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Deluge & Sunder
Edition of 350 numbered and signed copies packaged in deluxe gatefold sleeves. A CD edition of what every DANIEL MENCHE fan considers his finest work to date. Remastered and expanded with a bonus album Sunder, a follow up to Deluge. Deluge & Sunder is actually a surprising departure from previous explorations by Mr. Menche as the tones are generated by real live instruments (bass guitar, accordion, piano and melodica) as played by a real live Menche. The rumbly counterpoint that so well defines …
Violin and Orchestra / Coptic Light
Morton Feldman dedicated a whole series of compositions to the relationship between solo instruments and the orchestra: after Cello and Orchestra (1972), Piano and Orchestra (1975), Oboe and Orchestra (1976) and Flute and Orchestra (1977/78) his Violin and Orchestra (1979) marks the conclusion of these "relationship works." The variety of sound accumulated around the violin, or through the violin, in less than an hour's time ranges from delicate whispers to cantilenas in rich tones and sharp rep…
Autumn Testament
Comprised of Brad Rose (The North Sea) and Keith Wood (Hush Arbors), The Golden Oaks features road show magicians springing forth candles from wooded sanctuaries. Composed via the postal system, Autumn Testament is a hymn to the season of red, gold, and orange. A canopyn of leaves shelters the proceedings from the fog that threatens to obscure these sounds. This is a glorious combination of organic grace, blessed by the forests of past centuries and those still in their infant stages. The trees …
Getting a head
Second in the metal box limited edition re-releases, this one from1980 with Fred Frith (guitar) and Charles K. Noyes (percussion) and featuring unorthodox instruments built from tape recorders and helium balloons.
Sinfonía n° 1 \'Canarias\' / Tocata vieja en tono nuevo / Los e
The Sinfonia n° 1 "Canarias" is dedicated to the composer's father, an old Canary Islander aged 94 at the time it was written. He was the reason why Cruz de Castro decided to focus the composition's middle movement wholly on the Canarian Folía. This special, important form of Canarian folk music appears both in its original form and in variations: "That's the way it should be: from the simple to the complex, from the melody line to the concentration: a harmonious whole." (Cruz de Castro) The Toc…
Yesterday night you were sleeping at my place
Flute, harp and percussion are the principal instruments on this recording, though you’d be hard pressed to identify them during the opening measures of “Hamida”, the longest track on the CD. But the buzzing, pulsing drone with which it begins gradually opens out into flute articulations that sound like jets of steam, a barrage of muffled percussion, and various harp-generated supplementary drones. The MUTA soundworld gets richer, louder and more pressurised as the track progresses, and…
The Disintegration Loops
First widely available release on Basinksi's own label (other releases on Raster, Idea, Durtro, Headz, etc), from early 2003. This series of 4 Disintegration Loops has become one of the true phenoms of post-9/11 experimental music -- totally legendary stuff at this point. "William Basinski is a musician, composer, auteur who has worked in experimental media for over twenty years in NYC, expanding the boundaries of the aural landscape. In 1978, inspired by minimalists such as Steve Reich…
Pollen
Recorded on 20/21 December 2006 and 2 January 2007 at Studio Z, Berlin
Flick
Second one in the guitarimproseries (first one was Shifts). This Finish guy is pretty young but has a distinctive feel towards his guitarplay. Excerpts from his talents could be found on the Killa 7\\"s but here he is operating alone on his selfbuild guitar and other \\"soundlabs\\". It\\'s dark and quiet with lots of floating, hissing and inspired contructions. Every now and then a melody pops up which brings together the harmony between impro and a \\"listenable\\" experience. As for guitarpla…
Red Rainbows
Last copies, nice price....Debut CD from Brooklyn musician and film maker Sarah Lipstate. Red Rainbows is full of growing tonal drones that evoke visions of menacing multicoloRed skies alongside tracks full of beautiful minimalistic structures that shoot straight for the heart. Sarah uses double-neck guitar and various electronics to create breathtaking atmospheres with an intensity that works on both a cognitive and emotional level. These tracks are either really beautiful or really dirty when …
The Crackle Of My Soul
'Written and recorded by Gordon Sharp at Belmont Shore (ca), mid-levels (hk) & kobe (japan) 2001-2009. Mastered at Piethopraxis, july 2009. Dedicated to Matt Kinnison (1965-2008). Cindytalk have been active since 1982, which we won't go into here (a quick Google search will satisfy that need). During The 80s and 90s Their sound was defined by broken down rock structures and abstract piano ambience. A third side to Their coin emerged at The dawn Of The 21st Century with a turn towards obscure com…
DW 17: Doubles / Schatten II
The unfolding of the differences is succeeded by ever new ramifications, versions, series. DW 17 Doubles/Schatten II as a new phase in the DW-Kosmos.
