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**200 copies limited edition** "These songs were written between 2004 and 2005, when I had just discovered how I wanted to approach the phenomenon of 'song'. I had created songs with just voice for years, and now had found that the guitar could help tell me what mattered to me. I felt I could create a space by carefully experiencing and 'watching' voice, guitar, silence and overtones. I enjoyed this making of quiet songs, where I could voice things that would get lost in a crowd. I remember wond…
Leo Okagawa is a sound artist based in Tokyo, Japan. He makes multilayered collage works from elements of recorded sounds, analog machine’s noise, and simple electric tones.He has also been working on an improvised performance since 2017. Using some electronic devices, he explores the structural possibilities of sound through the combination of simple tones. In 2022, he started his own record label "zappak", and has been publishing music by other artists on CD.
Originally released as a 4LP set back in the early days of Mode Records, the first two discs of this 3CD set document the two live performances of John Cage's 1961 orchestral work Atlas Eclipticalis played simultaneously with 1957's Winter Music (in a version for three pianos) recorded at Seattle's Cornish Institute on December 11th 1983. Disc three presents what the label rather grandly describes as an "all-star" recording of all 86 instrumental parts of Atlas Eclipticalis, (the first of its ki…
A truly sensational find, Atlantis Lullaby presents a never-before-heard performance recorded in Avignon, France. Featuring Yusef Lateef in a quartet set with fellow stars Kenny Barron, Bob Cunningham and Albert “Tootie” Heath. Among the highlights are a fantastic flute/piano duet by Lateef and Barron playing the pianist’s beautiful ballad, “A Flower,” as well as extended readings of the classic, “I’m Getting Sentimental Over You,” Lateef’s “Yusef’s Mood,” and Barron’s “The Untitled.” This proje…
GSL is pleased to announce the debut U.S. release from Italian quartet With Love, "A Great Circle." Since the late 90s, With Love has been a constantly evolving presence on the Italian DIY scene. The past few years have seen the group mutate from the all-out thrash/hardcore of their early EPs to a more experimental and abstract variety of sounds, informed by the likes of Liars, Men's Recovery Project, Black Dice, etc. Meanwhile, vocalist Nico Vascellari has pursued a rapidly accelerating career …
Dutch Ultra veterans deNeuve deliver 10 cinematic cuts of top notch electronics and pumping rhythms. The CD comes in a deluxe digipack including six pages of photos.
Evan Parker made his first trip to North America as a performer in the fall of 1978 touring solo in the US and Canada. His landmark solo record Monoceros had been recorded in April. This is a recording of his first solo performance in New York City. While it may lack the sonic fidelity of Monoceros, its raw passion makes a statement to the New York audiences lucky to have been at Environ that October evening.
The japanese label Captain Trip and now Suezan Studio from Tokyo, famous for their selective musical taste, have started to release in their "Collection Serie“ - the first 20 Ata Tak releases in 4 box sets with 5 CD´s each. The boxes are designed by "Moritz R“ and this edition is limited to 600. Most of them inculde some previously never released bonus-tracks. And some of the records are re-released for the first time on CD, like "Ja Ja Ja", "Thirteen" or "Monitor".
