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Harmonium
Just Asked whether he would describe his music as “Sound for the sake of sound,” James Tenney (1934–2006) replied, “It’s sound for the sake of perceptual insight—some kind of perceptual revelation.” This release aptly demonstrates Tenney’s deep exploratory fascination with the nature and potentialities of aural perception. His attraction to these topics was simultaneously intellectual and sensuous, and its musical products at once invite both sustained reflection and the most immediate of corpor…
Ariadne's Lament
The music of Mary Jane Leach on this album draws on several sources of inspiration. The first is early music, with its polyphony and modal harmonies. Modal writing, as adapted to twentieth-century thought, focuses on the prolongation of a fixed collection of notes, arranged into either a traditional or an invented scale. Melodies and harmonies are created freely from this collection, without forcing them into highly directional and strongly articulated phrases. The result is a luxurious stasis, …
Atmospheres Transparent / Opaque
This recording is an excellent introduction to the distinctive sound world of Catherine Lamb (b. 1982), who studied with James Tenney and Michael Pisaro, in that it documents a recent large-scale piece that epitomizes her compositional aesthetic, Prisma Interius IX (2018), and was recorded under the composer's supervision."I have been attempting to describe, in more elemental terms, the perceptual roles between musicians who are activating interactions in harmonic space. Overlays Transparent/Opa…
Filament
This recording documents the first ever meeting between Susan Alcorn and Catherine Sikora. When musicians improvise with each other, a space is created that is unique and specific to the musicians who are playing. With Susan and Catherine, the space that presented itself was enormous, with great freedom and tonal flexibility, opening up endless possibilities for expression.
Mongrels
Mongrels—Buck Nauseef—two creatures with no pedigree or particular style who have absorbed, mixed and amalgamated numerous pedigrees and styles during long careers working closely with leading musicians of diverse genres including: orchestral, Javanese gamelan, jazz, Ghanaian music and dance, r&b, Hindustani classical music, free improvisation, Balinese gamelan, Turkish classical Sufi music…
Recordings and performances have been with, amongst many others, The Necks, Evan Parker, Jack Bruce, Bill…
Aphelia
Berlin trumpeters Axel Dörner and Lina Allemano team up to create experimental improvised sonic explorations, both in duo and in larger trumpet-ensemble form. The pieces' titles reference the small lesser-known objects circling around the sun in our solar system; the album’s title Aphelia being the furthest distance away in orbit around the sun.
The Recursive Tree
"The Recursive Tree features a rather remarkable trio consisting of John Blum on piano, tenor-saxophonist David Murray, and Chad Taylor on drums. Although the three musicians had never before recorded together, they sound very much like a working trio. The title is inspired by a concept in mathematics that explains the architecture in nature arising from systematic growth over time. This algorithmic expression also illustrates the growth of Jazz through the art form’s incremental expansion of id…
Monophonic
Monophonic is the name of the new album by Maria Bertel. As the title hints the album is a study of music played with 'one voice'. The amplification of the trombone mimics the effect of a magnifying glass, that let otherwise inaudible sounds be heard and brought forward. The compositions are long swathes of sound slowly developing, heavily inspired by drone and noise.
Interdependenzen
Iinterdependenzen is a selection of 11 solo improvisations that evolved during Maria Reich’s solo impro research. All pieces are uncut and were recorded in different places over 6 months on an iPhone. The situation, the material becomes audible, the wood, the bow hair, the room, the recording device, the musician. "There is no part of me that is alone...."
In Search Of A Real World
"Tenor saxophonist Ada Rave, born and raised in Argentina, decided to move to Amsterdam, the Netherlands in 2013. She had heard ‘the call’, followed her musical intuition and became part of the colorful community of Dutch creative improvised music. Educated in the jazz tradition she started to look for a more personal language. A deep search. Not an easy path to go. The destination is always changing. Each step made will call for a next step. A slow process of collecting material, sounds, techni…
Conic Tube
Conic Tube comes from the idea that the saxophone is nothing but a metal conical tube that amplifies, modifies and pushes the air through the room, if the instrument is just an object and sound is just air and air is inside-out of us, pushing this air becomes the tool to structure our space and surroundings making possible changes on our environment and energies. With this in mind and spirit this record was produced with the intent to fulfill and open new possibilities for the minds and spirits …
Una ofrenda a la ausencia
“Una ofrenda a la ausencia” (an offering to absence) explores in depth the rawness, harshness and roughness of sound embracing the intense and unfiltered expressions that emerges from absence.
Rotarota
The first solo release of baritone saxophonist Sofia Salvo, “Rotarota” consists of a series of improvised pieces. They evoke emotional memories aspiring to set them free and mutate them into blaring music.
Indexical/Rhizome
Collaborators for two decades, Marcia Basssett (guitar) and Samara Lubelski (violin) play electric improvisation. This is their 8th duo release and first on CD and streaming.
Primitive
“Primitive” is Jessen’s first full-length release. A raw solo saxophone recording born out of anger and isolation. At times, it screams violently. At others, it slowly pierces. At all times, it is a reaction to Jessen’s surroundings.
Neumusik - The Complete Edition by David Elliott (Book)
425 pages, softcover, 17x24 cm All six editions of this UK fanzine, 1979-1982 Book containing all six issues of the Neumusik fanzine which David Elliott edited between 1979-82 while at university. The 'zine focussed on European, electronic and experimental music which had come out of krautrock, French progressive rock and the more esoteric side of British post-punk. David travelled extensively meeting musicians in Germany and France, and for a year was based in Strasbourg. Interviews and articl…
The Abrahadabra Letters 1984 - 1988 (Book)
From 1984 to 1988 Anthony Blokdijk frequently visited Threshold House in London and corresponded with John Balance of Coil about playing live, releasing music and personal affairs. This book collects scans of Balance's original letters, including idiosyncratic decorative flourishes and provides insight into his colourful world. Also included two articles on Coil from Blokdijk's Abrahadabra magazine, and an interview with Coil he conducted for the Dutch magazine Opscene. Translations included. Fo…
Deep Listening: A Composer's Sound Practice
Deep Listening: A Composer's Sound Practice offers an exciting guide to ways of listening and sounding. This book provides unique insights and perspectives for artists, students, teachers, mediators and anyone interested in how consciousness may be effected by profound attention to the sonic environment. Deep Listening® is a practice created by composer Pauline Oliveros in order to enhance her own as well as other's listening skills. She teaches this practice worldwide in workshops, retreats and…
Deep Listening Anthology, Volume Two: Scores from the Community of Deep Listeners
The Deep Listening Anthologies are collections of work by musicians and artists from around the world who have embraced the ideas of Deep Listening in their own ways. Inspired by DL's tenets of listening, openness and play, these volumes contain a wonderful variety of interpretations and integrations of global ideas into individual practices. This volume is the second Deep Listening Anthology, containing mostly instructional scores by composers, along with scores in traditional notation, poetry,…
Software For People: Collected Writings 1963-80
Second Edition. Pauline Oliveros's much sought-after 1984 publication Software For People: Collected Writings 1963–80 is back in print. Originally published in 1984, it’s an anthology of essays that covers a broad range of the US composer, philosopher and accordionist’s interests. “I am publishing this collection of twenty-six articles partly to show the growth and change in my attitudes, interests and perceptions over the seventeen year period presented,” explains Oliveros in her introduction. …