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The music composed by Micalizzi undeniably emerges for its adherence to the narrative of the story adding dynamic and lyrical value to the various scenes, all the more reason this to consider it an absolutely successful soundtrack in terms of interplay between sound and images. The means used by the Maestro to achieve this result are the classics of the period: Tight hard-funk rhythms, guitars effected with wha-wha, woodwinds in great relief, piano played in the medium-low register, clavinets po…
Tomas Milian as an actor, Umberto Lenzi as director and Franco Micalizzi to take care of the soundtrack in a 1977 poliziottesco classic. "La Banda Del Gobbo" is the third installment in the saga where Milian plays the legendary Er Monnezza, along with that of the most famous mechanic in Italian cinema here he doubles up to also play that of his brother: Il Gobbo, of whom Er Monnezza is very proud because he is seen as a winner (although a bandit regularly involved in robberies). Here at the wor…
Tava Tava Rare is pleased to announce the first release on 7" of Franco Micalizzi's main theme to the film “Delitto Sull'Autostrada”, directed by Bruno Corbucci and starring the Italian-Cuban-American actor Tomas Milian. Eclectic, innovator, full of life and energy, out of the ordinary, the composer is best known for his scores in poliziotteschi films such as “Roma A Mano Armata”, “Napoli Violenta” or “Italia A Mano Armata”, whose theme was used also in Quentin Tarantino's “Death Proof”. The mus…
Simon Scott is a sound ecologist and multi-instrumentalist from Cambridge, England. His work explores the creative process of actively listening, the implications of recording the natural world using technology and the manipulation of natural sounds used for musical composition. He plays the drums in Slowdive and has recently collaborated with artists James Blackshaw, Spire (with Fennesz and Philip Jeck), Taylor Deupree (Between), Isan and many more. “STUK is dedicated to the victims of 13.11.15…
Cassette-only release in a limited edition of 200 copies. Number Crunches" composed, arranged and performed by Andrew Poppy. Field recordings captured by Zeno van den Broek and Sven Schlijper. Hidden voices: Thaddeus Zupancic. Mastered by BJNilsen. Commissioned by PAUME as part of "The Tapeworm Comes Alive!," Utrecht, The Netherlands." -The Tapeworm
*200 copies limited edition* Music Collection from 70's Japanese Hero Sci-Fi TV anime series Gatchaman, Tekkaman, and Go Wapper 5 (Godam), all music composed by Bob Sakuma.
Andrew Lagowski writes: “The 7th Synphonie of the Seven Swevens a.k.a. 777 by Dr. Fleischbrittel was recorded direct to cassette on 29th and 30th May 1983 at IP1 3PG, Ipswich. The project was realised as a means of escape from the band mentality that I was part of at that time. It offered me the chance to free-form in more ways than one and express my more demonic leanings - those of a frustrated teenager recording in whichever bedroom had the space for the equipment. Unbeknownst to them, my par…
Two gigs by a loose ensemble of nomads, hybrids, tech-heads and agitators gravitating around Porto, Portugal. ANTIFLUFFY is the pop cousin of Autodigest, both dedicated to a critique of the current culture of entertainment and the paradoxical labyrinths of late consumerism. While Autodigest takes the cerebral, strategic route, Antifluffy gets down and dirty, visceral in the face of fluff. Whether disemboweling magnetic tape or analogue photographs, delivering impassioned manifestos or crooning a…
Zerocrop is the pseudonym of London based musician Parker, an independent artist who has been releasing albums through the website www.zerocrop.com since 2000. The music is hypnotic mix of complex vocal melodies and spoken word sequences on unsettling themes, set against a rich backwash of pedal steel, guitars and electronics. Zerocrop has remixed, written songs for and performed with the incomparable Billie Ray Martin and regularly creates the show music for award winning milliner Justin Smith.…
Millimetre writes… “Sex Dreams Of The I Ching started out as six love songs with strange fragmented structures that had titles inspired by readings from the I Ching. I didn't know what to do with them, but kept returning to them over and over, they had an uncanny quality whilst being totally dissonant and broken. One day I found some recordings I made on a 4-track years ago with a WEM Copycat – mostly my vocalisations looped endlessly – and out of curiosity played some whilst playing the love so…