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Eccentric, prolific British singer/songwriter Roy Harper is a legend on the U.K. folk-rock scene. He began recording in the late 1960s, as something of a cross between Bob Dylan's troubadourism and Syd Barrett's freewheeling, wild-eyed visions. Though Harper has had an impact on British rockers who gained greater fame (he's feted in Led Zeppelin's "Hats Off To Roy Harper," sings lead on Pink Floyd's "Have a Cigar," and was a major influence on Jethro Tull), his mix of folk and prog-rock has earn…
Fela Anikulapo Kuti, inventor of Afrobeat, is one of the greatest musicians ever to have lived. He was an innovator, musically gifted, and more important, he was the people's musician.
special price offer: Opus 3.1 consists of 20 tracks divided into five acts. Each cut--or scene--represents a different percussion instrument. Some are quiet, others cacophonous, but even the slow, stark resonance of a ringing gong maintains a sharp level of intensity. The sole drawback is inconsistency: After being soothed into a reflective trance state, the listener is occasionally jolted by the strident opening clang of the subsequent cut. Ghost Stories, a 1-track, 68-minute live recordi…
Recorded live at Verity's 1972, this CD represents possibly the finest duo performance of Derek Bailey and Han Bennink. Reissue of the rare LP on Incus
This is the fourth release in the series [old school]. The first three CDs, dedicated to the music of John Cage [zkr0009], James Tenney [zkr0010] and Alvin Lucier [zkr0011] have been highly acclaimed. London's Wire Magazine wrote: 'The rigour and discipline they collectively bring to this compositions make both discs utterly enthralling, from start to finish.' The new release is dedicated to the music of Karlheinz Stockhausen.' 'I do not want a spiritualistic session. I want music.' Karlheinz St…
****THE WIRE 2008 TOP 50 RECORDS OF THE YEAR WINNER****"A couple of years ago the promoters Arika invited John Butcher to tour a number of out-of-the-way spaces in Scotland. The venues, selected for their extreme acoustic properties, included a mausoleum, a wartime fuel-storage tank and a cave. This album grows out of Butcher’s evident interest in escaping the acoustic confines of conventional venues (work with resonant spaces is documented on the earlier Geometry of Sentiment and Cavern with Ni…
Enclosing the listener in sonic space: This is what Beat Furrer carried to extremes in his FAMA (col legno 20612), about 15 years after Rihm, by actually placing his audience in a “building of sound”. For Wolfgang Rihm, a sonic space was something less concrete and more indirect: “Organically sprawling strings of sound should be woven around the listener, circling her from different directions. In this way, the listener is not left to her own devices while opening up to it; the piece itself come…
This is the second full-length release by KTL, the formidable collaboration between Stephen O'Malley (SunnO))), Khanate, etc.) and Peter Rehberg (Pita, etc.). Devastatingly beautiful four-part follow up to the highly acclaimed debut CD, recorded in a former abattoir in Angers, as well as a 16th century manor in the extreme west of France. Taking the blueprint that was laid out on the first record even further, with the ecstatic build up of "Theme," the near-psychedelic "Abattoir," and closing wi…
Everyone's belle de jour Diana Rogerson and Andrew Liles got together to create what we regard as one of the most considered and well conceived albums Liles has been part of. 'No Birds do Sing' can only be described as a hallucinogenic voyage of disconcerting mysticism and cosmic pandemonium and is a recording he's very proud of. This disc is a completely black and comes in a stunning super high gloss digipack with wonderful artwork by Babs Santini.
Günter Müller (ipod, electronics) with Disc 1: Alan Courtis (unstringed guitar & tapes), Pablo Reche (sampler, md's, electronics). Disc 2: Sergio Merce (4-track portastudio without tape, WX7), Gabriel Paiuk (piano, tapes). Disc 1 was recorded live February 9th and disc 2 February 10th, 2006 at Fundación Cultural Surdespierto, Buenos Aires by Gabriel Paiuk. Mixed and mastered by Günter Müller at Remisch Lupsingen. Cover art by Günter Müller.
Franck turned to writing organ music only in his thirties, prompted not least by his appointment as organist at the Parisian Basilica Ste-Clotilde in 1858, a post he held until his death. He had played the organ at smaller churches in Paris before; the Six Pièces date back to that time and his first years at Ste-Clotilde; the core piece, Prélude, Fugue et Variation op. 18, with its extraordinary structure including a fugue as the central part, is dedicated to Camille Saint-Saens. Pastorale is de…
Reissued: Biosphere's 2nd CD for Touch after Cirque (Touch # TO:46, 2000) is a double CDin digipack designed by Jon Wozencroft. CD One - Substrata. Originally released in 1997 on All Saints Records, this remastered version of Substrata contains 11 tracks with a total length of 55:20. '...by many (the undersigned included) considered to be the finest ambient album of the 1990s' (Motion-State 51), and 'Three years after its release, biosphere's 'Substrata' is already being recognised as one of th…
Recorded in Salzburg on August 10, 1993, this recording documents a portrait concert devoted to the music of György Kurtág that spans most of his career, from his Op. 1, first string quartet, written when he was in his forties, to works of recent years. The performers are a star-studded gallery of mostly-Hungarian musicians, many closely associated with Kurtág's music, including the pianist Zoltan Kocsis, the soprano Adrienne Csengery, the Keller Quartet, the cellist Miklos Perenyi and the compo…
Martyn Bates' elusive work as Migraine Inducers issued before his involvement with Eyeless in Gaza finally gets released on CD. Originally circulated on cassette in a tiny quantity as Dissonance/Antagonistic Music in 1979, it later saw a marginally wider release in the United States in somewhat abbreviated form. The complete version of this legendary album is included here, as is a second disc recorded in 1994 with Gaza partner Peter Becker to complete the work.
"Led by infamous Fluxus member Takehisa Kosugi, Tokyo's Taj Mahal Travellers were one of the prime examples of a band more heard-of than actually heard. Their vinyl legacy (the 1972 LP July 15, 1972 released on CBS/Sony Japan; the 1974 2LP August 1974 released on Columbia Japan and recently reissued by P-Vine as a 2CD; one side of the mythical Oz Days Live 2LP compilation released on Oz in 1973 and recently bootlegged as a single LP) could dig a hole in your wallet deeper than the Grand Canyon. …
'Chry-Ptus' (1971). Originally two tapes which are to be played simultaneously, with or withour synchronisation, which does not affect the structure of the work, but creates changes in the game of sub-harmonics and overtones. Three variations on this piece were performed at the New York Cultural Center in 1971, with variations of amplitude and location modulation as well as synchronisation. Realised on the Buchla Synthesizer at the New York University. The booklet contains a text by painter Paul…
Recorded 1997-1999 in NY, Osaka, Tokyo, Toronto and Malmö. Originally released on Mego in 2001. Of course, Jim O'Rourke needs no introduction being well known as a performer, producer and all round top chap, as well membership of various pop and rock combos for more than two decades. ÔIm Happy, and I'm Singing, and a 1, 2, 3, 4' was called by many common folk Jim's laptop record or his powerbook album. We prefer the simple term computer when referring to the instrument used for the creation of t…