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Dead City Radio
In 1988, genius producer Hal Willner (best known, perhaps ironically, for his Disney tribute album STAY AWAKE) traveled to Lawrence, Kansas and taped NAKED LUNCH author and Beat Generation legend William Burroughs performing excerpts from his ... Full Descriptionwork. He then enlisted the likes of Donald Fagen and Sonic Youth to create accompanying musical collages. To this end he also unearthed Aaron Copland-esque music recorded in the late '40s and '50s for various radio shows by Toscanini'…
Kokotsu/ Ecstasy
Long deleted, originally released by Columbia Records on March 1970, “ Kokotsu / Ecstasy” is here re-released for the first time. Sonic-wise, the disc unleashes a whirlpool of Latin styled mondo -sexploitation sounds that get spiced up with feminine breathing and respiration sounds, moaning and hissing, igniting a maelstrom of assorted eroticism and sexual depravity. In all, it resembles a caged vixen engaged in sexual intercourse, hatching out cries, moans, sighs, words and other sounds such as…
Sugar tip
Last winter, when BLOODYMINDED was preparing to go on tour in the U.K., I was put in contact with Lee Stokoe, who was touring at the same time as us, under the name Inseminoid, with George Proctor of Mutant Ape. Not only was Lee beyond accommodating about letting us piggyback on the Inseminoid/Fecalove tour, but he was kind enough to also drive us around the U.K. for several days. I returned to the States with a thick stack of Culver CDs, which took some time to get through. I was most pleased t…
Dialogo della musica antiqua et della moderna - Musica Viva 04
Pierre Boulez as conductor – in a musical discourse among antiquity, middle ages and classical modernism.
7. Sinfonie
Recorded on October 19, 1985 in Orfeum, Graz as part of the Sterischer Herbest festival. Originally released on Dieter Roth's Verlag as a double C90 in an edition of 200 copies.
What Does The Brain Have To Do With It
Z'EV has been exploring and breaking ground in the audio and textual fields since the mid 1970s. Although best-known for his metal-based percussive performances, uns, his electronics and vocal-based whirlwind, was one of the most innovative (and individual) audio experiments of the early 1980s. uns's combination of sound poetics and voice treatments with dense sonic landscapes resulted in challenging, unique, and rewarding audio. A historical testament to the challenge uns presented appea…
Anthology Of Dutch Electronic Tape Music: Volume 1 (1955-1966)
Reissue of a double LP edited in 1978. Realized at the Studio of the Netherlands Radio Union, Studio of Delft Technical Institute, Philips Studio, Studio of Utrecht State University, Studio of Ton Bruynèl, and CEM Studio in Bilthoven. With Hans Kox: 'Three Pieces For Electronic Organ'. Ton De Leeuw: 'Study'. Jan Boerman: 'Musique Concrète'. Jaap Spek: 'Impulses'. Rudolf Escher: 'The Long Christmas Dinner'. Henk Badings: 'Cain And Abel'. Dick Raaijmakers: 'Piano-Forte'. Ton De Leeuw: 'Antiphonie'…
Portraitkonzert Salzburg 10.8.93
Recorded in Salzburg on August 10, 1993, this recording documents a portrait concert devoted to the music of György Kurtág that spans most of his career, from his Op. 1, first string quartet, written when he was in his forties, to works of recent years. The performers are a star-studded gallery of mostly-Hungarian musicians, many closely associated with Kurtág's music, including the pianist Zoltan Kocsis, the soprano Adrienne Csengery, the Keller Quartet, the cellist Miklos Perenyi and the compo…
Hebdomadaire op. 62
52 pieces of the year for a pianist: in Hebdomadaire, Michael Denhoff carries on the noble tradition of cyclic piano music in his own inimitable way.
