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This is the long-anticipated third album by Cyclobe. Essentially a duo comprised of Ossian Brown and Stephen Thrower, Cyclobe have created a thrilling and compelling collection of music, which moves effortlessly from realms of cavernous cacophony to moments of blissful delicacy. The first new Cyclobe music to surface since their "death-concréte" missile Paraparaparallelogrammatica (an album made in collaboration with Nurse With Wound), Wounded Galaxies Tap At The Window showcases major new …
it took ernesto gonzalez more than three years to record the follow-up for his 'vallée de dith', but it was definitely worth the waiting! 'el telonero' is a tribute to the art of opening up for other bands. this album was created during a period in which gonzalez got more comfortable on stage, often setting the vibe for the night. concentrating on the ultimate tuning-in quality. the loose kraut-inspired jams of his second record are pretty much absent here. the focus is on analog synths a…
Smegma has been around, in one form or another, since 1973, issuing an average of a record a year out of odd tape-loops and jarring-yet-ambient original instrumentation long before electronic sampling was even a glimmer in Mr. and Mrs. Casio's eyes. They achieved a small degree of noteriety in the '80s as one of that proud elite of North American new-music acts hiply obscure enough to have European-only record deals. They're also known among the anti-pop sound exchangers of the international cas…
I met Richard in 2004 on a crazy tour in Australia (Oren Ambarchi's last What is Music?). He was a founding member of The Sun City Girls but he came out to play solo. Instantly we were entranced by his playing, so many beautiful elements of why I love guitar come through in his music and presence, without floating around in genre space at all. Here on the road with Kevin Drumm, Dead C, Residents, Gang Gang Dance, Black Dice, etc amongst this insane lineup Richard ended up supporting Pan S…
Much needed re-issue of this fantastic and unfortunately overlooked 1985 tape on "Stichting Stopcontact". Lex Grauwen and Paul Oosterbaan had worked together for about 8 years before they formed Tranquil Eyes in 1982. They decided to turn their back to stage performances and started experimenting with home-taping. Using an array of electronics, Tranquil Eyes recorded a great amount of songs and made a fine selection on Walks. Their first and only release. The wonderful produced tracks sou…
The fourth and final album to be released during Faust's original lifespan, originally released by Virgin Records in 1973. "As an album, IV matches the band's trajectory: Jumbled, fragmented, with random data integrity issues, but seeming more the brainchild of inspired pop anarchists than calculating avant-gardists. Yes, the record sounds more 'professional' than any of their others, but somehow that doesn't actually equate to slick sounds: Opener 'Krautrock' (which Irmler says wa…
Squim, aka chris phillips, is an obsessive recordist living in portland, oregon. in the '90s, he was very active in the underground mail art and tape trading scene -- running the circle x label out of salt lake city and releasing several well-received cassettes on the bobby j. label. this album will be his debut on the vinyl format and was chosen as being the standout from among a half dozen other unreleased albums of recent recordings. on zephyrus, squim blends repeating melodic motifs with…
Robedoor have acquired a "drummer/modular synth dealer" since last we heard from them, and with this new LP - their first since last year's Endlessly Blazing - they let fly with their newly enhanced line-up, stirring up smudged-out psych nightmares that sound like they're being performed from somewhere deep within a cave system. In fact, if the blind flesh-eating monsters from The Descent had a house band, 'Indo Shadow' might be the outcome. The album's second half is especially good, with the f…
Performed by: Psychatrone (synth), Brian Turner (guitar). Recorded 1996 live to tape. One side is a synth/gt duo with WFMU's boss Brian Turner, while side B is a solo synth. Both tracks recorded in the mid-'90s. Psychedelic waveforms with a freeform sound that grows on you... subtle and mesmerizing.
