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Black Truffle is pleased to announce its first release from celebrated London-based Canadian composer Cassandra Miller. Though her body of mature work stretches back almost twenty years, many listeners were introduced to Miller through the success of her astonishing 2015 Duet for Cello and Orchestra, which sets an imperturbable two-note cello part against a series of increasingly dense orchestrations of an Italian folk melody; in 2019, it was selected by The Guardian as one of the ‘best classica…
Maurice Lecoeur could be considered as France’s best kept secret composer. Although hardly known outside of « digging-nerds » circles, he produced an incredible number of themes for movies, TV programs and commercials. Inspired by his friend and mentor François de Roubaix, he managed to create his own print, juggling freely with genres, harmonies, tonalities and string arrangements.This fine compilation gathers together the cream of his 70s-to-mid-80s work ; a journey overflowing with pop fantas…
Anthony Linell's Lundin Oil project suggests a politic and an aesthetic in one swift movement. We may make certain deductions about each, but we must work backwards from where they meet. Through the brutalising industrial mechanisms to which titles cryptically allude, we are given an exponentially urgent image of devastation. This is projected, pitch-perfectly, into a rapacious and erosive aural demonstration that barely meet metrical demands. Exploit Divisions, the first Lundin Oil release sinc…
Jordan Deal’s 2022 debut GOGO Underworld (Cor Ardens) hipped us to their multidisciplinary practice which shapeshifts across film, sculpture, sound & performance. Now we are proud to present the next chapter in Jordan’s recorded legacy. Seas of Triple Consciousness was recorded between monasteries & churches in rural France and Jordan’s home in Philadelphia. It takes cues from the gospel, blues and folk traditions as well as avant-garde composition techniques.
Essentially a song-suite centred ar…
*250 copies limited edition* Originally released on cassette only in 1984, Iguzki Hauskara by Pascal Gaigne, combines Basque Folk oral tradition, Spanish guitar and Contemporary Classical minimal compositions in equal parts. Beautifully haunting, wondrous and expansive, this record speaks to the spirit. A timeless document that befits situations and sceneries that existed long before this record was made. A pivotal moment in Pascal’s career, highest possible recommendation for fans of 80’s count…
Numbered edition of 500 copies Comes with 8 page 12" booklet Thanks to Dan Wilson for the segues on side 2 Special thanks to Sandra Cross, Miles Champion and Ed Baxter. These recordings were collected by William English from the floor of Captain Seddon’s cottage shortly after he died and just before the building was demolished. Many other tapes were left behind. The only recordings he made were audio letters, diaries and most prolifically, his phone conversations. The 12 pieces on this LP were r…
180g vinyl, 2024 repress. "I’ve never met Rod Modell (Deepchord) in person, but we have met through music. He found an obscure cassette of Chi music (from ’86), sent it to Astral Industries and paved the way for the release (30 years later) of ‘The Original Recordings’ in 2016. Since then, we’ve exchanged ideas and good music. I sent Rod a preview of ‘The Kallikatsou Recordings’ - he really liked it - and here came the idea for a remix of ‘Lanterns’. I started working on some random, lo-fi sampl…
Mondays at Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist & composer Jeff Parker's ETA IVtet is at last here. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, & alto saxophonist Josh Johnson to convene in extraordinarily depthful & exploratory music making. Gleaned for the stoniest side-length cuts fro…
“Losing The War Inside Our Heads” is the 17th official album by The Flying Luttenbachers. It is a desolate, bracing collection of music showcasing five varied new tracks of intense, composed modernism. The previous release “Terror Iridescence” (2022) was an abstract horrorscape of alienated dissonance marking founding member Weasel Walter’s transition back to the original base of operations, Chicago. Following four albums with New York based personnel since reviving the Flying Luttenbachers in 2…
