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Incredible 3 CD set spanning the years from Text of Light's first gig in 1999 through to 2005. This is the project of Lee Ranaldo, Alan Licht, William Hooker, Christian Marclay, Tim Barnes, Ulrich Kreiger and DJ Olive. They perform live to a backdrop of Stan Brakhage films, and no set is ever the same. The first 1000 copies of this lavish set will be issued in a special Metal Box with the 'ToL' logo embossed on the lid, as both a tribute to, and a pastiche of PiL. The first 1000 copies will also…
**very last copies** A certified masterpiece! One monumental box set containing 10 (ten!) unreleased before LPs: an adventurous, spacious and varied oxet blossoming into the label you have known and loved ever since, always on the move; forward, sideways, upwards, backwards. Spread over the 10 LPs, you get the finest selection of rarities and previously-unreleased tracks. Not only that, the package itself is nothing short of excellent, with its newly-designed handmade box, and indiv…
On the CD: Rare & unreleased tracks from: the Clean/the Great Unwashed (plus covers of Clean/ G.U. songs by Times New Viking & Crystal Stilts) * Megapuss (debut of Devendra Banhart's new band) * Sun City Girls * Frankie Rose's awesome noisy demo of the Vivian Girls' "Where Do You Run To") * Mingering Mike * Cause Co-Motion! * Eat Skull * Brothers Unconnected (Richard + Alan Bishop) * Collections of Colonies of Bees * Blank Dogs * Sad Horse * Dixon Brothers * Ilyas Ahmed * E*Rock & Mat Brinkman *…
I've known Joe for close to 15 years - his audio output for a few more. His composition techniques, recording and editing methods, and persistent refinement and redefining of his aural goals has helped to define a body of work that I firmly believe only few artists could hope to match. After a handful of releases on C.I.P., ranging from full-length CD to one-sided 7, my resolve solidified that Joe was a contemporary artist whose work deserved the focus, breadth, and depth of a multiple LP…
Back in stock. 'Various Amusements is the fourth release by Japanese duo Nerve Net Noise. Though the definition of noise explored across the 7 tracks seems to differ from the traditional expectations of japanoise music - rather slow motion noise is perhaps a better description. The album has a certain theme to it, suggesting a girlishness with the packaging and various amusements of the track titles. The CD comes in a pink anti-static bag with a pink card inlay, while track titles include cookin…
a new compilation CD documenting the forgotten history of Australian experimental music, beautifully packaged, absolutely fundamental! "one of those rare compilations whose desire to edify is equalled by its unabashed enthusiasm, and whose audio matches and sometimes exceeds expectations. Musically, it answers many questions about our history and poses still more - The Wire, August 2007....represents one of the first serious investigations into the sparse recorded history of experimental sound p…
The expanded / re-issued version of "Summer Salt & Subway Sun" Ltd. edition of 400 in beautiful box with bonus-album "Wildcat Fights." The first 400 copies are packaged in a deluxe full color book bound box, 16 page lyric booklet , full color book bound cd cases and the bonus album "Wildcat Fights". Eyeless are an earful. Messrs Bates et Becker have miraculously come trembling through the decades musically unscathed. And yay though it is within the office of many bands to have precedents in…
Limited edition of 600 copies, 300pp. book with full length CD. Mostly German. This is the second edition of the MONOGRAPHIE ASMUS TIETCHENS - the book about the work of Asmus Tietchens, edited by Kai U. Jürgens. The new edition will have almost 300 pages and will include an updated commentated discography, plus new texts by Jon Mueller, Vidna Obmana, Marcel Beyer, Ditterich von Euler-Donnersperg and Till Kniola. It will also collect Tietchens' essays that appeared in magazines in the last few y…
At last! This is the first new Ghédalia Tazartès record in 10 years! Not that this gentleman was done with his Impromuzic, but he prefers to watch his widowed canary flying & singing in his flatelier than to release records. Anyway, he's back with these memorable & noisy performances of Rimbaud & Verlaine, giving to their poetry the best of tributes.