Oboe Concertos
The oboe more than suited Maderna's partiality for clear structures and sensual-concrete sounds. It was not without good reason that at a time when the supply of music dedicated to the oboe was anything but plenty, Maderna wrote, not one, not two, but three concertos (besides several other works for oboe) for this "nasal" sounding member of the woodwind family. The first oboe concerto (1963) seems almost classical in its character, in the interplay of oboe and orchestra, or involving other instr…
Las Orillas
“It seems most important to me not to stop being a connoisseur; I freely confess that I would rather be considered a hedonist than an analyst.” This statement by Luis de Pablo is reflected in his music; not in violent yet superficial currents of sound but in finely differentiated sound as de Pablo’s Las Orillas (1990) demonstrates: “The composition is very linear, particularly in the slower parts. The orchestration has therefore been planned especially thoroughly such that each voice has a meani…
No Magic Man
Finally, we have managed to track down copies of one of the most revered Sunburned Hand of the Man records in existence. Originally pressed up by the prestigious Arthur magazine's own imprint, this handmade reissue (straight from the Sunburned Men themselves) takes the factory made cd and plonks it in a very plush gatefold hard-cover with handprinted artwork. 'No-Magic Man' was the first time that the band submitted a truly coherent album, prior to this their cds although insanely good were more…
Garage
Smalltown Supersound's "Superjazz" offshoot delivers this much-discussed darkcore jazz fusion album led by sometime sonic youth collaborator Mats Gustafsson, here rummaging through improvs and cover versions like a garage band picking up trumpets, double bass and drums for their heavily skewed but massively charming workouts. Sticking a hairy a tongue out at the polished slickness of the Bad Plus, The Thing offer up cover versions of tracks by the Yeah Yeah Yeahs, The White Stripes and Peter Bro…
Symphony No. 3
Charles Ives (1874-1954) earned his living by selling insurance policies to his contemporaries. Besides, he took a great interest in literature, philosophy and, first and foremost, music. And what came of it? The most original modernist music one could imagine. Ives's Third Symphony was inspired by his memory of camp meetings, the Christian "evangelistic gatherings" common in his youth. However bizarre these meetings may appear to us, they were a familiar feature of rural America especially duri…
Airforms
Airforms was first presented at the Scottsdale Museum of Contemporary Art [Scottsdale, Arizona] in April of 2004. The work was inspired by a group of experimental houses designed by Wallace Neff in the 1940s using a process he called airform construction. The houses were built by spraying concrete over an inflated balloon structure. Inspired by the nautilus sea shell, the houses were an investigation into the aesthetic possibilities of structures formed by air, and the psychological effects of l…
Vita di San Francesco
When, in the summer of 1992, Lutz-Werner Hesse visited St. Francis’s hometown in Umbria, he was deeply moved by Giotto’s frescos in the Basilica. Using prints of the frescos, Hesse later developed a dramatic sequence, which was meant to serve as the basis for a composition revolving around the life of the saint. Gongs had always held a special fascination for Hesse. So, for this piece, he pitted 13 gongs against one organ: “The organ, I thought, is a particularly suitable partner for the gongs s…