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Françoise Barrière was born on june 12th, 1944. classical training: piano at the conservatoire de versailles; harmony and counterpoint at the conservatoire national supérieur de musique, paris. less classical training: service de la recherche, ortf; ethnomusicology at the ecole pratique de hautes etudes. in 1970, she founded in collaboration with christian clozier, the groupe de musique expérimentale de bourges (now called the international institute of electroacoustic music of bourges) that the…
A collaboration between Burroughs, producer Hal Willner, and politico-rappers Disposable Heroes of Hiphoprisy. It features Burroughs reading excerpts from seven of his books set to music by the Heroes, mostly a slow, lazy funk that sounds like it was lifted from a '70s blaxploitation soundtrack. Highlights include the 16-minute, decidedly Burroughsian holiday treat "A Junky's Christmas" and "Words of Advice for Young People," which first appeared on the Smack My Crack collection, minus the music…
Aidan Baker is a musician and writer from Toronto, Canada. Classically trained in flute, he is self-taught on guitar, drums, and various other instruments. Baker has released numerous CDs on independent labels from around the world and is also the author of three books of poetry. As a solo artist, Baker explores the deconstructive sonic possibilities of the electric guitar as a primary sound source, creating music that ranges from experimental/ambient to post-rock to contemporary classical. In a…
a representative and intense snapshot of the Milanese sinthy wave scene of the early eighties, 20 tracks that recount the salient steps of the brief but intense career of four Milanese bands — from the post-punk of Other Side, to the oblique funk of State Of Art, to the evident Kraftwerk infl uences of La Maison, to the electro of Jeunesse d’Ivoire — four bands that illustrate the mood of an underground scene tha…
American Landscapes 1 and 2 are live dates from 2006. While there have been a few personnel changes since the original line-up—trombonist Hannes Bauer replacing Jeb Bishop and drummer Paal Nilssen-Love replacing Hamid Drake—the core Tentet has remained intact. Both discs are comprised of a single track, clocking in at respectively about 44 and 52 minutes. Both discs are difficult to digest as single entities: attacking them as longer composed/improvised pieces linked by changes allows you better…
Long deleted, this is a must have cd collecting all the Scelsi pieces for string orchestra. "An internal struggle, stemming from the introductory tremolo, all through its serene yet chaotic means of lumonisity"
The mid-'60s formation of Chicago's musician collective, the Association for the Advancement of Creative Musicians (AACM), proved a watershed event for jazz, providing a springboard for some of the next few decades' most influential performers, including the Art Ensemble of Chicago, Muhal Richard Abrams, and Anthony Braxton. In many ways, Braxton's Three Compositions of New Jazz is that movement's manifesto. Seeking a new degree of abstraction and purity, Braxton opted to eschew drums or bass on…
With his Pedagogical Sketchbook often regarded as a virtual manual in composition, Paul Klee has exerted a far-reaching influence on modern music. Few composers were so profoundly affected as Sándor Veress, whose encounter with Klee's work after fleeing Hungary in 1949 gave rise to seven fantasies that range from the Bachian gravity of 'Old Sound' and the intensely elegiac 'Green in Green' to the rhythmic playfulness of 'Stone Collection'. Grau and Schumacher give a committed performance, differ…
"All my works always start out from a human incentive: an event, an experience, a text in our lives leads to my instinct and my conscience and wants me to bear witness, as a musician and as a man." This is how Nono, in 1960, described his motivation as a composer, the incentive inducing him to speak up through his music. His opus 1, the Canonic variations on the series of op. 41 by Arnold Schönberg, is based on the twelve-tone series used in Schönberg's composition; it actually takes effect in t…
'John Butcher: tenor or soprano saxophones - plus feedback, motors, embedded harp speaker. Rhodri Davies: pedal harp, lever harp with embedded speaker and electric harp, aeolian electric harp. John Butcher is one of the leading sax players on the free improvisation scene. Rhodri Davies transcends conventional ideas about the harp--an instrument rarely associated with improvised music--in his wide-ranging projects. The two British musicians have worked together in a variety of contexts sin…
