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I Sigh, I Resign
HoP warmly welcomes Belgian chantress Annelies Monseré back to the fold.
11th Street Fire Suite
11th Street Fire Suite is a post-BAG (Black Artists Group) classic. An emotionally ranging set of blues-drenched duets by alto saxophonist Luther Thomas and flutist Luther C. Petty, it's one of the great documents of the St. Louis creative music diaspora, a wild ride through turbulent and beautiful terrain on a slab of vinyl that's as rare as hen's teeth in its original form. Relocated from their midwestern hometown to New York City, Thomas and Petty entered the studio in 1978 with a fellow musi…
Chirps
Limited edition of 500 copies.* What could possibly happen when two ultimate masters of soprano saxophone square off for their only recording of duets? Chirps is the only place to find out. Steve Lacy – the one who planted the flag for soprano saxophone in the ground of modern jazz, who established its iconic status, who devoted himself to the axe with monkish devotion, who brought shakuhachi breath and stairstep melody into its upper-register antics. Evan Parker – arguably the one who pushed th…
Tetterettet
Originally recorded and released in 1977, the Instant Composers Pool's Tetterettet is the first classic of the band's larger incarnations. Assembled out of elements recorded live in Uithoorn, Utrecht, and the band's home base of Amsterdam, with Misha Mengelberg using a cut-and-paste collage method akin to Teo Macero's work with Miles Davis, the record features an all-star lineup that added three leading lights of free music: bassist Alan Silva and saxophonists John Tchicai and Peter Brötzmann. I…
Live
If you've missed out on bassist Torbjörn Zetterberg, now's your chance to play some catch up ball. He's one of creative music's most eloquent exponents, having emerged from the fertile Swedish jazz scene around 2005. With his band Torbjörn Zetterberg Hot Five, he began a fruitful relationship with the thoroughly excellent Moserobie label, run by his frequent band mate, saxophonist Jonas Kullhammar, and by the time he was making records like Skildrar Kvinnans Kamp and Och Den Stora Frågen, Corbet…
Keep Going
It's easy to be cynical these days, maybe difficult to imagine that music can change the world, but not for Joe McPhee and Hamid Drake. With Keep Going, they will make the planet a better place for humanity, a place to be humane, to preserve humankind. At 78 years old, Poughkeepsie multi-instrumentalist McPhee is a national treasure, and he's making more music than ever before, pushing himself to tour incessantly, issuing astonishing new records at a fierce rate. But this release, with legendary…
Wichlinghauser Blues
A reissue of Wichlinghauser Blues the debut album by legendary German guitar improviser and instrument inventor Hans Reichel (1949-2011), originally released on FMP in 1973. Wichlinghauser Blues is a resonant and hilarious document of the nascent genius recording his peculiar and wondrous music alone in a studio. Acoustic and unfiltered electric guitars turned back into the supremely malleable instruments they were before they'd been firmly encoded as tools for rock or pop or jazz. Reichel uses …
In a Perpetual Now of Instantaneous Visibility
Artist and musician Rosa Barba paired up with drummer Chad Taylor for their first duo record, In a Perpetual Now of Instantaneous Visibility. Documenting a September 2019 performance and installation at New York's Park Avenue Armory, part of an invitation by pianist Jason Moran, the CD's two mesmerizing tracks clock in at over 30-minutes each. Patiently built as collaborative soundscapes, they feature Barba's unorthodox conjoining of cello and film projector in which she uses the celluloid as an…
In Early November
Two historical heavyweights of European free music, clarinetist Rüdiger Carl and drummer Sven-Åke Johansson, join forces with younger bassist Joel Grip for a night of incredible trios. Recorded a few months before the pandemic clampdown, in November of 2019, at Berlin's Au Topsi Pohl, the music is exploratory and swinging, with Carl's viscous clarinet and a brilliant rhythm team steeped in time-based feel but loose and sometimes oblique. Johansson was part of the first Peter Brötzmann Trio to …
Duol
Although he is best known as a groundbreaking experimental filmmaker,
one of the architects of structural cinema, and visual artist, Michael Snow has been active as a musician since the 1950s. In Greenwich Village of the 1960s, his loft was the site of concerts by Cecil Taylor and other paragons of free jazz, and Snow's film New York Eye And Ear Control
featured a soundtrack by Albert Ayler's group and starred its members
(ESPDISK 1016CD/LP). A brilliant keyboardist and occasional trumpeter, …
Bonobo
