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**2021 stock** Flores, like any other work of Maria de Alvear, deals with the ideal of inner freedom. This is not a mere claim, it is manifested in the shape of the piece itself. Written in the author's typical mixture of composition and notated improvisation, the text leaves a certain scope to the seven instrumentalists as to the elaboration of the rhythm and at times also the intonation. The score has almost no directives for the parts of the two singers: what and how the singing is performed …
The Nine Unfinished Symphonies were conceived as one entity. They are written in my musical native tongue; the musical grammar and idioms with which I have become so familiar that I can converse in them spontaneously, without thinking, so that I can devote my full attention to what I actually want to do. It appears that we need narratives, such as the ‘sacred’ number nine with symphonies, or the concept of the Unfinished, which stands in sharp contrast to the fragmentary or the ‘uncapitalized’ u…
**Edition of 400 copies, sold-out at source** Before the spectral, romantic electric guitar miniatures for which he is celebrated today, Loren Connors recorded a string of nine solo acoustic guitar improvisations under the name of Loren Mazzacane between 1979 and 1980. The records feature Loren's contorted impressions of Delta and country blues, persistently kneaded into sidelong guitar excursions entangled with wordless, mournful vocal utterances, hummed and moaned in imitation of the dogs that…
Patty Waters is a visionary avant-garde vocalist and composer, best known for her groundbreaking 1960s recordings for the legendary free jazz label ESP-Disk. Captivated by the music of Billie Holiday, she sang with Bill Evans, Charlie Mingus, Chick Corea and Herbie Hancock before coming to the attention of Albert Ayler, who introduced her to ESP-Disk's Bernard Stollman. The rest is history.Recorded with pianist Burton Greene, Waters' haunting 1966 debut Sings juxtaposes a side of hushed self-com…
Marius Chwaleks debut album Volta Penta, in which he explores the world of electro magnetic fields and transformed them into sounds located between Experimental, Ambient and Musique concrète. 2018 release
Br'laaB is the moniker for the studio works of Brecht Ameel (Razen), consisting on the one hand of themes from Ameel's songbook for the Acid Boogie Quartet, on the other hand of tape collage pieces based on recordings of found audio, ultra-fi sampling, degraded vhs, skipping cd's and sandpaper vinyls. Combining influences that range from Slint to Raymond Dijkstra and from Tape to Peer Raben, the pieces here were assembled and recorded after hours while working on commissions for contemporary da…
When you are listening to his pieces and are completely at ease, they offer the listener the beauty of pure sound: I believe this also applies to his likeminded friends. Even when and if they are of a continuous narrative type, they just create the right situation to listen to sounds. As the title reveals: Painted cakes are real, too. The beautiful sounds are repeated in order to remain purely sound. This repetition does not build up a narrative, it becomes more complicated and excited not in or…
"Leukert brings back intuition into the computer-mechanical techniques of contemporary classical music. His compositions derive from the hearing experience - he has become a David Lynch for the ‘cinema pour l’oreille’, who is operating with the ironically associative scepticism of Godard. A blessing that Maria De Alvear’s small label ‘World Edition’ now produced eight of Leukert’s audio pieces on CD; among them the enchanting trilogy Wildwechsel" . - Alban Nikolai Herbst
That’s the name of the game... Marco Blaauw plays on a quartertone double bell trumpet, a shell, brought from Madagascar,a slide trumpet, piccolo trumpet, quartertone flugel horneven megaphone and flexible tube. Gijsbrecht Royé plays on a self-made bass-zither. To play on the four groups of bass grandpiano strings, he uses different kinds of sticks; two bows (normally used for double bass), metal strings, nails, brushes, knives, rat-tailed files and metal scouring pads.
* 2021 Stock * Metamusic. A suitable term for all these works, if by this we understand that musical aspects are somehow transcended, transgressed.
Sitting between chairs. A transgression which leads, through interactions of materials and intentions, controlled use of randomness or indeterminacy, conceptual game of measurement or definition, to the contemplation of music itself as yet another fragment of the whole, because the sound objects may have a dramatic or musical nature.
