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Much needed reissue of this long-lived Swedish band's fourth album, from 1973, with an excellent 20' bonus track from 1974 tagged on. Terry Riley's 1967 visit to Sweden and his work with these musicians when they were still just young ones in High School resonates here, and you get a weird and vibrant mixture of Riley, the Third Ear Band, bits of free improvisation and ancient Swedish folk music all blended into an excellent, droney whole.
“It seems most important to me not to stop being a connoisseur; I freely confess that I would rather be considered a hedonist than an analyst.” This statement by Luis de Pablo is reflected in his music; not in violent yet superficial currents of sound but in finely differentiated sound as de Pablo’s Las Orillas (1990) demonstrates: “The composition is very linear, particularly in the slower parts. The orchestration has therefore been planned especially thoroughly such that each voice has a meani…
In Mad Sweeney's shadow: mass, piano trio, lieder cycle, wind quintet – for each of these "classic" formats Corcoran has created his own original, archaic sound.
Reissued! Rising from the silence, shaking the muck of level-Z rock and roll detritus from their feet, Royal Trux returned to action in October of 1992 with an untitled album, their third. It had been two years since they'd vanished into the negative zone with Twin Infinitives, an ultimate left-turn that appeared to have no endgame. For Untitled, Royal Trux strung together eight pieces of varying vintage that clearly communicated their rock and roll desires with the most direct approach to playi…
Guenter's assiduous compositions favor extremely subtle variances in electro-acoustic crackle, subsonic rumble, and subliminal frequencies exploring the limits of the audible spectrum through invisible digital edits. The title of his landmark debut album, released in 1994 and reissued through Table of the Elements in 1996, translates as "a little dirty snow," an apt description for Guenter's naturally impressionistic minimalism. UN PEU DE NEIGE SALIE opens with "Untitled I/92," a degenerating ma…
For Elmar Lampson, composition and the phenomenology of music overlap as disciplines, and attentive listening is as critical to his works' reception as is analysis of their carefully timed structures or pitch content. Lampson's String Quartet No. 2 (1992-1998) operates on several aural planes, some near and easy to distinguish, and others more remote and indistinct. The material shifts between active, atonal flurries and soft, almost lyrical passages of modal simplicity, and the extremely soft d…
Site-specific FAMA, “audio theatre piece for large ensemble, eight voices, actress, and sound structure,” requires the best performers for execution. Luckily, Furrer draws upon the talented Neue Vocalsolisten Stuttgart and Klangforum Wien. Also credited are the architect, acoustician, technical and lighting engineer, costumer and stage direction. Texts are by Ovid and Arthur Schnitzler. The focus on space and solo instruments (contrabass flute and two bass clarinets) suggest Nono’s late aestheti…
Back in stock! 'Mutated, composed, recorded and mastered by Francisco López at Mobile Messor (Madrid, Bucharest, Montreal), spring-summer 2006. Original source environmental recordings done in Montreal: between 2000 and 2006 by Francisco López, and in April 2006 by Hélène Prévost, Steve Heimbecker, Louis Dufour, Tomas Phillips, Chantal Dumas, Aimé Dontigny and Mathieu Levesque, within the project 'Montreal Sound Matter'; conceived and directed by Francisco López; commissioned and organized…
CD Compact disc album, cardboard cover, limited edition. '17 french bands from the genesis of industrial, experimental, free jazz musics, for the most part unclassable underground musics, and more recent and emergent artists from the same vein, form COILECTIF. These artists explore and express, openly and without limits, what Coil's heritage suggests to them, an opportunity to make an homage to Geff Rushton aka John Balance or Jhon[n] who left us on November 13th 2004. Coilectif is also an homag…
After a break of over ten years, Sleepchamber (new spelling!) are back! We are proud to present you the comeback album of one of the most influential bands from the American Industrial scene. John Zewizz presents the new band line-up with a stunning collection of classic SC musick. The album belongs to the band's abstract dark ambient side but also has a few musical surprises. "Captured Spirits, spells, white horns and ha…
Shifts is Frans De Waard. Famous for his ground-breaking releases on his own Korm Plastics/Bake/Microwave labels (all available as CDRs) and his work for Staalplaat (which he didn't found, contrary to popular belief) and from a thousand other projects as Goem, Beequeen and Kapotte Muziek. Shifts produces another angle of De Waard's minimal music. The guitar is the source of Shifts. After a string of 7"s, 10"s and 2 CDs, we are proud to say that Mechanica is one of his best. The album is a contin…
restocked: The music comprising John Bischoff’s new CD ‘Audio Combine’, just released on New World Records, is beautiful, fascinating, thoroughly enjoyable. Philip Perkins’s engineering and production values are superb.The five tracks on the disc are diverse, representing Bischoff compositions from 2004 to mid-2011. The third track ‘Local Color’ evokes traditional chinese zhong bells, but also especially calls into question the ‘who’ of music performance [in asmuch as some of the bells are compu…
Originally released in 1975 as an LP on Iskra Records (ISKRA-001). 'First session 1: Gradually Projection'. 'First session 2: Gradually Projection'. 'Second session: Mass Projection'. New Direction Unit are Masayuki Takayanagi: electric guitar. Kenji Mori: alto saxophone, flute, recorder. Nobuyoshi Ino: bass. Hiroshi Yamazaki: drums, percussion. Recorded by Mikio Aoki in Tokyo, March 14, 1975. Includes liner notes in English by Alan Cummings.
Considered to be Becker's masterpiece, the second album (1982) is the more subterranean, moodier one, and it's also the one that I personally prefer. Not to stress the Suicide connection, but at times the tracks really have a gentle Suicide feel softened with a Kraut expansiveness (slowly ever-shifting) that doesn't completely erase the angst underneath. "Water" has an undulating bass synth melody that is later connected to a higher pitched, repeating chirp and some distant, dubbed-out, spoken, …
The Sinfonia n° 1 "Canarias" is dedicated to the composer's father, an old Canary Islander aged 94 at the time it was written. He was the reason why Cruz de Castro decided to focus the composition's middle movement wholly on the Canarian Folía. This special, important form of Canarian folk music appears both in its original form and in variations: "That's the way it should be: from the simple to the complex, from the melody line to the concentration: a harmonious whole." (Cruz de Castro) The Toc…
"Nearly 80 minutes of the most animalistic and violent industrial noise to ever crack the crust of the earth. Compiles and reworks early and unreleased out of print noise classics as well as brand new noise aberrations. For fans of early Controlled Bleeding ala Knees And Bones And Bladder Bags!" - Hospital Productions.
He lives in Rostock, Germany and studies informatics. Petters combines perfectly the software computer culture with intensity. His music reflects so much emotion through electronic wires -- you start wondering why more electronica people don\\\'t succeed in the same way. Everything is done with a detailed precision which makes it difficult to relegate this to the background. Even if its \\\'ambient\\\', it still turns your brain around and hits you. Adlib is another moniker from the young Kristi…
On the second full-length release by Kiila, the band gently conjures up mildly otherworldly tunes with a peaceful air and feathered eyes. What was once free-pop played by two is now free-folk played by seven. The language of the songs has reverted back to Finnish, and the human voices rest on a warm texture of sounds from an array of acoustic and electronic instruments. Carefully-arranged songs alternate with those improvised on the spot, all bearing the mark of a handcrafted article.