow walk to a more hopeful future. It is to these people t…
Sinergia Elettronica
Sinergia Elettronica, the conjunction between Jooklo and Metabolismus orbiting around the museum of weirdness of Degenfeld (Germany), had always been characterized by instant and unpredictable music, therefore their releases being put out as flashes of the moment, as sparkling and quick. Not the case of this one, the first recording appearing on vinyl, which has been sitting under an old piano for a few years before actually seeing the light of day. Three long pieces of prog-delic angular abstra…
Surreal Air Fortress
For a while it was possible to describe the duo Coppice’s often indescribable music simply by identifying their many instruments, particularly the harmonium and accordion wielded by Joseph Kramer and Noé Cuéllar. But the notion of renewal is built right into their name: the word “coppice” refers to the practice of pruning a tree to promote new growth. The label press release says everything "Outside: light-filters-to-be-entered are Surreal Air Fortress. New songs from Coppice for physical model…