Karl-Heinz Stockhausen is only one out of several composers with whom the conductor Fabián Panisello has worked. Panisello, among others, has conducted the premiere of Stockhausen’s Hoch-Zeiten. Having studied with composers as diverse as Elliot Carter, Brian Ferneyhough and Luis de Pablo, Panisello was able to draw inspiration from them for his own compositional work, while never allowing them to leave visible footprints. His style developed entirely independently. The present recording brings …
A collection of remixes and compilation tracks 1999-2006. Carefully edited by Felix Kubin and Eric Mattson, this CD is more than a compilation. It brings lights on the different activities of a great open-minded composer from Hamburg. All these tracks have been composed and recorded by Felix Kubin unless otherwise stated. They have appeared on rare or badly distributed releases. This CD brings back to live these amazing tracks. The power of this release is to build bridges in between composition…
When, in the summer of 1992, Lutz-Werner Hesse visited St. Francis’s hometown in Umbria, he was deeply moved by Giotto’s frescos in the Basilica. Using prints of the frescos, Hesse later developed a dramatic sequence, which was meant to serve as the basis for a composition revolving around the life of the saint. Gongs had always held a special fascination for Hesse. So, for this piece, he pitted 13 gongs against one organ: “The organ, I thought, is a particularly suitable partner for the gongs s…
And then, the man remained alone with more doubts than ever before. Music had flown through the years, the tapes definitively gone. IV draws the final line in this groundbreaking 'disintegration' cycle and it does it with a high grade of acute intensity and a totally developed loop aesthetic...moreover, the final track is sort of a reprise of the first segment in I, like putting an end to a whole giant texture. Basinski's repetitions are truly addictive; I could listen for days, each repe…
In cooperation with IEM Graz and musikprotokoll 2005 (steirischer herbst, ORF). Excursion into the Middle Ages: Klaus Lang’s latest composition breathes new life into Gregorian chant more than a thousand years old. One hears the traditional sequence of the mass movements, but newly composed material gives it a new interpretation. Klaus Lang does not wish to evoke images in his listeners but rather empty and impoverish their minds.
Ever since the days of Leonin and Perotin, people have been trying to pin down that special something that makes music so unique, with Andrew McKenzie of The Hafler Trio more ardent than most in his perusal. The lavishly packaged 5th instalment in this highly limited edition series of EP's, 'Being a Firefighter Isn't Just About Squirting Water' comprises a single 20 minute composition that is a dictionary definition of delicacy. Building upwards from spectral entities, …
recorded in 1993 following the first Gulf War. 10 years later, following the second Gulf War, Soleilmoon is pleased to finally release this important Muslimgauze album. On April 15, 2003, we issued it in an expensive limited edition of 500 copies, packed in a hand-made metal box. This second edition, in an edition of 1000 copies, is released without the box but has a friendly price. It's commonly known that Bryn Jones, the late musician behind Muslimgauze, was driven by the passion of th…
String Quartets Nos. 7, 8 and 9 suggest that Rihm has finally left behind the neo-romantic expressive pathos of earlier compositions: “Real or virtual allusions to the past are rarely to be found any more – and the same holds of the luscious and revelling strings. Remnants of tonal harmony are, with a few exceptions, almost completely obliterated. … Instead, new constellations come to the fore, emancipated from traditional conceptions of sound – heeding, in particular, the principle of polarity …
Following the success of their very first performance together at the 2004 FREEDOM OF THE CITY festival (heard on Emanem 4215), Roger Smith and Louis Moholo-Moholo went into the studio to record some more. Their second meeting went so well that they recorded enough duo improvisations for a complete CD. The resulting music is heard complete, with Smith on Spanish guitar and Moholo on augmented drum set.