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Eternal City
Tip! Three pieces spanning free improvisation, noise and extended saxophone technique by long-time collaborators Jason Kahn and Ulrich Krieger.
Switched On – The Dawn of Electronic Sound by Latin American Women (Book)
** Hardcover. English edition. ** The first book dedicated exclusively to the female protagonists of Latin American electronic music. The book has been edited by independent curator, researcher and label head of Buh Records, Luis Alvarado, and experimental musician, multimedia artist and researcher Alejandra Cárdenas (also known as Ale Hop). Composers and sound artists featured in this historical account include: Alicia Urreta, Beatriz Ferreyra, Elsa Justel, Eulalia Bernard, Graciela Castillo, H…
Crack
Reissue of the 1994 b/b tapes release. Arising from the same sessions that produced the legendary cassettes “Grind” and “White Music”, Macronympha’s highly sought-after “Crack” is a tour de force of psychedelic harsh noise and deranged, in-studio manipulations. Master tape transferred by Grant Richardson, and restored faithfully in line with the original issue.
Rune Kitchen
*2024 stock*
Jaap Blonk - voice, electronics Damon Smith - double bass Ra Kalam Bob Moses drums, percussion Recorded by Ryan Wasoba at Birdcloud Studios, Collinsvile, Il November 1st. 2022 Mixed & Mastered by Weasel Walter Design by Alan Anzalone Cover art by Damon Smith Untitled micro-collages 2003-2004 Oil, graphite, bass rosin, collage & objects on graph paper 3" x 3.5" Concrete Poem / liner notes Ra Kalam Bob Moses / Jaap Blonk All Titles from text messages from Ra Kalam
Just Another Diamond Day
Recently voted one of the Top 100 British Albums of all time by the OMM, this CD re-release of Vashti Bunyan's 'Just Another Diamond Day' features the likes of Robert Kirby (of Nick Drake fame), Robin Williamson (Incredible String Band) and the Fairport Convention's Simon Nicol and Dave Swarbrick, it is also regularly cited as inspiration by Devendra Banhart, Joanna Newsom and Scout Nibblet... Possibly sounding a bit naïve in retrospect, much of 'Just Another Diamond Day' seems to exist somewher…
Assassins
At the beginning of the 80s, guitarist Jean-Francois Pauvros and trumpeter Jac Berrocal invented the trio Catalogue, responsible for a rather provocative crazy rock with its saturated voices and decadent lyrics... We remember "Khomeini Twist" from the 1982 album "Penetration". After Jean-Pierre Arnoux's brief appearance, Gilbert Artman sat behind the drums for three explosive vinyls which were to mark their era to the point of still resonating today. Sound recordist Jean-Marc Foussat, a long-tim…
Move
Jazz in Australia at its best with incredible sessions from autumn 1960 – three masters with unbelievable musical control and understanding. This album was recorded at the El Rocco club six weeks after the group was formed, and the boys claim they were only just becoming accustomed to one another’s playing. In all, they cut thirty different titles in two 3-hour sessions, all of which were one take only. This in itself is incredible as the resulting takes never fall below top-level
Sittin' In
The hard-swinging Three Out were attracting large and enthusiastic crowds in Sydney and shared the bill with such names as Dizzy Gillespie, Coleman Hawkins, Teddy Wilson and Sarah Vaughan. Here we find them continuing in the same exciting manner as their first album, 'Move'. The Three Out are joined by four horns on the second half of this album from 1960. The session has the flavour of the hard jazz of the American Masters of the sixties, particularly the "Big Soul Band" type from Chicago and N…
Rupture & Dissipation
Recorded live in Sokolowsko, Sanatorium Dzwięku Festival 2016. Composition: Kasper T. Toeplitz. Played by: Ensemble Phoenix Basel.
Sombras
New recoerd form Uivo Zebra & Horns. Jorge Nuno - electric guitar. Hernâni Faustino - electric bass João Sousa - drums and percussion. Luís Vicente - trumpet. José Lencastre - alto saxophone. Paulo Galão - tenor saxophone. Pedro Arelo - baritone saxophone .