A reissue of the second album in the catalog of German guitarist and instrument inventor Hans Reichel (1949-2011), Bonobo, originally released by FMP in 1976. A program of microtonal string investigations that is still beguiling and fresh four decades later. Like Reichel's debut, Wichlinghauser Blues (1973), Bonobo is a super-rare slice of musical otherness. Includes the hilarious cover by Reichel himself. First ever release on CD. Remastered from original tapes; Packaged with gatefold and tip-o…
A Well-Kept Secret
Corbett Vs. Dempsey present the first CD reissue of Beaver Harris and Don Pullen 360º Experience's A Well-Kept Secret, originally released on Shemp Records in 1984. Of all the never-issued-on-CD items in history's dustbin, A Well-Kept Secret is perhaps the most egregious. The beautiful studio recording, made under the watchful ear of überproducer Hal Willner, was first issued on LP in 1985 on Willner's own Shemp label. With its unconventional lineup featuring steel drums, Latin percussion, and F…
Yi Yole
Corbett Vs. Dempsey present a reissue of Dudu Pukwana, Han Bennink and Misha Mengelberg's Yi Yole, originally released in 1979. Recorded at the ICP Jubileum, a festival in Uithoorn, Holland, in 1978, Yi Yole brings together the core of the Instant Composers Pool -- pianist Misha Mengelberg and drummer Han Bennink -- with legendary South African alto saxophonist Dudu Pukwana. Longtime member of the Blue Notes, Pukwana was a beloved figure in European free music after he left South Africa in the m…
The Complete Yale Concert, 1966
For a performance at Yale University in New Haven, Connecticut, in spring of 1966, percussionist Milford Graves invited pianist Don Pullen to play duets. The two musicians had worked together in a band fronted by saxophonist and clarinetist Giusseppi Logan, with whom they had recorded two LPs in 1965 for ESP-Disk'. Graves was already a daunting presence in free music. One step at a time, he was busy transforming the role of drumming in jazz, introducing a new way of dealing with unmetered time a…
Black Is The Color: Live in Poughkeepsie and New Windsor 1969-70
Never-before-issued music from three very different settings in upstate New York, all recorded in the period running up to Poughkeepsie multi-instrumentalist Joe McPhee's Nation Time (CVSD 054CD). From a year before that landmark LP, in the same hall at Vassar College, McPhee led a band with soulful vibraphonist Ernie Bostic and voluble rhythm section of Tyrone Crabb and Bruce Thompson, both of Nation Time fame, performing a John Coltrane-oriented set that included versions of Mongo Santamaria's…
Three Nails Left
Corbett Vs. Dempsey present a reissue of Alexander von Schlippenbach Trio's Three Nails Left, originally released in 1975. One of the all-time great records of improvised music from Europe. Period. Blisteringly hot. Uncompromisingly inventive. Staggeringly beautiful. And insanely rare. Originally issued in the mid '70s on FMP, at its core Three Nails Left features the legendary Schlippenbach Trio -- British saxophonist Evan Parker, and German percussionist Paul Lovens joining the German pianist …
Incipient ICP, 1966-71
The untold early history of Amsterdam's seminal collective. Founded in 1967 by three of European free music's leading lights -- pianist Misha Mengelberg, drummer Han Bennink, and saxophonist and clarinetist Willem Breuker -- the Instant Composers Pool (ICP) was simply one of the most important vehicles for experimentation and improvisation in the history of creative music. Culling ideas and materials from jazz, modern and contemporary classical music, Fluxus, traditional music from the Balkans a…
Peter Kowald Quintet
Reissue, originally released in 1973. The only LP featuring a band under Peter Kowald's name, Peter Kowald Quintet comes from a vital moment in the German bassist's career. A close colleague of Peter Brötzmann's in their formative years, including the saxophonist's debut For Adolphe Sax (1967) and the classic Machine Gun (1968), Kowald had by 1972 broadened his circle of collaborators, eventually working with a who's who of global creative music. Recorded live in Berlin, released on FMP, this da…
There'll Be No Tears Tonight
2016 release. A reissue of Eugene Chadbourne's There'll Be No Tears Tonight, originally released by Parachute in 1980. One of the absolute essentials of Eugene Chadbourne's oeuvre, what he described as "free improvised country and western bebop", featuring his frantic, skewed interpretations of classic songs such as Merle Haggard's "Swingin' Doors", Roger Miller's "The Last Word In Lonesome Is Me", and Willie Nelson's "Mr. Record Man", There'll Be No Tears Tonight was recorded in Spring of 1980.…
1971
2015 release. Recorded at the height of their powers as the leading free jazz trio in Europe, 1971 includes some of the hottest and heaviest music ever made by Peter Brötzmann, starting with an inflammatory, incandescent 26-minute live track recorded at the New Jazz Meeting auf Burg Altena. Only available on a nearly-impossible-to-find LP sampler issued at the time by the festival, this marks the first appearance of "Just for Altena" on CD. Two more tracks come from pristine studio recordings ma…