Tip! "Feldman's last composition, Piano, Violin, Viola, Cello, was completed in 1987; although its instrumentation largely corresponds to that of Piano and String Quartet, with one instead of two violins, it differs in almost every other respect from the composition written only two years earlier, for here, in contrast to Piano and String Quartet, Feldman makes every effort to integrate the piano into the string section, and the basic formal components of the composition are no longer staves, as…
Much-needed repress. For his premiere recording on God Records, Phill Niblock confirms his minimalistic musical approach and composes two monumental pieces for flutes and additional voices, respectively. Commissioned by Erik Drescher and Natalia Pschenitschnikova, Niblock again delivers an almost stripped, uncompromising one-way sound monolith. Tremendous, straight, and to the point... Personnel: Phill Niblock - composition; Natalia Pschenitschnikova - bass flute, voice; Erik Drescher - glissand…
In 2015 Bernhard Lang was approached by Sebastian Berweck, to compose a piece for his Berlin-based Synthesizer-trio Lange // Berweck // Lorenz.Considering his musical background and his roots, Lang saw this offer as double opportunity, one of them being a chance to compose an ultimate tribute to one of his musical heroes, electronic pioneer, Klaus Schulze. On the other side, Cheap Opera #1 „répétitions“ turned out as Lang's most political piece to day: his mercilles comment on fake patriotism...…
Peter Ablinger is one of home composers of GOD Records. His cult releases GODrec "Regenstücke 1 and 2" and "Voices and Piano" (GOD 08, 18 and 34 respectively) are part of every serious record collection around the globe. With "Orchesterstücke" Ablinger finally delivers some of his remarkable orcestra pieces in last ten years. Release contain three Ablinger's orchestra pieces, "Quartz", "Wachstum, Massenmord" and highly controversial piece "4 Weiss", for orchestra and white noise - the piece th…
Lésions Graves is an experimental extreme-metal trio on a journey towards minimal music. Racing drum patterns and humming melodic shreds interweave with disharmonic sound spheres and complex rhythmic and melodic phase shifts. Fast, loud, aggressive, repetitive, irritating...
The Vinyl Coda project returns to God Records for the second chapter of the Philip Jeck masterwork, originally released in the late 90s and now freshly re-mastered for this LP re-release. Philip Jeck revolutionised the world of experimental music with his pioneering turntable collage work, with his hazy and intuitive narrative of sounds that never quite head in the direction you expect. In these sets, Jeck uses a number of turntables and prepared records to create strange soundscapes in which cr…
Bernhard Lang's Differenz/Wiederholung 2 is a multi-media piece for amplified ensemble, three voices and video installation. While the music is filled with rocking-and-rolling, anti-grooving sound slaps, "scored free jazz", and crippled repetitions, three vocalists present texts (including rap) from Gilles Deleuze, William Burroughs and Christian Loidl, commenting on usual repetitive human habits and its nonsense. If Captain Beefheart's Trout Mask Replica (1969) is a milestone of avant-rock, …
Voices and Piano, written for Nicolas Hodges, is an extensive cycle of pieces, each for a single recorded voice, mostly of a well-known celebrity, and piano. The cycle is still in progress and should eventually include about 80 pieces/voices (arround 4 hours of music). The work is always meant to occur as a selection from the whole. At present I like to write works where the whole should not be presented at once. The whole should remain the whole, and what we hear is just a part of it. I like to…
The title gives an indication as to what this cycle is about: “Lines” as a catch-all phrase for melodic relationships: differently formed – from a unison melody for two instruments to counterpoints of independent voices; composed in different ways – from “calculated” proportioning to spontaneous writing; expressive in different ways – from lament to competition. If nothing else, these pieces are also a journey through all registers of the clarinet family, from Eb- and Bb clarinet through basset …
DW is an on-going cycle of Bernhard Lang's pieces, where composer explorespossibilities of loops and repetitions, which became his compositional trademark. Songbook I is another piece where Lang highly involves his patterns from Jazz and Pop music, transformed through “damaged beats”. "For many years one of my main influences beside the work of Philip Jeck were the movies of Martin Arnold: they more or less became the trigger for the series of pieces called Difference/Repetition