Box includes:
CD1 - Der Plan …
The track selection seems to have been designed as an ideal introduction to the former Soft Machine drummer's solo work, collecting key album recordings and even one or two bonafide hits (regardless of what the album title says). Wyatt's debut single, a cover of the Neil Diamond/Monkees song 'I'm A Believer' is included in its extended form (although, as ever it sounds jarringly out of place when set among his own compositions), as is the 1998 remaster of 'Shipbuilding', Wyatt's memorable 1982 r…
Highlighting Wyatt’s interests in township arrangements and ensemble playing, made explicit by calling a track "Team Spirit", Ruth Is Stranger Than Richard inverts the inward meditations of Rock Bottom outwards. The result is a set that startles with its rhythmic instinct and shape shifting composition. Drawing on both Wyatt’s breezy way with a time signature, and his ability to use his voice as a truly resonant instrument, the record contains not so much songs as abstract chamber pieces that ba…
The ninth issue of We Jazz Magazine, "Oisters" for Petter Eldh. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Petter Eldh by Peter Margasak, Oren Ambarchi by Daryl Worthington, Sven Wunder by Markus Karlqvist, Robyn Steward by Dave Waller, Jason Moran by Rui Miguel Abreu, Darius Jones by Stewart Smith, Carlos Garnett by Andy Thomas, Discaholic column by Mats Gustafsson, Black Fire by Danny Veekens, revie…
The eighth issue of We Jazz Magazine, "Shadow Shapes" for Dorothy Ashby. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Dorothy Ashby by David Mittleman, Don Cherry by Magnus Nygren, Peter Evans by Andrey Henkin, The Return Of the Queer Jazz Scene by Tina Edwards, Jimetta Rose & the Voices Of Creation by Samuel Lamontagne, Asher Gamedze by Teju Adeleye, Jazz Taphonomy by Seymour Wright, Discaholic column …
The tenth issue of We Jazz Magazine, "Dominoes" for Donald Byrd. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Donald Byrd by Andy Beta, Lonnie Liston Smith by Anton Spice, Charles Gayle by Seymour Wright, Anoushka Shankar & Arooj Aftab in conversation by Debra Richards, Billy Harper by Bret Sjerven, Anni Kiviniemi by Wif Stenger, Kenneth Jimenez by Andrey Henkin, Sun Ra by Francis Gooding, Muffins by Ma…
*In process of stocking. 200 copies limited edition* "An odd release that doesn't seem to follow any sort of a recognizable theme or singular approach to noise, just three random tracks pasted together. In the first track there's not much interesting variation within it. The second track is a cool Music for Films evoking electronic drone that's also 56 seconds long. The main course here is the third track, which is a massive beast of thick fuzz that has a very strange, "rattly" effect to it, ach…
Combining free improvisation, free jazz, rock, and electronic improvisation, the trio of Eddie Prevost (drums), No Moore (guitarist), and bassist John Edwards are caught live at Iklectik in London, 2017, for a concert that changes pace from vigorous riffs to unconventional introspection, with masterful playing and profound technique, an exceptional performance.
The music released as Amulet (or The Amulet Edition) is Peter "Sleazy" Christopherson's semi-secret testament. Originally available in exceedingly limited quantities at live shows and via direct mail-order in 2008 as a hand-assembled 4 miniCDR set housed in a circular Thai Amulet case and never properly distributed, the material finally receives the wider re-release on vinyl and CD it so richly deserves. Only the second and sadly already the final release in his post-Coil solo guise as The Thres…
Platform 23 Records’ meandering, and sporadic journey continues, digging up archival treasures of known and unknown music sonics. The label’s close association with Paris’ based ‘ethno-industrialists’ Vox Populi! continues, here returning to their most heralded and possibly cohesive album, in Half Dead Ganga Music.
The beautifully apt title precedes their most intense trip, pushing the boundaries away from the percussive psychedelic of albums ‘Mystcitismes’ (1985) and Aither’ (1989) to create …
* 2022 stock * "Archie Shepp's 1979 quartet of American and European musicians (Clifford Jarvis, drums; Seifried Kessler, piano; Bob Cunningham, bass) put more fire under him as an improviser than anybody since Coltrane. These cats came to play, and they were playing for keeps. It's all Shepp can do to lead the band. Opening with a furiously paced "Donna Lee," with Shepp's solo winding all around the intervals and changing them in mid-phrase, Jarvis double times even his legato. For 16 minutes t…
*2022 stock* Futura Marge presents Open Loose: Mark Helias (double bass), Tony Malaby (tenor saxophone) & Tom Rainey (drums). Recorded live on 11 April 2011 at the Sunset in Paris.
Cancrena III is a solo side project from [fla] - Splinter Vs Stalin. Death ambient - drone - lofi - hopeless and slow cancer. Limited edition. 50 hand-numbered copies in special cardboard sleeve (black/silver). Typographic print.