How could this w…
* 2021 Stock * A sprawling, wandering hourlong geological survey of the composer’s ambitious spiritual world. Her music does not develop; it accumulates. - Bernard Holland, New York Times
The only single, continuous orchestral movement I know of to surpass the finale of Mahler’s Eighth Symphony in duration. - Kyle Gann, Village Voice
Hildegard Kleeb - pianoJoseph Kubera - pianoThe Orchestra of the S.E.M. Ensemble Petr Kotik - conductor
* 2021 Stock * "There are pieces which must be done. The work Libertad is one of them. Inspired by the lyrics of Tsolagiu M.A. RuizRazo, it is one of those compositions that gave me enormous pleasure while working and that accompanied me with a wave of very great power [...] Perhaps this work [...] is one of those that carry the most power. There is an enormous mysterious protective circle around it. It is one of the works that has given me the most riddles, that contains knowledge that I can on…
A corrosive and psychedelic-noise album by this primal duo of the Japanese industrial-noise culture! Three devastating Incapacitants tracks to listen at maximum volume for high hearing damage. Two studio tracks and one live recording.
**2020 stock, 300 copies** "Collaborative release by a dangerous Italian friends trio. Iugula-Thor is the Italian Industrial / Power-Electronic monster born from the minds of Andrea Chiaravalli and Paolo Bandera (Sigillum S / Sshe Retina Stimulants) in the early '90s. Suction Melena is the other harsh face of Giovanni Mori (Le Cose Bianche), the new man in the Italian Harsh Power-Electronics. This is sharp and uncompromising Hard Power-Electronics in pure Italian-Style. Scraping vocals, Analogic…
**500 copies, 2020 stock** "Psychic TV and Genesis P-Orridge don’t need large introductions. In 1981 Genesis broke with Throbbing Gristle (the pioneers of Industrial music) noise attacks in order to produce more psychedelic, Kraut rock influenced sounds. PTV's Force the Hand of Chance and Dreams Less Sweet are defining albums. The stylistic range goes from carefully orchestrated, psychedelic works to Acid House to Industrial, basically whatever floated Gen’s boat, s/he happily adapted it and for…
**500 copies, 2020 stock** "Psychic TV and Genesis P-Orridge don’t need large introductions. In 1981 Genesis broke with Throbbing Gristle (the pioneers of Industrial music) noise attacks in order to produce more psychedelic, Kraut rock influenced sounds. PTV's Force the Hand of Chance and Dreams Less Sweet are defining albums. The stylistic range goes from carefully orchestrated, psychedelic works to Acid House to Industrial, basically whatever floated Gen’s boat, s/he happily adapted it and for…
Collecting two songs from the long out-of-print, ultra-limited 10" lathe-cut released in spring 2017 on New Zealand Independent Woman Records, "Broken and Beaten in 5/8 Time Part 1. Beaten" and "Broken and Beaten in 5/8 Time Part 2. Broken", plus two previously unreleased tracks exclusive to this release. Generally more refined than previous Kleistwahr work, the pieces here catch Gary Mundy (also of Ramleh and Broken Flag Records) furrowing his distinct and recognizable take on a kind of contemp…
* 2021 Stock * Introducing the debut collaborative release from sometime Nurse With Wound/Current 93 member, Andrew Liles and Jean Hervé Peron of Faust. Neither of these artists needs any introduction and all expectations are overtaken with this incredible album. Here is something that sounds like both a Krautrock album and also like nothing else you can imagine. Its twists and turns keep surprising and thrilling you several listens on from the first. The words "classic" and "masterpiece" would …
“Time Out of Mind” represents a most important chapter in the recordings of Ora, during the years 1986-1994 and here almost all entirely unheard before. They represent unreleased studio pieces, field recordings and sketches, significantly made to portable recorder. This working method would become the basis of future and more elaborate studio pieces and in itself clarifies an important formative stage of the work of Ora, of often using outdoor performances and location sound in an entirely spont…
** Ltd 299, with 12” size insert. Includes extensive notes by Toshiji Mikawa in Japanese with translation by Kato David Hopkins in English.** It’s a great moment for reissues of ambitious, historical gestures of the noise from Japan. One after the other, these artifacts have emerged from the shadows, entirely rewriting what so many of us thought we knew. Now, at long last, before us rest another piece in the puzzle - the first ever release of one of the most sought-after artifacts from the 80s n…