We're not complaining. Seems like a week can't go by without some new Not Not Fun opus dribbling out from the west coast label, aimed at bleeding our brains of logical thought processes and launching us into galaxies where laws are read backwards and progress is measured in long, untethering tracks of psychedelia muttered through interstellar Ham radios. This week it comes by way of slow-boiled loops and synth warbling that build towards wordless rantings best quantified as the dark prayers mean…
Indispensable 180g vinyl pressing of eight super-important compositions by the "Father of Electronic Music" dating back to 1923! Most notably - for us at least - it includes the incredible percussion pieces 'Ionisation' and 'Integrales' played by the Julliard Percussion Ensemble which are worth the admission alone - but then you've also got the three tape pieces 'Interpolations I, II, III' from 'Déserts' circa 1950-54 which seals the deal: ESSENTIAL** "The French-born Edgar Varèse (1853-1…
Two years after releasing SRS' 'Heaven 39' 2LP, Diophantine Discs is happy to release a record of new recordings by Sshe Retina Stimulants! Following in a vein similar to his other recent recordings this year, we are presented with four tracks of very abstract and experimental noise music. Using a variety of treated and processed instruments and electronics, this is surely one of the most complex, intense, and dynamic works by SRS. Sshe Retina Stimulants, the project of P.NG5361.B (Paolo Bandera…
Not For Nobody is the third solo album from Chicago's Scott Tuma. Originally released on CD in 2008 by the Digitalis label, Immune is happy to present a first time vinyl edition of this essential work featuring new artwork by Chris Koelle. Not For Nobody was greeted with critical acclaim upon it's release in 2008 and was the much needed follow up to Tuma's solo albums Hard Again (2001, Truckstop) and The River 1 2 3 4 (2003, Truckstop). Since the release of Not For Nobody, Tuma has released t…
Dreams is a reissue of Chris Forsyth's second solo album. In 2009 Forsyth pressed up 100 LPs for a European tour and created quite an uproar of approval by the heads who managed to score a copy. Now available again, Dreams rightfully shows Forsyth at the creme of American guitarists who blend masterful skill of country/blues with sometimes violent aggression or mind-bending arrangements. Dreams was recorded and mixed between 2007 and 2009 and catches Forsyth in the studio layering acoustic and e…
Last copies...Qbico often has cool color-swirled vinyl, but this time it seems like it’s mood-vinyl, a soothing and fervent green spins around the turntable almost as an entrancing as this release itself. There are minor flashes of red and blue and white…but the green is elemental and rich. This supports the garden of sound cultivated here, Bey’s sax takes deep roots, often shadowed and wrapped with brotherly vines from fellow saxmen Mike Carey and Skeeter Shelton. Nick Ashton’s drums drop dewdr…
'This shit is dark and I'm not talking about some fucking 'I sleep during the day' dark... I'm not talking some 'Cannibal Corpse shit - I'm a fucking mutilator' dark... And I'm not talking 'I'm a noise dude into black metal' dark I'm talking total fucking end of the world... shit... like... everyone is going to die and it's gonna be fucking terrible. Recorded in 2009 by sisters Roxann and Rachal Spikula while in a hospital doing some fucked up health study where all they could drink was …
lucky warehouse find, few copies available of this long out of print lp "For many, this is the definitive Lightning Bolt album. It's certainly an accessible release given some of the mayhem that came earlier in their back catalogue, yet somehow, despite sounding more tightly organised, and being structured around more conventional song frameworks the album manages to be heavier, focusing on riffs and dare I say it, actual hooks. Illustrative of that point, apparently Muse have been known to…
VERY LAST COPIES AROUND Stasis and stability are nowhere to be found here. Instead, an ever-changing dialogue between structure and chaos shifts from one performer to the next, never resting long before launching again into shuddering flight. Accoustic instruments and vocals form a familiar reference point, but studio treatments take the music into psychedelic and cinematic realms. In their words, “Improvisation is a way to experiment without thinking. When our improvisations ‘work’, the music j…
'Concussion Summer' on Not Not Fun is by a merry band of travelers called Social Junk. I've never had concussion but I was hoping to this summer, sadly there's been no decent weather for me to go out tree climbing or trying to get myself set upon by gangs of local toughs. Next year, eh? It's kind of hard to know what to say about this LP really, other than I like it. Some bits are noisy and lo-fi tribal a bit like that amazing Heavy Winged LP from a couple of weeks back and there are even…
Last copies...180 gram orange vinyl with gold mixed in, cover by Mike Rudolph. Recorded on 11/04/04 and 3/13/05 by Mike Johnston & Dennis Gonzales. Dennis Gonzalez (trumpet, percussion); Faruq Z. Bey (tenor, alto sax, gong); Mike Carey (tenor sax, bass clarinet); Skeeter C.R. Shelton (tenor, soprano sax); Mike Gilmore (vibes, marimba, saz, tamboura); Mike Johnston (bass, percussion); Nick Ashton (drums, percussion). 3rd vinyl release on Qbico by this great ensemble. Here, as a septet with specia…