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*75 copies limited edition* A wild and beautiful journey into the ecstatic regions of noise. Unfettered distortion ceaselessly billows and unfurls, harmonized and melodized in all sorts of unexpected ways. The momentum is undeniably forward in every direction, while the jarring suspensions that momentarily intervene to restrict the sound's movement serve ultimately to unleash its sublime energy all the more fiercely.
Black Magic Man is arguably the pivotal Joe McPhee release. It bridged the span between the regional and the international, bypassing the national altogether. "Recorded in the same sessions that produced Nation Time, Black Magic Man consists of music not chosen for that LP. Like its much-feted sister, technically it falls under the domain of CjR, Craig Johnson's herculean effort in support of McPhee. An erstwhile painter, Johnson became a self-taught audio engineer, acquiring equipment expressly…
Prolepsis has been one of contemporary Harsh Noise's best kept secrets for the past couple of years, although i've done my best to put people on to the project, which is not easy considering their minimal online presence and short list of physical only self-released titles (that honestly tend to outshine a vast majority of hyped releases by more well known artists).
Until now this Michigan-based project has only been featured on AAD's "Life is Fucking Stupendous!" compilation, but the brief soni…
2023 repress. **Quality reissue of legendary early demos, available for the first time in over 20 years. Includes liner-notes insert with Moshe Brakha's photography** San Francisco's cherry-picking reissue label, Superior Viaduct, give new life to these crucial volumes of art-pop and pre-punk prototypes from Akron, Ohio's finest. 'Hardcore' documents the formative Devo's years, 1974-1977, of the brothers Mothersbaugh (Mark, Bob, and Jim) and Brothers Casale (Jerry and Bob) and their drummer Alan…
Following their groundbreaking collaboration with the Art Ensemble of Chicago, Comme à la Radio, Areski and Brigitte Fontaine began recording almost exclusively together as a duo. Originally released in 1973, Je Ne Connais Pas Cet Homme is their first record billed under both names. Deeply rooted in North African and European folk traditions, the album features evocative vignettes with breezy vocals and minimal accompaniment of classical guitar, strings, and woodwinds. As always, there is a m…
In the late '70s, The Avengers established themselves as one of the US's preeminent punk bands. Fusing incisive guitar hooks, explosive rhythms and adolescent venom, the group forged some of the most in-your-face songs of the era. Their live shows were legendary, playing up and down the West Coast and even blowing Sex Pistols off the stage at the latter's final performance. As Byron Coley writes in the liner notes, 'Of the best bands of San Francisco's first wave in 1977, The Avengers were by fa…
Following the release of lo-fi electronic masterpiece I Don't Remember Now / I Don't Want To Talk About It and his brilliant follow-up Plaster Falling, Cincinnati-based artist John Bender began assembling his third and last album, Pop Surgery, in late 1982. While all of Bender's work draws from intimate home recordings – featuring the artist alone with various keyboards, analogue sequencers and tape delays – Pop Surgery remains the one that perhaps best distills his arrant deconstruction of the …
** 2022 Much-Needed repress ** Glenn Branca's first full-length album The Ascension is a colossal achievement. After touring much of 1980 with an all-star band featuring four guitarists (Banca, fellow composers Ned Sublette and David Rosenbloom, and future Sonic Youth member Lee Ranaldo) along with Jeffrey Glenn on bass and Stephan Wischerth on drums, Branca took his war-torn group into a studio in Hell's Kitchen to record five incendiary compositions.
Originally released in the summer of 1981, …
"Reflex" is Gábor Lázár's debut album on Raster. His new album is a collection of seven tracks, featuring an extended sound palette of percussions and synthesizers drawing our attention towards the essential soundscapes of techno while maintaining his distinct, uncompromising and meticulously detailed style. While the tracks do not follow traditional narratives, the album has an evolution: it gently builds up from challenging, unpredictable, and organically composed structures to linear yet play…
Following on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a …
CD reissue of 2022 cassette release. Full length soundtrack of doom electronics to the sacred memory of Halloween night. Full length soundtrack of doom electronics to the sacred memory of halloween night. now available on compact disc the tracks are intended as soundtrack for private or group gatherings during the halloween season and autumnal nights.
file under: environmental, soundtrack, holiday, thematic, spooky, true crime, horror, sound effects, fall, nostalgia, autumnal, halloween, field …
Philosopher, musician and anti-art activist, Henry Flynt has long foregone the academicism often associated with "serious music" in favor of a uniquely intuitive, emotional approach to composition. In the 1960s and 1970s he was a part of NYC's vibrant avant-garde scene, studying with Hindustani singer Pandit Pran Nath and developing his own proprietary technique on violin. You Are My Everlovin', Flynt's first published musical work, finds the composer in peak form at a lower Manhattan loft in la…
** CD digipack ** Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.
Side one was recorded at a private concert (on the date and time indicated by the title) and features Young and Zazeela's voices against a sine wave drone with Jon Hassell on trumpet a…
Swiss composer Jürg Frey writes masterful soundscapes, calm and vast. With his sensitive ear for colour, sound and precision, he composes music of great serenity and lyricism; a poetic weightlessness in search of silence in sound. “My music is slow, sometimes static, often delicately shifting between standstill and movement. And yet, after more than an hour, this music has arrived at another place. Standstill, little happens, — it is this atmosphere from which my music emerges and to which it al…
The sixth volume of the collection, Arbor Vitæ, pays homage to the Canadian-American composer James Tenney with performances of the complete quartets and quintets. These works were composed over a period of more than 50 years, from the first string quartet, written at 21, to the last, posthumous quartet. Through various acoustic and musical phenomena, Tenney creates broad, open musical spaces, making music that is both rigorous and sensual. We feel privileged and honoured to be associated with t…
Tom Johnson uses numbers as base material, turning formulas, combinations and other mathematic phenomena into music. And somehow, this music becomes poetry, sometimes like a haiku, sometimes like a sonnet, sometimes descriptive and clear, often enigmatic but always beautiful.
A new vision of John Cage, via his complete works for string quartet. Spanning forty years of the artist’s activities, these three masterworks illuminate the different stylistic periods in the output of this 20th century icon.
"Originally written for orchestra, Phill Niblock’s Disseminate (1998) and Baobab (2011) were arranged by the composer specifically for the Bozzini Quartet, or rather, for ‘multiples’ of the Quartet: twenty different tracks are mixed in each piece — twenty different instruments, the equivalent of five string quartets. The music is essentially a work on the shifting nature of overtone patterns that arise from acoustic instruments. As composer Robert Ashley convincingly argued, these pieces inscrib…
“It is not enough just to play the right notes at the right time in the right way; one must also have the right consciousness. It places the performer in the role of explorer of the interior in order to produce, and being still in order to be active.” — Pauline Oliveros "These words, spoken by Pauline Oliveros, remind us of how fundamental an influence Alvin Lucier has had on the development of new music and its interpretation; they remind us of our role as explorers of sound, and of the irresis…