Merce Cunningham's Split Sides (2003) captures the iconic modernist choreographer's most radical use of chance procedures. As the title implies, the piece is divided into two parts. Each 20-minute part features one of two options for the different creative elements of the piece: set design, costumes, lighting, music, and choreography. The order in which each element appears during a given performance is determined by an onstage dice roll before the performance, captured on full screen for the li…
Limited edition of 300 copies. Heavy Vinyl. Schnack is the Live-Duo of improvising musicians Paul Hubweber (Cologne) and Uli Böttcher (Wiesbaden). The play a fascinating and restless mix of trombone noises and real time sampling and electronics.Paul Hubweber began with trombone studies in 1971 mainly concentrating on improvised music.He has developed his own special "trombone voice" and his musical focus. It is the special affinity for the balladic and the noisy, i. e. the non-separable combinat…
Without question this is Roy Harper's best studio effort. Sure I can think of some excellent compilations and collaborative output from this legendary folk/prog/rock artist to be reviewed at another time but even the general critics have to agree in Stormcock being right up there in the vintage category. Four lengthy quality tracks make up Stormcock. Released in 1971 at the same time as Led Zeppelin IV and Pink Floyd Meddle, the quality of material compares favourably and comes very close in man…
Picture disk, with artwork by Chris Pottinger & Jamie Easter. Recorded between 2004-2007 in Detroit, Ferndale, and Hamtramck, Michigan. Performers: Chris Pottinger, Jamie Easter, Heath Moerland, Glen Morren, Chris Sprague, Matt Smith, Noah Eikhoff & Free Wade. Their 1st LP that came out a couple of years ago, was among the best things I had heard and seen in the last few years. So I didn't hesitate to get in touch with them. They kindly brought some odd clouds at the Qbico U-nite I did in 2007, …
Hypnotic new electronic ambient recording using another recently discovered loop from the archive. Premiered at Bleeding Edge Festival, Montalvo Arts Center, August 2006.
colossal 6-disc set of obscure early concrète music: a lovely anthology celebrating the 30 years anniversary of Institut international de musique électroacoustique de Bourges (IMEB), formerly Groupe de musique électroacoustique de Bourges (GMEB). Realized between 1970-83 and 1984-1999
Comprised of one 44 minute track, Variation #9 'Pantelleria,' this archival release is one of my all-time favorites of the piano and tape variations from the early eighties. Using a lilting piano melody on a small loop, the requisite magic happened in the recording process when this particular loop would randomly slip along the play head revealing an extraordinary counterpoint (in reverse) on the other side of the tape. To me, this piece evokes a lazy Arcandian summer idyll, and will alwa…
Limited ed. of 400 copies with a bonus album of music packaged in a custom designed full color gatefold case with a mounted 12 page booklet of bonus artwork. What if the Voyager space craft became sentient? Would it destroy humanity? Who is to say it wouldn’t become the most far-out musician of the galaxy? Expo ‘70’s sonic reach seems to extend past even the concept of space/time itself. One Eno Eon past normal, the patter of Expo ‘70’s dark matter squeaks and moans in wave forms, like the Dopp…
Following the records made in collaboration with Francisco López and the instrumental ensemble Zeitkratzer, John Duncan returns to solo work and to exploring further the sound source he's always preferred, shortwave. We know nothing about the actual radio transmission that Duncan picked up on 18 April 2002 in the course of a single recording that gave life to this work. Only shadows remain, taking on the aspect of bells, resonating into infinity, together with reverberations and apparent choruse…
Til odslig horisont evolves slowly and quietly over forty-five minutes and rewards the listener's attention with a great listening experience, manifold soundscapes and atmospheres melting into one another. As often, describing this work will not do it justice, and so I propose that you make yourself comfortable, close your eyes and simply listen. You will enjoy it without an eloquent description.'B. Günter
New gatefold handmade cover. 500 copies. "There's an amazing attention to aesthetics that Andrew Chalk undeniably pays for each release with his name on it. It starts with the music and continues through the cover artwork, packaging, and presentation. The first part of Blue Eyes of the March is a 20 minute long piece which sounds like it was created by a prepared guitar, tuned only to play a limited number of pre-determined notes as they're quietly plucked and resonate for long stretches. The to…