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Voicing Through Saussure
Jacques Demierre and Vincent Barras have collaborated for decades, creating a diverse body of sound performances exploring ties between language and the mind. Here everything is coming from materials found in the work of linguist Ferdinand de Saussure. The detailed analysis of the sonorities of various ancient and modern languages, their re-elaboration and re-composition is finally embodied in a score-text.
Red One
After the last If, Bwana (Al Margolis) release on Pogus the large-scale double cd E (and Sometimes Why), this brand new If, Bwana recording is a little more intimate. This release consists of six smaller works for one or at most two instruments - with the instruments all being multi-tracked for a denser, deeper sound. Red One features performances by stalwart experimental/avant musician/composers such as Nate Wooley, trumpet, on Toys for Al (with Al Margolis on toy trumpet); Ellen Band's vocals …
Teared Up
"Defeat, resistance, betrayal, heroism, torture, execution and conspiracy were the topics of the first conversations he overheard."
Circle wind
'Circle Wind' fields are recorded at Tokyo, Kanagawa, Niigata, Nagano, etc.. yet what's interesting is the time that recordings were made, each recording session was taking place between midnight and dawn, and the techniques that been used. "Feeble vibration and passage of air. It resembles Zen and meditation to capture the piece of these delicate sounds aurally." Hiroki Sasajima is the sound artist residents in Tokyo. He had started the activity of field recording around 2007. Since then, he go…
Zephyros
Featuring Natsuki Tamura on trumpet, Satoko Fujii on piano & compositions, Takeharu Hayakawa on electric bass and Tatsuya Yoshida (from RUINS!) on drums & voice. What I find most fascinating about this quartet is that although Satoko & Natsuki come from a mostly diverse jazz background, those crazed Ruins dudes have created their own progressive/punk world. Quite an odd combination of extremes which grows stronger with each disc by challenging each member and the audience as well. Once more Sato…
No-Exit Corner
The second of two releases of this trio recorded live in Krakow in 2016 finds Chicago reedist Vandermark, German drummer Kugel and Ukranian bassist Tokar blowing holes in walls. There are occasional respites, say when Tokar takes one his fascinating, focused solos. But generally this is tough stuff. Vandermark is a master of taking a phrase and working it repeatedly, wringing out the last drops as he modulates his ideas to the boiling point. His clarinet playing brings to mind what Artie Shaw mi…
The Play-Back
Lovingly packaged Lebanese CD of skillful turntablism from Dj Sniff on Annihaya.
King Of Keyboard
''There is no other Syrian dabke musician that has enjoyed the local, regional, national, and international recognition that Rizan Said has, and for that, the world is lucky. Rizan is a musical ambassador from a disappeared Syria, and this is not to be taken lightly. Once upon a time, not too long ago, Syria was a culturally diverse country possessing a certain unity. A place not synonymous with barbarism and savagery. Far from the capital of Damascus, the northeast of the country, known as the …
A New World
From the acceptance of the deficiencies of our world derives a necessity to create "A New World". This album explores this process of transformation. It is a search that uses movement and stillness to attempt to reach a space where reality can make sense again. As in all voyages, there is excitement and unease as we move through the unknown.
Malayeen
Malayeen is the trio of Lebanese musicians Raed Yassin (a founding member of 'A' Trio, one of Lebanon’s most renowned free improv outfits), Charbel Haber (a former member of experimental rock bands Scrambled Eggs, XEFM and BAO), and Khaled Yassine (a former member of Tunisian oud player Anouar Brahem’s oriental jazz ensemble). Malayeen was born from Yassin and Haber's love for the music of quintessential Egyptian guitarist Omar Khorshid, and their desire to create a contemporary trio that would …
Feign To Delight Gaiety Of Gods
2024 stock Amazing Double CD form Shalabi Effect on Annihaya Records.
Push Comes To Love
Reknowned modern artist and Krayola kollaborator delivers a soundtrack for every man: love, sex, death, and sweet sweet pop music.
The Cable House
The arrival of a new Andrew Chalk album is always a cause for celebration, and now this record re-appears after a very small vinyl pressing last year. Mr. Chalk has long stood as one of our favorite drone composers over the years, beginning with his early contributions to the more placid Organum recordings, through his exemplary collaborative work in Mirror and Ora, and onto his near perfect catalogue of solo recording self-released through his Faraway Press. Through the more recent recordings G…
Ghosts On Water
"The second full release of recordings by Naoko & Daisuke Suzuki with Andrew Chalk, now titled as Ghosts on Water." Naoko Suzuki (vocals), Daisuke Suzuki (vocals, flute, percussion, field recordings), Andrew Chalk (keyboards, kantele). "'Pale shadow" whispers its intentions to the wind amidst gentle melodies (courtesy of Chalk's keyboards and kantele) whose East-tinged imperturbability attribute a deep thrust to something that, coming from other hands, could even have been classified as an outta…
Live In Hong Kong
**LP-sized sleeve stuck with washi and yarn. Limited to 50 copies** This live show was organized by The Empty Gallery in Hong Kong. The owner and director listened a CD Music for Piano by cello improviser Yasumune Morishige and musician Atsushi Reizen released by Omega Point, and they decided to hold a live show on retrospective exhibition of experimental filmmaker Toshio Matsumoto. On this live show, two grand pianos provided through the good offices of the owner. This is the best situation for…
Mine
Original release completely reproduced as faithfully as possible. Pressed and printed in Japan. Mind-blowing reissue of Kosuke Mine Quintet's first release, Mine, originally released on Three Blind Mice in 1970. This is the terrifying debut album from saxophonist Kosuke Mine, with a sense of tension that seems to burst throughout, and is a monumental work that marked the historic beginning of the prestigious three blind mice label
Completely original reproduction specification (reproduced as f…
End To End
*2024 stock* Barre Phillips was the first musician to record an album of solo double bass, back in 1968, and he has always been an absolute master of the solo idiom. In March 2017, Barre recorded what he says will be his last solo album, the final chapter of his “Journal Violone”: it is a beautiful and moving musical statement. All the qualities we associate with Barre’s playing are here in abundance – questing adventurousness, melodic invention, textural richness, developmental logic, and dee…
Circle - Paris Concert
Circle was a band on fire with creativity. Chick Corea and Dave Holland had just left Miles Davis’s band, keen to explore all parameters of new music in an improvised context. Anthony Braxton, equally inspired by Stockhausen and Coltrane, brought in new directions from the AACM. Barry Altschul’s resumé included extensive work with Paul Bley. Together they were, for a while, matchless. Corea called the Paris Concert (recorded 1971) the realization of a dream. Melody Maker: “Paris Concert is evide…
Last Decade
German-American pianist Benjamin Lackner makes his highly melodious ECM debut with an all-star quartet of trumpeter Mathias Eick, the esteemed Manu Katché on drums and bassist Jérôme Regard. Mathias and Manu share an extensive recording history with ECM and their respectively unique instrumental signatures can be traced across this set of exclusively original material – eight pieces by Benjamin, one by Jérôme. The bassist and the leader’s partnership goes all the way back to 2002, when, in New Y…
John Scofield
John Scofield’s first guitar-solo-recording ever gives a résumé of all the influences and idioms he has cultivated over his career in performances on guitar, accompanied by his own rhythmic pulse and chordal backing using a loop machine. Besides jazz, John is known to have always also had a soft spot for the rock and roll and country music he grew up with, revealed here in unencumbered renditions of Buddy Holly’s “Not Fade Away” and Hank Williams’ “You Win Again”. Between elegant and personal re…