MID_EVIL
Improvisations recorded on the MID_EVIL album do not aspire to reconstruct the past. However, its ghost hauntingly looms over the whole project referring - if only by bone scraping sounds transmuting into the noise of prepared gramophone records - to sonic archaeology and the phantasms concerning the era of phonographic breakthrough. This material touches on issues concerning continuity in history and tradition, recording sounds and tones, as well as musical structures and practices.These are al…
Oto No Hajimari Wo Motomete 1: Hiroshi Siotani Works
Hiroshi Shiotani was an engineer of NHK (Nippon Housou Kyoukai: National Broadcasting association) electronic music studio, and then he cooperated with some avant-garde composers of Japan. This CD get Shiotani's works together, and released several years ago as a memorial of him when he died. It was repressed 500 copies by a private studio. All tracks are legendary early electronic works of Toshiro Matuzumi and Makoto Moroi. These works had originally released in '50s-'60s, but we have not been …
Oto no Hajimari wo Motomete vol.11
Recent issue of archive series of NHK electronic music studio. This issue is a collection of Joji Yuasa includes works on past issue of this series. “My Blue Sky (No.1)” and “Music for the Main Pavillion of the Okinawa Oceanic Expo” has released on CD by Omega Point.
1. ”Projection Esemplastic” (1964) – sound fileWhen I was asked to create electronic music for NHK, I decided to use only white noise, which originally contained all frequencies, and cut out various components from it to compose the…
The Sound of Laughter Isn’t Necessarily Funny (Tape)
The Sound of Laughter Isn’t Necessarily Funny is a catalogue in the form of a cassette tape by Jonathan Monk published after the show The Sound of Laughter Isn’t Necessarily Funny held in Monk’s home town of Leicester. The catalogue comprises a five panel concertina booklet printed in gold and black with jewel case and prison cassette.
British artist Jonathan Monk regularly replays, recasts and re-examines seminal works of Conceptual and Minimal art by variously witty, ingenious and irreverent m…
The Stone Which The Builders Rejected (Tape)
A reconstruction of underestimated and mislaid recordings from the period 1984-1987. Contributors: Kostas Anestis (synthesizer & voice), Yiannis Argyropoulos (drums, piano & voice), Eleni Drygianaki (voice), Costis Drygianakis (a bit of everything &voice), Christos Kaltis (bass & voice), Alexis Karavergos (guitar & voice), Petros & Eliza Koutsopoulou (voices), Kostas Pandopoulos (sea & voice), Eleni Varouxi (toy trumpets & voice).
Cosmic Gem Pt. 2&3 / Les 3 Cœurs
Psychedelic split tape by Weird Dust and Bear Bones, Lay Low.
Frequencies For Leaving Earth Vol.2
Kevin Richard Martin(The Bug/King Midas Sound/ Zonal), today launches his own digital label, Intercranial Recordings, with the simultaneous, twin release of ‘Frequencies for Leaving Earth Vol.1’ and ‘Frequencies for Leaving Earth Vol.2’. Both volumes were composed, mixed and produced during the lockdown period. Kevin spent this surreal, intense time, rebuilding his studio and retreating into these alternate sonic realities… Volume 1 is epically slow. Three graceful tracks that are as beautiful …
Ahinsa
Piotr Dabrowski: Primitive lyre, Voice. Giacomo Salis: Objects, Caxixì, Radio, Frequency sound generator. Paolo Sanna: African bells (Apitua set.) Tubophone set, Cicada, African seed rattles.
La Gomera (Art Box + Tape and Ephemera)
* Housed in a silkscreened wooden box in a limited edition of 25 copies and sold as an exclusive mail-order item only * The idea for this release started years ago while listening to a tape from the Slowscan archive containing a radio broadcast about the Otto Mühl commune on La Gomera, Portugal. Later, while working with William Levy, a close friend of Mühl, on his 2016 LP on Slowscan Records the idea arose to combine forces for an Otto Mühl LP, documenting some of the stuff from the personal ar…
Viagem
Light and breezy, pure and easy, that’s how I spent most of last week, and this album was a great soundtrack for it. Osmar Milito is an interesting figure in Brazilian jazz, having a hand in the famous Canecão club in Rio and playing with the likes of Sylvia Telles, Leny Andrade, and Flora Purim early in his career, and later on doing lots of soundtrack work for those venerable Brazilian exports, telenovelas. His post-bossa nova records are collectible for a reason: they’re damn good listening…