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Five works by Alvin Lucier for solos and trios on beating tones and microtones: Piper for bagpipe, Fan for four kotos, 947 for flute, Silver Streetcar for triangle and Ever Present for flute, piano and alto saxophone.
Six compositions from 2001-2004 by Tim Hodgkinson, co-founder of Henry Cow, for ensembles, clarinets and electronics, with the Hyperion Ensemble and other guests and Hodgkinson himself on clarinet and bass clarinet.
First CD collection of George Cacioppo's music: six chamber works from 1960-66 including Time on Time in Miracles, Advance of the Fungi and Holy Ghost Vacuum or America Faints, played by French ensembles, with Cacioppo himself on electric organ.
Chamber works by Luigi Dallapiccola and Goffredo Petrassi, alternated for comparison, played by Naples-based Ensemble Dissonanzen: Quaderno musicale di Annalibera, Tartiniana seconda, Parole di S. Paolo, Sestina d'autunno and Seconda serenata-Trio.
Six works by Mexican composers born between 1957 and 1977, for string quartet and solo violin, recorded in 2002 at the first Radar festival in Mexico City by the Arditti Quartet and Irvine Arditti.
Italian Surf Academy, led by guitarist Marco Cappelli, reworks the 1968 film soundtrack of Barbarella by Bob Crewe and Charles Fox, recorded in Paris in 2013, post-produced by JD Foster and mastered by Brian Brandt and Paul Howells.
Jazz settings of Langston Hughes's poems, including The Weary Blues, The Dream Keeper and Daybreak in Alabama, with Eric Mingus on voice, David Amram on piano and Larry Simon with Groove Bacteria. Avant series.
Live DVD of Trio PAJ, formed in 2007 by percussionist Roland Auzet, Pierre Jodlowski and Michel Portal, recorded at the Grenoble Jazz Festival in 2010 and exploring jazz, improvisation and electronic music.
Christmas album by The Respect Sextet, with pieces by Misha Mengelberg, Thelonious Monk, Sun Ra, Frank Loesser, Robbie Robertson and Loudon Wainwright III, and guests JACK String Quartet, Ensemble Signal and guitarist Marco Cappelli.
Italian guitarist Marco Cappelli's take on Spaghetti Western music and 1960s surf sound as the Italian Surf Academy, with Luca Lo Bianco on bass, Francesco Cusa on drums and guest voice Gaia Mattiuzzi, plus a cover of Secret Agent Man.
Suite by guitarist Marco Cappelli inspired by the characters of Fred Vargas's detective novels, played by the Marco Cappelli Acoustic Trio with Ken Filiano on double bass and Satoshi Takeishi on percussion.
The Respect Sextet, a young New York jazz group, plays music by Sun Ra and Karlheinz Stockhausen, drawing comparisons between the two composers and asking how the idea of space shaped their work.
Ten improvised duets recorded in June 2006 by Joe McPhee on pocket trumpet and alto saxophone and Montreal drummer and painter John Heward on drums, kalimba and percussion.
First recording of John Cage's Chess Pieces (1944), rediscovered in a painting and transcribed by Margaret Leng Tan, with her recording of Sonatas and Interludes and the first recording of Vittorio Rieti's Chess Serenade.
Two CDs of virtuoso piano fantasies and transcriptions on operas by Puccini, Bellini, Verdi, Debussy, Berg, Bussotti and Volans, played by their arranger Yvar Mikhashoff.
John Luther Adams's Strange and Sacred Noise, a nine-movement work for percussion quartet, in the composer-supervised first recording by Percussion Group Cincinnati, with a 60-minute interview with the composer.
All of Xenakis's chamber music for strings except the quartets, from Syrmos (1959) to the first recording of Ittidra (1996), played by Ensemble Resonanz under Johannes Kalitzke, with John Eckhardt on solo contrabass in Theraps.
Six chamber works by Frank Denyer from 1973-2001, including Out of the Shattered Shadows 1 and 2, Faint Traces, Music for Two Performers, Play and Passages, in composer-supervised performances by The Barton Workshop.
Chamber music by Mexican composer Hilda Paredes, 1998-2001, drawing on Mayan language and culture: works for string quartet, piano quintet, 21 musicians and vocal quartet, with the Arditti Quartet and Ensemble Modern.