Buenos aires tapes
Günter Müller (ipod, electronics) with Disc 1: Alan Courtis (unstringed guitar & tapes), Pablo Reche (sampler, md's, electronics). Disc 2: Sergio Merce (4-track portastudio without tape, WX7), Gabriel Paiuk (piano, tapes). Disc 1 was recorded live February 9th and disc 2 February 10th, 2006 at Fundación Cultural Surdespierto, Buenos Aires by Gabriel Paiuk. Mixed and mastered by Günter Müller at Remisch Lupsingen. Cover art by Günter Müller.
Hauptweg und Nebenwege
A miniature for every day, a movement for every month, a cycle for the whole year: Hauptweg und Nebenwege, a musical diary inspired by Paul Klee.
A young persons guide
2CD collects some of this EMERALDS member's best work, previously-released on a number of ltd edition CD-Rs & tape releases over the last 4 years. Electric & acoustic guitar, vocals, tapes, & guitar-synthesizer performed & recorded by Mark McGuire 2007-2010. Although, only 24 years of age McGuire has racked up an impressive canon which most artists twice his age would have problems delivering. With his expert use of loops and layers, as well a superb ear for killer melody hooks makes AYPGTMM…
More electronic music by Badings
More electronic music by Badings: did we partly cover Badings' electronic music on the Popular electronics Boxset (Basta 3091412), here's the best of the rest, to say so. CD1: 'Capriccio' (1959) for violin and two sound tracks. 'Genese' (1958) music for five audio-frequency oscillators. 'Dialogues for man and machine' (1958) text and voice: Ramses Shaffy. 'The woman of Andros', 'Toccata' (1964).
Lost / Found
This double CD with 44 (!) tracks is a welcome re-release of this essential compilation which was initially released on Tarantulla Productions. A must-have for wave / minimal / electro fans! New artwork.
Down Another Road/Songs For My Father/Mosaics
The late 1960s and early 1970s were years when European jazz in general, and British jazz in particular, came into their own in terms of the music making a fundamental break with established, exclusively American precedents. This two-disc reissue of three Graham Collier albums made by the bassist/bandleader during the period underscores this contention. This is an exemplary reissue in terms of plotting the course of a music coming into its own. Equally importantly, both of these discs pass the r…
12 Sonate Da Chiesa
There is little doubt that Helmschrott’s Sonate da chiesa only bear a fleeting resemblance to their namesakes from the 17th and 18th centuries, which, emerging from Northern Italy, quickly rose to great popularity in Baroque Europe. Among the resemblances is their bipartite structure with slow and fast movement and, of course, the use of an organ. Far from expressing formal dependence, the archaic names of the movements lend the twelve pieces a Mediterranean superstructure, as it were. The manif…
Migraine Inducers / Antagonistic Music
Martyn Bates' elusive work as Migraine Inducers issued before his involvement with Eyeless in Gaza finally gets released on CD. Originally circulated on cassette in a tiny quantity as Dissonance/Antagonistic Music in 1979, it later saw a marginally wider release in the United States in somewhat abbreviated form. The complete version of this legendary album is included here, as is a second disc recorded in 1994 with Gaza partner Peter Becker to complete the work.
I\'m Happy, And I\'m Singing, And A 1, 2, 3, 4
Recorded 1997-1999 in NY, Osaka, Tokyo, Toronto and Malmö. Originally released on Mego in 2001. Of course, Jim O'Rourke needs no introduction being well known as a performer, producer and all round top chap, as well membership of various pop and rock combos for more than two decades. ÔIm Happy, and I'm Singing, and a 1, 2, 3, 4' was called by many common folk Jim's laptop record or his powerbook album. We prefer the simple term computer when referring to the instrument used for the creation of t…
Spiegel
As fascinating as ever: Cerha's monumental opus Spiegel, in which he investigates fundamental phenomena of musical creation.
An unrhymed chord
an unrhymed chord is a deceptively simple piece. from the score we see that each performer picks a single sound, sustains this sound for one to fifteen minutes in each half of the piece, and that amplitude is inversely proportional to duration. it does not seem like much in the way of instructions for a piece that lasts just over an hour. however, after I started making a realization I quickly realized how dynamic the situation the piece presents actually is. I had never heard a music quite li…